TOP 5 SUMMER BLOCKBUSTERS: #1-RISE OF THE PLANET OF THE APES

4/5

There's no business like monkey business.

Starring: James Franco, Freida Pinto, John Lithgow, Brian Cox, Tom Felton & Andy Serkis. Director: Rupert Wyatt. Screenplay: Rick Jaffa & Amanda Silver

OK you apes face it, we humans have had a fascination with primates and how close they are to us in intelligence and mannerisms and that stretches back even way before the first one of these films about these animals taking over was released back in 1968. Almost as fascinated as our obsession and paranoia with end of the world movies that make us feel like they could happen one day. Since then there have been many more movies made and many more end of the world movies made, but nothing have been closer to home and closer to us than this.

First there was Charlton Heston, then there was Mark Wahlberg (in the Tim Burton 2001 remake) and now there is James Franco leading this latest reboot of the 'Planet Of The Apes' franchise to deeper and more meaningful places. Set in the classic, sensational city of San Francisco, Franco's character has a lot to deal with (and where not talking about his great love interest Freida Pinto) he's developed a drug to try to cure Alzheimer's disease which is tested on the apes and is what his father (played brilliantly by John Lithgow) is given to get better. Still, like with any drug there is side-effects and cue some protective qualities mistaken for monkeying around, loss, chaos and evolution to revolution arises.

With the apes looking to takeover like aliens in their own war of the worlds with humans what results is some epic battles, struggles for power, some trashing of San Fran (every movie, that poor city gets it) and refreshingly a story arc that your unsure where is actually going. It's this unpredictable ending that actually leads to somewhat of an anit-climax but save that, some corny words, some ill-advised horse riding and a red sweater moment that looks like something out of a 'PG Tips' advert, this is a perfect picture and homage to the series. Even the lone ranger stuff harks back to the original and an television news clip aside really sets the original story straight to boot.

Franco (an actor who's stock has rose considerably since 'Pineapple Express' in 2008) is on top form recovering from his '127 Hours' to become one of the best leading men this year (especially with his role as Allen Ginsberg in 'Howl') and fellow Danny Boyle darling Pinto is as smart as she is beautiful. Coming from another '3rd Rock From The Sun', John Lithgow is more serious and sincere and what would a Hollywood film be without Scot Bian Cox. The real stars in this film however are the apes, from their convincing CGI to their personal and inter-group development. This really is a heart-warming, though-provoking and smart movie and it's all done by the animals, you'll be left attached to the young, adorable Cesar (no not Julius). This film will leave you able to convey all human emotions like it's hairy stars.

This movie really does rise. With a thrilling third act on the Golden Gate bridge, classic views and shining examples of great time-lapse's in character and story development this picture really does motion well through it's run-time. Even with a decent Summer season and year of blockbusters-especially in the fantasy/end of the world theme-this really is king, beating it's chest like Kong. Howling louder than the rest of what their up against it's clear that the apes have taken over. TIM DAVID HARVEY.

TOP 5 SUMMER BLOCKBUSTERS: #2-COWBOYS & ALIENS

4/5

To boldly go where John Wayne never did.

Starring: Daniel Craig, Harrison Ford, Olivia Wilde, Clancy Brown, Noah Ringer, Adam Beach & Sam Rockwell. Director: Jon Favreau. Screenplay: Damon Lindelof, Alex Kurtzman, Roberto Orci, Mark Fergus & Hawk Ostby

Let's face it, everybody still wants to be a cowboy and every other movie these days focuses on alien invasion. So it's time we mixed the two together for the mother ship of all Summer blockbusters. After finishing tinkering around with 'Iron Man' director Jon Favreau decides instead to strap some metal around Daniel Craig's wrist and set about a wild-west story. As Craig's wrist weapon is the only thing that can save these Western gun-slingers from some extra terrestrial company you know where going to have an interesting film on our hands. Now as daft as the title is, 'Cowboys & Aliens' is a great play on words and genres, mixing the classic 'Cowboys and Indians' tale with some good, old-fashioned sci-fi.

Besides you can trust Favreau to deliver a cast-iron action epic with heart, smarts and a few belly laughs too. Especially with a great team behind him including Brian Grazer, the Ron Howard and the legend Steven Speilberg producing things. Also as this movie lasso's Daniel Craig and Harrison Ford in for the lead roles you know this pictures in good hands. Besides if you where under threat you'd sure like James Bond and Indiana Jones on your side.

'Cowboys & Aliens' is a great tale of two periods, piecing together the classic hallmarks of western cinema with today's staple of big blockbuster special effects and Hollywood shine. Even with an awkward title and premise everything all fits together perfectly in a movie that you can really marvel at. It just works and this mix of old and new is refreshing in this Summer season of sequels and reboots.

Sure this is based on a classic comic-book but it's still an original film for a creatively starved industry. From appealing action, to easy on the eyes cinematography this movie takes you to all sorts of places. Still it's the cast that leads the charge, galloping on their horses. Daniel Craig shows exactly why he was worthy of big roles like 007 with a stellar star performance, while Harrison Ford just keeps adding to his legacy with another legendary performance. It's about time someone gave this icon a role like this. He may have not been able to take us out this world when the last 'Indiana Jones' movie met those from outer space but 'Cowboys and Indy' works just fine.

The support in this movie really is a saloon of talent from old hand Clancy Brown to young steed Noah Ringer. Favreau also brings Sam Rockwell from 'Iron Man 2 ' with him and the serious A-lister/top character actor really extends his range playing a saloon owner, he does really looks the part. Adam Beach (who starred in Clint Eastwood's (a man who's no stranger to westerns) epic 'Flags Of Our Fathers') gives this movie Indian blood and delivers a heartfelt performance also. Still however, it's Olivia Wilde's role as the love interest that really keeps things intriguing. The 'Tron: Legacy' star may not have brought Jeff Bridges 'True Grit' with her, but what she does bring is her own hardiness and determination.

This movie has a lot to live up to following in the spur steps of the aforementioned classic 'True Grit' and with competent, current competition like Speilberg's other sci-fi foray 'Super 8' (a film who's aliens look better). Still this picture could really win awards for coolest film of the year. Hey, no one said it was going to get any Oscars. From sublime set-pieces to slick alien ships this movie is a great special effects vessel. While the classic Western acting and dialogue-complete with extra ham-is something you'll love to get your teeth into. A movie current and nostalgic that will leave you smiling and tipping your hat, this wild ride is about to invade the box-office. TIM DAVID HARVEY.

TOP 5 SUMMER BLOCKBUSTERS: #3-TRANSFORMERS: DARK OF THE MOON

4/5

Bay transforms the franchise back to prime-time.

12A, 154 Minutes. Starring: Shia LaBeouf, Josh Duhamel, John Turturro, Tyrese Gibson, Rosie Huntington-Whiteley, Patrick Dempsey, Kevin Dunn, Julie White, John Malkovich & Ken Jeong. Voices: Peter Cullen, Leonard Nimoy & Hugo Weaving. Director: Michael Bay. Screenplay: Ehren Kruger

If Michael Bay does anything, you know he does it BIG! From creating an 'Armageddon' to hanging out with 'Bad Boys' his big hits come with a bang. Still his loudest exclamation point on Hollywood, popcorn, blockbuster movies has got to be the 'Transformers' franchise. When he first took the cartoon to the big-screen in 2007 he gave the geeks and sci-fi nuts a wet-dream with a classic explosion in cinemas. 'Transformers' was just too good, the sequel 'Transformers: Revenge Of The Fallen' was a little too much however. Good but a little grandiose, even for this director. So with this third part of this trilogy, Bay decided to tone things down a little and grow things up. With a darker, yet cooler film we see less robots and Megan Fox but more awesome action and Rosie Huntington-Whiteley (replacing Fox as Shia LaBeouf's lead love interest).

In this movie the 'Autobots' and humans war with the 'Decepticons' really steps up to an 'Apocalypse Now' pace as the fate of the world once again is in the metal hands of either the good or bad alien robots. From Washington D.C. to Chicago and the rest of the world the invasion looks epic and as for fighting the good fight, these tin-cans really get it on. 'Transformers-Dark Of The Moon' cranks it up a notch, re-charging the series with exhilarating excitement and amazing action set-pieces. From mid-air transformations to tense, gripping moments, you'll drop your popcorn and maybe even shed a tear (can you believe that?).

