REVIEW: YOUNG WOMAN AND THE SEA

4/5

Sea Change

129 Mins. Starring: Daisy Ridley, Tilda Cobham-Hervey, Stephen Graham, Kim Bodnia, Christopher Eccleston, Jeanette Hain, Sian Clifford & Glenn Fleshler. Screenplay: Jeff Nathanson. Director: Joachim Rønning. On: Disney +.

Just in time for the Paris 2024 Olympic Games, that we are in the heart of, comes a woman who competed in the last French capital city Olympiad, exactly 100 years ago for this anniversary. The Legendary Gertrude Ederle returned from the City Of Light shining in bronze, instead of gold. But when she came home to the Big Apple, after swimming the entirety of the English Channel, New Yorkers did more than just tune into this people's hero. The city that never sleeps showed up in droves across the streets of Manhattan. There hasn't been a parade for a sports star, man or woman, this big, since. Even Babe Ruth had to tip his Yankees cap after sucking an egg.

Based on the book of the same name by Glenn Stout, clearly taking earnest cues off Hemingway, the 'Young Woman And The Sea' finds its lane on streaming service Disney Plus. The 'Pirates' producer Jerry Bruckheimer helmed biographical movie, joining the 'Glory Road' of the true story likes of other sports titans we remembered between all the Walt Disney animations and Pixar productions. Dive in like the ascent up the waterfalls to the new Disney intro I.D. that wishes upon a star even bigger than the Marvel one, which we're glad they kept after their century anniversary. Unless, this film was kept in the shallow end until the Netflix 'Nyad' Oscar nominated movie of the same theme starring Annette Benning and Jodie Foster made its splash. You'll feel similar themes that play by the rules here. No touching unless you want to get disqualified, like jumping the starter's gun. Legs feeling wobblier than when you wake up sleeping on them. And the notion that if you don't succeed...try, try (and try) again.

This 'Young Woman And The Sea' is anything but washed up. All is not lost like 'The Old Man and The Gun' Robert Redford fighting rising tides in one of his last and best pictures. No matter what the "not my 'Little Mermaid'" tide will say as they roll their eyes at another film fronted by what they'd refer to as a "female". Give us, and the world, a break. Those who think we don't need to see another movie about an incredible feat at stake in the ocean after 'Nyad', are the same who sidelined the Civil Rights of 'Shirley' on Netflix after the success of 'Rustin'. Yet you didn't mind two White House under siege films a decade ago, never mind all these Marvel movies. 'Fleabag' star Sian Clifford's coaching inspired comments, worth more than pencilling in, say it all. As does the fatherly advice after adversity of 'Killing Eve' favourite Kim Bodina in a film that begins to feel like a Phoebe Waller-Bridge affair. Yet it was scripted by Jeff Nathanson (actually 'Indiana Jones and the Kingdom Of The Crystal Skull' and the forthcoming 'Mufasa: The Lion King' prequel) and directed definitively by 'Maleficent: Mistress Of Evil's' Joachim Rønning.

Promising young woman Daisy Ridley has been through this type of scorn before. Star Wars "fans" turning on 'The Last Jedi' like they do everyone else, despite this awakening force propelling the long-awaited sequel's like the prequels in all their power never could. And here, she is still a Rey of light and unwavering belief in the face of male disrespect that's fixed on her like a glaring gaze. Her Gertrude swims through poisoned water and hordes, let alone a school, of jellyfish and refuses to be boxed in. It's beyond inspiring in the capturing of a character who was anything but a fake one. This may be "based on a true story", but it's real...all of it. 

Trudy Ederle beat measles as a child, and even overcome deafness later in life to dedicate her years to teaching deaf children how to swim. Where did she get her strength from? How about the mothering of Jeanette Hain for one? Or the sister's keeper of a 'I Am Woman' feminist icon capturer Tilda Cobham-Hervey. Standing strong amongst big names like Christopher Eccleston ('Who?), Glen Fleshler (wait until you see how he's convinced), and an always brilliant, and particularly so here, Stephen Graham. Lighting a beacon like Disney's 'Finest Hours', Ederle swam for the lengths of 14 hours and 31 minutes. No man or woman has ever channelled this since. Even Ernest's 'The Old Man' didn't conquer the sea quite like this. TIM DAVID HARVEY.

Further Filming: 'Nyad', 'All Is Lost', 'Star Wars: The Force Awakens'. 

REVIEW: DEADPOOL & WOLVERINE

4/5

Deadpool Kills The Marvel Universe?

128 Mins. Starring: Ryan Reynolds, Hugh Jackman, Emma Corrin, Morena Baccarin, Rob Delaney, Karan Soni, Stefan Kapičić, Brianna Hildebrand, Shioli Kutsuna, Lewis Tan, Leslie Uggams & Matthew Macfadyen. Director: Shawn Levy. In: Theatres.

LFG! You've been waiting for this team-up for a long time. Ever since 'Deadpool' stapled People Magazine's 'Sexiest Man Alive' to his face. F### that! We've been waiting to see this canary yellow suit on Hugh Jackman's Wolverine for over twenty years. Although, it was kind of undershirt teased in 'X-Men: Days Of Future Past'. As Ryan Reynolds' motor 'Merc with a Mouth' gives us the best gags about it, we can't match with a Los Angeles Laker when seen on your television set pun. Well, we hope you have the time of your life, like Green Day, with yellow and red. Not to mention, some clip-show highlights over the last two decades of Marvel mutants for your 20th Century Fox family and friends closing credits. Because it's here, more than a buck 50 soaking wet for a man who could do this until he's 90 (probably not). F### all day! And after terrific trailers that cock teased you, and one hell of a popcorn bucket for the next trick of this foul-mouthed franchise, now in Mickey Mouse's house. Promotional products and images even revealed the iconic Wolverine cowl, that looks like two Batmen kissing, previously seen on a deleted scene from 'The Wolverine' in Japan.

