SHORT REVIEW: BEST CHRISTMAS EVER

4/5

Good Scribblings

3 Mins. Starring: John Goodman, Molly Cartwright, Emily Eaton-Plowright, Gregan Aherin, Harrison Peters & Aaron Juritz. Director: Taika Waititi. On: Disney Plus.

Disney continue their John Lewis commercial like shorts (with plenty of product and IP placement) with their 'Best Christmas Ever' holiday short on Disney Plus. Much like the beautiful 'The Boy & The Octopus' last Christmas, 'Thor' director and 'The Mandalorian' star Taika Waititi ('Hunt For The Wilderpeople', 'Jojo Rabbit', 'Next Goal Wins') gives us a sweet short that is as outstanding as it is offbeat. Starring Molly Cartwright, Emily Eaton-Plowright, Gregan Aherin, Harrison Peters, Aaron Juritz and the great John Goodman, this is three minutes of bliss that will take you away from the stress of shopping for Christmas presents, between work and after the Black Friday you didn't have time to save for.

The 'Best Christmas Ever' has young Molly writing a letter to Santa, complete with a cute doodle, using all the colours in her pencil case. This fantasy comedy, with a twist, has St. Nick seeing more with those carrots. He thinks the penned picture is actually a request (perhaps he should have checked twice). And ends up conjuring up this cool looking creature. So, there's a lot more under the tree, come Christmas morning, with these rustling presents. And you thought an octopus under the winter hat was strange. And whilst we're there, dear Disney, why did you remove that short? I was planning to show my family when I come home for Christmas. And to think, we're still "crestfallen" off of the removal of 'The World According To Jeff Goldblum'.

Perhaps, I should stop talking, because that's the problem here. Our cuddly new, unwrapped companion, may have all the trimmings, but he's missing a mouth. Let alone a moustache. So, which Disney and Pixar favourite do you think will come in to save the day and help him. Crossing off all the seasons of the calendar. From a Spring in his step, to Summer swimming, and Autumn's trick or treat of Halloween in haunted mansions. All before the winter of next Christmas looks upon a star for another wish. Waititi's wonderful joy with John Goodman may just be scribbles, but it's bound to put a smile on the face of everyone, even those sucking on humbugs. It's going to be a great Christmas, like this. And for you and yours, we hope it's the best ever. TIM DAVID HARVEY.

Further Filming: 'The Boy & The Octopus', 'An Almost Christmas Story', 'Inside Out'.

REVIEW: WEAPONS

4/5

RUN!

128 Mins. Starring: Josh Brolin, Julia Garner, Alden Ehrenreich, Austin Abrams, Cary Christopher, Justin Long, Toby Huss, Benedict Wong & Amy Madigan. Screenplay: Zach Cregger. Director: Zach Cregger. In: Theatres.

Finally watched 'Weapons' last night, and now I'll never ever be able to watch 'Naruto'. The Summer smash from the States that, like fellow scary 'Sinners', they're calling one of the best blockbusters of the calendar, finally rises with the sun in Japan, this fall. A land no stranger to being hallowed when it comes to horrors that haunt. But this truly terrifying and twisted picture is so scary it may even send that girl back into the well. Ringing up the receipts on the first of the month, where movies are discounted to half-price, mere weeks after Ethan Hawke dialled us in for the 'Black Phone 2' sequel that also supernaturally scared and scarred the s### out of us. Weaponizing our greatest fear, and a seemingly safe as suburbia, white-picket fenced America, writer and director Zach Cregger ('Barbarian') has just turned himself into the mainstream Ari Aster. All of a film inspired by Denis Villeneuve's 'Prisoners' and Paul Thomas Anderson's 'Magnolia' for this one battle after another.

There's more to this pre- and post-Halloween hit than meets the averted eye though for your jovial jump scares (I mean what genre can still truly affect us to the core, in this desensitized age, like this one?). Because this is no murder mystery, Agatha Christie. It's a horror mystery, with knives out. Redefining the genre, whilst also giving something to the 'Only Murders In The Building' tenants with this haunted house. The tense twists and cackling coils will really keep you guessing at this marvel, and it's going to take Thanos and a Silver Surfer to solve it (not to mention Wong). Originally though, it was meant to be Mr. Fantastic himself, Pedro Pascal, but filming was pushed back, due to the Hollywood labour disputes, and then schedules got conflicted (perhaps it was Aster's 'Eddington', here in Japan, later this month). At 2:17 AM, every kid, bar one, from a teacher's class woke up, got out of bed, walked downstairs, opened their front door, and ran out into the dark, arms wide, never to come back. Now, imagine trying to explain that one.

'Ozark' star Julia Garner tries to do her level best, in a film which she pilots from her first act perspective. With this, and the aforementioned 'Fantastic Four' redefining, in the same Summer, the former Netflix favourite's stock is soaring, like this gross film that's grossed $268.3 mill off of a 38 million dollar budget. She gives this crowd pleaser more nuance and depth, just like the underlying themes in the underbelly of this, and America. Whereas Brolin seems born for this position, as the 'Sicario' star is so good, his helpless father's anger could take the claws out of Hugh Jackman's in 'Prisoners'. Elsewhere, Benedict Wong is brilliant in principle, as a head trying to keep everything together and not lose his. Whilst 'Solo' and 'Ironheart's' Alden Ehrenreich cops a great character alongside Austin Abrams' ('Chemical Hearts', 'Wolfs') stoner looking like the walking dead. Yet in this epic ensemble, featuring the likes of Justin Long and Toby Huss, it's legend Amy Madigan (OH MY GOD, THAT'S HER FROM 'UNCLE BUCK'!) that will scare you senseless. And child actor Cary Christopher, who will show you his nerve. Bewitching a spell on you. 'Weapons' more than makes the grade. TIM DAVID HARVEY.

Further Filming: 'Black Phone 2', 'Prisoners', 'Barbarian'.

REVIEW: TRAIN DREAMS

4/5

The Man Who Cut Down Trees

102 Mins. Starring: Joel Edgerton, Felicity Jones, Clifton Collins Jr., Alfred Hsing, Nathaniel Arcand, Kerry Condon & William H. Macy. Narrator: Will Patton. Screenplay: Clint Bentley & Greg Kwedar. Director: Clint Bentley. On: Netflix.

What dreams may come. The darkest horse for February's Academy Awards may just be a cerebral elegy so poetic, it should be one of Netflix's fall prestige pictures, whilst everyone is binging the final season of 'Stranger Things'. Clint Bentley's brutal and beautiful 'Train Dreams', adapting Denis Johnson's ('Jesus' Son', 'Tree Of Smoke') novel with Greg Kwedar ('Sing Sing'), starring ever underrated 'Loving' actor Joel Edgerton ('Black Mass', 'Midnight Special', 'Boy Erased'), will hit you in the home of where it hurts. If only we could still see it in cinemas, where it's nature looks as compelling as 'The Revenant'. A few birthday's back, my best friend brought me the book, 'The Black Fives: The Epic Story Of Basketball's Forgotten Era', by Claude Johnson. A beautiful basketball book, but also a rich and compelling history of industry in America. Just like this story, serving as a love letter to the landscape of the Stars and Stripes of the past. To paraphrase the great Ben Harper, somewhat, "you have to live my life to get boots (nailed to the tree trunk) like these."

More, "the man who cut down trees", than Jean Giono's 'The Man Who Planted Trees' (another story that also had a profound effect on me, this year), there are some poetic and powerful things to be said here about deforestation and the circles of times that ring true in the trunks. Most, delivered by campfire, by the great William H. Macy in one of his greatest roles yet, worthy of an award. Just like the feature and adapted screenplay nominations, these dreams from Sundance got at this calendar's Gotham Awards. Yet it's the engrossing Edgerton who you will stay with all the way through this epic about the life and times of a humble heart. Whether, it's the beautiful love shared with fellow 'Star Wars' actor, the fantastic Felicity Jones ('The Brutalist, 'The Theory Of Everything') in the meadow, literally playing house, and fondly feeling like family, like 'Loving' Ruth Negga. Or what the great Kerry Condon brings ('Three Billboards Outside Ebbing, Missouri', 'The Banshees of Inisherin'). Briefly, but beautifully. Just like the great Clifton Collins Jr. From '187', to 'Nightmare Alley', who will stir you more in one scene, than the echos of your wildest dreams. Or is that nightmares?