The Speilberg overseen piece takes a leaf out of other film scripts and pays homage to everything from 'The Dark Knight' to 'Star Trek'(just listen out with Spock ears). It's also got a first-person shooting angle of respect to gaming and a rear-view reference to the executive producer's 'Jurassic Park', just look. Most of all thought this film pays the right homage, justice and respect, to itself, saving the legacy of the young and olds favourite cartoon by giving us a more adult-favoured movie that is still suitable for children's excitement levels.

This right balance is maintained despite there yet again being more action and robots then you could shake a metal stick at. Sure the throwing everything at the wall philosophy is applied again, but this time more sticks. Sure you've still got regional robots with annoying accents and crazy going on, but it makes up for the cool comic-relief from all the high-octane action that really makes the most of imax, 3D and movie escapism. Throwing everything on us again, all in all this time it works. Plus from Bee's buzzing makeover to Optimus Prime's, 'take no mess' dominance this movie is the sequel that 'Revenge Of The Fallen' should have been.

Everytime this film looks like it's going to fall short it picks itself back up. So there's some crazy CGI of JFK (they should have just got Greg Kinnear) but there's a legendary 'how did they get him' cameo from Buzz Aldrin, now that's cool. Plus even though there's a few subtle, unnecessary jabs at departed Megan Fox, and a desecration to the legendary Lincoln Memorial in D.C.-which is just plain wrong-this can be forgiven. With horrendously hilarious cast additions of John Malkovich and 'Mr. Chow' himself Ken Jeong and a strong consistent return from magnificent mainstays Shia LaBeouf, Josh Duhamel, John Turturro and Tyrese Gibson, all the parts come together perfectly. Even with a complicated blueprint, this just fits.

LaBeouf has the mettle to lead and his steel and iron based friends really do give this huge movie it's weight. Plus with a top scoring soundtrack featuring Linkin Park yet again and their epic latest hit, 'Iridescent', everything sounds, looks and feels as great and exciting as it should. This massive hit is really wrapped up however by the addition of 'Decepticon', 'Shockwave' and his 'Driller' pet making for some of the most jaw, people and building dropping scenes in the whole movie. This dumb-fun film has all the smarts to make it extravagant yet engaging. Kicking the a** of the slumping-sequel. 'Dark Of The Moon' stands tall and prime in a series that could still hit it's optimal peak if it looks to improve even more. Down-grading the faff and up-grading the action this franchise goes from a fail right back to A-star territory. Top marks. TIM DAVID HARVEY.

TOP 5 SUMMER BLOCKBUSTERS: #4-X-MEN: FIRST CLASS

4/5

12A, 131 Minutes. Starring: James McAvoy, Michael Fassbender, Rose Byrne.
January Jones, Jennifer Lawrence, Zoë Kravitz, Oliver Platt & Kevin Bacon. Director: Matthew Vaughn. Screenplay: Ashley Edward Miller, Zack Stentz, Jane Goldman & Matthew Vaughn

Taking the competition back to superhero-movie-making school.

Superhero movies have been taking off as a Summer blockbuster staple for many a season now. Still as ideas for popcorn movies get thinner in Hollywood (hey, they can only do so much) prequels and reboots seem to be trending more then a Charlie Sheen Twitter topic. Fashioning the time between the Spring ('Fast Five') and Summer ('Transformers: Dark Side Of The Moon') biggest blockbusters comes 'X-Men: First Class'. Following the success of the the terrific trilogy and the wonderful 'Wolverine' prequel comes another, beginning, 'coming of age' story from the 'Origins' series.

In this movie we are taken back to the old days (the 60's to be exact) when Kennedy was president and Professor X and Magneto where Charles and Erik and the best of friends, before they got old and ended up looking like Captain Picard and Gandalf. Before battling each other together they had to battle the threat of nuclear war, the humans acceptance of mutants and their own personal demons, not to mention Kevin Bacon and his meatier, meaner mutants . Most 'Wanted' Scottish actor James McAvoy and 'Inglorious Basterds' scene stealer Michael Fassbender play Xavier and Magneto respectively perfectly, with all due respect to the elder statesmen Patrick Stewart and Sir Ian Mckellen. Doing justice to the legendary actors they carve their own lasting legacy in this super Matthew Vaughn film. From classic Vegas to outstanding Oxford there is a timeless quality to this picture that is in all the right locations.

Bar a few mutated misfires and characters that look like the love child of Papa Smurf and the more hairier member of 'Harry and the Henderson's' this film, looks and feels great, almost tipping the trilogy (still, the 'Wolverine' movie claws the competition. From hilarious, classic cameos to homages to other movies like 'Basic Instinct' this has it all. Awesome action, engaging effects, sensational set-pieces, determined dialogues, fantastic fun, actual acting and helpings of heart. This 'First Class' picture is truly top notch.

McAvoy and Fassbender aren't alone. Bacon is brilliant as always in the villain role. While the beautiful wonder women in this hero piece almost take all the glory. Woman of the moment Rose Byrne (with this 'Insidious' and 'Bridesmaids' she played in three major back-to-back trailers recently) is sexy, stylish but most of all serious in a sublime role as a CIA agent. Even without a super-mutation her character still powers through. The born-for-the-big time January Jones is also getting better by the month, 'Mad Men' series' and movie with a classic femme-fatale character. Jennifer Lawrence also brings another, deeper side to Raven, while the rest of the magnificent mutants (acknowledgment also due to developed performances from Edi Gathegi and Jason Flemyng) are led by Zoë Kravitz. The daughter of Lenny rocks. We have another star in the making.

You don't have to be telepathic to tell I like this movie (and it took awhile for me to warm to this hot franchise) and a brotherhood of mutant fans would also tell you that this is a hell-fire, heaven sent movie that pays homage and respect to the classics from the celluloid's to the comic strips. Now if only they could make more like this. TIM DAVID HARVEY.

TOP 5 SUMMER BLOCKBUSTERS: #5-CAPTAIN AMERICA-THE FIRST AVENGER

4/5

Leading the run of superhero movies.

Starring: Chris Evans, Tommy Lee Jones, Hugo Weaving, Hayley Atwell, Sebastian Stan, Dominic Cooper, Neal McDonough, Derek Luke & Stanley Tucci. Director: Joe Johnston. Screenplay: Christopher Markus & Stephen McFeely

Stan Lee and his comic book team have given us plenty to marvel at over this last year. From 2010's iron-tight sequel 'Iron Man 2' , to this years thunderous 'Thor' and 'First Class' addition to the 'X-Men' series. There's more to come too as the amazingly, anticipated 'The Avengers' ensemble piece sets to do battle with Batman and his 'The Dark Knight Rises' in 2012. To start things off however 'The First Avenger' must go to war for country and comic-book. So Chris Evans picks up the shield and responsibility to carry the star on his chest and the role of the first comic book hero in 'Captain America'.

Chris Evans is back in a big way. No not the four eyed, ginger entertainer-that would just be weird and wrong-but a ladies favourite actor, who's only red head came when he portrayed Johnny Storm the 'Human Torch' in the formidable 'Fantastic Four' series. In this years Summer blockbuster season, Evans goes to battle with D.C. and fellow Hollywood heart-throb Ryan Reynolds who has also had experience in playing two superhero's in separate movies (he brought his charisma to 'Wolverine's' Deadpool and a spin-off is rumoured) and is currently lighting things up on screen as the 'Green Lantern'.

It's Captain America who shines the brightest however, (besides Evans has one more comic-book, winning credit with 'The Losers' and even another if you count his evil turn in 'Scott Pilgrim') shielding the glare from 'The Green Lantern's' latest run. Evans is heaven sent, landing into the role perfectly. Standing out with charisma and charm when needed, but falling back and not overpowering the character-first nature of hero movies like this, a-la Christian Bale in Batman. He's tough, but fair in nature and his extensive action/light film resume makes him the right candidate for the Captain. With hope and glory he leads this film right with pride in the legacy of his films traditional and comic book legend. Plus he can pull off looking like a skinny teen perfectly-with some CGI help of course-not bad for a 30 year old gym rat.