Maximum effort not to spoil anything here, as 'Night At The Museum' director Shawn Levy gives us the same in this legacy making Marvel movie. Reuniting with both Reynolds ('Free Guy', 'The Adam Project') and Jackman ('Real Steel'), who themselves reunite after the original 'X-Men Origins: Wolverine' movie. But who else is here? C'mon. Some trailers and trolls may have spilled, but we're shutting the f'up like Hugh tells Ryan in some of the best banter you've seen this side of the water cooler at work where you still shouldn't leak anything. From your mouth...or your pants, that really are getting tighter. The cameos are classic. Like 'No Way Home' or 'Doctor Strange' classic in another 'Multiverse Of Madness'. Some you'll have called. Others you'll fall for, as you never saw them coming. But, 'Like A Prayer' and life itself, we'll let the rest set to be revealed remain a mystery, as Madonna and a sensational soundtrack of hallmark hits takes you there. Even the songs shouldn't be spoiled as 'Deadpool' says bye, bye, bye to 20th Century Fox like N-Sync. Wait...damn it!

That one's on May! The rest is up to you to enjoy and let others do so too, as all those Marvel fans who were quick to criticize come back through Strange portals. Although this forever meta franchise film pegs itself, or at least its new house, for its mid to miss ratio. It's hard to whiff on this "bubby" comedy, though, as everything in this picture is about the returning fond favourites we can talk about. The love of Morena Baccarin, everybody's favourite Rob Delaney (with a beautiful tribute), the crisp high-five of Karan Soni, the heroes of Stefan Kapičić, Brianna Hildebrand, Shioli Kutsuna and Lewis Tan, and of course the snowman building Leslie Uggams for Feige and Disney. Sure, they're reduced to 'Logan' dinner time seconds, but they're the heart and catalyst of all the cinematic and cameo calamity that comes after as 'Deadpool 3' turns into 'Deadpool and Wolverine', and a reunion of bad boys that is the ride or die, team-up of the year. Even bigger than 'Godzilla x Kong'. Only the nostalgia of the 'X-Men '97' animation can match this jubilee. Bubblicious.

They fight. They fight. They fight, they fight, they fight. Getting all itchy and scratchy as you think they may just almost f###! But get your mind out of their pants and your hands onto your lotion, because this is a nerdgasm geek's wet dream. Just wipe yourself off, because if this perfect pair could make this happen, then maybe they really will reboot John Travolta and Nic Cage's 'Face/Off' for the ages! It's a joy to see these BFF bubs together forever like necklace charms. Just like it is to finally see them in the M.C.U. Jackman deserves it like a HUGHe hand for retaking over Robert Downey Jr. to hold the record for the most appearances as the same superhero in movies. Whilst Reynolds has made all of this happen, from some leaked 'Deadpool' test-footage to finally finding a home with all the fantastic Marvel Cinematic Universe characters. From The Avengers to the X-Men. And salute, because this Marvel Jesus gives justice to even more actors and characters that deserve their day and play in the late, great Stan Lee's sandbox. All orchestrated by the man who had to lobby (and leak?) hard to get how own movie made.

Pruning and pegging your way through this one, the TVA of 'Loki' make their mark on clearing everything up for your multiverse strands and sacred timelines as a great Matthew Macfadyen is the succession of Owen Wilson. But it's 'The Crown' of Emma Corrin who almost takes it as they steal the show. It's all about family at Fox, and if you can't tell who they're playing, you might want to tap two fingers to that bald head. In a 'Mad Max' style wasteland with the best Paul Rudd joke you've heard, forget us, look at them. All the classic characters, as Corrin plays around with facial expressions, moves and Logan's claws. And how about that callback and look on Hugh's face to his last stand, as Reynolds tells him to do it one more time (not like that), like he casually asked him in his living room. Pressing his temple to a gun and smiling for the flash in a beat-up bar, before taking a dive like Peanuts, Jackman has given us every inspired incarnation of the Wolverine. But you ain't seen nothing yet. Let's f#####g go! TIM DAVID HARVEY.

Further Filming: 'Deadpool', 'Logan', 'X-Men Origins: Wolverine'. 

REVIEW: FLY ME TO THE MOON

4/5

Play Among The Stars

132 Mins. Starring: Scarlett Johansson, Channing Tatum, Jim Rash, Anna Garcia, Donald Elise Watkins, Noah Robbins, Colin Woodell, Christian Zuber, Nick Dillenburg, Ray Romano, & Woody Harrelson. Screenplay: Rose Gilroy. Director: Greg Berlanti. In: Theatres & On: Apple TV.

If you believed they put a man on the moon, then come see what life is like on Jupiter and Mars. In other words, where women and men are from...or is that Venus, as opposed to this boy's life on Mars, like Bowie?! Either way, the combustible chemistry between two of Hollywood's millennial finest heartthrobs takes off in this post greatest generation, perfect picture. Channing Tatum's grounded in gravity rocket man and Scarlett Johansson's spin doctoring marketing executive, who could give the cigarettes and bourbon of those 50s 'Mad Men' a run for their advertising revenue. All for NASA's mission to fly America to the moon like Sinatra before the Soviets get there first. Giving us one of the finest space race movies since the 'Hidden Figures' of history, Ryan Gosling's 'First Man' and the legendary 'Apollo 13'.

Houston...we have a romantic comedy drama film like no other. It's just joy, like the good old days, when America was actually great, beyond a snide slogan on a baseball cap. Like it still can be, if we believe in the hope this movie inspires with its welcome wagon like Trojan Horse. You see, Greg Berlanti's ('Love, Simon') brilliant blockbuster for a sweltering summer was originally named 'Project Artemis'. Just like it was originally meant to be directed by 'Ozark's' Jason Bateman and star 'Captain America-The Winter Soldier' flirtatious Avengers Scarlett Johansson and Chris Evans in a lovely reunion (there's a cute cameo for Scarlett, but it's not Cap). Although on the comeback trail, Channing Tatum is the right fit, like his Batman wardrobe of perfect knitted sweater t-shirts in all the GQ colours here. And whilst we're at it, this is no spoiler, because we have no idea, but how good would it be if we finally saw Channing Tatum play X-Men Gambit in the new 'Deadpool and Wolverine' movie this Friday, after all these years of rumours? After certain cameos in the last few years, you never know.