Narrated with nuanced beauty by 'Armageddon' actor Will Patton ('Remember The Titans', 'The Postman', 'Minari'). They don't hand out awards for narration. But if they did, he'd hold the envelope. It's funny, me and my friend, who had a running story (in good heart and humour) about the space shuttle his character leaves on the stoop in 'Armageddon', just got talking again about all that, this week, ten years later, thanks to Facebook memories. And you know what, from 'Blood On Her Name', to an award-winning turn in the late, great Sam Shepard's play 'Fool For Love', Will really is something. As are the haunting stuntman and martial artist Alfred Hsing and Nathaniel Arcand's ('Sinners') kindly shopkeeper. All across the American frontier, this logger longs for meaning in the madness of his life. From what he cuts, to what the fire takes at night, before a morning of ash and dust like fresh snowfall on the grey of his winter. Breaking down his career for Vanity Fair recently, 'Blue Moon' and 'Black Phone 2' accomplished actor Ethan Hawke brought back that famous saying about real movies starting the moment you leave the theatre. And when you put your laptop lid down, these dreams will stay with your waking train of thought until the end of the line. TIM DAVID HARVEY.

Further Filming: 'Loving', 'The Power Of The Dog', 'The Revenant'.

TV REVIEW: FORTNITE X THE SIMPSONS

3/5

Doh-nite!

4 Episodes. Starring: Dan Castellaneta, Julie Kavner, Nancy Cartwright, Yeardley Smith, Hank Azaria & Harry Shearer. Created By: Matt Groening. On: Hulu & Disney+.

I'm forty, I don't know much about Fortnite (I thought it was two weeks), but I do know something about 'The Simpsons', as my old a## buys a new Evergreen Terrace family sweatshirt from Japan's convenience store, Family Mart, like the two strands on the top of my scalp aren't starting to resemble Homer hair. But I will say this, Fornite x The Simpsons (the 'X' means "and", fellow old heads) was a lot of fun. Much like the 'Funday Football' collaboration with the NFL, this time last year. And now you can replay the live event that streamed from Stockholm on Disney Plus.

I'm more Lenny and Carl (not like that), than Bart and Milhouse, that I can't come up with any good reason why I would want to watch people play video games. OK. I guess I'm more Abe Simpson here. But this is a different type of Twitching. I always wanted to be the one actually playing the game, as I never did have a console as a kid. My parents said it would have distracted me from my studies. They had a point, but I proved them wrong by failing regardless. Yet, here this sponsored contents from Epic Games at Sweden's Comic Con gave us a taste of what it would be like if both The Simpsons and Fornite's worlds immersed and merged together. Exploring this universe really is epic. Whether you're hitting the Kwik-E-Mart, like Snake. Writing lines on the board with Bart. Or sleeping on the job with Homer at the nuclear power plant. It's all accessible. Everything you see under the cloud iconic titles of the Duff Blimp. Which has a different message each time, except that Ice Cube's a pimp!

And if you thought that was it, 'Apocalypse DOH'! As a series of Fortnite related short streams of episodes have been released weekly over this month to celebrate this collaboration with more "content"...that's what the cool kids say, apparently. This merger is made real by the lever pulling back and forth between some Fortnite heroes and your favourite space slobbering aliens who are still merely exchanging protein strings. Kudos to Kang and Kodos for making us not have to concentrate with the science bit. In the first of these epic episode shorts that you should eat, Homer finds a crystal that turns The Simpsons family TV remote control into something similar that Adam Sandler had in the classic 'Click'. With all that power in his hand, Homer can turn fire hydrants into chocolate ones, a cat into an Iron Man like Easter Egg (here's to the Marvel of their Disney neighbours) and our hairlines into something stronger than Mayor Quimby's latest excuse for leaving his mayoral sash draped on the balcony of some sleazy motel.

Then the Michael Keaton like 'Multiplicity' of the next episode, that plays like a trailer for this collaboration, is raining "mmm, donuts", ay, caramba. So much remote power, that even Professor Frink has to spilt. What with the forts and the nites, and soooo maaany bananaaaas.  All adding up to an actual, epic episode. As big as the attack of the 50-foot Homer, after police Chief Wiggum got his Neo in 'The Matrix' on, taking out more Homer's than Ohtani. What a trip in the clouds for 'The Simpsons'. Are we there yet? Are we there yet? Are we there yet? All the way to the small season finale of 'The Incredible Bulk', with the yellow giant submerged like a submarine. You won't like him when he's hungry. It's enough to make that banana peel. For night time viewing, nothing is bigger than Homer and his new odyssey. Let's play. TIM DAVID HARVEY.

Further Filming: 'The Simpsons: Yellow Planet', 'The Simpsons: The Past And The Furious', 'The Simpsons: Funday Football'.

STAND-UP REVIEW: SEBASTIAN MANISCALO - IT AIN'T RIGHT

4/5

Right On Time

57 Mins. Starring: Sebastian Maniscalo. Director: Paul Dugdale. On: Hulu & Disney +.

Ain't it always the way? You wait all day for a comedian to make you laugh, and then two come along all at once. On the same day that Kevin Hart returns to Netflix for his sensational special, 'Acting My Age', the great Sebastian Maniscalo jumps ship to Hulu and Disney Plus after giving Netflix the hilarious likes of 'Is It Me', 'Stay Hungry' and 'Aren't You Embarrassed'. What?! Is the 'Green Book' actor supposed to be doing this for free? Hart opened his return to Netflix with an all woman quartet's overture in Miami. Here, Maniscalo enters a sold-out Chicago stadium on a Ducati. Screw your stereotypes. And he has something to say about the Chi-town folk residing outside. Did the wind make their faces this way?

Maniscalo's mannerisms are as spot-on and unmatched as his outstanding observations. Returning to his roots in Illinois, Kevin Hart may offend the greatest of all-time Michael Jordan, with the baggy jeans of his special, but with 'It Ain't Right', Sebastian brings the old United Center house, that the Chicago Bull called home, all the way down as he raises to the stage with a microphone in his fist, held above his head in pride. The same pride that pulls off that baseball jacket, that's anything but minor league. I'm not joining in with Kev, Mike, what you did with baseball, and why, was actually beautiful. Number 23 has a statue outside of this center, but after what Maniscalo does unanimously with United, he deserves his jersey up there in the rafters with all those banners. Or at least a retirement of that jacket.

The round stage for a comic that's sold out Madison Square Garden is perfect for a man, who, like Kevin acting his age, needs to watch his MSG. This fiftysomething fellow comedian contemporary talks about how he looks now compared to the man in the mirror, twenties, going from Dorian Gray to Frankenstein. Although, we think this silver fox has still got it. Besides, I've just turned forty, but the party left my hairline a long time ago. Mirrors? I wish I was a vampire right now. And don't talk to me about the pale skin. Or get Sebastian started on teeth. I guess we all can't be Jeff Bezos. But what Maniscalo says about Amazon is prime-time viewing. Perhaps they need to sign him up for his next streaming comedy. Because this is better, albeit absolutely hilarious, product placement than that Ice Cube 'War Of The Worlds' disaster. For all the stuff you're pausing on TV now, this is one to actually watch and tell people about. The comedian who starred in the semi-autobiographical film, 'About My Father' with Robert De Niro, is in anything but a "slow decay". Ain't that right? TIM DAVID HARVEY.

Further Filming: Sebastian Maniscalo - 'Is It Me', Sebastian Maniscalo 'Stay Hungry', Kevin Hart- 'Acting My Age'

STAND-UP REVIEW: KEVIN HART - ACTING MY AGE

4/5

Age Appropriate

66 Mins. Starring: Kevin Hart. Director: Leslie Small. On: Netflix.

Acting right, Kevin Hart gives us a blisteringly brilliant return to form with his new live special, 'Acting My Age', on Netflix. Over the 'Ride Along' years with this million's moving actor/comedian, he's rejuvenated previously cooked franchises with The Rock, almost hosted the Oscars, and been cancelled in the process. All over a doll house. But now, the biggest and smallest comedian on the planet is back. Following hilarious Netflix specials like 'What Now?', 'Irresponsible' and 'Zero F**ks Given', not to mention movies like 'Fatherhood', 'Me Time', 'Lift' and 'The Man From Toronto', or shows like 'True Story', his 'Guide To Black History', or his 'Headliners Only' compelling documentary with fellow stand-up icon, Chris Rock.