You know what to expect from Marvel films these days-there's so many of them. There's always a hilarious Stan Lee cameo's, something to wait for after the credits (it's really worth it this time) and the comic-book franchise always has a real way of telling a story of world history as well as it's own legacy extremely well. Even though the expectations are a given, this is still great. There's a battalion of star power behind Evans character in support. From the brilliant, battle-tested Tommy Lee Jones (armed to the bone with wit and the British intelligence of America's love interest Hayley Atwell) to super villain Hugo Weaving (even though in full evil form he looks more like Samuel L. Jackson) and super-scientist Stanley Tucci. Plus Dominic Cooper channels his inner Downey Jnr charm to play Tony Stark's dad Howard perfectly for a clever twist on the Avenger franchises overlapping themes. Don't forget the other soldiers who have Evans back either, from Sebastian Stan to Neal McDonough and Derek Luke.

Despite being armed with little more than a shield and dodgy, dated costume (it actually works), 'Captain America' is picture perfect from the classic, right look of 1940's America (even if is thanks to filming in England's Manchester and Liverpool) to the cool action choreography. This picture is a perfect period piece. Overall this film is more then just patriotic like the 'Star Spangled Banner' and more then just another vehicle for a Samuel L. Jackson cameo. 'Captain America' is worthy of Nick Fury's initative. Someone call Iron Man, Hulk, Thor, Black Widow and Hawkeye. 'The Avengers' are ready. TIM DAVID HARVEY.

DVD REVIEW: THE ADJUSTMENT BUREAU

4/5

To be Blunt, Damon's latest needs no adjustment.

12A, 106 Minutes. Starring: Matt Damon, Emily Blunt, Anthony Mackie, Michael Kelly, John Slattery, Anthony Ruivivar & Terence Stamp. Directors: George Nolfi. Screenplay: George Nolfi

"A real man makes his own fate". That's what Leonardo DiCaprio's character Jack said in the movie 'Titanic'. Sure his characters fateful end left him hanging on to a plank of wood that only had room for one, but still that's not the point. DiCaprio's character's philosophy can also be attributed to 'Departed' co-star and fellow A-Star List, leader of all leading men Matt Damon in both his career and latest role in this weeks 'The Adjustment Bureau'. Damons career choices have taken him from a floppy haired, young Oscar winner to a true 'Bourne' star. The worlds, official most marketable actor is always working, in high demand and on our screens at least three times a year. He even has three films out now. Following his second, stunning collaboration with Clint Eastwood in 'Hereafter' and his uplifting versatility in his supporting role in the Cohen's classic 'True Grit', Damon delivers on this new picture, standing alongside the best of British in Emily Blunt.

As adjustment's where made this movie was long delayed from it's moment of release and was considered by some to be a turkey. Still with a little tinkering, what we now have is a highly anticipated movie that delivers, giving us food for thought and if it is short of anything, it is just short of being a masterpiece. This great story is based on the Phillip K. Dick short novel, 'Adjustment Team' and is re-told perfectly by the writing and direction of George Nolfi. Take JFK, with a bit of Bobby and a dash of Obama and you have Damon's character David Norris. A senator who despite being a nice but rough around the edges bad boy is running for New York and could go even further. When all takes a turn for the worse and looks lost however he meets the woman of his dreams, Emily Blunt (hey, isn't she everyone's). From her inspiration he loosens up more then his tie and gives a career speech. His moment is made however, with her number in his pocket.

Sounds like it was meant to be, right? WRONG! This is when a bunch of 'Mad Men', 'Third Watch' guys step in to form 'The Adjustment Bureau' and of course any bunch of oddball, villain esque men in American movies have to be led by an old Brit, and you can thank Terrence Stamp for sealing a performance with as much conviction as Sam Rockwell and Hillary Swank. So as they burn that precious piece of paper with Blunt's number on like a jealous ex, you'd think that would be it right. NOPE! When the two star-crossed lovers run into each other again three years later just by chance (now that really is luck) it's time for more OTT changes and 'Truman Show' style cover ups. You see Damon's character could be President and Blunt's ballet dancer could give the 'Black Swan' a run for her money, but not if their fates intertwine even more then the damage their meeting has already done.

So cue some funny (but pretty damn stylish) hats and the dashing through doors, portals, different parts of New York and all sorts of genres as this story paths out with elements of sci-fi, romance, thrilling action and a dash of humour. This really is an exciting thrill ride that goes completely to plan. Whether your with it or not at the start, by the end of this movie you've got to take your hats off to a smart, engaging film that is a refreshing piece of cinema. It's not 'Bourne' just because it's Damon. It's not 'Inception' just because it's more peculiar then some Statham farce. It's Damon and Blunt giving trademark, top performances, taking a strange picture from uncertainty to acceptance from their respective characters desperation to determination.

Damon is his usual charismatic, nice-guy calm, but he also looks capable of winning any political election with his openness and any woman's heart with his genuine emotion in this perfect performance. His chemistry with Blunt has the makings of a classic in this different science fiction picture. Factor that in with Blunt's classy, confident, 'take no crap' leading lady performance and you have the perfect male and female movie for date night or whatever you call this Friday. This damsel in distress has the conviction of a dame and keeps up pace with Damon, keeping this film running as much as him and as much as this movies poster. Now that's a billboard success.

A cameo from political satire king Jon Stewart and his show isn't the only extra star power that's great to see. The support in this movie changes it for the better too. From T.V. Stars John Slattery to character actor of the moment and 'Fair Games' Michael Kelly. Still with all this versatile and underrated talent it's the even more multi-talented and underrated Anthony Mackie that almost steals the show, even from Damon with an engaging, uplifting and aiding performance that makes the movie. This guy who's been on and off Broadway like George Benson and has played Tupac Shakur is a star in the making. You could almost say it's destined to happen and hey he should know all about that.

As futuristic as this tall story is, it's the old stories that are best and this before it's time, Phillip K. Dick narrative stands the test in this modern day. This movies beautiful cinematography in it's digital form is highly defined and directed perfectly. From the camera angles and shots, to the beautiful, unique capturing of New York, a city that appears in three times the movies that Damon does in any a year. The story is stellar, switching between movie genres as effectively and as convincingly as a Spielberg director or Depp actor. Like true science-fiction this film has heart and mind and like a true thriller it has action and drama, making it truly welcome amongst typical soulless films today in all fellow genres. What makes this true ensemble piece even better is it's thought provoking everyday, simple themes beneath it's complicated layers, such as the highly debated love versus success and the even more argued fate or manifest destiny idea. 'The Adjustment Bureau' in fact had it's own group of powers that be trying to shut it down and hold it back, but it was no use. Just like true love, this movie was meant to be. TIM DAVID HARVEY.

DVD REVIEW: TRUE GRIT

4.5/5

From 'The Duke' to 'The Dude', 'True Grit's' spurs keep clicking.

15, 110 Minutes. Starring: Matt Damon, Jeff Bridges, Josh Brolin, Hailee Steinfeld & Barry Pepper. Directors: Joel & Ethan Coen. Screenplay: Joel & Ethan Coen

From years to decades and new centuries, great stories will remain told in all their original glory and all their, 'True Grit'. This is especially true in this written and directed Cohen brothers picture and legendary Speilberg production. The brothers with a knack of telling terrific, tall talents, awaken and re-invigorate the John Wayne classic with the help of their dude from 'The Big Lebowski', Jeff Bridges and some A-List talent, old and new school (literally, one hasn't even graduated).

'True Grit', portrays the story of Mattie Ross (Steinfeld), who's father is murdered by Tom Chaney (Brolin). She enlists the reluctant help of muttering, marauding, Marshall Rooster Cogburn (Bridges) and reluctantly accepts the aid of meaty, Texas Ranger LaBoeuf (Damon). On the quest to find the killer of her father, her mettle will be tested and her real grit and determination brought to justice. From the, flickering lantern, ash rain darkness of the opening scene, to every fondly reminiscent frame and final sunlight, this movie takes you back to the wild days with every gallop, as the notoriously left Cohen's do right and don't go West of the original story.