Besides the hot dog, boardwalk beauty that these two poster stars give you. Not to mention, the depth of real love, for this swipe and unmatch age, that runs back into the diner to tell you what you've longed to hear your whole life. There are more classic hallmark Hollywood moments to cure our collective cynicism. Especially in regard to the moon landing, and whether it was all an act like Jim Carrey, in a movie where R.E.M. provide the big score. Was it all a dream, as everyone huddled around their television sets like telescopes to get a glimpse of a real moonwalk, decades before the King of Pop? Well, with one step here, 'Fly Me To The Moon' gives you a giant leap into what could have been. A contingency plan in the space race just in case luck wasn't with them like a black cat. And also, what that does to the integrity of an apple pie America that needs to cool it with all that on the window sill. Especially in this time of doctoring, cons and news that has people doubting the authenticity of what's fact from fiction.

Tatum and Johansson are all you need, especially as Rose Gilroy's great screenplay lets the sparks fly. But there's a class cast here. All the way down to the legends like the Ray Romano everyone loves, and the cheers to Woody Harrelson, whose character gets more compelling with every twist and turn, especially when he trilby dances the night away like Ole Blue Eyes. On her big break, Anna Garcia steals some of the limelight in this show like her name was Andy. Whilst Donald Elise Watkins and Noah Robbins also make their mark on getting this rom-com, mostly true story, off the ground. No McConaughey failure to launch. And whilst it's no Ryan Gosling in 'First Man', Nick Dillenburg is great as Neil Armstrong. Flanked by Buzz Aldrin (Colin Woodell) and Michael Collins (Christian Zuber) like a TIME magazine cover or Omega timepiece. But it's the 'Community' of Jim Rash's brash director that brings this all together, laced with his barbed wit drier than the Martinis he craves like rave reviews.

This Apple TV movie with 'Ted Lasso' positivity puts heart back into the Stars and Stripes like a good cup of Joe at a classic roadside, American diner. So let your hair down, like the top of some classic muscle, and enjoy the ride as your car radio tunes into the classics in 'Fly Me To The Moon'. Bookended by the great Sam Cooke, Etta James, Jackie Wilson, Bobby Womack, the Bee Gees and many, many more. It's your thing, like Ann Pebbles for this 'Moon River' sung down the stream by the one and only Aretha Franklin. Timeless and touching. Just like this Apollo 11 movie's moving tribute to the men whose lives were lost in Apollo 1. Planting a seed for us to remember all of those who took the first steps that led to the giant leap. 5...4...3...2...1. This is a go for launch. If you believe there's nothing up the sleeve of NASA's moon landing, then this is the film for you. But if you air on the side of conspiracy theory like your friend's social media accounts, then your mind may be changed after this. In other words, your heart will be singing, "please be true!" TIM DAVID HARVEY.

Further Filming: 'Hidden Figures', 'First Man', 'Apollo 13'.

TV REVIEW: THE ACOLYTE - Season 1

3.5/5

The Jedi Trap.

8 Episodes. Starring: Amandla Stenberg, Amandla Stenberg, Lee Jung-jae, Charlie Barnett, Dafne Keen, Rebecca Henderson, Jodie Turner-Smith, Manny Jacinto, Dean-Charles Chapman, Joonas Suotamo, David Harewood & Carrie-Anne Moss. Showrunner: Leslye Headland. On: Disney +.

Act right! Whilst people are hating on 'The Acolyte' on Disney Plus, like they did some characters in 'Obi-Wan Kenobi', all because they don't see enough white males in this franchise of aliens and droids, the same "not my 'Little Mermaid'" middle-aged crowd are missing out on one of the more nuanced looks of the blurring lines of the light and dark side in a galaxy far, far away. All whilst showrunner Leslye Headland is having her fun telling us that R2-D2 "is a lesbian." Not to mention his, "friend". "Are you telling me, with a straight face, that C-3PO is straight?" She's got a point. So, if this really is the amazing Amanda Stenberg's, doubling down, duty to make "white people cry" (it's a joke, people), then mission accomplished. And just wait until you see who she offs in the very first scene. Be pissed all you like, but 'The Hunger Games' and 'The Hate U Give' star really makes this series her own. F anybody who wants to make it about disgracing race.

It's not 'Star Woke', it's the all-encompassing legendary franchise under the Mickey Mouse umbrella that has welcomed entire galaxies and all walks of life for years. Sure, 'The Acolyte' can't touch 'The Mandalorian', but even 'The Book Of Boba Fett' and 'Andor' can't do that. What it does have is an episode five to match all of those before, that, as they say, really "hits different". Even the bounty hunter and The Child's epic exploits, and the don of all them, Boba, can't MC Hammer this. Stranger things happen in a forest illuminated by neon swords as the man with the helmet that sold out instantly (yeah, people really don't like this show), headbutts lightsabers and puts his own to people's temple like a gun for the coolest set-pieces in a franchise full of them. This neck-snapping, taking it to the heads of those who hate, stunning spectacle is the most excited we've been for a sabre battle since Darth Maul showed us two can play at that game...and by the way, it's not him.

More, someone that looks like he could play in 'Pulp Fiction' with that gimp mask. Zipping the mouths of those who said this show didn't have what it takes...and never mind the stakes. Sure, this 'Acolyte' spends more time in the past than those haters stuck in the 1950s, but you have to build up backstory in this connected universe to give the canon more fire. And there's many playing their part here. Like sensational South Korean superstar Lee Jung-jae who learnt English in hyperdrive speed to play a Jedi inspired by the master Liam Neeson's Qui-Gon Jinn. Or the Trinity of 'The Matrix' legend Carrie-Anne Moss, who can still move in bullet (blaster) time. Add the great 'Chicago Fire' of Charlie Barnett and 'Logan' star Dafne Keen (imagine if she was in 'Deadpool and Wolverine' as X-23) and we have more dynamic duels than you can shake a fanboy's glow stick at.