Headlining this, one week after contributing to Netflix's 'Being Eddie' documentary, Hart gives Miami some heat like Dwyane Wade and them. Flash forward to now, following his roast of Tom Brady, Kevin is back spreading his feathers with the most successful streaming service after briefly leaving for Peacock for a 'Reality Check'. All on the same day that fellow hilarious contemporary Sebastian Maniscalo does the same thing for Hulu and Disney Plus ('It Ain't Right'). Setting it all off with an outstanding overture, it's a grand return and a beautiful reception of applause for a man who can't quite believe it himself. The all-female classic quartet bringing the house down with musical beauty behind perfect pianist Chloe Flower. All before, Hart launches into a joke about holding a dinner, so a family member could reveal he was gay. They already knew. And you already know that Kevin isn't for the faint of heart.

Yet the only one whose really going to be offended is Michael Jordan and those big a## jeans of his, as Kevin Hart goes for the G.O.A.T. of comedy again. More mature, and medicinal, with age. So take those laptops out of your back pockets and watch this like Usher. Because we need to talk about how Kevin is bringing it all back. The hilarious voices, mannerisms and body movements. It'll have you telling him your government name and social security number. And "let's ride" again on a real safari where Kevin beats his chest meeting a silver back gorilla before he drops the mic. King Kong ain't got s### on him! This is 40...and it's never been so funny. Whether he's telling us the old state he doesn't want to be in, with hilarious Martin Lawrence 'Runteldat' repercussions. Or saying he just wants to speak his mind, like the late, great Quincy Jones in his final inspired interviews. This might not be appropriate for everyone. But acting right, Kevin Hart is still one of the classic comics of our age. TIM DAVID HARVEY.

Further Filming: Kevin Hart - 'Irresponsible', Sebastian Maniscalo - 'It Ain't Right', 'Headliners Only'.

REVIEW: BLACK PHONE 2

3/5

Return Call

114 Mins. Starring: Mason Thames, Madeleine McGraw, Jeremy Davies, Demián Bichir & Ethan Hawke. Screenplay: Scott Derrickson & C. Robert Cargill. Director: Scott Derrickson. In: Theatres.

Pumpkins rotting on the porch isn't really a thing here in Japan. As soon as scary season is finished, the festive feeling of Christmas comes. And even those trees and decorations end up on a milk carton, come the literal Boxing Day, for a functional and practical place. Nevertheless, after scaring screens in the states, 'Black Phone 2' finally connects with audiences in the land of the rising sun. Halloween may be over, but this sinister sequel still haunts. The first rotary 'Black Phone', in a cubicle Colin Farrell is familiar with, became a cult hit in the COVID Krueger-d 2021. As 'Dead Poets Society', 'Reality Bites' and 'First Reformed' acting great Ethan Hawke, and his iconic mask (that can change facial expression), became one of the newest and most underrated horror villains. Scaring the beejeebus out of a young Mason Thames, Madeline McGraw, and their pop, nursing grief with drink, Jeremy Davis. 'The Black Phone', from 'The Exorcism Of Emily Rose' and 'Doctor Strange' director Scott Derrickson (with a screenplay with C. Robert Cargill ('Into The Dark')), dialled up the numbers. And now here we are in the wilderness of sequel territory.

But skating on thin, 'Little Women' ice, don't hang up, 'Black Phone 2' works, even though the last time we saw Ethan Hawke's Grabber, he was fish food. But hey, if you can hear dead people from the sixth sense of a landline, then stranger things can happen. This supernatural horror film sees Thames and McGraw's Finney and Gwen heading to a winter youth camp that looks like something straight out of the 'Dog Years' of an old Maggie Rogers video. And in this frozen tundra, they suddenly become in grabbing distance again. All whilst trying to investigate, not only what happened to three boys, but what also drove their own mother to death. After Derrickson, Cargill and Hawke gave us 'Sinister' (to those who read my review, I finally faced my fear and watched Jack White in concert, this year), they knew that grainy, camcorder like footage finds fear in theatres. And after this one, you'll never watch a home video again. Let alone pick up the phone. The tone is that terrifying.

Back to black, Mason Thames is on a career tear this year. What with his big-three as the lead in the live action version of 'How To Train Your Dragon', the award worthy 'Regretting You', and now as the face of this franchise in front of the mask. He really comes in to his own here, with a commanding performance, whether wailing on some guy, or refusing to run scared from 'The Purge' star who haunted his boyhood. The great Jeremy Davies (the once who frustratingly broke your heart in 'Saving Private Ryan', unrecognizable from that here) offers even more nuance as the alcohol addled father. Whilst sequel addition Demián Bichir ('The Hateful Eight', 'Alien: Covenant') adds even more grit and gravitas with a cabin beard almost as knotted and knitted as that cable knit sweater. But in this sequel, it's Madeleine McGraw (with some "choice" words) who's the real star of the show, coming out, like an exorcism. 'Ant-Man and the Wasp's' Hope, who looks like she could be the sister of Nancy in 'Stranger Things', is another star for sure. Even next to a great like Ethan, who is having his own year with the one for them, and one for him in the Oscar worthy 'Blue Moon'. But just wait until he calls you here. Nothing is phoned in from an actor who always connects. This receiver won't fade to black. It's back! Pick up. TIM DAVID HARVEY.

Further Filming: 'Black Phone', 'Sinister', 'Blue Moon'.

REVIEW: SPRINGSTEEN - DELIVER ME FROM NOWHERE

3.5/5

Deliverance

119 Mins. Starring: Jeremy Allen White, Jeremy Strong, Paul Walter Hauser, Odessa Young, Marc Maron, Gaby Hoffmann & Stephen Graham. Screenplay: Scott Cooper. Director: Scott Cooper. In: Theatres.

The Boss and his life and times are so deep and vast, you'd need a series of movies (hint, hint), or a TV syndicate to show all that he's done. From being a runaway American dream, to writing songs for those who lost their lives to the terrorist attacks of 9/11. And it's that powerful and profound penmanship for others that steers and drives 'Springsteen: Deliver Me From Nowhere', based on the book by Warren Zanes ('Deliver Me From Nowhere') and Bruce Springsteen's own 'Born To Run' memoir. There have been many movies already made by The Boss himself (see, 'Western Stars'). And the man, who wrote Oscar winning title tracks for 'The Wrestler' and 'Streets Of Philadelphia', even took his 'Springsteen On Broadway' one-man show to Netflix. Bruce even co-signed the beautiful 'Blinded By The Light' (much in the same guitar string vein as 'Yesterday' for The Beatles) movie about an Indian teenager from the UK who has inspired so much by Springsteen, he went on a pilgrimage to America just to see him play.

Delivering us from nowhere though, this strong Scott Cooper ('Out Of The Furnace', 'Black Mass', 'Hostiles') written and directed piece, knows music and the man behind it. What more could you expect from the man who gave us Jeff Bridges and his 'Crazy Heart'? I bet you didn't expect to get a Springsteen and Bob Dylan biopic in the same calendar cycle, though. Not to mention ones starring men of the moment, Timothée Chalamet and Jeremy Allen White. What a time to be alive in this music and movie, epic entertainment industry. And just like James Mangold's 'A Complete Unknown' focuses on particular points in Dylan's life (notably, going electric), 'Deliver Me From Nowhere' (based on a line from a track ('Open All Night'), like that 'Rolling Stone' one), takes a look at the recording of one of Bruce's deepest and darkest records. The personal passion project and painstaking labour of love of 'Nebraska'. The black, white and red album, with no singles, press, promotion, or even a picture of Bruce on the record jacket, that featured the likes of 'Atlantic City', 'Mansion On The Hill' and 'Johnny 99'. 

Springsteen himself released the reissue 'Nebraska '82' (featuring some electric cuts) to accompany the movie's opening night. And purists will love this compelling feature that critics are yawning at, but Oscar shouldn't ignore. But for the crowd pleasers, there's an opening performance of 'Born To Run', with Allen White sweating like Springsteen, and a closing classic studio session, that feels like a spoiler if we speak on it, to bookend this story. Nuanced and cutting, 'Nebraska' was made in a faraway house in Colts Neck (where hits like 'Born In The U.S.A.' and 'I'm On Fire' were also conceived) by Springsteen and one recording engineer (played perfectly by 'Richard Jewell's' Paul Walter Hauser ('I, Tonya', 'Fantastic Four: First Steps')). Recording demos on a four-track, that led to a Holy Grail like cassette that didn't even have a case. But this film is all for the Jeremy's, like Pearl Jam. Emmy winning star of 'The Bear', Jeremy Allen White, is perfect as Bruce Springsteen, all the way down to the weary voice. Even if the contacts that cover his baby blues takes some of his soul. I mean, this is a man who is about to play Jabba the Hutt's son in 'The Mandalorian & Grogu'. Now, that's range.

