TV REVIEW: AGATHA ALL ALONG - Season 1

4/5

Harkness On The Edge Of Town

9 Episodes. Starring: Kathryn Hahn, Joe Locke, Sasheer Zamata, Ali Ahn, Debra Jo Rupp, Patti LuPone & Aubery Plaza. Created By: Jac Schaeffer. On: Disney +

Happy Halloween! It's the season of the witch and a cosplayer's dream in Marvel's 'Agatha All Along' on Disney Plus. The nine-episode spin-off to 'WandaVision', showing you in Westview, it was all about Kathryn Hahn all along. All as this new Marvel Television syndicate looks to carve its name into Halloween like a jack-o-lantern, after giving us 'Werewolf By Night' in black and white, and then live in living color, over the last two seasons. Down, down, down, the road, down the witches road, it's all a bunch of hocus-pocus, as Jac Schaeffer's ('TiMER', 'Black Widow') seasonal show, gives us, not only a two-episode premiere, but a two-episode finale twofer for your witching hour. Not to mention the sacred chant of a ballad that might just be the best original anti-hero song yet...and we've just had 'Joke: Folie à Deux' to deal with.

Cackle all you like, but this witches brew is brilliant. From getting a gang, that could give Bette Midler and her old crones a run for their warts, together, to paying tribute to the 'Wicked' greats that came before them, all the way to the horns of the magnificent 'Maleficent', as these bad witches go through more classic costume changes than a catwalk, door-by-door (how about the 'Bo Selecta' moment?). Eating the apple, all the way to the compelling credits of witch sightings, stories, 'The Simpsons', and even a Disney one for your princesses. But it's 'Bad Moms' and 'Glass Onion: A 'Knives Out' Mystery' star Kathryn Hahn who will really put a spell on you in this perfect cast. After literally stealing and hijacking the show from Wanda and Vision, she excels here. From the role copped in the perfect pilot, sharing strands with the sitcome 'WandaVision' throwback premiere, to the origin story finale that feels like the longest, and best, post-credits scene Marvel have ever done (although there are actually none). The charismatic Hahn happens to be the best thing on television right now, in a fall season fit for T.V. 

Closing up shop like 'The Old Man' last week and the 'Lord Of The Rings' 'Game Of Thrones' like 'Rings Of Power', it's all 'Agatha' versus 'The Penguin' now to go along with this Marvel and DC war. Our money may be on the waddle, but this witch still knows how to wave a wand. Especially with legends by her side. 'That 70s Show' and 'Friends' star Debra Jo Rupp reprising her 'WandaVision' role. 'Saturday Night Live' star Sasheer Zamata paving her own way on this witches road. 'Orange Is The New Black' star Ali Ahn setting herself free. And the great Patti LuPone of Broadway, the West End and musical theatre giving us perhaps the most showstopping moment of the season. But amongst classic cameos (no, not her) and other big names, it's Joe Locke (the Netflix 'Heartstopper') who locks it down with his crucial character and coming of age and stage performance that confirms him as a young hero for the new generation with avengance.

Legions of fans will be under this spell like they lived in a white picket fence American dream, as safe as suburbia, if your mind stone doesn't have vision. But there is always someone who comes along to spoil the broth and stir up the cauldron. Now Wanda is lost to a 'Multiverse Of Madness', the only one that could possibly match Hahn, charisma for charisma is the great Aubrey Plaza. Sure, she's been a Marvel before, in the legendary 'Legion', X-Men spin-off, but just wait until you see how many familiar faces make it into 'The Last Dance' of Venom, speaking of it being a mad multiverse. Besides, Kathryn Hahn already voiced an all new Doc Oc when she went animated, 'Into The Spider-Verse' with Miles Morales. There's so much Marvel, they have to double-up. And the amazing Aubrey really comes into her own, making a plaza of the powerhouse of a penultimate, epic episode that feels like a finale. No wonder they went two-by-two like Noah for this story arc. Like a 'Simpsons' short sideshow tells us, it really is the most wonderful time of the year, this spooky season. And Marvel Thrursday's are the new 'Wednesday'. This dark comedy fantasy is just the trick. A real treat. TIM DAVID HARVEY.

Further Filming: 'WandaVision', 'Werewolf By Night In Color', 'Hocus Pocus'.

REVIEW: VENOM - THE LAST DANCE

3.5/5

They Are Venom

109 Mins. Starring: Tom Hardy, Chiwetel Ejiofor, Juno Temple, Rhys Ifans, Stephen Graham, Peggy Lu, Clark Backo, Alanna Ubach & Andy Serkis. Screenplay: Kelly Marcel. Director: Kelly Marcel. In: Theatres. 

They saved the best dance for last. When 'Venom's' lashing tongue, licked and launched its way on to the scene in 2018, a fan favourite finally had his film. Although the screenplay and CGI weren't as oil-slick as the symbiotes skin, it certainly stuck. Thanks to the charisma between 'Legend' Tom Hardy and...well...himself. Yep! You best believe that demonic voice is him, too, as Eddie Brock deals with one parasite that won't leave the body with a round of antibiotics and a good night's rest. It's like your neighbour may as well not turn his music down. Sounding like a chopper barrelling down the hilly streets of San Francisco. Cheers were drawn for the ride of the 'Let There Be Carnage' super sequel, with Woody Harrelson as a villain almost as iconic as our anti-hero. But now it's time for 'The Last Dance' and we're not talking about a Michael Jordan and Chicago Bulls documentary. Although, 'The City' of the Golden State Warriors iconic t-shirt is back.

Dance, dance, dance like Murakami for the previews big in Japan this week. Mixed reviews and fanboys and girls have been met with big returns at the box office already. The kind that the 'Joker' can't even sing for, alongside Lady Gaga. "In Association With Marvel" seems to be the new curse for all Sony superhero movies in the Spider-Man universe that don't want to be the next 'Madame Web', or 'Morbius', disappearing in the same flash as that hilarious photo turned meme of the only other guy in the cinema for the films release. Neither of those movies, like 'Folie à Deux', were as truly terrible as they say. But this symbiote is on a whole other strand of storytelling. Making those other spidey senses on the way look as convincing as...well...my Halloween costume this year. Check Instagram if you really want to see your paunchy neighbourhood Spider-Man.