Canadian 'Russian Doll' star Rebecca Henderson has an even cooler and crazier lightsaber (and those Disney memes are hilarious) and political clout that could take her to the likes of 'Andor'. Whilst 'The Neon Demon', 'Queen & Slim', and forthcoming 'Tron: Ares' star Jodie Turner-Smith gives you the beautiful and brutal backstory you were looking for to give this narrative weight. 'Game Of Thrones' great Brit Dean Charles Chapman, veteran ballplayer and Chewie stand-in Joonas Suotamo (guess who he's playing?) and 'Homeland' and 'Supergirl' Cyborg Superman star David Harewood OBE, also offer smaller, but significant roles. But it's the part of 'Bad Times At The El Royale' and 'Top Gun: Maverick' star Manny Jacinto that really plays more. We're sworn to secrecy, but we will say this, what this maverick does for this 'Star Wars' series is the equivalent as what 'Hit-Man' Glen Powell has done for the whole of Hollywood like a twister. If the summer is Glen's, then the galaxy is Manny's.

Yet in the sum of all these profound parts, it's still Stenberg who is still the star of this show. An awakening force like 'Ahsoka' on the double who can strike and fight with the best of them...not to mention find inventive, flinch, and you're f##### ways of giving yourself a quick trim. This mystery thriller of a science fiction is high, like the Republic that sits above it. But let's not look down on it like all those fans who forget entertainment was to be enjoyed, not deployed in disrespect on social media. The one screen you shouldn't be focussed on as you watch these home cinema TV series in season, like they should be for the big-screens they were filmed for. Before the Skywalker Saga, and 100 years before a phantom menaced, this 'Acolyte' sets its own stream of storytelling. Behind this 'Donnie Darko' inspired mask that even has its own Marvel one-shot comic-book, an acolyte is defined as an "assistant or follower assisting the celebrant in a religious service or procession" (thanks, Wikipedia). And you know this franchise treated like religion is about to get a whole new set of followers. No matter what social media tries to convince you with force. TIM DAVID HARVEY.

Further Filming: 'Obi-Wan Kenobi', 'Andor', 'Ahsoka'.

REVIEW: ALL OF US STRANGERS

4/5

Strangers Things.

105 Mins. Starring: Andrew Scott, Paul Mescal, Jamie Bell & Claire Foy. Screenplay & Director: Andrew Haigh. On: Hulu & Disney +.

"Tortured Writers". That was apparently the name of the group chat Taylor Swift's ex-boyfriend, actor Joe Alwyn was in that inspired the name of her latest hit album 'The Tortured Poets Department', that like her 'Eras Tour' has taken the Summer by storm. The group chat, rumoured to also have the company of leading actors Andrew Scott and Paul Mescal. Make of it what you will, but the 'Fleabag' "Sexy Priest" and 'Sherlock' Moriarty star is together with the Laurence Olivier Award-winning Stanley Kowalski in a revival of Tennessee Williams' 'A Streetcar Named Desire' play, not to mention, the man set to play Paul McCartney in a movie about The Beatles, for 'All Of Us Strangers'. Strange days indeed, as Macca's mate John would say.

No one told you there'd be dreams like this. And the less said about the fantasy fever dream of Andrew Haigh's Fox Searchlight picture 'All Of Us Strangers' now streaming on Hulu, and therefore Disney Plus too, the better. And that's not because it's bad. Quite the opposite, in fact, as it deserves its flowers in a time when 'Saltburn' seems to have taken its bathwater. What? Just because people are crying, "woke" at movies and property that are evidently box-ticking for likes, hits and profit, you can't have two real stories that celebrate love in all its forms at the same time? Please! This is like when Netflix all but shelved 'Shirley' and the civil rights movement of that icon after the popularity of their Oscar worthy 'Rustin'. Sometimes a story needs to be told, no matter if people think they've seen it all before. And the key idea here? They haven't. And not just because this six time BAFTA nominee and top ten indie films of last year's National Board of Review is still an unsung hero.

It's just because if we say too much, like in all good relationships, we'll simply spoil it. And we don't want to do that in a film that is close to burning you like Mescal's mesmerizing 'Aftersun', and that's in beautiful black and white for you like Scott's new nuance Netflix take on Patricia Highsmith's 'Ripley'. Andrew's amazing acting floors you, just like Paul's powerful moments that knock you off your feet. All in evoking emotions that pound your heart until no dry eyes remain. These two talents are the past, present and future of great British films and acting acclaim. Much like supporting stars Jamie Bell ('Film Stars Don't Die In Liverpool') and Claire Foy ('The Crown'), who are so heartbreakingly beautiful, we can't reveal anything more about their characters. Not just because we'll give the game away, but because we'll give way to tears.

Searchlight streaming at Mickey's house like 'Rye Lane' or an 'Empire Of Light' for your United Kingdom of film, Haigh's most revelatory work since '45 Years' is based on 'Strangers', the Japanese novel from Taichi Yamada. The 'In Search Of A Distant Voice' novelist and screenwriter (whose 'Strangers' was adapted for a second time (the first being the Japanese movie 'The Discarnates' of 1988) here by Andrew) sadly passed away last November. We hope we got to see this blossoming and beautiful tribute to his story before he passed. Because we're sure he would have been moved. We're also sure he got an early look at a film that only came out in Japan to begin this year after its August UK release ahead of the awards season it was crowned in.

Scott's London lonely screenwriter finds love with his muse in Mescal. All in the solitude of a cold concrete block of flats that seems to be inhabited by only this pair and their reflections in the mirror of the lifts that take them there. And you thought 'High-Rise was strange. But as you iron The Kinks out, "strangers on this road we are on, we are not two, we are one." And the power of love between these two characters could send Frankie back to Hollywood. Let alone keep the vampires from your door in a devoted dedication. This truly is a force from above and one you should make your goal in this life that is all about love. Man to woman. Woman to man. Woman to woman. Man to man. It's all as familiar as family. When you're strangers, all it takes is that first moment to reach across, as we try to touch. And reach for something deeper. Each and all of us. TIM DAVID HARVEY. 

Further Filming: 'Aftersun', 'Saltburn', 'A Ghost Story'. 