Yet, it's 'Succession' star Jeremy Strong, who steals the show, especially in the third act, as Jon Landau, Springsteen's day one, long time, manager and record producer. Bespectacled and with thinning hair (look who's writing), but always willing to fight for Bruce, in full. Jeremy, doing for Jeremy what he did for Sebastian Stan's Donald Trump in last year's 'The Apprentice', following The Boss beefing with the President of the United States, this summer. Played perfectly by Strong and Allen White, this pair know each other like a crack in the door. Elsewhere, there's a Hollywood scripted romance in the boardwalk air, aboard a carousel, like 'We Live In Time', that feels real thanks to the outstanding Odessa Young ('Looking For Grace', 'The Daughter'). And even Marc Maron ('Glow', 'To Leslie') shows up as Chuck Plotkin as the studio plot thickens. But it's the performance from Bruce's parents that will really leave you proud. The great Gaby Hoffmann (from 'Uncle Buck' and 'Sleepless In Seattle' to 'C'mon C'mon' and 'Winning Time') and the amazing 'Adolescence' winner of our very own Stephen Graham, who adds this track to a formidable filmography of Hollywood heavy-lifting. Delivering us from evil, and his own demons of depression, when it comes to those tougher than the rest, where can you find someone stronger than Springsteen? Nowhere. TIM DAVID HARVEY.

Further Filming: 'Springsteen On Broadway', 'Blinded By The Light', 'A Complete Unknown'.

REVIEW: PRINCE - SIGN "☮" THE TIMES (IMAX)

4/5

Peace

85 Mins. Starring: Prince. Director: Prince. In: IMAX Theatres.

By royal appointment, O(+> is back in theatres. Remember during Prince's 'Hit n Run' phase, before he passed, when he was on the revamped 'The Arsenio Hall Show' for the nostalgia? The legendary Arsenio asked the icon if he was on Instagram. Prince replied that he was going to have, "Princestagram" (amazing). Now, with the return of his critically-acclaimed, classic concert film 'Sign "☮" Of The Times', from 1987, in IMAX theatres. We ain't trying to botch that name ("IPrince" sounds like something from Apple, we're good), but perhaps the IMAX blue light should have turned purple for this outstanding occasion. Especially when here in Tokyo (sharing the experience with an amazing artist in their own right), Prince's  "☮" sign played in a cinema under Shinagawa's Prince Hotel...and a cherry moon. 

For a minute there, I lost myself, like Radiohead, and thought they had made Prince signs special for this presentation. Blame my inability to read Kanji. Anyway, between all the Studio Ghibli re-releases ('Princess Mononoke') and BTS concerts (J-Hope) in Japanese theatres right now, Prince hit IMAX like Christopher Nolan with his odyssey. I may have been two years old when this concert was conceived, but it's an absolute classic that still holds up to this day. Even with its inspired intro, nuanced in nostalgia, directed by the man that gave us the Lake Minnetonka purifying scenes of his own 'Purple Rain' movie. And even that classic, that came before in '84', didn't have to close this compelling concert when Prince had 'The Cross' to bear in an epic finale. 'Little Red Corvette' ('1999'), on a piano and a microphone, being the only hit from another records making it to these times. Otherwise, it was a 'Housequake' of 'Slow Love' and other timeless love songs like 'If I Was Your Girlfriend' and 'I Could Never Take The Place Of Your Man'. 'Hot Thing' and the official video for 'U Got The Look', featuring Sheena Easton at intermission. Boy versus girl, in the World Series of love.

Charlie Parker also got a cover ('Now's The Time') in a sensational set as outstanding as Prince's true, glam rock star outfits on the neon Moulin Rouge like stage in Rotterdam, Netherlands. Playing to the Paisley Park pastel and paint of this trip's theatrical poster. The band's all here too. Even some comic-foils from The Revolution era. But from the prescriptions on the keys of Doctor Fink, to the influential introduction of dancer Cat Glover, it was the great Sheila E. on the skins, who truly took your breath away. Especially with one hell of a drum solo (see Prince's Brit Awards performance for more), that she did with sticks, and even her hands (DAMN!). Between sweet segues, showing you a ring in a shop window (before the formidable 'Forever In My Life', bringing The Artist himself to tears, showcasing such skill in asking the backing singers to back up for a shadowy sound), Prince did spins and splits more times than you and your pants when you slip on a banana. They say in IMAX you can hear everything so clear, from a pin drop, to a jumbo jet soar. Yet, Prince was so much more. Playing in the sunshine, it was always going to be a beautiful night. ☮. TIM DAVID HARVEY.

 

Further Filming: 'Purple Rain', 'Under The Cherry Moon', 'Graffiti Bridge'.

DOCUMENTARY REVIEW: BEING EDDIE

4/5

Coming To The American Dream

100 Mins. Starring: Eddie Murphy. Director: Angus Wall. On: Netflix.

What has Eddie done for us lately? It turns out, everything. The 'Raw' stand-up legend, who followed in the stage steps of the late, great Richard Pryor and paved the way for everyone from Chris Rock, to Denzel Washington, has become a movie legend. From '48 Hrs.' to 'Trading Places' and 'Shrek'. Even making music, like the huge hit 'Party All The Time', dancing with Michael Jackson and chilling with Prince and Rick James for some true Hollywood stories. But lately, Eddie has returned to the studios of Saturday Night Live, where it all started. Chopping it up with the likes of Chappelle, Chris Rock, Tracy Morgan and them. All whilst calling it bygones with David Spade. Because this is no fallen star. You wish! Since then, Murphy's law has given us new films for his hit franchises 'Coming To America' and 'Beverly Hills Cop'. The latter, on Netflix, like his return movie 'Dolemite Is My Name', that should have given the man, who spoke out at the Oscars, one, like 'Dreamgirls'. Damn you, 'Norbit'!

Now Netflix gives us the documentary, 'Being Eddie', directed by two-time Oscar winner Angus Wall (for editing 'The Social Network' and 'The Girl With The Dragon Tattoo'). Continuing the trend of the streaming service giving us great docs (like a pair of boots), most recently with their second season of the NBA's 'Starting 5'. But this is more in the line of films about 'Arnold' Schwarzenegger (when's that 'Triplets' sequel coming out) and 'Sly' Stallone from N, as they build their own golden era Mount Rushmore with 'The Golden Child'. Featuring testimonials from comedian contemporaries Chris Rock, Dave Chappelle and Jamie Foxx. All with the golden handcuffs of their own Netflix deals, acting with Eddie in his 'Harlem Nights', 'The Nutty Professor' (forever fond memories of my mum laughing hysterically at their scene together) and 'Dreamgirls'. Not to mention the likes of co-stars Arsenio Hall (pay attention to what he says about pitting black stars against each other for your MJ and Prince, or King, debate), Pete Davidson (see Amazon) and the great Jerry Seinfeld who has a profound thing to say about the flattery (and venom) of fame, that we all know...doesn't last forever. Even though Eddie might get 'Delirious' with stand-up again.

Gone as quickly as 'Pluto Nash', or playing a rocket ship (I actually loved 'Meet Dave'). A falling star always comes back to earth. And that's where Murphy finds family, faith (like another underrated gem in 'Holy Man') and a new path to forge ahead. Now at home in California, with a bounty of beauty around him, the icon is in the perfect place, playing with puppets of the GOATS that came before him for the most hilarious moments of this doc. One that is so candid and compelling. Inspiring and interesting for this influential figure who broke through and showed us that black lives on screen mattered more than the racism that kept names that weren't Sidney and Harry previously in the margins. Murphy even marvels at how a member of the klan even liked his work. And just wait until you hear what one Hollywood legend wanted him to do with his wife, etc, etc. It's a story like no other, like his life. Giving it up for his mother and father, and his late brother Charlie. Reaffirming that those 'Chappelle Show' skits concerning Prince and Rick James were actually true...b####! Next up for Eddie is a biopic about George Clinton and a famous Pink Panther inspector previously played by 'Bowfinger' co-star Steve Martin. Think the man in the make-up and masks has what it takes? Why not? Eddie is used to being, and being loved by, everybody. TIM DAVID HARVEY.