We all know that Venom is more than that terrific Eminem track, or some of the promotional product placement, rapping with Busta Rhymes, or spitting hot fire on Hot Ones (he needs some milk). Hardy (also on story duty) and his boy just make that much of a classic and compelling superpowered couple. For some reason it just works and what could have been the bane of 'The Dark Knight Rises' actor's life is actually the serious 'Bronson' and 'Lawless' actor just having good, dirty mouth (hearing Venom blaspheme is hilarious) fun. Even if a classic cameo in 'Deadpool 3' is looking like those Wolverine rumours have left the body like a former Topher Grace host. But whether it be Venom frogs, fish, or lions, tigers and bears (oh my!), Hardy and Eddie have made this third act of the trilogy like that horse drawing meme. And just wait until they take a ride on one that is anything but pale.

How fast can they make this franchise go without killing it? Well, there's only one way to find out as you witness the epic conclusion. It's all love over here, with a heart-filled and warming buddy comedy of the superhero genre that just may leave you with more than tears of laughter. Especially in the last epic assemble. This may be Eddie's last dance to a sweet soundtrack. And that's a real shame. We really wish we could have seen the two Tom H's get it on ("never say never"). Being comic teased after that 'No Way Home' post-credits scene that is called back to here with madness for the multiverse. The sequels have already shown there are more spider symbiotes than Iron Man has suits. And this movies own post-credits teases more with a legendary villain motion-captured by the director of the last film, Caesar ('Planet Of The Apes') and Gollum ('Lord Of The Rings') himself, Andy Serkis.

Yet in this circus act, scripted and directed (a dynamic debut) by Kelly Marcel (the first film and 'Fifty Shades' film writer) offers even more symbiotes for the devil and a class cast behind the bullish M.J. of this last dance. An electric and always great Juno Temple is joined by the early Christmas of Clark Backo in the lab coats. And it's great to see 'Peaky Blinders' co-star Stephen Graham back, and doing his best, "no peace" 'Independence Day' impression. Like it is the corner store to Las Vegas of Peggy Lu's Mrs. Chen having the real fond last dance (are they gonna get it on?). But if you thought it was just fellow Bond favourite Aaron Taylor-Johnson's Quicksilver (don't get us started with 'Agatha All Along') making the multiverse a maddening crowd with 'Kraven The Hunter', then a wizarding villain in 'Doctor Strange's' Chiwetel Ejiofor and the lizard of 'The Amazing Spider-Man's' Rhys Ifans (betrothed beautifully to Alanna Ubach and Area 51) are here too. Although, that's it for creepy-crawlies. But with amazing action and spectacular special effects, who need a spider in this verse? This may be Hardy's last dance (thanks for the memories), but Venom is hardly "knull" and void. TIM DAVID HARVEY.

Further Filming: 'Venom: Let There Be Carnage', 'Spider-Man: No Way Home', 'Kraven The Hunter'.

REVIEW: TRAP

4/5

Trap Music

105 Mins. Starring: Josh Hartnett, Ariel Donoghue, Saleka Night Shyamalan, Hayley Mills & Alison Pill. Screenwriter M. Night Shyamalan. Director: M. Night Shyamalan. In: Theatres and concert venues.

Imagine like Lennon. Your daughter's in her "tour era", and a Taylor Swift like artist is in town. You promised her tickets if she got her grades up. And she aced them all like Serena. This is the hottest ticket right now, and everybody and their social media account is going. What's more, your daughter's frenemies (apparently that's a term like "crispy" for all your dad jokes) are in attendance...and you better not show her up in front of them. If that wasn't enough, so is every cop in town...and the FEDS. Because they're looking for you, punk! You're "The Butcher" right? Just kidding. But seriously...if you are. You should probably stop reading this article and go turn yourself in. The trap is set.

"30,000 fans. 300 cops. 1 serial killer. No escape." That's the premise for 'The Sixth Sense' and 'Signs' for twisting and turning, legendary, hit-and-miss (from 'Split' and 'Unbreakable', to the 'Glass' trilogy) director M Night. Shyamalan's latest, and one of his greatest hits. Right now, the 'Old' director is in one of his better eras, following the horsemen of his 'Knock At The Cabin' epic of Biblical proportions. The thrilling, psychological horror auteur knows how to twist and taut your stomach in knots as he swings away. Rarely really scary, but when he is (the uninvited guest at the 'Sings' party (why do I picture that creepy alien in a party hat?)), he'll fry you...literally here. All in the red room of a perfect poster and 'Green Room' like musical escape, no 'Folie à Deux' soundtrack, that will well and truly rock you to the roots of your terrified tension.

Classic cameo? Check! But what's more than this is the show stealing by M. Night's daughter Saleka Night Shymalan in this GirlDad movie like Kobe. Not only providing the music as the Saleka real life singer that she is, but also the punch of some powerhouse acting that confirms her as the new double-act showstopper on this daddy/daughter day, no nepotism. Playing a fictional Swift like Lady Raven, this young woman will never fade to black as she commands stage and screen with a pure presence that feels familiar. Not only making this movie her own, off the big names on the set-list, but also showing the power of social media and a fan following for good across the streams, when the comment section isn't just a big bait for clicks. How can you not like, no love, that? The other daughter making her name is the fan in question, Ariel Donoghue, the 'Blueback' and 'Wolf Like Me' star more than making the grade, wondering why her dad is acting so weird...not to mention, embarrassing.

The father of hers? Hollywood heartthrob turned amazing actor (see 'Lucky Number Slevin'), Josh Hartnett. 'The Faculty' and 'Pearl Harbour' superstar has had quite the resurgence of late (see 'Oppenheimer') after he quit Tinseltown. More profound in his acting nuance as his new calling card seems to be playing freaks (his out of this world performance in the last series of 'Black Mirror'), or those who frustrate us (the niceness of his new husband for 'The Bear'), Hartnett is a hallmark talent who once again is coming into his own. Going from devoted dad, to cringeworthy and creepy in some of the best acting you'll see. Seriously good as a serial killer whose butcher is a cut above the rest. There may be no sympathy for this devil, rolling through the stadium sounds like a stone, but sometimes when you root for him (maybe it's a fellow OCD thing...man, I should turn myself in), you forget that this is not 'The Fugitive'. DAM!