THEATRE REVIEW: MUCH ADO ABOUT NOTHING @ Shakespeare's Globe Theatre

5/5

A Midsummer Night's Dream

160 Mins. Starring: Ekow Quartey, Amalia Vitale, Lydia Fleming, Adam Wadsworth, Ryan Donaldson, Dharmesh Patel, Colm Gormley, Lucy Reynolds, Emma Ernest, Calum Callaghan, Peter McGovern, Jonnie Broadbent, Robert Mountford & John Lightbody. Director: Sean Holmes.

The Embankment must go on. Any trip to the Big Smoke of London isn't complete without an atmospheric and romantic night walk from the eye of London, to Tower Bridge itself in all its iconography. You'll pass beautiful boats, book markets and galleries like the Tate Modern. But after you walk past, and not over, the bridge made famous by 'Harry Potter', you'll see a beautiful barn. But, no, Hagrid does not live there. More the stories of The Bard. Who else, but William Shakespeare with all the world that's a stage watching his Globe theatre of dreams?

And therein lies the rub and one of the most beautiful, bucket list nights you'll ever have, like Glastonbury or Wimbledon. Because there's nothing like a great British summer as the London locals get their cans of Pimms out. Checking this off the list, and coming back to London for the first time in five years from the Far East, to say going to The Globe is one of the most enjoyable and entertaining experiences ever, is no epic exaggeration. It's beyond beautiful, historical, or traditional. It's the pure heart and beginning of true storytelling as we know it. Right in front of us, taking its world stage.

Besides, the Romeo + Juliet starring Spider-Man across town that I also wanted to see (like the theatrical 'Stranger Things' and Studio Ghibli 'Spirited Away' theatrical adaptations) was starting at around £150 a ticket. For a slice of Shakespeare, I paid 15....and apparently it should have only been £5. In actuality, it's priceless. Especially as the actors who can also emerge from the groundling section, interact with the audience, hands on, slapping five when they break traditional character, who just love it. One absolutely beautiful moment amongst others, as all walks of life made it here, to get involved, was to see one father joyfully shushing his young daughter, who couldn't contain her excitement, or knowledge of The Bard. She'll be on that stage one day.

As you grab your sausage roll (oh, to be back in the UK) and walk through the stone steps you'll see all the stars on their stage like a Hollywood Walk of Fame. Overhearing one woman informing her friends, I learnt that the stars actually pay for their names to be on the stones. And the great John Cleese paid for his 'Monty Python' co-star and friend Michael "Pallin" to have one...on the proviso that they spelt his name wrong. Good job, Jon. Make your way past glorious gifts, literal original text and the costume of Queen Elizabeth that could even give Queenie from 'Blackadder Goes Fourth' a run for her "off with their heads" reign, and you're here. Look around at the wonderful wooden structure akin to a Japanese shrine or temple, and you'll marvel at the magic of true theatre. And as you look up, above us only sky, and a wonderful midsummers night. What a dream...even when it atmospherically rains.

But a night's dream, this matinee and evening show is not. This is 'Much Ado About Nothing', which is really everything to the Shakespeare classics and purists. Running until the 24th of August, this post-war story of love in an idyllic Italian town sees hearts and the humour of them on the horizon. All as these young and old souls, strive and connive, and scheme and contrive to find that it's actually mischief that loves company. And this Shakespeare company in Sean Holmes' perfectly plotted production is a glorious one. Ekow Quartey's brilliant Benedick. The amazing Amalia Vitalie's vitality blooming Beatrice. The sword of Jonnie Broadbent's delightful Dogberry. The heroine of Lydia Fleming's Hero. Ryan Donaldson's dynamic Don Pedro. The villainous Don John of Robert Mountford. And of course John Lightbody's legendary Lenato amongst many, many more. There's all a mesmerizing muchness to these perfect proceedings. Shakespeare would be proud. His show really does... TIM DAVID HARVEY.

Further Bawdiness: 'Romeo + Juliet', 'The Taming Of The Shrew', 'A Midsummer Night's Dream'.

REVIEW: FERRARI

4/5

House Of Ferrari 

130 Mins. Starring: Adam Driver, Penélope Cruz, Shailene Woodley, Sarah Gadon, Gabriel Leone, Jack O'Connell & Patrick Dempsey. Screenplay: Troy Kennedy Martin. Director: Michael Mann. In: Theatres.

Driver? Adam Driver? The 'Ferrari' biopic stars Adam DRIVER?! And there's a Formula One film coming out, starring Brad Pitt? PITT?! Stop! Honestly, you couldn't make this Pitt up. But I should quit whilst my puns are ahead. Before the star of this show as Enzo Ferrari tells me "f### you" like that corny critic at the film festival who asked Adam (who also serves as executive producer, amongst many in the pits, for this picture) about the "cheesy" car crash scenes. For the record, they're not that. As a matter of fact, if you're not familiar with the Ferrari history, the infamous moment we're all talking about will brutally blind side you, showing you how truly tragic this accident on the track really was. And no one was to blame...except those trying to stir things up with the fingers they point.

An amazing Adam Driver (recruited off of his 'Logan Lucky' wheel work), brushing up on that Italian 'House Of Gucci' accent, embodies Enzo Ferrari perfectly, all the way down to the profound paunch behind the braces of his bespoke suits. The iconic locks of Kylo Ren are also patterned down into the glorious gray of a slick comb and coiffed man who knows Italian's make the best love...and cars. The developments of these beautiful bodies (the cars, people), akin to the basketball sneakers that got heads turning in another sport. I mean, Michael Jordan did base the air of his appeal off of some motor cars for how he drove the lane. The 'Paterson' player and 'Marriage Story' (another reason why he got this gig) standout disappears into the countenance of his compelling character with one of his best acting masterclasses yet. And here's a guy whose given us 'Silence', 'White Noise', 'BlacKkKlansman' and 'The Last Duel' over the last decade. But there's even more layers of character hidden behind those signature sunglasses, taking them off to wipe a tear away, as he talks to the son he can only see when he closes his eyes to dream of a life that once was.