Further Filming: 'Arnold', 'Sly', 'Dolemite Is My Name's.

REVIEW: ELIO

3.5/5

To Infinity...And Beyond

98 Mins. Starring: Yonas Kibreab, Zoe Saldaña, Remy Edgerly, Brandon Moon, Matthias Schweighöfer, Brad Garrett & Jameela Jamil. Screenplay: Julia Cho, Mark Hammer & Mike Jones. Director: Madeline Sharafian, Domee Shi & Adrian Molina. On: Disney +.

The only movies more concerned with family, than Disney, are ones starring Vin Diesel. And we're rooting for Pixar's Summer movie 'Elio', now it makes its Disney Plus streaming debut, one week after the 'First Steps' of Marvel's 'Fantastic Four'. Armed with a colander as a space helmet, and a blanket as his superhero cape, Elio is one kid who has been through it...and we're not talking about the eye patch, either. Losing both his parents (there Disney goes again), and now an orphan, this young boy lives with Olga, his aunt. An Air Force major who has given up her NASA dreams to take care of her nephew. But this astro boy looks to the stars too. Wishing upon them, or hoping to find a whole new world out there. Tuning into his ham radio, Elio actually wants to be abducted by aliens. Obviously, he's never seen 'Independence Day'.

In this lovely movie, directed by the Disney big-three of Madeline Sharafian ('Burrow'), Domee Shi ('Turning Red') and Adrian Molina ('Coco'), off a script from the trio of Julia Cho ('Turnign Red' again), Mark Hammer and Mike Jones ('Soul'), young Yonas Kibreab voices are intrepid explorer in a breakout role. Yet the real star, or voice, of the show is 'Emilia Perez' Oscar winner Zoe Saldaña (of the 'Guardians Of The Galaxy', 'Avatar' and 'Star Trek' franchise films) as an amazing aunt, we all know well. 'Elio' also stars Remy Edgerly, Brandon Moon, Matthias Schweighöfer, Brad Garrett and 'The Good Place' of Jameela Jamil in a fond and favourable film that will remind you of everything from 'Super 8' and the 'Flight Of The Navigator', nuance in nostalgia, to Disney's own 'Lilo & Stitch', 'WALL-E' and 'Coco' for its dedication to family gone, but still living on in the devotion of our hearts.

And the magic of science, like that Mexican music, as 'Elio', like 'Luca', goes interstellar on his voyage. One where he meets some of the cutest creatures and sentient beings that won't have you scared of creepy crawlies, or even A.I. any more. Especially when they swaddle you, or call you by their name. Going intergalactic like the Beastie Boys, this kid is one hell of a heaven sent ambassador. Especially when he negotiates around potential star wars with the cutest bargaining chip. 'Elio' may have underperformed at the box-office, but what doesn't these days (Disney' 'Tron: Ares', we're looking in your direction)? Yet now it finds a home on the earthbound Disney Plus, this film about social isolation is set to breakout like adolescent acne. This attack of the clones even gives you a thumbs up 'Terminator' reference in a film chocolate chocked full of Easter eggs that will have you crying with laughter (I promise...it's laughter). So salute this film that is pure fan and family service. Um-Earth will never be the same. Okay, bye. I love you. TIM DAVID HARVEY.

Further Filming: 'Flight Of The Navigator', 'Lilo & Stitch', 'WALL-E'

REVIEW: FRANKENSTEIN

4/5

It's Alive

150 Mins. Starring: Oscar Isaac, Jacob Elordi, Mia Goth, Felix Kammerer, Lars Mikkelsen, Burn Gorman, Ralph Ineson, David Bradley, Charles Dance & Christoph Waltz. Screenplay: Guillermo del Toro. Director: Guillermo del Toro. On: Netflix.

Desire to divine Guillermo del Toro's 'Frankenstein'. It's no secret that the 'Pan's Labyrinth' and 'The Shape Of Water', Academy-Award winning director, has long-harboured a yearn to reanimate Mary Shelley's 1818 classic novel into a passion project of his own. And now, rocking a boat (the Royal Danish Navy's Horisont) with Netflix, 'The Devil's Backbone' and 'Nightmare Alley' director can add his first film since his real and richer than Disney, 'Pinocchio' picture, to his cabinet of curiosities. Although it, and its 'Crimson Peak' tones, belong on the biggest, IMAX inspired, slice of silver (which it had, albeit in limited takes), and not those small smartphone streaming screens. All as this gothic science fiction drama, directed, written and produced by the Mexican maestro, becomes one of the greatest Frankenstein adaptations since the 1910 movie produced by the inventor of the lightbulb, Thomas Edison. Whether Hammer films, 'Van Helsing', or even 'Frankenweenie'.

Universal Pictures almost even added a Frankenstein movie to their abandoned Dark Universe, that unravelled after Tom Cruise's 'The Mummy' flop, set to star 'No Country For Old Men' and 'Dune's' Javier Bardem. And we still want to see that, like the amazing actor, himself, does. Yet, who better to take on Victor Frankenstein (James McAvoy came close) than the dark materials master of del Toro? The 'Hellboy' and 'Blade II' dynamic director, with sticks of dynamite, is faithful to Shelley's 'Frankenstein; or, The Modern Prometheus' (even at one perfect shot, looking like Ridley Scott's 'Prometheus') sacred text. The perfect companion. Really showing that this epic story is all about the loneliness stirring at the hearts of men, not just repressed rage, before people start pasting it as a poster for the 'Tortured Boys Club' epidemic. This, instead, is beautifully poetic, even profound in moments at its most brutal. Because, streaming this weekend, one week after Halloween, as part of a monster mash with the 'Predator: Badlands' sequel, there's one thing you have to know. I will call this man a monster no longer.

Or maybe two things. When trick or treaters knock at your door, and you see that famous square green mask, with a bowl cut, and bolts coming out its neck, what do you think? Frankenstein, right? Right?! Wrong! That's the Creature. Victor Frankenstein is the man who made this gentle giant. But then again, maybe this is Mary's point. Because we all know who the real monster is now, don't we? Peter Cushing and Christopher Lee. Kenneth Branagh and Robert De Niro in 'Mary Shelley's Frankenstein'. Even Sting. But now it's Oscar Isaac and Jacob Elordi's turn as the arrogant scientist and the devastating consequences. And the perfect pair make for a powerhouse and powder keg of a combustible combination. Telling their own tales for parts, after the prelude for the post finale wraparound to GDT's stitched together storytelling arcs. An inspired Isaac ('A Most Violent Year', 'Ex Machina', 'Moon Knight') is back to his 'Inside Llewyn Davis' best, like this modern day Pacino is one of the most underrated thespians around. Delivering dark and fantastic foreboding since the terrific trailer. But an unleashed Jacob Elordi ('Saltburn', Elvis in 'Priscilla') is a different, haunted beast altogether. Put bolts in that golden statue's neck.

Elsewhere, the glorious Mia Goth ('A Cure For Wellness', 'X') offers even more grace gravitas to this big, bold and beautiful picture. Far from just the "scream queen" title, she rebukes. On double-duty, playing both Frankenstein's late mother, and his brother's wife, this is far from a Freudian slip. This is a woman's love that influences everything a man, who misses his, goes through. The brother who art thou is played perfectly by 'All Quiet On The Western Front' breakout talent Felix Kammerer ('Eden', 'All The Light We Cannot See'), delivering the most devastating dialogue. 'The Witcher', 'Sherlock' and 'Ahsoka' actor Lars Mikkelsen also makes a killing as the Copenhagen captain. Guillermo del Toro's 'Pacific Rim' comic-relief Burn Gorman takes names as an executioner. And even Galactus himself, Ralph Ineson ('Nosferatu') shows up with that iconic voice to an incredible scene in the Royal College of Surgeons of Edinburgh. But for GDT, it's the big-three of 'GOT' actors David Bradley and Charles Dance, and the iconic Christoph Waltz ('Inglourious Basterds', 'Django Unchained'), fresh off having you dying laughing at 'Only Murders In The Building', that really flip the switch. The electricity is charged. A victorious Frankenstein. TIM DAVID HARVEY.