'The Dude' is big, sitting comfortably in 'The Dukes' saddle. Jeff bridges the generations gap perfectly, slurring his speech, whisking his whisky and carrying his pistols with cocksure confidence. He is the perfect modern-day interpretation of Wayne as he furthers his own legend. After his 'Tron: Legacy' and his Oscar worthy, 'Crazy Heart'. Don't be surprised if this Hollywood gunslinger steals the crown jewels and Colin Firth's penned speech in these coming February weeks.

As the dude makes sure this aggression will not stand, those standing in his way really do plant their feet. Dusting off his 'Jonah Hex' stetson, the usual smooth looking Josh Brolin roughs it as Chaney, adding another real performance to his ever impressive line of credits. Barry Pepper also goes through a little transformation, in need of a dental checkup and a mouth-guard, riding Robert Duvall's horse with confident homage in his own right and interpretation.

The real heavyweight performances come on Bridges side however. His partner Matt Damon brings his shield and Ron Burgundy moustache for a shining performance that anchors in the actors versatility. This leading man saddles up for a trip that shows he is no one trick pony. With 'Grit', Damon's true talents are 'bourne.' Along with 'Hereafter' and the forthcoming 'The Adjustment Bureau', the hardest-working man in Hollywood continues to hit big for what almost seems like every other month, with no sign of hiatus.

Now for what everyone has been talking about, forget what you've heard. Hallie Steinfeld doesn't deserve the Best Supporting Actress Oscar for this, she deserves the Best Actress award. She is the evoking light that brings this story to the eyes of the new generations. This rookie performance is as confident as a graduate, with the conviction of a veteran. She stands next to Hollywood's best in movies most marketable Matt Damon and the legendary legacy of Bridges and more then just holds her own. Everything you've read about her is true and the some...and this girl is only 14 years old. A true acting prodigy, her strength in character makes 'Kick Ass'', Chloe Mortez look like a shy school-girl. Steinfeld's future is set in stone.

With a saloon of talent, the Cohen brothers make their presence felt with their Western legend. Following 'Fargo' and the modern-day, Western esque, Brolin born, 'No Country For Old Men', the Cohen's craft another classic for their collection. From delightful dialogue to alluring action, this film is funny, tense and exciting. It is a gritty trip come thrill-ride in one linear, straight-laced, suited and booted smart movie. The Cohen's add their own style without compromising the substance of the original. From almost identical scenes to alternative takes, the brothers pay homage with true integrity. This tribute peace is a testament to true film-making. The duke would be proud and would maybe even smile for this one. Let's just hope there is a 'Rooster Cogburn' sequel. Amongst many classics to already begin 2011, this film of the year displays real, genuine courage and determination. Now to shoot from the hip, does this picture stand up to the original? Well this debate will have to be settled like they did back then, because it's a draw. TIM DAVID HARVEY.

DVD RACK-THRILLER SPECIAL

This weeks 'DVD Rack' comes early thanks to Sam Smith's top five thriller special.

1. The Silence of the Lambs
Ok, so this one may fall into the horror/thriller genre but it had to be my number one. Anthony Hopkins portrays his most famous character the notorious Hannibal (the cannibal) Lector and still manages to send shivers up my spine whenever he appears on the screen. Not to mention Ted Levine’s portrayal of serial killer and skinner buffalo bill, seriously creepy and yet you can’t help but be captivated by his on screen presence. 'The Silence of the Lambs' is a none stop thrill ride that will most certainly keep you on the edge of your seat… but just a tip, might not want to eat your rare steak with liver beans whilst watching this one.

2. Se7en
Yet another film on the darker side of the Thriller genre, but this one is truly fantastic and not just because Morgan Freeman (a true legend) is in it. 'Se7en' follows the Story of two cops investigating gruesome murders by a serial killer who believes in killing people for committing each of the seven deadly sins. A film that will literally have you wanting to change your ways just in case someone decides to copy it definitely deserves to be in the top five. Of course I also have to mention the cinematography in this one, a really great feel of film noir surrounds this film it’s dark, gloomy and brilliant.

3. Psycho
Yes, I know it’s a tad cliché to put a Hitchcock film in my top five thrillers but I am sure you will all agree that 'Psycho' well and truly deserves its place among the greats. Although I would like to give honourable mention to Hitchcock’s 'Strangers on a Train' which is also one of my favourites however I think Psycho had to win it… two words ‘shower scene’ enough said.

4. Kiss The Girls
Based on the James Patterson Novel, not many people I’ve spoken to have seen this one which is such a shame! Another Morgan Freeman film, 'Kiss the Girls' is about a detective Alex Cross whose niece has been kidnapped by a mysterious killer self named Casanova. I love this film because it really does give you the Scooby Doo feeling… when you desperately try to guess the killer before the end. A great film, a great twist, a great cast what more could you want?

5. Inception
Everyone’s top film of 2010, 'Inception' wiped the floor with all of its competitors to be in the top five, I think it may have been my number one if not for legendary status of the above films. A totally original and imaginative storyline Inception will just blow your mind… literally. If you haven’t already seen it, you should ask yourself what you’re doing with your life.

Honourable Mentions:

I thought this list would be so easy! Here’s a few other thrillers that deserve a mention. 'Fight Club', 'Hide and Seek', 'Rear Window', 'Taxi Driver', 'American Psycho', 'The Wicker Man' and of course the legendary 'Jaws'. SAMANTHA SMITH

DVD REVIEW-SCRE4M

3.5/5

Ghostface returns for another killer movie we've all been cravin' for.

15, 111 Minutes. Starring: David Arquette, Neve Campbell, Courteney Cox,
Emma Roberts, Hayden Panettiere & Anthony Anderson. Director: Wes Craven. Screenplay: Kevin Williamson

Don't get mad and shout, but Wes Craven has made another installment in his 'Scream' slasher series. Don't worry however, 'Scre4m' (the fourth film, obviously) is no howler. In fact it yells volumes for a franchise that can stand the test of time. Especially in a franchise based movie economy, where many reboots and sequels often have nowhere to run like the opening scene victims in these movies.

This speaks even more highly for a film like this to do well in such a dying, saturated genre. Yeah, sure this reviewer normally hates horror movies, but be honest can you even tell the difference these days? Now, sure it's not like this movies original-even to its class of pictures-but it sure does school the opposition. It's an education in the horror/slasher drama as yet again the film mirrors the tone of the fictional 'Stab' movies featured in it (even making fun of their over use of sequels with 'Stab 7'). This sequel goes one better however paying homage to the previous films just like the copycat killers do again and again.

A decade after the original classic, 'Scre4m' is like a deluxe edition, bringing your old favourites and the best bits but adding even more as a welcome bonus. Neve Campbell, Courtney Cox and David Arquette are all back and on top, effortless form to bring class to the slash while even more A, B and C listers are brought to this All-Star mix. Hayden Panettiere leads the cheer with a strong role worthy of a heroine, (MINI SPOILER ALERT) while you know the hilarious Anthony Anderson last words are going to be funny ones (c'mon he plays a cop, you knew he was going to die).

Still it's Campbell, Cox and Arquette that make this picture perfect. The beautiful Neve and Courtney still have it with brains to boot as Sidney and Gail, while Arquette's Dewey character is still as lovably dumb as ever, as a bumbling sap of a sheriff. Thankfully this film matches the buzz but let's hope this doesn't mean there will be another 'Scary Movie' (no offense guys). Sure this movies cliched, but it does this in a comedic way and it's this way the movie doesn't treat itself seriously that makes it all the better and all the greater off.

You don't need to be told the premise of this plot as you already know. A bunch of good looking females and geeky guys are going to get killed in all sorts of basic and unoriginal but strangely, sickly entertaining ways. You know people are going to run up the stairs when they really should know by now and you know that anyone that owns a white, cordless phone is well and truly screwed, ready to be chopped like a Houston hip-hop remix.

Still even though this film is as predictable as Nostradamus sending text messages, you really will be guessing who the killer is to the 'Scooby Doo', mask revealing end and this is what makes this film better then most in the series. This is more then a decent stab, it's a well-worked piece from the matermind of the murder/horror genre. Sure this really should be the last slice in the 'Scream' franchise, but as Wes Craven yells cut at least the series goes out in a blade of glory. TIM DAVID HARVEY.