In Ferrari's attention to detail, if you think that says it all between the lines on his face, then wait until you see the iconic one of a forever young Penélope Cruz playing Enzo Ferrari's long-suffering wife with raw, restrained passion. And this is saying something as she shoots at him in their first scene together. Cruz is critical and catalytical to this cinematic racing movie in a 'Rush' of them (see the last duel of 'Ford V Ferrari' starring Christian Bale, who was originally linked to this role too), not to mention one of the National Board Of Review's top ten films of last year, despite it being a box-office bomb. Emmy, BAFTA and Golden Globe winning, 'Big Little Lies' star Shailene Woodley is wonderful as the divergent lover and mother in Enzo's life. Whilst great Brit Jack O'Connell and "McDreamy" 'Grey's Anatomy' star Patrick Dempsey turning into a silver fox, offer even more under the hood. But it's the young love of Sarah Gadon and Gabriel Leone that will truly break the hearts it just healed.

By the book, 'Enzo Ferrari: The Man, the Cars, the Races, the Machine' by Brock Yates, legend Troy Kennedy Martin gives us a fuel-injected script. He would know a thing or two about this as well, having scripted both the long-running BBC 'Z-Cars' series and the original 'Italian Job'. But blowing the bloody doors off, it's the great Michael Mann ('The Last Of The Mohicans', 'The Insider') who brings this sleepy European city, slow burning picture to the track like he did Will Smith's 'Ali' to the canvas. 'Public Enemies' long and 'Collateral' cinematic, Mann's theatre has always been digitally ahead of it's time, from the 'Miami Vice' TV show to the Colin Farrell and Jamie Foxx big-screen remake. And with his twelfth night in a dozen definitive pictures, his first since 2015's cyber 'Blackhat' with Chris Hemsworth, he does for car chases, what he did for gunfights in the epic meeting of De Niro and Pacino in 'Heat'. Expect a sequel for the movie that inspired Christopher Nolan's 'Dark Knight' heists soon too, off the book Michael just penned ('Heat 2'). Back on track, though, the 1957 Mille Miglia moments will last in motorsport movie history. With incredible drive. TIM DAVID HARVEY.

Further Filming: 'Ford V Ferrari (Le Mans '66'), 'Rush', 'House Of Gucci'.

REVIEW: THE HOLDOVERS

4/5

Alone For The Holidays.

133 Mins. Starring: Paul Giamatti, Da'Vine Joy Randolph & Dominic Sessa. Screenplay: David Hemingson. Director: Alexander Payne. Under: Your Christmas Tree.

Welcome to Japan. Where big blockbusters and most (Marvel) movies make it to theatres around the same time as their general worldwide release. Except, that is, for some Oscar fare, like 'Oppenheimer', for obvious reason example. Now, a Christmas classic, not to mention one of last year's fall favourites, finally makes it to the Far East at a time when the summer sun is so scorching, you have to squeegee the slick sweat from off your back. Disgusting, I know, but hold on! Just you wait until you get under the desk of some pretty deep dive descriptions of the boarding house schooldays from 'Sideways' director Alexander Payne's Oscar nominated 'The Holdovers'.

Held over until now, alone for a different holiday, the latest, greatest from 'The Descendants', 'About Schmidt' and 'Nebraska' director is still welcome like short people in the town of 'Downsizing'. The bridge between fellow luminaries like Paul Thomas and Wes Anderson gives us a modern day, seventies throwback classic, all the way down to the intro and ID's as the credits roll. What begins as the next, great 'Dead Poets Society', segues into a more subtle 'Scent Of A Woman'. All whilst carrying the dank, dusty musk of its own cinematic aroma. Scripted slickly (where's that squeegee?) by David Hemingson (in his Oscar nominated cinematic debut after countless big show TV credits), 'The Holdovers' reminds you that an Academy Award is not just for Christmas. And the divine performance of power from Da'Vine Joy Randolph, truly is a joy to behold, even shrouded in sorrow.

Unanimous across the big-three. Golden Globe, BAFTA and Oscar, Randolph is the undisputed Best Supporting Actress of the season, let alone year. Don't confuse her surname with no damn reindeer. But, it's still the great Paul Giamatti who leads this new New England classic (with a beautiful Boston field-trip) through a picturesque, but heavy winter's night, with one of his best yet. And this 'Fred Claus' who knows Rudolph also gave us his 'Private Parts' (the movie....THE MOVIE), 'The Ides Of March', 'Cinderella Man', 'Straight Outta Compton' (still amazing), and of course 'Sideways'. Now reuniting with Payne and dulling his and the Christmas cold front with his old friend Jim Bean, Giamatti's disgruntled teacher is one you'll never forget, no matter which eye you look in. Breaking your baubles with caning barbs and stomach acid wit. But there's a humble and still hungry heart behind all the hate he gives or takes and the quotes from the many books he references as daily as the dust that settles on those old lives he once led.

Molding young lives between the mould of library books and gym socks that might just slip on that new buffed floor, Paul is perfect as a professor of profoundness and profanity, to all those entitled elite brats full of piss(ed off-ness) and vinegar. One being Dominic Sessa, who immediately makes his mark like the Chris and Ethan before him to become a bona fide star you're sure you've seen before, like lookalike 'A Quiet Place: Day One' star Joseph Quinn. Yet the strange thing is, this is his first movie, and one that could have come with its own Oscar nod. You'll see him again in 'Tow', 'Oh.What.Fun' and 'Now You See Me 3' (he kind of looks like a magician, but this young, terrific talent is serious. Seriously good. Nailing every nuance and bringing newly understood depth of character and experience to the existential dread of the antsy and angst ridden youth in revolt. 'The Holdovers' is just a nice film and the reason we watch them. Why movies are made. It's strictly sublime. It may be July and hotter than a Stevie Wonder album, but you know Christmas is just around the corner. As the French say, "Joyeux Noel!" And a happy holdover. TIM DAVID HARVEY.

Further Filming: 'Sideways', 'Scent Of A Woman', 'Dead Poets Society'.

REVIEW: BEVERLY HILLS COP - AXEL F

3.5/5

The F Word.

118 Mins. Starring: Eddie Murphy, Joseph Gordon-Levitt, Taylour Paige, Judge Reinhold, John Ashton, Paul Reiser, Bronson Pinchot & Kevin Bacon. Director: Mark Molloy. On: Netflix.