You want to trap a parent on the double? Then who better than the literal twins of 'The Parent Trap' (no, not Lindsay Lohan) in 'Whistle Down The Wind' (a movie based on her mother's book as the family affairs just continue on) legend Hayley Mills on her own career redefining arc for the best movie Easter Egg and in-joke? Making this a mothering movie, just as much as father time, as the third act prescription of a coming of age and her own show stealing Alison Pill is literally what the doctor (or cop) ordered for the film's final furlongs that have more ending than Shyamalan classics have twists. Shot in Toronto (it looks like Philly) and Hamilton, Ontario, Canada, how this Blinding Edge movie, that finally sees the light of day in the land of the rising sun, received mixed reviews is beyond me. Nothing is butchered here in this Shyamalan dubbed "'The Silence Of The Lambs' at a Taylor Swift concert" film. It's a masterclass of an escape room plan, that turns a poster boy into a wanted one and almost gives the talents that his daughter deserves its own movie album like a 'Purple Rain'. Those Prince dreams may not have been quite realized with the young queen Saleka, but the throne is watching and waiting. You can't trap talent like this. TIM DAVID HARVEY.

Further Filming: 'Split', 'Green Room', 'Taylor Swift: The Era's Tour (Taylor's Version)'.

REVIEW: THE OLD MAN - Season 2

4/5

Old Man On Fire

8 Episodes. Starring: Jeff Bridges, John Lithgow, Alia Shawkat, Amy Brenneman, Gbenga Akinnagbe, Navid Negahban & Jacqueline Antaramian. Created By: Jonathan E. Steinberg & Robert Levine. On: Disney +.

Abide. As this old dog still has plenty of new tricks...and canine companions. When we last saw 'The Old Man', Jeff Bridges, he was giving it to people like an equalizing 'John Wick'...no geriatric. What was even more thrilling, however, was his brutal back and forth with the great John Lithgow in a war of words. Not since the sitcom days of '3rd Rock From The Sun' have the legendary Lithgow's barbs been this sharp. Calm down...there's much more of that in the second season of the FX special, that sees the amazing action punctuate the best wordplay this side of 'Succession'. This is why there is still life in 'The Old Man' and the pilot season's seven seals are joined by an eighth wonder. Making for one of the fall favourite T.V. specials, alongside the DC and Marvel war of 'The Penguin' and 'Agatha All Along'. Not to mention the original old man, back in Boston, Dr. 'Frasier' Crane.

Cheers to this Jonathan E. Steinberg and Robert Levine show run creation based on the book of the same name by Thomas Perry. Twisting and turning on this long American and Afghanistan highway, all the way to a tense, thrilling conclusion in a classic American diner that may leave you as isolated as an Edward Hopper inspiration. When it comes to these grey nighthawks, Bridges and Lithgow are on fire. They've barely been better. And this is one man who continues the legacy of 'Tron' and another who's about to be a new pope in the new classic 'Conclave'. But for all the smarts they throw down, dusting off their knuckles and award worthy performances, it's Alia Shawkat who may just be holding all the strings. The 'State Of Grace' star really came into her own in the first season, but now she's holding all the cards. If this really was a book series, then season two would be called 'The Daughter'. What Ali does with just one look, or moment of sheer will, will floor you.

Elsewhere, '24: Live Another Day' action star Gbenga Akinnagbe is a hit, man. Whilst 'NYPD Blue' blood Amy Breeneman has as much compelling chemistry with Jeff "hey, man. There's a Berretta here" Bridges than she did in 'Heat' with Robert "there's time" (heartbreaking) De Niro. Yet, it's Navid Negahban's absolute presence and Jacqueline Antaramian's fierce devotion that cuts even deeper. And just wait until you're reintroduced to someone who is just as scary this Halloween, as they were in the outstanding 'Ozark' series. That show showed you that anything could happen in the blink of an eye. And you won't want to take the open you keep open as you sleep off this ignited slow burner that illuminates the screen like it does in this high definition age of prestige television. Back on the grid, this stitched and weaved action drama title card, composed by T Bone Burnett and Patrick Warren, is about to head for a big third season. Not to mention an alter-ego from Bridges, more sought-after than a guest star, that will show you who this old man really is. DUDE?! TIM DAVID HARVEY.

Further Filming: 'Man On Fire', 'The Equalizer', 'Hell Or High Water'.

REVIEW: WOMAN OF THE HOUR

4/5

Blind Date

94 Mins. Starring: Anna Kendrick, Daniel Zovatto, Nicolette Robinson, Kathryn Gallagher, Autumn Best, Pete Holmes & Tony Hale. Screenwriter: Ian McDonald. Director: Anna Kendrick. On: Netflix.

Be careful what you swipe for in this modern day, digital dating age, but have no fear in selecting 'Woman Of The Hour' on Netflix when scrolling and looking for your next movie night. Let's face it, the streaming service itself feels like a dating app for movies, when in this dazed and confused online age of passiveness, we can dismiss something, or someone, in the blink of a swipe (we can thank 'Minority Report' for that technology). But that doesn't mean you should pass up on this 'Hour', even with the wealth of streaming shows and other massive movies it has at its disposal, outside its original content. Movies on N are usually met with malaise until the Oscar circuit begins. And this 'Woman' is their best shot at awards season since 'His Three Daughters'.

Anna Kendrick really is the 'Woman Of The Hour', in more ways than one. She is one of Hollywood's brightest stars ('Up In The Air', 'A Simple Favour', the 'Pitch Perfect' series), and we already know how versatile she is when making music with 'Cups'. But here's another note. Not only does Anna act up a storm here, she also makes her directorial debut 'Of The Hour', and maybe the best one since a 'Booksmart' Olivia Wilde. All in the same year, great actor Dev Patel got down to the same sort of business in his Jordan Peele backed 'Monkey Man'. But you only have to see Anna's excitement on seeing her best picture's billboard in Hollywood to see how much this all means. Kendrick is on another level. She's not like us. 