DVD REVIEW-LIMITLESS

4/5

A clear, unlimited high, 'FFF' approved.

15, 105 Minutes. Starring: Bradley Cooper, Abbie Cornish, Anna Friel & Robert De Niro. Directors: Neil Burger. Screenplay: Leslie Dixon

You may have seen some adverts in your local paper or on your morning commute subway for 'The Clear Pill'. A drug claiming to make you access 100% of your brain all the time, giving you 'Limitless' and I quote "Strength, Superior Intelligence and Memory, and Unbeatable Self-Confidence". The advertisement is even endorsed by man of the moment Bradley Cooper, ('The Hangover') now that's one impressive co-sign. Don't get your hopes up, alas this typical American miracle drug, 'giving you the world, costing you your life' promotion is fake and is part of the campaign for Cooper's new movie 'Limitless'. Still this was a great way of raising awareness for the film. The ad looks so authentic and signature I wouldn't be surprised if it had a 'War Of The Worlds' effect and convinced some people, especially because the posters have little literal reference to the film itself.

Still in this movie Cooper's character Eddie is sold on this faux 'clear pill' (or to be falsely official NZT) which in the reality of the movie allows it's taker to access all of their mind, (confidence, smarts etc.) all of the time. Now I know there's a lot of men out there who would wish they could take a pill to become Bradley Cooper, but not at the start of this picture. Cooper plays a down and out writer who looks more like, well I hate to admit it someone like me then a Hollywood star. He is only one word into his book (hey that's still impressive, it's more then most writers) and even his girlfriend (the lovely Abby Cornish) is losing faith, but then he is given a breakthrough with this groundbreaking drug.

Then he finishes his book, learns how to add up properly, hits the gym, gets a 'classic Phil' haircut, become intelligent, fashionable and cultural (with no need for subtitles), but more importantly goes from a few dollars to a few more zero's at the end of his paychecks. As he goes from zero to hero and ashy to classy it's no doubt that everyone from Robert De Niro to anyone with an ounce of greed wants a piece of his mind...literally. The amazing Kanye West song 'Power' on this films awesome trailer states "How can one man have so much power" and that's a great notion and theme for this movie as Cooper's about to find out the Julius Cesar lesson of power, not the Peter Parker one and the Gordon Gekko lesson of greed.

Based on Alan Glynn's book 'The Dark Files' the more Cooper sees the light the darker this film gets. So as the corruption and consequence begins what unfolds is an absolutely strong, potent, tour de force movie. Even without an A-Team or wolfpack behind him Bradley Cooper can lead a movie virtually by himself. Going from shaggy to clean cut and a sexy Jesus to how he looked in the 'Wedding Crashers' (oh yeah, right?), Cooper goes through every emotion and character change with all his trademark charisma and charm and yes I do have a man crush, but come on.

You don't have to be on something to see clearly that with this innovative, motivating film and the highly anticipated 'The Hangover Part II' (following pure, legendary, modern-day comedy gold) that this will be Bradley Cooper's year once again. There's no medication needed either, this is all Bradley. An A-Lister who's headed to the top of the Hollywood class. Cooper's making all the other leading men follow suit and boot. Robert De Niro also shows that even when looking like he's phoning in a role the legend is still one of the best in the game. The actress in this picture also provide sound support from Abbie Cornish standing by her man to Anna Freil looking a little frail (it's the make-up, I'm not a bitch) but having strength in depth with her acting smarts. No wonder Hollywood snapped her up.

Overall 'Limitless' may not go above the rest but it does go beyond. A real trip. Burger's meaty direction really induces and hooks the audience with it's time lapse, kalidescopic, White Stripes, 'Seven Nation Army' esque triangular effect. From it's simulated graphics to distorted camera angles, the effects of euphoria and paranoia related with the films subjects substance is abused in a way that fashions things in a more cutting edge way then just simply style. Sure it comes down on occasion and could use an extra two doses but it still hits. From Cooper furthering his legend to De Niro lamenting his legacy the acting is complex and not transparent for a genre of this type. Taking inspiration from other movies, all whilst creating a new supply of buzz itself, this slickly directed, smart 'what would you do' film isn't just a volatile mix. It's the perfect prescription. TIM DAVID HARVEY.

DVD REVIEW-THE LINCOLN LAWYER

4/5

Going by the book, McConaughey reaffirms his case.

15, 119 Minutes. Starring: Matthew McConaughey, Ryan Phillippe, Marisa Tomei, William H. Macy, John Leguizamo & Michael Peña. Directors: Brad Furman. Screenplay: John Romano

We haven't see a lot of Matthew McConaughey over the last few years, apart from the odd romantic comedy and perfume add (where he shows us a little more of himself, ladies be advised). It seems this Southern star is at his best however when he steps into the courtroom on the right side of the law, ('A Time To kill', 'Amistad') but in the case of this Michael Connelly novel based movie 'The Lincoln Lawyer', McConaughey has his feet on both sides of the law in this Brad Furman picture.

McConaughey heads an all-star cast, full of talent. He plays Mickey Haller, a Los Angeles criminal defense attorney who is more spin doctor then 'do the right thing' lawyer like he was in 'A Time To Kill'. McConaughey's office is in the back of his classic, Lincoln sedan, as he is driven round L.A. while making his rounds and his name. The people he represents really are in need of a lawyer and after years of defending criminals McConaughey is handed Ryan Phillippe's case. Phillippe's, Louis Roulet character is being charged with assaulting a prostitute, who he assaulted him and set him up for his money. As McConaughey looks deeper into the case he realises it mirrors a former case of his involving a client Jesus Martinez (Michael Peña), the deeper McConaughey gets the darker it gets, as he really becomes involved in this case.

It's only mid-March but it's already been an amazing year for movies and this is by far one of the best. From the sheen of the 60's esque opening credits, to the views of the beautiful bright city of Los Angeles and the scorching, classic soundtrack (Bobby 'Blue' Band, Marlena Shaw and a lot of classic, real hip-hop) this movie is as slick and cool as McConaughey and his hair. McConaughey himself is on career-best form, slick, savvy, cool and charming, McConaughey makes his case yet again as the perfect lawyer. Still, this is not a case of a former top actor being typecast, this is a different role all together for an actor who is firmly sat in the front seat of his prime.

The supporting acts in this movie really make this film the main feature presentation for this Friday. Playing 'The Lincoln Lawyer's' ex-wife, Marisa Tomei shows yet again that she's the hardest working actress and one of the best there is with Hollywood firmly in her sights. Ryan Phillippe is also back on fine form and you'd never believe how menacing this guy can be with all his cruel intentions. William H. Macy also bring his trademark A -game, even if he forgets his hair clippers and comb, assisting McConaughey to the end. Great, but underrated, versatile talents, John Leguizamo and Michael Peña also have small but significant roles pulling out big performances, supporting this movie, helping it be one of the biggest films this year.

Overall this film is as dark, classic and timeless as this lawyers automobile. As good as this movie looks however-from the fresh suits to the crisp Californian mornings- it's serious substance outweighs it's seductive style. When the case of 'best movie of 2011' comes to a close this fall, when the jury reaches their verdict, 'The Lincoln Lawyer' will be found guilty of being one of the best. Gripping, entertaining, powerful and alluring this is further evidence that McConaughey and court-room dramas don't belong back in the nighties. This court-room thriller with a real story can be stood up and sworn in todays generation of popcorn and 3D movies. The defence rests. TIM DAVID HARVEY.

DVD REVIEW-SOURCE CODE

4/5

The source of Jake Gyllenhaal's career second-wind.

12A, 94 Minutes. Starring: Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga & Jeffrey Wright. Directors: Duncan Jones. Screenplay: Ben Ripley

Throughout Jake Gyllenhaal's career he has shown glimpses of just how great he can really be (see 'Donnie Darko', 'Zodiac', 'Jarhead' and of course 'Brokeback Mountain') but until recently Maggie's brother has been out the limelight a little. That was until last year however when he became the 'Prince Of Persia' and made the highest rom-com of last year with Anne Hathaway ('Love & Other Drugs'). Now to start off this year comes one of the best sci-fi thrillers in years, as Gyllenhaal goes into the 'Source Code' to re-wire his career and propel him towards the status as one of the better leading men in the Hollywood game.