90210? No! Yet, 'Axel F' and the latest 'Beverly Hills Cop' movie have been through more drama than those Real Housewives. Back in the 'Raw' and 'Delirious' 80s, alive like Saturday Night, comedy legend Eddie Murphy and his Axel Foley character were the real deal between '84 and '87. A third-act to this trilogy didn't come until 1994 (this one isn't even on Netflix with the rest), and it gets a clever backhand here, as Eddie was off doing the family film thing (laugh at 'Pluto Nash' all you like, but there are some profound moments in both 'Holy Man' and 'A Thousand Words'). Now it's been 30 years...40 since the original. But if those old 80s 'Ghostbusters' can still get an 'Afterlife', then this fellow iconic theme tune that you can call on, can too. The heat is...back on.

Hum along like Peter Griffin for this family guy, because he's finally home. Albeit straight to streaming service Netflix, which some think is the modern day equivalent to straight to DVD (remember those). Meanwhile, those 'Ride Or Die' 'Bad Boys' of Will Smith and Martin Lawrence, who Eddie trailer to trailer met and snapped it up with whilst 'Coming 2 America' (another long-awaited sequel of nostalgia) and 'Bad Boys For Life' were on the same lot, are making box office bank with directors Adil & Bilall (who were originally meant to direct 'Axel F' before leaving to make...erm 'Batgirl'). And that's after Smith surviving Slapgate. So why does the only comedian that could actually beat Chris Rock (the right way, with words) not get his big-screen glory? The Netflix N logo starts in the same cinematic way it did for the 'Maestros' it put up there, like a 'Rebel Moon', between all the blockbuster and Oscar glory. To say this 'Beverly Hills Cop' has been through development hell is the understatement of the year, as this tries to be one of the comedies of the calendar.

Car chases. Snowmobile ones. Golf cart ones. Helicopter ones. Those weird little buggies that roll around rich people places like Rodeo Drive that you could probably outrun on a Zimmer frame. There's more chasing this film than the water you add to your whiskey under the police captain's desk. But with the badge and gun no longer there, it's still a fine reunion and return to form for Murphy's law. They love this Detroit Piston in Beverly Hills. Riding around Motor City in this film's opening like a more positive version of Mark Wahlberg's 'Four Brothers'. For all the things this movie tries to throw at the big budget wall, to see what cinematically sticks, the fond feeling of Eddie reuniting with Judge Reinhold, John Ashton, Paul Reiser, and Bronson Pinchot (not to mention that iconic baseball jacket, as signature as Idris Elba's grey tweed overcoat of Great Brit DCI 'Luther') is what holds true. Especially in inspired improvisation.  

Axel's action-comedy, directed by Mark Molloy in his defining debut, also adds star power to the books. A 'Footloose' and fancy Kevin Bacon, sizzles, making a fine foil. And from throwing his badge in the Gotham City river, to telling, not asking Jamie Foxx to stand down in 'Project Power', for the record, when it comes to playing cops, Joseph Gordon-Levitt is a hit, man. He's the partner to the one-man show of Murphy's Foley could actually get down with...even if he did do so with his daughter. Those expecting an Ice Cube 'Jump Street' reaction are in for something that jibes different. But it's those family matters with a terrific Taylour Paige that really take this laughs, camera and action even deeper to a subtle but beautiful drama. One that relates to real life, as the former playboy Murphy became a real family man, showing home is truly where the heart is. Eddie almost won an Oscar for 'Dreamgirls' a decade ago, and revived his career for the Academy with Netflix for 'Dolemite Is My Name' a few years back. Now, in the nice nostalgia of 'Beverly Hills Cop 4' with his old friend Foley, the comeback is complete. TIM DAVID HARVEY.

Further Filming: 'Beverly Hills Cop', 'Another 48 Hrs.', 'Bad Boys: Ride Or Die'.

REVIEW: A QUIET PLACE - DAY ONE

4/5

The City That Never Speaks 

99 Mins. Starring: Lupita Nyong'o, Joseph Quinn, Alex Wolff & Djimon Hounsou. Screenplay & Director: Michael Sarnoski. In: Theatres.

If John Krasinski wanted to give his kids sweet dreams instead of the nightmares of what was hiding under their beds if they made a sound, then he certainly did right by the creature comforts of his 'IF' family film last month...even if it did star the merc mouth of Ryan Reynolds. Still, the executive producer remains in whisper distance of the 'A Quiet Place' franchise like his old friend Michael Bay, whose trademark explosions surely couldn't be allowed on set. From the office, Jack Ryan's story takes us back to 'Day One' for the perfect prequel, when other cult franchises are making movie sequels set 500 years into the future. I'm looking in your direction, you damn dirty apes.

Here's the pre to another post-apocalyptic film, with the end of the world as we know it all around us. Fine...I'll go watch a movie to brighten my day. What do you mean, I can't crunch my popcorn? Michael Sarnoski's ('Pig'...that's his movie, not a description) scripted and directed 'A Quiet Place: Day One', set in the tote bag heart of I heart NY will remind you of 'I Am Legend', green lit for its own sequel. And not because '12 Years Of A Slave', 'Us' and 'Star Wars' star Lupita Nyong'o, was in slapping distance earshot of Will Smith when he gave Chris Rock a hand at the Oscars that was anything but helpful...for anyone. Jets blowing up the Brooklyn Bridge and making the Manhattan transit as terrible as it is on weekends, that's straight out of the 'Legend' play book. As is fiending for a slice of pizza like Smith was saving that bacon.

The way the creatures in this feature move will have you thinking of the zombies that got their cardio in for 'World War Z', scaring you Brad Pitt-less. They themselves look like 'Stranger Things' we've seen before. Which is fitting as this first day keeping quiet co-stars the rock God himself, Joseph Quinn. What's crazier than that is that we never realized how much this future Johnny Storm, Human Torch of Marvel's 'Fantastic Four' looked like a young Robert Downey Jr. until he submerged from the Subway for his first scene here. Creating compelling chemistry with his co, the charming Quinn captures your heart. But the soul of this story is Nyong'o and just how far she'll go for this new day like Nina. The 'Black Panther' and 'The Jungle Book' star holds you with her subtle star power, without so much as a word.