Here she plays Cheryl Bradshaw. An aspiring actress who appears as the woman of the hour on a dating game show aptly titled 'The Dating Game' (the late, great singer Cilla Black did it better), looking more for her 15 minutes of fame than Mr. Right. You know the set-up. Three suitors. A screen. Cue cards full of questions, each cornier than the last, as the skin-crawling responses creep in when confidence think its charm. One take on the question beneath the question illustrates this perfectly. Just another case of Saturday night victim T.V. And further rhyme to the reason that we've often looked the wrong way when lost in finding love. This is one way how they used to do it back in the day. Ending up being everyone's entertainment. Despite it being many young heart's dream to be on shows like this. Much like the dream of being a famous actor or actress. A true crime thriller, yes 'The Dating Game' and all that transpired is real, from a screenplay penned by Ian McDonald, 'Woman Of The Hour' isn't just a slice of serial killer history for those mind-hunting shows of that nature. It's also a cautionary tale to not believe everything you see online.

Kendrick kills is. Even though that really is the wrong way to put it. The real killer inside will truly scare and sicken you. Horror actor Daniel Zovatto (in full 'Zodiac' mode, if that murderer was made), follows the likes of  'Don't Breathe', 'Beneath' and 'It Follows' with something so frustratingly frightening, as you just want him to be caught and get his comeuppance. The 'Penny Dreadful' protagonist as an actor, especially in this day and age, is in a difficult spot. To convince us he is someone so cruel, that in real life the wrong people will be convinced that the real actor is just as abhorrent. It's just the signs of a great actor...he's probably a sweetheart. But after watching him in this movie, a part of you will never want to see him again. In a strange way, that means he's done his job right. Even if it feels so wrong. Elsewhere, Nicolette Robinson ('The Affair', 'One Night In Miami...') is convinced she's seen contestant number three before. Whilst fellow Broadway star ('Jagged Little Pill') and singer Kathryn Gallagher (lighting up the screen with actual charm) has. 

Credit Kendrick for actually fully fleshing out female characters in an ignorant industry that reduces these co-stars to the margins. No more is this apparent from Anna in the introduction of Autumn Best, who really is, as she steals the show as the real woman of the hour. Giving it her all, she plays Amy, who is based on the real-life Monique Hoyt. A teenager who was smart enough to stay on the killer's good side in order to try and save her own skin. Also making an appearance are comedian Pete Holmes (who has a funny bit about a suspect Springsteen lyric) and a chameleonic, dynamite Tony Hale as the game show host, based on the late, great Jim Lange. A Toronto Film Festival favourite, perfect down to the poster and its seventies soul. This passion project from Kendrick takes hits at all that is systematic in the misogyny and passive reaction to the murder of women, body, spirit and soul. It only takes an hour (and a half), to see that this is one of the best women in movies. No, scratch that, one of the most important people in the industry. Where the spotlight needs to be shined on the shadier sides. TIM DAVID HARVEY.

Further Filming: 'Boston Strangler', 'Zodiac', 'The Killer Inside Me'.

SHORT REVIEW: THE SIMPSONS - THE MOST WONDERFUL TIME OF THE YEAR

4/5

Terwilliger All Along

3 Mins. Starring: Kelsey Grammar, Maurice LaMarche & Nancy Cartwright. Screenwriters: Broti Gupta, J. Stewart Burns, Dan Greaney & Al Jean. Director: David Silverman. On: Disney +.

What a time to be alive. When your Disney home means you can send up Marvel, 'Star Wars' and even 'Bambi', and not get it in the neck. Kelsey Grammar must be raking it in. Not only has this Beast of an actor (with no CGI needed for all that chest fur) made his 'X-Men' cameo appearance in the M.C.U., post-credits for 'The Marvels', he's also rebooted his fond family sitcom spin-off, 'Frasier' to the cheers of a second season (but can we get a Sideshow Cecil?). And now, it's 'The Most Wonderful Time Of The Year' in the Crane household. As the voice and "eugh, er, eugh, er, eugh, er" as iconic as his radio shrink stars in the latest 'Simpsons' short to celebrate their 36th season and the evil tidings of the season of the witch. Riding in on his own worst enemy (no, not the back of, the Bart...the) like it was 'Agatha All Along'.

'Tis the season to be stabby. Ow-a-ow-a-ow-a-ow-ow-ow. We aren't talking about candy canes and mistletoe, but the real end of the year season that has people falling all over themselves, wanting to leave the pumpkin on the porch until it's as rotten as eggs left from Easter. The trick to this latest short from 'The Simpsons' is that it's like an added extra bonus to their latest, iconic, trademark season starting 'Treehouse Of Terror'. And what a treat as Kelsey G-G-Grammar breaks into song, even more than he tries to break Bart (the "I still can't believe she's not a boy", Nancy Cartwright). And that's not the half of it. Just like the legendary Julie Kavner fronted 'May The 4th Be With You' (for that other most wonderful time of the year) featured all the queens of Disney, Marvel and 'Star Wars', this one caters to all the villains. No matter how many times Thanos (Maurice LaMarche filling in nicely for Josh Brolin) clicks his fingers. It's inevitable that this Plus property will give you plenty of cameos that would look like shameful product placement if it wasn't for the sharp screenwriting of Broti Gupta, J. Stewart Burns, Dan Greaney and Al Jean. 

Tossing salads and scrambling brains. All to give us one of the best Disney designed shorts yet, directed by David Silverman. Come for Darth Vader, stay for those classic closing credits that have become as popular and sought after as 'The Mandalorian' concept-art crawl. Grammar's Bob is the bard that will make this comedy a classic again, instead of the Shakespearean tragedy of this lifetime running achievement of an amazing animation, getting it from rapper J.Cole as he dissed Kendrick Lamar...and then walked it all back like Homer in the hedge. Dubbed as, "music, mayhem and madness", all with a little mirth. Trump on an escalator, tiger's going tiger as Chris Rock said, and Osaka flu. 'The Simpsons' have had a way of Nostradamus-ing some of life's events. And right now it's on the money, riding with the Grammar rodeo that is Kelsey's career-resurgence calling again. And Bob's your uncle. Happy Halloween, Springfield, we love you. TIM DAVID HARVEY.