Directed brilliantly by Duncan Jones (the son of David Bowie and the man who brought the bright side of cinema with 'Moon'),'Source Code' sees Gyllenhaal's character (Captain Colter Stevens) waking up on a train he shouldn't be on next to a women he doesn't know (Michelle Monaghan). As he tries to figure out what's going on and why he looks like a third-grade teacher...BOOM!! The train blows up and Captain Jake finds himself in a capsule taking orders from Vera Farmiga and Jeffrey Wright. Gylenhaal is in the source code, which is a program that allows the user to take over someones body in their last eight minutes of life. Gyllenhaal's job is to to find the source of the bomb that blew up the train he was on through the code of Monaghan's teacher friend, Sean Fentress, a body whose his type matches.

So expect a 'Groundhog Day' type set of scenes as Gyleenhaal revisits the past more times then Doc Brown, taking a 'Quantum Leap' through time and very clever pop culture references. Despite the nature of this movie it doesn't feel repetitive. It's gripping and compelling and even though no ideas original these days...including this one, it's still refreshing and different. The classic city of Chicago looks incredible, despite being in peril, while the great mix of romance and tension is captured perfectly on screen in the small confined setting. Think 'Collateral', but with more twists and turns and even more unwanted passengers as the train and the plot hurtle towards a thrilling, climatic third act.

Gyleenhaal is perfect in this movie leading the story and his career into brilliant new places. In his early 30's Jake is really finding himself as an actor and making the most of his time and the opportunities to change things...just like his character in this film. After her 'Due Date', Michelle Monaghan is also the ideal companion in this journey as Gyleenhaal's love and link to reality interest. Also Jeffrey Wright is peculiarly perfect as the source codes developer. While George Clooney's other friend, Vera Farmiga is the right support for Gyleenhaal's character, even though she is only linked to him via console.

Overall 'Source Code' will develop to become one of the best thrillers of this year and one of it's leads most foremost performances. Mixing genres and throwback themes this train thriller still stays on the right track, now thats talking the right programming language. With great special effects and a heart-warming nature, this film gives that typical Hollywood shine to ordinary, everyday people, showing just how special this story really is. Using little groundwork this groundbreaking movie makes the most of everything and with the ever-improving Gyllenhaal at the source this movie speaks the right code. TIM DAVID HARVEY.

DVD RACK-2010 SUMMER SEASON BLOCKBUSTER SPECIAL

With a lot of big releases making their mark this season, this weeks 'DVD Rack' looks back at last years Summer blockbusters.

INCEPTION: In undoubtedly the movie of last year Leornado DiCaprio assembles a team of dream thieves to 'incept' an idea into Christopher Nolan's favourite scarecrow Cillian Murphys mind. Expect incredible action, thrills and twists and turns while DiCaprio and his team go within dreams. This supporting cast all step it up a level, especially the charming Tom Hardy and the riddling Gordon-Levitt. Again Nolan's cinematography is captivating, his brothers script compelling and Hans Zimmer's score classic by any standard. This film is one part 'The Matrix', one part 'Memento' but overall very much it's own film. With shifts in gravity you'll never see better fighting scenes and Leornado DiCaprio plays the conflicted man, lamenting lost love again so well just like he did in 'Shutter Island'. As a matter of fact DiCaprio may have made two of his best films last year. As for Christoper Nolan's greatest, 'The Dark Knight' still reigns supreme but with 'Inception' Nolan hasn't told a better story since 'The Prestige'. Simply one of the best cinematic experiences you could ever dream up.

TOY STORY 3D: Finally the legendary franchise that started the CG revolution in animation gets an original 3D face lift. You'll be hard pressed to find a film that looks better in three dimensions unless you visit Pandora or the world of 'Tron' anytime soon. 'Toy Story 3D' however is more than a visual delight. Woody, Buzz and the gang bring more laughs for all the family. Jokes that will make kids laugh and jokes that will go over their heads. In this third installment the toys owner Andy is off to College, so while girls and growing up await him the beloved toys await donation. Now listen up fellas your gonna need to brings some tissues to this one or just blame the strain the 3D glasses have on your eyes for the way you look like the kid that told us all to 'Leave Britney alone"!

SHREK FOREVER AFTER: If this really was the fourth and final installment in the 'Shrek' franchise then Shrek and Donkey will be missed. 'Shrek Forever After' may be overshadowed by 'Toy Story' yet again this summer but the film still leaves all the rest of the Summer blockbuster competition green with envy. In this tale which is a throwback to 'It's A Wonderful Life' and 'A Christmas Carol' Shrek has settled into family life but is missing the old days, where no little fat kids where amusingly asking him to 'Do the roar'! So Shrek goes for a walk and runs into Rumpelstiltskin who cons him into a one of a kind deal, to go back to being an ogre for a day. Shrek however fails to read the small print and Rumpelstiltskin fails to realise he'd make a perfect mechanic. Shrek ends up being thrust into an alternate reality of Far Far Away where Rumpelstiltskin reigns as king, anyone green is hunted and most regrettably for Shrek he is strangers with Fiona and his friends. The latest installment of 'Shrek' may not have been as eagerly anticipated as it's rival 'Toy Story' but it is a well told story that kids can enjoy for generations and for adults it is the perfect cinematic escape from reality. Parents would love to work a story like this into their children's dreams.

THE A-TEAM: Bradley Cooper is one good lucking and charming dude (Look out Downey Jnr)! No this aint no man crush, it's probably just a product of 'The Hangover'. Still since last years comedy classic, (just like his fellow actors) Coopers stock has rose considerably. I mean remember when the long hair and designer stubble wasn't there? Yep that's right he was just that a****** in 'The Wedding Crashers'. Well now Bradley is literally the 'Face' of the new 'A-Team' franchise. A franchise which starts with a film who's plot is as throwaway as 'The Expendables' but at the same time who needs a plot when you've got hilarious gags, incredible action and Jessica Biel. Put your smarts aside and you opinions that BA could still play MR. T and just foolishly enjoy this one. Liam Neeson's on fine form again and who would of thought that a slow, (so 80's like the original series) helicopter would make for a thrilling opening action scene. No wonder Mr. T doesn't want to mess with planes. Now this film may not get top marks from every critic but every member brings his A game to this justified remake. It's the perfect popcorn movie for the weekend. Now don't you just love it when a Friday night comes together?

THE KARATE KID: In movies ordinarily remakes rarely best the original but 'The Karate Kid' was never an ordinary movie, it was always something different to everything else out there. Your average action hero's rarely have the ability to wow you with their fighting skill and at the same time bring you to tears within two scenes but then again Jackie Chan isn't your average action hero, he's one of the best actors around...period. Your typical child actor may entertain and capture hearts young and old but they don't tend to step toe to toe with their co-stars in their acting ability and screen presence, but then again Jaden Smith (Son of A-list 'I Am Legend' Will Smith) isn't your typical child actor, he's a rising talent (Just watch him pursue happiness for further proof). Ideally a remake of a cheesy 80's film wouldn't be the best way to spend a Friday night but kick it with 'The Karate Kid' and you'll have the ideal night and one of the best at a cinema in recent times. Surprise hit if the year? Check! Better than the original? Check! Best film that's suitable for everyone of the year? Check! Classic? Go see for yourself! TIM DAVID HARVEY.

REVIEW: COWBOYS & ALIENS

4/5

To boldly go where John Wayne never did.

Starring: Daniel Craig, Harrison Ford, Olivia Wilde, Clancy Brown, Noah Ringer, Adam Beach & Sam Rockwell. Director: Jon Favreau. Screenplay: Damon Lindelof, Alex Kurtzman, Roberto Orci, Mark Fergus & Hawk Ostby

Let's face it, everybody still wants to be a cowboy and every other movie these days focuses on alien invasion. So it's time we mixed the two together for the mother ship of all Summer blockbusters. After finishing tinkering around with 'Iron Man' director Jon Favreau decides instead to strap some metal around Daniel Craig's wrist and set about a wild-west story. As Craig's wrist weapon is the only thing that can save these Western gun-slingers from some extra terrestrial company you know where going to have an interesting film on our hands. Now as daft as the title is, 'Cowboys & Aliens' is a great play on words and genres, mixing the classic 'Cowboys and Indians' tale with some good, old-fashioned sci-fi.