Horror hallmark 'Hereditary' star Alex Wolff's kindly presence evokes even more emotion, before these blind ET's blow this house down instead of phone it from a booth, in this film that is so New York it premiered at the Tribeca. Yet it's 'A Quiet Place: Part II' star Djimon Hounsou in reprise, hand over mouth, that really links the DNA of this franchise and spin-off strands of story together. The inspired and intense actor of 'Gladiator' and 'Guardians Of The Galaxy', 'Blood Diamond' and 'Rebel Moon' offers a brutal look at the origins of his own character backstory. But let's not forget the cat, that purrs next to the fondest felines of films. The bond between actor and cat is beautiful, and get this, Lupita had a fear of cats before the film and some therapy, asking for a different animal. But just look at them now, like a Paul Rudd Hot Ones meme. From a mesmerizing marionette show, to a moving magic one, this 'Quite Place' can do it all. Speaking more subtle volumes that are still profound, even if you can't read lips. It's just that unspoken thing. TIM DAVID HARVEY.

Further Filming: 'A Quiet Place', 'I Am Legend', 'Stranger Things'.

REVIEW: BAD BOYS - RIDE OR DIE

3.5/5

Ride For This

115 Mins. Starring: Will Smith, Martin Lawrence, Vanessa Hudgens, Alexander Ludwig, Paola Núñez, Eric Dane, Ioan Gruffudd, Jacob Scipio, Melanie Liburd, Tasha Smith, Dennis McDonald, John Salley, DJ Khaled, Tiffany Haddish & Joe Pantoliano. Screenplay: Chris Bremner & Will Beall. Directors: Adil & Bilall. In: Theatres.

Rumours of Will Smith's Hollywood demise were greatly exaggerated (whatcha gonna do?), as the 'Fresh Prince's' franchise with fellow sitcom star 'Martin' has become one of the loudest box-office makers of the scorching summer, alongside the likes of 'A Quiet Place's' 'Day One' prequel and the forthcoming buddying up of 'Deadpool and Wolverine'. Yet we know this team-up is the perfect partnership, ever since Michael Bay's brilliant original in 1995 and the 2003 loud and proud sequel. Even in the corona stunted year of cinema, 2020 gave us 'Bad Boys For Life' (although we don't think a disgraced Diddy will be returning for any more soundtracks), and new blood was pumped into the heated vice of the Florida keys welcoming you back to Miami. 

So why not 'Ride Or Die' over another instalment as sequels like the next 'I Am Legend' with Michael B. Jordan are taken off the shelf? If you don't like it, at least you get to see Martin Lawrence slap the s### out of Smith in the name of his fellow Def Comedy Jam legend, Chris Rock. Too much tongue in swollen cheek for you? Has enough time passed? Should we still throw stones from our glass houses? Or should we keep all of this out of our mouths? The 'King Richard' Oscar winner who has already had his 'Emancipation' critical comeback may still carry this infamous moment with him, but this is not just his movie. And the grace of his humility, offset by his Hollywood hubris, knows this. Smith and Lawrence will forever be one of the best tag-teams in cinema, as they get up, even more exhausted than usual, for their iconic, slow-motion camera crawl. They could do this for another 48 hours if they wanted to.

'Coming To America', when Will and Martin were filming 'Bad Boys For Life', the great Eddie Murphy was finishing up his 'Coming 2 America' sequel across the way with Arsenio Hall. Trailer to trailer, it all made for a beautiful moment of black excellence in all its legend, and a perfect photo-op. Now as 'Bad Boys 4' is doing the business, Murphy's other law, 'Beverly Hills Cop: Axel F' makes its return with its own fourth film on streaming service Netflix. The nostalgia is Mike Tyson in 'The Hangover' "NIIICE!" High-fives all around as this film welcomes back Miami icon DJ Khaled for another one, NBA great and friend John 'Spida' Salley with those buttermilk glasses, and even 'The Matrix' star and Captain Joe Pantoliano, who apparently got it in the neck in the last movie. But we all know this Miami heat rock from the bay goes further than the great beyond. Grab your Skittles, and enjoy!

Partnering up again, directing team Adil & Bilall return, reuniting with the screenplay work of Chris Bremner and Will Beall. It all screams and adds up to some high octane and heavy-handed action that amazes in-between all the hallmark humour and helpings of heart. Check Will Smith's Instagram for some brilliant behind the scenes camera takes of how they filmed some of these first-person shooters, turning this blockbuster into a video game. Gun play hasn't looked this great since those training videos of Keanu Reeves getting into 'John Wick' character. There's a whole team behind this one-two punch mind you as Vanessa Hudgens, Alexander Ludwig, Paola Núñez are all welcomed back as fond franchise favourites now. Just like the family matters of Jacob Scipio, who could star in his own, more serious spin-off if he wanted to. 

Although we all know that it's Dennis McDonald's Reggie that deserves his own movie after his scene and barbecue stealing moment here. No longer shown the door for the most hilarious dad talk, before taking your daughter out on a date, Smith and such have even mocked-up a movie poster for his next action flick. And why not slide into that role, as the awesome Tasha Smith, even replaces the amazing Theresa Randle from the last three-films in something that will remind you of Aunt Viv from Bel-Air? Newcomer Melanie Liburd is also welcome to the family. Whilst Mr. Fantastic, Ioan Gruffudd looks as such as new mayor of Miami. Eric Dane's great 'Jack Reacher' like villain and a classic cameo from Tiffany Haddish completes this epic ensemble that's as much an all-star collection as the soundtrack guest-list (Will himself finally makes music for this like a man in black, teaming-up with Sean Paul to 'Light 'Em Up'). Although we all know, even the Bad Boys theme can't touch Diana King's 'Shy Guy'. Lord have mercy! Dancing on top of a Dade County rooftop in a hospital gown with our cheeks out, we'd ride together for another 'Bad Boys'. For life. TIM DAVID HARVEY.

Further Filming: 'Bad Boys For Life', 'Beverly Hills Cop: Axel F', 'Rush Hour 4(?)'.