Further Scaring: 'The Simpsons: Treehouse Of Terror', 'The Simpsons: May The 12th Be With You', 'Frasier'.

REVIEW: JOKER - FOLIE À DEUX

3.5/5

The Killing Joke

138 Mins. Starring: Joaquin Phoenix, Lady Gaga, Brendan Gleeson, Catherine Keener, Zazie Beetz, Steve Coogan, Harry Lawtey & Leigh Gill. Screenwriters: Scott Silver & Todd Phillips. Director: Todd Phillips. In: Theatres.

Madness. Madness? This is 'Joker'. 'Folie à Deux'. A sequel for two. But this time, who's the joke on? And who will get the last laugh in Todd Phillip's madcap musical? If you were never a fan of those episodes of 'The Simpsons' and 'Family Guy' that used to break into song (more annoying than a clips show), then you should probably drop this mic, like those who are afraid of karaoke. Otherwise, 'Joker: Folie à Deux' is actually a singing statement piece of a movie musical that is more than just a love ode to cigarettes and those ol' blue eyes of the great American songbook, as it tries to say something to those glorifying violence and not thinking about mental health. Whether this self-aware and serving franchise, or its fans, are guilty of all that. Although more maligned than Marvel's 'Madame Web' (which back in the early 2000s would have been the movie of the year), don't expect to catch it on Broadway soon. Branded as a 'F' you to fans, it's all coming out now. The review embargo. Todd Phillips, keeping DC and James Gunn (he's not the first one) at a distance. His Thanos like seclusion to the country on the weekend of this film's release. And the fact that apparently this all came to Joaquin Phoenix in a dream.

Sounds like a nightmare. Oh darling, it's much more than that. A victim of its own violence. Rising from the ashes of this explosive epic, Phoenix's Arthur Fleck says he wants to burn it all down in a movie that is part Prince 'Partyman' song and dance, part courtroom drama. Lowering the gavel like the boom of a Harley Quinn hammer. The 'Joker' of the pack in 2019 earned Joaquin his first Academy Award after being nominated for an Oscar for playing Johnny Cash (Boyd Holbrook of 'Logan' fame will take over as the Man in Black in James Mangold's 'A Complete Unknown' Dylan biopic, starring some boy called Timothée). This was the Clown Prince of Crime's second gold statue after the late, great Heath Ledger became the definition of The Joker in 'The Dark Knight'. Word in Gotham is that Christopher Nolan nixed any chance of Phoenix's Fleck putting a smile on his face in the same way as Heath when he still held an executive producer's seat at Warner Bros. Now, fans are crying that Jared Leto is no longer the worst Joker, whilst Phillips is claiming Arthur was never the Clown Prince anyway. Firstly, those deriding Leto need to see his redemption cameo in Zack Snyder's 'Justice League'. He's earned his card.

Secondly, like the classic Cameron Monaghan in 'Gotham', Joaquin Phoenix's 'Joker' was always meant to be an inspiration incarnation. Never the real deal like the legendary Jack Nicholson, Cesar Romero and voice of Mark Hamill. And the same could be said for Stefani Germanotta AKA Lady Gaga's Lee Quinzel, or as we all know her well, Harley Quinn. Her amazing album accompaniment 'Harlequin' offering further rhyme to that reason. Taking over from the emancipation of 'Barbie's' Margot Robbie in the same redefining way Phoenix did when everyone said nobody could touch the legendary Ledger. They still can't. Nevertheless, at least this movie/music mash-up clears a path for the great Barry Keoghan to do his thing in Matt Reeves' sequel after his cameo in 'The Batman'. Yeah, DC is a mess, but at least this crazy in love film tries its best to Bonnie and Cylde ride it 'till the wheels' fall off. Mostly staying on track, despite a derailing third act after Phoenix does his best 'Darrow' impression. Those worrying about the script's song sheet needn't worry. Besides, Gaga's Academy Award-winning 'A Star Is Born' remake (not to mention her 'Maverick' 'Top Gun' sequel song) and Joaquin Phoenix's time walking the line, is fine for all this. Instead, take a look at the amazing animation, that's straight Looney Tunes, that comes before this movie like 'Tom & Jerry'. That's what we need to be talking about.

Phoenix and Gaga stepping up to that iconic staircase, as they dance, are something like a phenomenon like LL Cool J, or John Travolta. Do-do-da-do-do. And a capable cast more than bolster this from the bench. Like the terrific testimony of a returning Zazie Beetz ('Atlanta', 'Deadpool 2') and courtroom scene-stealer Leigh Gill of 'Game Of Thrones' fame (but why did they have to do him dirty with the Yellow Pages?). 'The Banshees Of Inisherin' and 'In Bruges' legend Brendan Gleeson really brings it as an Arkham guard. And Catherine Keener's legal support ('Being John Malkovich', 'Get Out') is as dedicated as they come to this sad clown in a sunken place of drawn out sockets and emaciated skin. Great British comedic actor Steve Coogan also does a seriously good job as a sensationalist TV journalist who could even pierce Piers Morgan. Whilst 'Industry' actor Harry Lawtey is a fresh-faced, will he, won't he, Harvey Dent, trying to bring justice to this circus. Which is exactly what Phillips is trying to do, alongside co-writer Scott Silver ('8 Mile', the new 'Spawn'). Despite no respite from the critical and box office hangover. But it's never as bad as they say in this world of extremes. Just like the perfect 'Penguin', Soprano like series doing the business right now, is no "masterpiece"...yet!