Besides you can trust Favreau to deliver a cast-iron action epic with heart, smarts and a few belly laughs too. Especially with a great team behind him including Brian Grazer, the Ron Howard and the legend Steven Speilberg producing things. Also as this movie lasso's Daniel Craig and Harrison Ford in for the lead roles you know this pictures in good hands. Besides if you where under threat you'd sure like James Bond and Indiana Jones on your side.

'Cowboys & Aliens' is a great tale of two periods, piecing together the classic hallmarks of western cinema with today's staple of big blockbuster special effects and Hollywood shine. Even with an awkward title and premise everything all fits together perfectly in a movie that you can really marvel at. It just works and this mix of old and new is refreshing in this Summer season of sequels and reboots.

Sure this is based on a classic comic-book but it's still an original film for a creatively starved industry. From appealing action, to easy on the eyes cinematography this movie takes you to all sorts of places. Still it's the cast that leads the charge, galloping on their horses. Daniel Craig shows exactly why he was worthy of big roles like 007 with a stellar star performance, while Harrison Ford just keeps adding to his legacy with another legendary performance. It's about time someone gave this icon a role like this. He may have not been able to take us out this world when the last 'Indiana Jones' movie met those from outer space but 'Cowboys and Indy' works just fine.

The support in this movie really is a saloon of talent from old hand Clancy Brown to young steed Noah Ringer. Favreau also brings Sam Rockwell from 'Iron Man 2 ' with him and the serious A-lister/top character actor really extends his range playing a saloon owner, he does really looks the part. Adam Beach (who starred in Clint Eastwood's (a man who's no stranger to westerns) epic 'Flags Of Our Fathers') gives this movie Indian blood and delivers a heartfelt performance also. Still however, it's Olivia Wilde's role as the love interest that really keeps things intriguing. The 'Tron: Legacy' star may not have brought Jeff Bridges 'True Grit' with her, but what she does bring is her own hardiness and determination.

This movie has a lot to live up to following in the spur steps of the aforementioned classic 'True Grit' and with competent, current competition like Speilberg's other sci-fi foray 'Super 8' (a film who's aliens look better). Still this picture could really win awards for coolest film of the year. Hey, no one said it was going to get any Oscars. From sublime set-pieces to slick alien ships this movie is a great special effects vessel. While the classic Western acting and dialogue-complete with extra ham-is something you'll love to get your teeth into. A movie current and nostalgic that will leave you smiling and tipping your hat, this wild ride is about to invade the box-office. TIM DAVID HARVEY.

REVIEW: RISE OF THE PLANET OF THE APES

4/5

There's no business like monkey business.

Starring: James Franco, Freida Pinto, John Lithgow, Brian Cox, Tom Felton & Andy Serkis. Director: Rupert Wyatt. Screenplay: Rick Jaffa & Amanda Silver

OK you apes face it, we humans have had a fascination with primates and how close they are to us in intelligence and mannerisms and that stretches back even way before the first one of these films about these animals taking over was released back in 1968. Almost as fascinated as our obsession and paranoia with end of the world movies that make us feel like they could happen one day. Since then there have been many more movies made and many more end of the world movies made, but nothing have been closer to home and closer to us than this.

First there was Charlton Heston, then there was Mark Wahlberg (in the Tim Burton 2001 remake) and now there is James Franco leading this latest reboot of the 'Planet Of The Apes' franchise to deeper and more meaningful places. Set in the classic, sensational city of San Francisco, Franco's character has a lot to deal with (and where not talking about his great love interest Freida Pinto) he's developed a drug to try to cure Alzheimer's disease which is tested on the apes and is what his father (played brilliantly by John Lithgow) is given to get better. Still, like with any drug there is side-effects and cue some protective qualities mistaken for monkeying around, loss, chaos and evolution to revolution arises.

With the apes looking to takeover like aliens in their own war of the worlds with humans what results is some epic battles, struggles for power, some trashing of San Fran (every movie, that poor city gets it) and refreshingly a story arc that your unsure where is actually going. It's this unpredictable ending that actually leads to somewhat of an anit-climax but save that, some corny words, some ill-advised horse riding and a red sweater moment that looks like something out of a 'PG Tips' advert, this is a perfect picture and homage to the series. Even the lone ranger stuff harks back to the original and an television news clip aside really sets the original story straight to boot.

Franco (an actor who's stock has rose considerably since 'Pineapple Express' in 2008) is on top form recovering from his '127 Hours' to become one of the best leading men this year (especially with his role as Allen Ginsberg in 'Howl') and fellow Danny Boyle darling Pinto is as smart as she is beautiful. Coming from another '3rd Rock From The Sun', John Lithgow is more serious and sincere and what would a Hollywood film be without Scot Bian Cox. The real stars in this film however are the apes, from their convincing CGI to their personal and inter-group development. This really is a heart-warming, though-provoking and smart movie and it's all done by the animals, you'll be left attached to the young, adorable Cesar (no not Julius). This film will leave you able to convey all human emotions like it's hairy stars.

This movie really does rise. With a thrilling third act on the Golden Gate bridge, classic views and shining examples of great time-lapse's in character and story development this picture really does motion well through it's run-time. Even with a decent Summer season and year of blockbusters-especially in the fantasy/end of the world theme-this really is king, beating it's chest like Kong. Howling louder than the rest of what their up against it's clear that the apes have taken over. TIM DAVID HARVEY.

DVD RACK-ASIAN CINEMA SPECIAL

This week our 'DVD RACK' delves into some selections to celebrate some amazing Asia cinema.

BROTHERHOOD (TAEGUKGI): With as much action and heart as American classic 'Saving Private Ryan', this movie is as thrilling and harrowing as any Hollywood picture about war, if not more. South Korean movies really know how to convey heart and meaning in a genuine way. Showing two brothers and two nations struggles in the Korean war this film does what any film about dark moments in history should do and teach about it and not glamorise it. The relationship between the two brothers is beautiful(played with perfection by Jang Dong-gun and Won Bin), the relationship between the two nations is shocking. As Westerners need to learn more about the problems in North and South Korea, this film makes us sit up and pay attention to the problems in the past. This epic may not exactly be enjoyable but it's necessary viewing and the realest of respect to those tragically lost. There's not much else that can be said that this film hasn't already told and taught us. Words can not express.

THE HOST: Not exactly 'Godzilla' but in actual fact this monster movie is even better. As a green beast rises from the sea and terrorises the city what results is a blockbuster beast in all it's destructive dominance. Epic, thrilling and chilling, scary in parts and sensationally surreal this movie roars with pure power. With gratifying graphics and amazing actors and actresses all parts in this movie pack a hulking punch. Plus like the aforementioned movie, this popcorn movie brings a more real emotional and meaningful edge which is refreshing from some basic blockbusters straight from Hollywood. Another heartfelt hallmark from South Korean cinema.

TOKYO SONATA: Kiyoshi Kurosawa's acclaimed classic on family dysfunction and dynamics is a functioning film that is moving, hard-hitting and thought-provoking. All at the same the stories from four family members are brought to the table in real drama and heavy doses of heart from a long-suffering wife to a child musical prodigy. This Japanese hit doesn't just show the incredible and beautiful city of Tokyo (rise up) in all it's glory, it also shows the most meaningful, emotional and personal of relationships between family members in all their highs and lows. What this gives us is more then perspective, but a clear-cut perfect story for any audience worldwide. The kind of real-life familiarity we can all relate to without translation.

HOUSE OF FLYING DAGGERS: OK, so this film may not be as epic as 'Hero' or as groundbreaking as 'Crouching Tiger Hidden Dragon'-the catalyst for this type of movie-but still 'House Of Flying Daggers' is a timeless, influential classic. With stunningly beautiful cinematography and stunningly sensational choreography this film features action and romance in epic proportions. Just look at the dancing or fight scenes for some of the most ascetically amazing moments in cinema. From the architecture and decor of Chinese temples to the incredible natural beauty of the Chinese countryside your eyes will be taken on a thrill-ride of beauty as this cat and mouse second act races through the scenes and landscapes. If that wasn't enough then there's as many improbable twists and turns in this movie as there is impossible flying and climbing above trees with ease. What results is a scintillating story to match the sensational action and adventure.