Further Filming: 'Pan's Labyrinth', 'The Shape Of Water', 'Crimson Peak'.

REVIEW: PREDATOR - BADLANDS

4/5

Caught In A Crossfire

107 Mins. Starring: Elle Fanning & Dimitrius Schuster-Koloamatangi. Screenplay: Patrick Aison. Director: Dan Trachtenberg. In: Theatres.

The hunt is back on, but like you've never been preyed on before. Director Dan Trachtenberg ('10 Cloverfield Lane', 'The Boys' pilot) is to the 'Predator' franchise, what the Russo Brothers are to Marvel. Ever since 2022's 'Prey' revived the dread locked hunter. Taking what was previously a co-'Terminator', Arnold Schwarzenegger star vehicle (a chopper?), like rival Sly Stallone had 'Rocky' and 'Rambo', and making it as worthy a cult science-fiction as the 'Planet Of The Apes', or the 'Alien' cousin its gone 'V' head-to-head with (check the Easter Eggs). Hunting down the forest of films, including 'Predator 2' (starring "too old for this s###" Danny Glover and his lethal weapon), 'Predators' (with 'The Brutalist' Oscar winner, Adrien Body) and the even more confusingly titled 'The Predator' ensemble, to be king. All these 'Fast & Furious' (the fourth film) subtle name changes to try and recharge the franchise with a new beginning. Only for a complete shift to truly bring this predator, that is now 'Prey', back to its roots.

Trachtenberg has taken us even further with two releases this calendar, like Willie Nelson, directing the amazing animated 'Predator: Killer Of Killers' that heated up this summer on Hulu and Disney Plus and furthered the franchise. Dan is the man, and he really needs to give us that World War II idea, in the trenches killing Nazis, like Tarantino, for what sounds like the most fun since the zombie bonus you unearthed in 'Call Of Duty'. But for now, he gives us 'Predator: Badlands', one week after Halloween. All for a monster mash that sees Guillermo del Toro's 'Frankenstein', starring Oscar Isaac, come alive on Netflix this weekend. Speaking of 'Badlands' for a head-on collision, smashing in your guts, if you were disappointed with the Bruce Springsteen 'Deliver Me from Nowhere' biopic starring 'The Bear' Jeremy Allen White, then this fear so real, that wants your heart and soul, is no sin. Alive with the fact that it's starting to treat the 'Predator' franchise good.

"First hunt. Last chance," the perfect poster reads for this film, scripted by Patrick Aison. In this ninth instalment and seventh solo film, the Predator is one who wants to earn his cloak, getting it in the mandibles from his father after his brother tries to show him the way. Our hunter, Dek, from the planet Yautja Prime, is the runt of the litter (I mean, look at this guy! How do you even market this movie?), who must claim his prize if he wants to show his "one ugly motherf#####" face back home. Unlucky for him, like a kid at a UFO catcher whose searching for toys his crane can't claim, the big beast in question has more lives than a comic-book character. Respawning like a video game. Dimitrius Schuster-Koloamatangi ('Jonah', 'The Panthers') brings a brutal heart and beating soul, behind the Predator mask and make-up (this is what Van Damme should have done), but he'll need all the tools at his disposal. And this is where he meets an android in the form of Elle Fanning (more 'Alien' links? Especially with that power loader mech), and 'The Neon Demon' and 'A Complete Unknown' steals the show, without so much as a pair of legs, Lieutenant Dan. Even though they do their own a## kicking, (but we shouldn't spoil what more she brings here). This is one 'Predator' that's bad a##! TIM DAVID HARVEY.

Further Filming: 'Predator', 'Prey', 'Predator: Killer Of Killers.'

REVIEW: BALLAD OF A SMALL PLAYER

3.5/5

The Life Of Riley

102 Mins. Starring: Colin Farrell, Fala Chen, Deanie Ip, Alex Jennings & Tilda Swinton. Screenplay: Rowan Joffé. Director: Edward Berger. On: Netflix.

Come for the visuals. Stay for the closing credits, 'Love Lies Bleeding' like, iconic dance-off between Colin Farrell and Tilda Swinton that could even serve fellow card counter Oscar Isaac and Sonoya Mizuno in 'Ex Machina', or Bradley Cooper and Jennifer Lawrence in 'Silver Linings Playbook'. Netflix are unveiling their prestige pictures this fall, just in time to bait Oscar season. Last week we got Kathryn Bigelow's end of the world as we know it 'A House Of Dynamite', an epic ensemble eld by Rebecca Ferguson and a presidential Idris Elba. Next, we'll get Guillermo del Toro's reanimation of 'Frankenstein' starring Oscar Isaac, after his 'Cabinet Of Curiosities' run with the streaming service. Another great director that's hit with Netflix is Edward Berger ('Jack', 'All My Loving', 'Deutschland 83'). This year, the man behind 'Patrick Melrose' mined Oscar gold with the classic 'Conclave', but before that he was nominated for his nuanced, war-torn version of 'All Quiet On The Western Front'. A landmark film.

Now, Berger works with British screenwriter ('28 Weeks Later', 'The American') and director ('Brighton Rock', 'Before I Go To Sleep') Rowan Joffé to adapt Lawrence Osborne's ('Paris Dreambook', 'The Accidental Tourist', 'Bangkok Days') 'The Ballad Of A Small Player' for the small, streaming service screen. But it deserves a big one for it's IMAX worthy neon skylines, shooting up to the stars like casino fountains. Gambling in Macau, it makes the mesmerizing region of the People's Republic of China look like the Las Vegas that Brandon Flowers of The Killers fabulously sings about. Take that, Atlantic City. And its Springsteen storytelling is rich in the layers and layer of blocked flats that make for more than one perfect shot. Taking solace in the more traditional, relaxed and remote parts of Hong Kong away from the harbour's electric glare. And who better to tell and sing the story of a 'Ballad Of A Small Player' than Emmy winning 'Penguin' actor Colin Farrell ('In Bruges', 'The Lobster') in the sharpest suit, with yellow driv...gambling gloves to match? Applying the tension to how he plays his cards. Drowning in drink, debt and harbouring a hand of regret that ain't worth the bet. A darker 'Fear and Loathing', 'Rum Diary'. Stake him, like Mark Wahlberg in 'The Gambler'.

His lordship looks legendary in this cinematic, cerebral, psychological thriller. All the way down to the way he shakes his expensive (?) watch on after tying his cravat. The iconic, Irish actor made for the darker sides of Hollywood is as brilliant as his moment with 'Conclave' star John Lithgow was during his Emmy winning speech for his unrecognizable role as one of the best pictures in Batman's gallery of rogues. But has he met his match here in the chameleonic Tilda Swinton ('We Need To talk About Kevin', 'Only Lovers Left Alive', 'The Grand Budapest Hotel'), who gives us another classic character capturing? Swinton has given us even more amazing art recently, from Pedro Almodóvar's 'The Room Next Door' with Julianne Moore, to a compelling exhibit from the late, great Ryuichi Sakamoto's posthumous 'Seeing Sound, Hearing Time'. But in a cast as classy as the chips on the table, from legendary singer and actor Deanie Ip, to 'The Crown' and Royal Shakespeare Company' and National Theatre's Alex Jennings, it's the fantastic Fala Chen ('I Love Hong Kong', 'Shang-Chi and the Legend of the Ten Rings', 'Godzilla x Kong: The New Empire') who will win and haunt your heart. This beautiful ballad is anything but small time. TIM DAVID HARVEY.

Further Filming: 'Uncut Gems' 'The Card Counter', 'All Quiet On The Western Front'.

TV REVIEW: CHAD POWERS - Season 1

3.5/5

The Running Quarterback

6 Episodes. Starring: Glen Powell, Perry Mattfeld, Quentin Plair, Wynn Everett, Frankie Rodriguez, Toby Huss & Steve Zahn. Created By: Glen Powell & Michael Waldron. On: Hulu & Disney +.

Are you ready for some football? Ever since Glen Powell stole the show as Hangman in the decades-awaited 'Top Gun: Maverick' sequel, he's been a hit, man. The most marketable, from 'Anyone Buy You' romantic comedies and rumours stirred with Sydney Sweeney, to 'Twisters' sequel reboots that took the summer blockbuster circuit by storm, last year. In this calendar, you can circle Glen as a star of big and small screens. Soon, the man that Cruise wants to continue his missions (but Powell's Mum says no), will take on Arnold Schwarzenegger's character in Edgar Wright's movie based on Stephen King's 'The Running Man'. But before all those films for Friday night lights, he's getting his gridiron reps in. Based on an 'Eli's Places' character concept from Eli Manning and ESPN, for his quarterback brother Peyton Manning's Omaha Productions (also getting it in the NBA for Netflix's 'Starting 5'), Powell powers up as the titular 'Chad Powers'.