Why do birds suddenly disappear? This jukebox musical and psychological thriller is no horror. It does have its moments. Like when bona fide, 'House Of Gucci' movie star Lady Gaga puts a smile on the reflected face of prison glass, and Joaquin Phoenix (the master of Arthur's uncontrollable laughter through all the tears or rage and pain) moves into it and spreads its blood-red grin with his expression. Or when the (im)perfect pair take each other's hand for a dance that transcends 'La La Land'. Still, fans are furious at this film that takes shots at all those middle-aged men who post those "I'm trustworthy until you cross me" memes with Joaquin's Joker or Cillian Murphy's Tommy Shelby from 'Peaky Blinders' in the background like Tom Hardy's twinning Krays. You know that legend will get it in the neck too, if his 'Last Dance' with 'Venom' doesn't bite their Spidey senses. The outstanding original of a first film, that took cues from Scorsese's 'Taxi Driver' and 'King Of Comedy', was a classic, 'A Clockwork Orange' like cautionary tale. But much like that iconic film, many didn't get it (Heath did), and that's why Phillips and Phoenix decided to take their character back. For better or worse. And now they're being cast out like lepers, as we were all warned about. Maybe this is why they actually did a sequel, as they give the people what they want. Maybe, we should be careful of what we wish for. There's a punchline in here somewhere. If only we got it. TIM DAVID HARVEY.

Further Filming: 'Joker', 'La La Land', 'A Star Is Born'.

STAND-UP REVIEW: ALI WONG - SINGLE LADY

4/5

Divorce Story

59 Mins. Starring: Ali Wong. On Netflix.

The last time we heard from super-comedian, the 'Don (Ali) Wong', the 'Beef' and 'Always Be My Maybe' Netflix star was talking about how, although she was happily married and won't cheat, single people have it so much better. And there may be some truth in that, or at least some funny stuff, as Ali takes us through her 'Single Lady' life on her new Netflix special. Ali Wong is now divorced (although she and her ex-husband are still best friends) and has found new love in fellow comedian and star of amazing one-word T.V. shows beginning with "B" ('Barry'), Bill Hader. But that doesn't mean she's not going to give us one outrageous hour of her year leading up to all that.

Bumbling through the apps, propositions coming from more Chad's than a 'Jersey Shore' reunion and more men children than a 'Star Trek' convention, Ali shows us the rights and wrongs of dating in this modern world. Especially when you're hitting the home run of 40, as father time is stealing follicles like Ohtani does bases. Triggered? You bet I am! And I love it! Although I may not be sliding into any DMs anytime soon, men of the world know this. Like climate change, ED is here to stay. And if you're accustomed to that type of pre-game jitters when you step up to the plate, you better head for a different type of home. Does she have to stomp around your fancy place and all that pretentious art like a Disney villain? Besides she has her own house, complete with a Godzilla/Hello Kitty toilet.

This hole in one for Wong is quite possibly her best stand-up special since she had the game in a 'Cobra' clutch. Don't get your tea and rice bowls confused. Behind those iconic eyeglasses, she sees the world like we all wish we could tell it. But we don't have the b###s too. P###y?! Nah! Haven't you heard Trevor Noah's take on all that strength? She'll grab her own one, thank you very much, f### Trump! Especially when she sees the handsome likes of the real underwater eye candy in 'The Little Mermaid'. Hoping that's a trident he's packing, and he really does go, "under the seeeeea"! Let's talk about sex with no constraint in this age of gilded freedom and the "D" word. No, no, get your mind out of the gutter. We're talking about divorce. If you like it, then should have taken a ring off it. Oh,oh, oh, oh.

Thankfully, it seems to have been an amicable one with Ali's ex. But that's none of our business, anyway. What Wong will divulge is the dating game that played out afterwards. The graphic content of these anecdotes will really have you cackling. Especially if you're swiping through more apps than you are wedding dress brochures. Crudely collected in classic one-liners, this is a dating montage that would have made the lovely 'Always Be My Maybe' even funnier. Setting the sliders between 25 and 60, like anyone our age can and should (hello, 49), Wong refuses to live a life of woe, post-divorce. Glowing like the time she took to stage with a 'Baby Cobra'. The Bat-signal the media sent out may have found her the best man, but before all that her life experience makes for a great tale, that's more celebratory than cautionary, in a world where we are all too quick to shame people a few steps away from where anyone could be. No reason to have beef with that. TIM DAVID HARVEY.

Further Filming: Ali Wong 'Don Wong', 'Beef', 'Always Be My Maybe'. 

REVIEW: CIVIL WAR

4/5

Divided We Fall 

109 Mins. Starring: Kirsten Dunst, Wagner Moura, Cailee Spaeny, Stephen McKinley Henderson, Sonoya Mizuno, Jesse Plemons & Nick Offerman. Screenwriter & Director: Alex Garland. In: Theatres.  

Captive America. In April, A24 released their most expensive and second highest grossing movie to date, 'Civil War'. So those, "where's the shield and metal arm" gags have had their day now this movie sees the rising sun. There's nothing civil about this war between civilians and politicians, as director Alex Garland ('Ex Machina', 'Men') asks audiences in Japan to watch this with respect in a promotional video, as only this nation would. America actually may be on the brink of another civil war with the way things are going right now, and even the forthcoming election feels like a dog fight. Garland cut his teeth writing scripts for Danny Boyle ('28 Days Later', 'Sunshine') after Boyle adapted his book 'The Beach' to worldwide acclaim. Since then, he's been scripting up a storm (the adaptations of Kazuo Ishiguro's 'Never Let Me Go' and 'Dredd' graphic novels), and being Academy Award nominated for his 'Machina' screenplay which seriously looked at the rise of machines in our everyday lives. Now, with this script, he shows us another fable that could truly become an Orwellian omen, with the best big brother eye on the future since '1984'. One of the scariest movies ever, on 'Contagion' levels (you remember corona, right?)