FEARLESS: Still if you like your martial arts a little more serious then how about Jet Li's last epic? From the fighting to the cinematography and the score, to the scenes of old China, this film is beautiful. With an incredible journey both spiritual and gruelling, what results is a poignant message. A traditional film which pays proper and due deserved homage to the craft of martial arts. Unlike many of the Hollywood re-hashes that are chopped up these days. Jet Li shows he really is a bonafide actor with a genuine performance of depth and character, showing the change between an emotionally driven man and one at peace. TIM DAVID HARVEY.

REVIEW: SUPER 8

3.5/5

Spielberg helps Abrams take us back to the eighties.

Starring: Joel Courtney, Elle Fanning, Ron Eldard & Kyle Chandler. Director: J. J. Abrams. Screenplay: J. J. Abrams. Produced By: Steven Spielberg, J. J. Abrams & Bryan Burk

'Super 8' is one of those special films that don't come around everyday. A classic, vintage feeling picture like the millimetre film of the same name. It's no wonder Steven Spielberg is behind this picture. The man that gave us such classics as 'E.T.' and 'Jurassic Park' oversees a project that tries to recapture the magic and youth of those movies from decades gone by. From the second the silhouette of Elliot and E.T flies into the 'Amblin' logo to start the movie the fond nostalgia and magic comes right back instantly.

This extra terrestrial, sci-fi picture however is written and directed by J.J. Abrams the man that blessed us with the solid, camera shaky 'Cloverfield' (this movie was originally rumored to be a prequel) and the sensational 'Star Trek' reboot. Knowing a thing about new worlds and new civilisations, Abrams boldly goes into this movie with a relatively unknown cast set in the fictional town of Lillian, Ohio (or Weirton, West Virginia as a matter of fact). This, however is what makes this film that more special, personal and in some ways scary. It just feels more real with actors that look like everyday people in an everyday setting as opposed to Tom Hanks leading a band of a-list brothers (as good as they are) right through the plot.

Speaking of the story arc, basically a lot of strange things start happening in this small town, and you know in movies like that it spells trouble and a hell of a lot of 'jump' moments. Meanwhile a group of charismatic kids full of character, looking to be the next 'Goonies' or Ben Affleck and Matt Damon's begin filming a zombie movie on their Super 8 camera. While getting some great 'production values' at a train station their script is flipped to some great special effect values as they witness a massive train derailment and one of the most impressive set-pieces you'll see in cinema all year. It really is mint. As even more strange things unfold and glimpses of new life begin to appear these small-town residents begin to realise they are far from alone.

What results is a tense, shocking, twist of a tale with plenty of humor and heart to keep you smiling and ticking over through it's one, twelve run time. As you immerse yourself in this community and movie, you stay with the story and begin to feel and love the characters that you've barely, if ever seen on screen before. That's that Speilberg and Abrams magic we we're talking about. Setting this film back in the eighties helps the small-town, more special feeling, down to the earth of the humble Ohio residents and also helps wake up some of the tired alien films (the alien actually looks original and great for a change). While elements of classic movies like the buddy nature of 'The Goonies', the terrifying suspense of 'Jurassic Park' and of course the extra terrestrial elements of 'E.T.' help make this Sci-fi fictional tale a science of success.

Also the cast-list won't read like a 'who's that' for much longer. From 15 year old Joel Courtney to 46 year old Kyle Chandler there are some born stars in this movie who are set to join the 'who's, who' A-Lists soon. With stellar performances, graphics, settings and set-pieces this movie looks to go out of the world of Hollywood and become a worldwide smash. There's so much to this picture that who knows if you'll laugh or cry in the end. There may be a little anti-climax in this grand picture but it still sits well on the screens as sometimes we all know the journey is better than the destination and this movie takes us on a wonderful one through space, time, nostalgia and classic story-telling and cinema. This movie feels like an independent one as it stands in a class of its own. An '8' out of ten movie that really is super. TIM DAVID HARVEY.

DVD RACK-MARVEL SPECIAL

With 'Captain America' saving the box-office behind great help from 'Thor' and 'X-Men: First Class' 'Marvel' is at the height of it's powers with 'The Avengers' coming next year. So this weeks 'DVD Rack' takes it back to the comic books.

IRON MAN: Forget about 'The Avengers' for a second, we can't wait for the third installment of the greatest Marvel action hero. So let's take a look back to where it all started. With his charisma and charm Robert Downey Jnr breathed new life into the genre with Gwyneth Paltrow by his faithful side. Hilarious and thrilling, the graphics and the action where sublime thanks to Jon Faverau's direction (he'll be missed). Speaking of those missed by the franchise Terrence Howard raised his and the films stock (although Don Cheadle got his 'next time baby'). While fan favourite Jeff Bridges (dude where's your hair?) made a surprisingly sinister, coldly convincing villain.

X-MEN ORIGINS-WOLVERINE: When franchises have run out of sequels, it's time for the prequels and going back to the 'Origins' of X-Men really was something to 'Marvel' at. With all the characters to choose from it was clear that Hugh Jackman's most-popular 'Wolverine' character would sharpen this series. Darker, bigger, more exciting and epic, Hugh was joined by some new friends who now deserve 'Origin' movies of their own. From Liev Schreiber's villain, to versatile superhero Ryan Reynolds (catch him currently as 'The Green Lantern') and all his 'Deadpool' charm and deadpan wit and super-cool Will.I.am. this might just be the best X-Men yet.

FANTASTIC FOUR-THE RISE OF THE SILVER SURFER: Chris Evans may be taking the shield as 'Captain America-The First Avenger' currently in theatres but he's no stranger to marvelling us with his super powers. In this installment of the 'Fantastic Four' series Evans' Johnny Storm joins Ioan Gruffudd, Jessica Alba and Michael Chiklis for another great action adventure. This time the iconic silver surfer helped make waves, with the voice of Laurence Fishburne and the CGI of a great special effects team, that stretched it's already thunderous, hot, rock-solid talents to the max. What resulted was a great looking picture, which made for a sublime sequel.

DAREDEVIL: Critics and comic-book fans alike hated it. We loved it. They said Ben Affleck was no good as the blind super-hero. We think apart from the pointy ears this was one of Affleck's best from his big-budget blockbuster days. They cruelly said Michael Clarke Duncan shouldn't have played 'Kingpin'. Well we think it has nothing to do with race (we see you Idris Elba, great performance in 'Thor') because Duncan leads the pack with one of the most convincing performances in the entire film. Michael has the last laugh starring in the 'Green Lantern' out now and wasn't that him in 'Thor')? They also said Colin Farrell looked stupid as 'Bullseye'...OK we'll give you that one but he was still great. As was Jennifer Garner and Ben's significant other to be after this movie. Electrifying as 'Electra' her sex appeal and strength of character garnered her a spin-off prequel. Overall the action and the effects where top-notch and if you've got something to say about the low-key acting, remember this is a superhero movie after all. Plus even if you do hate this movie it helped Jon Favreau get a better take on the comic-book genre. You got to love that.

IRON MAN 2: How about some more metal from Tony Stark to book-end this feature? Jon Faverau may not be on board for 'Iron Man 3' and Terrence Howard may have been replaced but this sequel proved that the 'Iron Man' franchise was still working, even with a little tinkering. Robert Downey Jnr brought his usual effortless charm and humor as he helped lift this superhero off the ground one more time. Ironman got an even better villain this time with Mickey Rourke playing the menacing Whiplash. As for Tony Starks sidekick, Don Cheadle filled in quite nicely as Lieutenant Rhodes and once he supped up that War Machine suit 'Iron Man 2' brought an artillery of action. An army of A listers filled out the cast from the cheesily charismatic villain of Sam Rockwell to Scarlett Johansson and that brilliant costume department. With another hilarious Stan Lee cameo and another 'Avengers' preview, Iron Man showed he was the king of the Marvel franchise. TIM DAVID HARVEY.