The hick with more than a French cow's lick. The Larry Bird of football is about to touchdown with this Powell and Michael Waldron ('Rick and Morty', 'Loki') co-produced half-dozen episode gem on Hulu and Disney Plus. One that's so goofy and good, it's even taken the ball off the Emmy-winning big-three of Steve Martin, Martin Short and Selena Gomez's 'Only Murders In The Building' outfit, for their famous fifth season, also released every Tuesday, with their fellow finale making its cut last night. Powell's charm just kills it. Even though his character is a complete d###. But then again, his 'Top Gun' and 'Twisters' franchise faces weren't exactly guys you'd leave your girlfriend, or your pants down with. Here, Glen's Russ Holliday (best football character name ever) has done more than just fumbled the bag in his biggest Superbowl stage moment. He's also pushed the father of a sick kid over, which sent the wheelchair bound boy tumbling, too. Make a wish, indeed. Disgraced isn't the word. It's beyond cancelling. You can't let Russ be Russ with this one, like Westbrook. Holliday can't catch a break. Never mind, a ball.

He needs a new identity. So in steps Chad Powers, as our star goes into full 'Mrs. Doubtfire' mode with Robin Williams heartbreaking charm. Can you blame him after all he's been thro...scratch that, done?! Besides, there are worse people to be catfished by than Glen Powell. And now he's playing for a team with that very much on the nose name. And their favourite mascot, with Frankie Rodriguez ('High School Musical'), under the fish head hood, is going to help "them?!" Armed with the war paint of his Hollywood father, Toby Huss (brilliant in one not so sing-a-long moment of Netflix's 'The Four Seasons'). The physical transformation of this number one comedy has more problems as it looks to run on to the field of a second season in post. From the perfect performance of Perry Mattfeld, to her boss, and father, Steve Zahn's coach. There's also strong support on the bench and on the board from Quentin Plair and Wynn Everett. But it's one twist before the reveal that will really leave you sacked...no 'Doubtfire' like pun intended. A brilliant disguise that will do anything but ruin the reputation of Glen Powell's runaway American dream to be an icon himself. This is one Chad that has the power. TIM DAVID HARVEY.

Further Football: 'Eli's Places', 'Mrs. Doubtfire', 'Friday Night Lights'.

TV REVIEW: ONLY MURDERS IN THE BUILDING - Season 5

4/5

Dial 3 For Murder

10 Episodes. Starring: Steve Martin, Martin Short, Selena Gomez, Michael Cyril Creighton, Da'Vine Joy Randolph, Jackie Hoffman, Richard Kind, Téa Leoni, Bobby Cannavale, Beanie Feldstein, Keegan-Michael Key, Logan Lerman, Renée Zellweger, Christoph Waltz & Meryl Streep. Created By: Steve Martin & John Hoffman. On: Hulu & Disney +.

Hear no evil. See no evil. Speak no evil. The 'OMITB' crew just took Hollywood, but now the New Yorkers, with the best theme tune titles in the city, are back where they belong for 'Only Murders In The Building' Season 5 on Hulu and Disney Plus. Surprising us with a sprung new season in September, that has taken its critical swipes, but could still out sleuth 'The Thursday Club' on Netflix, and all the competition they've created in this 'Knives Out' era of murder mysteries, back like it was what she wrote. But this time, it all looks like Vegas for these high-rollers in the dark basement of the legendary Arconia apartment. One that we all want to be residents of, but may actually even be a victim this season, under the knife, like our Martin double-act. And if that isn't a zinger to best the big-three of Steve Martin, Martin Short and Selena Gomez. Maybe the somewhat underused, but completely undeniable, villainous trio of Logan Lerman, Renée Zellweger and Christoph Waltz will be. These rich tycoons want to take over everything, even the "New York KnickerBOXers?!" And just wait until Waltz flashes his evil Bond villain grin.

Yep, the show that everybody watches and everybody wants to be in always knows how to roll out the red carpet. Even when casting movie versions of your favourite podcasters in the form of Eugen Levy, Zach Galifianakis and Eva Longoria. In this season, there are so many special guests, some we shouldn't spoil, that even the return of Meryl Streep, on fine form, is a walk in Central Park routine. It doesn't get much more NYC than Bobby Canavalae and Téa Leoni. And a 'Booksmart' Beanie Feldstein steals the show as a satirical pop star. Meanwhile, Keegan-Michael Key makes for an amusing mayor. But no one at the table is outshining our three of a kind. But should that be a fantastic four in this new New York? As the great, Michael Cyril Creighton continues to be a critical part of this investigation. That's right, murder fans. The recurring regulars still rent here, like co-creator John Hoffman's beloved, hilarious Jackie Hoffman. Or a held over, potty mouth detective in the always amazing Da'Vine Joy Randolph. Even your 'Everybody's Live' announcer, Richard Kind, with an eye patch. Some former faces will be missed, but you never know who might show up at this iconic building's door.

Last season ended with the heartbreaking shock of kindly doorman Lester lying in a fountain of blood. And therein lies the rub of this mystery. He's been replaced by a robot, (who hasn't these days?). And the android, that will remind you of the Pepper's that you can even be served food by in Japan, has the most hilarious moment of the series, sounding like Roger Troutman. But in this city, we thought it was Patton Oswalt who voiced this droid with hilarious arm-waving complaining. When you Wikipedia which 'OMITB' alumnus it is, you'll be pleasantly surprised. Just like you will when this season finally gets going. Maybe it came too soon (last season finished last December), as some critics are calling time. Lavishing helpings of bad reviews on in, like they're doing 'The Bear' restaurant on the same streaming service. Yet the quality is still there. Too much of a good thing? Sacked by the episodic success of Glen Powell's 'Chad Powers' released weekly on the same day? Nah, it's no time to die, like 'The Bear' isn't overdone. They're only always building to something more. Murder most fun. TIM DAVID HARVEY.

Further Investigation: 'Murder Mystery', 'The Thursday Murder Club', Wake Up Dead Man: A 'Knives Out' Mystery'.

REVIEW: A HOUSE OF DYNAMITE

4/5

House Of Cards

112 Mins. Starring: Idris Elba, Rebecca Ferguson, Gabriel Basso, Jared Harris, Tracy Letts, Anthony Ramos, Moses Ingram, Jonah Hauer-King, Kaitlyn Dever, Greta Lee & Jason Clarke. Screenplay: Noah Oppenheim. Director: Kathryn Bigelow. On: Netflix.

Films for Halloween don't come much scarier than this, but this is no horror. It's real life and the most terrifying film since Steven Soderbegh's 'Contagion'...and that came true in the COVID-19 of 2020s pandemic, so you never know. 'A House Of Dynamite' is set to blow on Netflix after lighting the fuse in select screenings in the UK and the US, earlier this month. You know it's a prestige picture from the successful streaming service, when they give us their cinematic N I.D. (see 'bait; Oscar'), instead of the iconic "tu-DUM" showcase, to open up proceedings of a new fall favourite. This dynamite, dynamic drama is an epic, with an ensemble cast as such, from Oscar winning director Kathryn Bigelow ('The Hurt Locker', 'Zero Dark Thirty', 'Detroit'). And her first film in eight years is right there with the wonder of her best. Scripted by Noah Oppenheim, the former NBC news man, with an apt, explosive last name, who most recently worked with Netflix for another presidential doomsday scenario, in the 'Zero Day' series starring Robert De Niro.

In this house of cards, it's Idris Elba who plays president, reminding you of a much better one when he walks into a basketball area, nuclear football in tow, to crowd cheers and 'In The Air Tonight' by Phil Collins, sounding like his theme song. All before shooting hoops with WNBA Chicago Sky superstar Angel Reese. But there's something coming in the sky that could make the Windy City nickname of Chi-town the understatement of the year. As this apocalyptic thriller concerns, the U.S. government navigating a response to a nuclear missile launched, without knowing who is responsible for this attack. This is as real and as close to home as it gets this winter. As the introduction in writing will tell you, how different things are these days after the Cold War put an end to firing off ammunition like hot takes on Twitter. Now, we have "leaders" on X with their fingers on the button, just ready to press those who push theirs. It all sounds so immature and juvenile, but these are not children's games. And Bigelow's big picture shows you just how huge the ramifications of this nonsense could be. And in this movie, the president actually appears to be halfway competent.