Brutal, brilliant and bracing. 'Come And See' the movie inspired by said one (that coincidentally came out in 1985) that refuses to explicitly take a side (although Nick Offerman's President of the United States may just remind you of someone), just like it won't let what's happening right now, in the world as we know it, slide. This caustic, cautionary tale isn't just the biggest picture of Garland's great career. It's also the most important one of this, or recent years. We must heed its message before we can't turn back on this road. 'Civil War' is not what you think. Packed with political punch and crowd pleasing lights, camera and action, yes, but rooted more in the journey and journal of war photographers whose job is to show you, and US, just how bad things can get if war is waged. All of this is captured perfectly on the worn and weathered portrait Dunst gives us of a prolific photographer caged behind the camera, as she has to stay at a shooter's emotional distance from the aggravated action. A battle of blood and bullets that is really taking lives. This is no movie. Cameo captured perfectly by Dunst's real life husband Jesse Plemons in an uncredited role (in the same week he's giving Japan three big acts in 'Kinds Of Kindness' in kind). His racist, ultranationalist militant, in tactical red military issue sunglasses, is truly terrifying.

By Kirsten's side, Wagner Moura is a wonder as a journalist itching to get a quote of POTUS sounding off before he bites. This is the Pablo Escobar of 'Narcos' and 'Elysium' scene-stealer's moment. Just like it is the one of young actress, hot on the heels of Dunst, in more ways than one, Cailee Spaeny. Similar to Mia Kirshner's Laurie in 'Mad City'. Cailee has played 'Priscilla' Presley (in 'Lost In Translation' director Sofia Coppolla's answer to 'Elvis') and a Ripley like heroine in 'Alien: Romulus'. All in this calendar. If Glen Powell is the leading man of the year, then she is the woman. But nothing is quite like this, as she goes from being green with sickness and inexperience, to being as desensitized as sadly we all are these days. So much so, we can barely remember when, or the fact that, we weren't. Elsewhere, Juilliard's own veteran legend Stephen McKinley Henderson continues his late career surge ('Lincoln', 'Fences', 'Manchester By The Sea', 'Lady Bird', 'Dune', 'Beau Is Afraid') with a truly affecting performance. Whilst Tokyo born, British actress and frequent flying collaborator Sonoya Mizuno ('Maniac', 'House Of The Dragon') reunites with Garland after 'Devs' and being part of the best dance ever with Oscar Isaac. 

I love America. Always have, always will. But it's in trouble. From New York City to Washington, DC, engulfed in dystopia, this movie has its hold on everybody. All the way to the blistering blitz of a third act that goes out with the boldest bang. The "Western Forces' of Texas and California. The harrowing and haunting reminder of Charlottesville. And just wait until you see the real price of gas these days. Promotional posters of A24 and Alex Garland's 'Civil War' see the Statue of Liberty surrounded by helicopters, with snipers in her crown, acting as turrets. Garnering criticism, in some states, for the use of artificial intelligence to form these photos. But, just like the title sequence of Marvel's criminally underrated 'Secret Invasion', this film's message, in all ways, is just showing you how the world works these days...unless we change. All for the hope of a better way and day. When, right now, the USA is not in a united state. These are signs of the apocalypse, that we can cancel right now. Let's not make this a documentary. War can be over...before it even begins (if you want it). Imagine. United we stand. TIM DAVID HARVEY.

Further Filming: 'Apocalypse Now', 'Children Of Men', NOT 'Captain America: Civil War'...with all due respect, Cap.

TV REVIEW: THE LORD OF THE RINGS - THE RINGS OF POWER: Season 2

3.5/5

The Return Of The Rings

8 Episodes. Starring: Morfydd Clark, Markella Kavenagh, Megan Richards, Robert Aramayo, Benjamin Walker, Ismael Cruz Córdova, Tyroe Muhafidin, Charles Edwards, Daniel Weyman, Owain Arthur, Charlie Vickers, Sophie Nomvete, Lloyd Owen, Cynthia Addai-Robinson, Trystan Gravalle, Maxim Baldry, Ema Horvath, Leon Wadham, Sam Hazeldine, Ciarán Hinds, Rory Kinnear, Tanya Moodie, Jim Broadbent & Olivia Williams. Showrunners: J.D Payne & Patrick McKay. On: Amazon Prime.

Fall forces on the small screen will take you towards this coming winter, now the summer of 'Shōgun' and all the other Emmy ('The Bear') and personal ('Only Murders In The Building') favourites have finished (well, there's still one case left to be solved). DC and Marvel are at it again, battling with their villains 'The Penguin' and 'Agatha All Along' for the anti-hero age. But they've got nothing on 'The Old Man' of Jeff Bridges, a retiring (yeah, right) 'John Wick' type, flanked by John Lithgow. And speaking of the older generation, let's not forget 'Frasier' for all those who see family friendly comedies Paramount. But on this third rock from the sun, it's middle-earth that really wants to make a 'Game Of Thrones' like impression on the tube. That HBO series based on a world of brick building books already has its own 'House Of Dragon' spin-off. Whereas season two of 'The Lord Of The Rings: The Rings Of Power', from showrunners J.D. Payne and Patrick McKay, on Amazon Prime still have their fire-breather locked deep in a cave of gold.

What lies beneath reveals more though for a pair of eight wonder seasons of 'Power' that have been met with mixed and meh reviews from critics and fans alike. But ones that are actually epic and exciting. J.R.R. Tolkien's tomes will always be the thing of legend, and only Peter Jackson has been able to carry on the legacy with his twin trilogies of 'The Lord Of The Rings' and 'The Hobbit', the latter squeezing more movies out of one book than the 'Harry Potter' finale. Jackson will return to action with 'The Hunt For Gollum' (not based on the YouTube classic) when he's finished resurrecting the Dodo. And breathing life back into this franchise takes some of the shine off 'The Rings' that could, at times, use a polish. But then again, what do you expect from a series that is based on appendices? Especially in this day and age where intellectual property of your favourite franchises is bled dry and milked for all it's worth, without a thought. In the second season of this fantasy set thousands of years before the characters you know and love, we finally get to see the rise of Dark Lord Sauron in all his evil glory. Not to mention the forging of the rings, in this epic of Biblical proportions that really belongs on a much bigger screen than your phone...not smart.

Big battles, lavish landscapes and a capable cast keeps 'The Rings Of Power' circling back, even though viewership levels have receded somewhat. Morfydd Clark, Markella Kavenagh, Megan Richards, Robert Aramayo, Benjamin Walker, Ismael Cruz Córdova, Tyroe Muhafidin, Charles Edwards, Daniel Weyman, Owain Arthur, Charlie Vickers, Sophie Nomvete, Lloyd Owen, Cynthia Addai-Robinson, Trystan Gravalle, Maxim Baldry, Ema Horvath and Leon Wadham all return. Whilst Sam Hazeldine replaces Joseph Mawle. Nazanin Boniadi makes a departure off-screen. Whilst we still miss Lenny Henry's (still one of the most versatile talents for those who have heard 'The Red Shoes' click) delightful dwarf and his lovely last words. Never fear, the likes of Ciarán Hinds, Rory Kinnear, Tanya Moodie, and the legendary voices of Jim Broadbent and Olivia Williams are welcomed to a middle-earth map that has even more houses than games have thrones. Meanwhile, going back and forth, Charlie Vickers and Charles Edwards ante up the acting. Stealing the show off of stars Morfydd Clark and Robert Aramayo, like an inspired Ismael Cruz Córdova, every time he brings his bow to bear. All of this, and the stranger things of revealing who Daniel Weyman really is (as if you didn't know). For the history of 'LOTR', from Gandalf to Gollum, this show shall pass. TIM DAVID HARVEY.

Further Filming: 'The Lord Of The Rings: The Fellowship Of The Ring', 'The Lord Of The Rings: The Two Towers', 'The Lord Of The Rings: The Return Of The King'.

REVIEW: KINDS OF KINDNESS

3.5/5

Kind Of Good.

164 Mins. Starring: Emma Stone, Jesse Plemons, Willem Dafoe, Margaret Qualley, Hong Chau, Joe Alwyn, Mamoudou Athie & Hunter Schafer. Screenwriters: Yorgos Lanthimos & Efthimis Filippou. Director: Yorgos Lanthimos. In: Theatres.

Emma Stone, Jesse Plemons, Willem Dafoe, Margaret Qualley, Hong Chau, Joe Alwyn, Mamoudou Athie, and Hunter Schafer. All incredible actors playing their part in the absurd anthology and trippy triptych fable 'Kinds Of Kindness', from great artistic director of our times, Yorgos Lanthimos. One that will leave you thinking, "what the"...I don't even think there's a word in the English language that can comprehend quite what's going on here. And this is what makes modern movies like this (see Ari Aster's 'Hereditary' and 'Midsommar' follow-up, 'Beau Is Afraid', starring Joaquin Phoenix) so damn compelling...even days after you've left the cinema. Especially when they come from the likes of Yorgos, who after boiling and simmering for years with indie classics like 'The Lobster' and the criminally underrated 'The Killing Of A Sacred Deer', hit Oscar gold with 'The Favorite' and most recently, those 'Poor Things'. Now, not even a year later, he reunites with both Emma Stone and Willem Dafoe (also arriving with 'Beetlejuice, Beetlejuice', finally in Japanese cinemas this week) for his most far out film yet.

And this is a guy who broke out with a story about lonely souls looking for love wanting to be turned into an animal of their choice. Well, now Colin Farrell (reunion, please) has seemingly chosen to be a 'Penguin', Lanthimos' new leading man looks to be Jesse Plemons (also about to debut 'Civil War' in Japan this week), who takes hold of the first story in this trilogy also written by Yorgos and long-time collaborator Efthimis Filippou ('Dogtooth', 'Alps' and the rest). Plemons himself, who has emerged from character actor ('Black Mass', 'The Irishman'), to a full-fledged force ('Black Mirror', 'Killers Of The Flower Moon'), is as chameleonic as the director he plays for, rocking the suit, turtleneck and moustache number in the first act. A Matt Damon like star with even more depth, who also reminds you of the cluster mindf### that was his 'I'm Thinking Of Ending Things' on Netflix. This one can be just as much of a confusing and frustrating slog, especially with its epically jarring score from 'Poor Things' music man Jerskin Fendrix. It's clear this was the part that won Plemons Best Actor at Cannes, willing to do anything for Willem Dafoe's embrace (who wouldn't?).

Not that he doesn't excel in the second of these loosely connected R.M.F. (the original title of this movie also considered as 'And') parts that are all distinct in their own right. The second sees Plemons cop character beat down by the fact that his wife has disappeared, and this is where we see a bubbling Emma Stone begin to rise to the crop of this acting talent, just like 'Once Upon A Time...In Hollywood' star Margaret Qualley (much like the 'Drive Away Dolls' hitmaker was and is in 'Things' of this nature). Dafoe takes a back seat in this one, but 'The Front Runner' and 'Jurassic World: Dominion' star Mamoudou Athie is as reliable as partners and best friends come. But who really did come back from that island like many a moon, or astronauts wife stories? Does the Cinderella fit, or is the cat out the bag? Meanwhile, the tortured men's club of Joe Alwyn gets it even worse than he has done from the Swifties, before he shows the dark depths of his acting reach in the third and final act of these staged stories of art house cinema.

A cult following of Willem Dafoe in Y-fronts (and you thought the shorts and high-socks in part one were crazy) and a timid flock of seagulls haircut gives you the last and most lasting chapter of all. Especially as one of the world's best actors, Emma Stone gives you a performance of all her power, alongside a perfect Plemons. The crueller these 'Kinds Of Kindness' gets, the more sculpture strong Stone's craftsmanship does. High-tailing it around in an out of control, Prince purple Dodge Charger that parks like a snake on an oil slick street. Emma gives it her all, in a part that has a compelling cameo from the 'Euphoria' of Hunter Schafer. 'Downsizing' delight and 'The Whale' star Hong Chau gets her licks in too, but it's Qualley on double-duty that dives into one of her best (dual) performances yet. Subtly, it's 'The Substance' of her year. Still with us after the 164 insane minutes of these nightmare scenarios dressed-up as 'Sweet Dreams' for those who are "looking for something" (like everybody is), and willing to do all kinds for it? It's all worth it to see Emma Stone break it down in the most iconic dance since 'Ex Machina'. The human nature of this black comedy satire won't nurture you with kindness, but it just may kill you with it. TIM DAVID HARVEY.

Further Filming: 'Poor Things', 'Beau Is Afraid', 'I'm Thinking Of Ending Things'.