With 'Zero Dark' and 'Hurt Locker' realism in its modern warfare, 'House Of Dynamite' was nominated for the Golden Lion at the 82nd Venice International Film Festival. Sure, it talks more than it walks, but, like 'Oppenheimer', this is the most interesting and compelling drama since Aaron Sorkin had 'The West Wing' staff walk with his words. Anchored by an amazing Rebecca Ferguson performance that will have you reaching for your nearest and dearest, this film takes you to all sorts of situation rooms, as the critical countdown is told from many different perspectives. Kudos to the great Tracy Letts, for making this his general own, like Helen Mirren in 'Eye In The Sky'. Amongst the best of the best, like Jason Clarke and a heartbreaking Jared Harris (for his scene with Kaitlyn Dever). Even, somewhat underused actors in this plate spin, make their mark. Anthony Ramos ('In The Heights', 'A Star Is Born'), Moses Ingram ('The Queen's Gambit', 'Obi-Wan Kenobi'), Greta Lee ('Past Lives', 'Tron: Ares'). But it is Netflix's 'Night Agent' Gabriel Basso that makes this movie his own. All before, Elba electrifies the third act with his charm, after appearing vocally cantankerous for the first one. His compelling conversation with the football's quarterback (Jonah Hauer-King, brilliant) will stay with you long after the film ends. But in an ambiguous ending, will the world? That's up for us to decide. TIM DAVID HARVEY.

Further Filming: 'Zero Dark Thirty', 'Eye In The Sky', 'Contagion'.

TV REVIEW: KING OF THE HILL - Season 14

4/5

Dear John Redcorn

10 Episodes. Starring: Mike Judge, Kathy Najimy, Stephen Root, Pamela Adlon, Johnny Hardwick, Lauren Tom & Jonathan Joss. Created By: Mike Judge & Greg Daniels. On: Hulu & Disney +.

Yup. Uh-huh. It's been a bittersweet sixteen years since Mike Judge and Greg Daniels' 'King Of The Hill' aired, but there's no more throwing of their creator's sign in the trash. Except for the classic time-lapse title sequence, which should bring you back up to speed. In this time, Hank and Peggy have been in Saudi Arabia, and Bobby is now all grown up, with stubble and no more gout, owning his own Japanese and German fusion restaurant...wait for the joke from a classic Texan. And yet, it's still all about propane, as this former Fox classic animation finds itself powered up on Hulu and Disney Plus. A neighbour to both contemporaries 'The Simpsons' and 'Family Guy', who have both just brought out new seasons in the twenties and thirties. This fourteenth season, return of the king after 16 years, is one of the best, too. Especially the opening episode that reconnects society to the retired couple. Welcome back, Hills, Dale, Bill and dang old, whatchamacallit Boomhauer, I tell you what.

Mike Judge, Kathy Najimy, Stephen Root, Pamela Adlon (doing the great Nancy Cartwright as Bart Simpson thing as Bobby), Johnny Hardwick, Lauren Tom and Jonathan Joss all return, but sadly others didn't. Late famous actress Brittany Murphy, and iconic musician Tom Petty both had recurring roles, riding with the king, but they have sadly passed on now. However, comedian Ronny Chieng and the legendary voice of Keith David are now welcome in front of the fence with a beer. Sadly, now, Johnny Hardwick, who plays the classic Dale Gribble (with even more perfect paranoia this season in the face of COVID, A.I. and of course, 5G) and Jonathan Joss, in a truly tragic and wicked turn that if you haven't heard about, you might want to wait a minute before Googling, have also passed on. What's going on in America, and the whole world right now, is truly terrifying. So, it's time for the original American dad, there'd be no 'Bob's Burgers' without him, in the great state of Texas to bring it all back home and make sense. It's like the scene where Bobby tells his dad that he appreciates him, and Hank Hill replies, "let's not get carried away now." This humble and down to earth heart is anything but over the hill.

Ye-haw! Knocking it out the park again with nostalgia, in a timely, troubling Trump time that makes it all relevant again, you'll fall back in love with your favourite family not yellow, sans sofa. All the way to the end credits, that will have you guessing before which classic quote ("I got gout!") they'll use to close from each episode. Like the beer wars brewing between father and son. Or the Dallas Cowboys bonding session across the gridiron that will have you feeling like a Glen Powell 'Chad Powers'. 'Bobby Gets Grilled' further when he is accused of cultural appropriation, and offends his father even more, and just wait until Dale blows the whistle on Hank's new love for football...I'm sorry, soccer, no, wait...football. Sorry, Americans. Hank even applies himself further by doing chores on an app that further this Uber King into the new day and age we live in. Whereas, Peggy is involved in the craziest triangular lie from Bill to his new friends of black barbers. 'Curb Your Enthusiasm' would be proud. Especially with the garage door reaction to a crashed "wedding" anniversary. One that delivers the best line of the season ("YOU DID!"). Not to mention, a kick in the brass balls of all that Tate modern myth of manology, brothers. Family, faith, fitness and finance. The four f-words don't mean a thing if you're still a f###wit! There is no sounder investment. This no nonsense king still reigns supreme on his house of the hill. TIM DAVID HARVEY.

Further Filming: 'The Simpsons', 'Family Guy', 'Bob's Burgers'.

REVIEW: TRON - ARES

3.5/5

Gridlocked

119 Mins. Starring: Jared Leto, Greta Lee, Evan Peters, Jodie Turner-Smith, Hasan Minhaj, Arturo Castro, Cameron Monaghan, Gillian Anderson & Jeff Bridges. Screenplay: Jesse Wigutow. Director: Joachim Rønning. In: Theatres.

Users, the fight is over. We've been waiting so long for another 'TRON', ever since 2010s 'TRON: Legacy' changed the way we see and hear movies on the big-screens of IMAX and now Dolby Atmos in this digital world. It almost felt as long as the sequel to the pioneering original of 1982 that finally gets its love here in a legendary scene of legacy. Since the 10s, we've had 'The Next Day' short-film, the 'Uprising' of an animated series, and even an amazing Lightcycle/Run ride at the Magic Kingdom of Walt Disney World and Shanghai Disneyland (c'mon Tokyo), but no movie...until now. As we see 'TRON: Ares', yep, like the God of war, infiltrate the Cinderella castle digital grid of Disney's I.D. in devil red. Yet, of course, legendary French dance duo Daft Punk are not back with an iconic score. Thankfully, score settlers Trent Reznor and Atticus Ross of Nine-Inch Nails give us a soundtrack that could win 'Tron' another Academy Award. The album's been out for weeks and has been on our playlist for that long and more time to come.

'Legacy' stars Garrett Hedlund ('Four Brothers', 'Mudbound', 'The Bikeriders') and Olivia Wilde (now a 'Booksmart' amazing director) sadly don't return. And there are more problems. 'Dallas Buyers Club' Oscar winner and Thirty Seconds To Mars leading man Jared Leto ('American Psycho', 'Blade Runner 2049' and the 'Suicide Squad's' Joker) takes the lead, and although he puts in a fine performance in this film, what he's been accused of is truly disturbing and atrocious. What do we do in a situation, like this? Boycott the blockbuster? Still watch because there are many other members of the cast and crew working on this movie who did nothing wrong? It's been a troubling problem since cancel culture found its voice, and one that warrants much consideration. "Innocent until proven guilty" doesn't quite cut it any more. The smart move would be to wait until this film makes its way on to Disney Plus, even though it belongs on the biggest screen. Especially as in regard to the rest, it's a so-so affair. But then again, after what happened with Jimmy Kimmel, how many people still have Plus?

Let's move on, because there is plenty of other talent here on digital display, credied_as_such. Namely, the perfect 'Past Lives' indie star Greta Lee (whose A.I. we also love 'Into The Spider Verse'). The 'Russian Doll' and 'The Morning Show' supporting star who is about to light it up in Kathryn Bigelow's 'A House Of Dynamite' pilots this picture. She has done so, ever since she was recognizably seen running from a Recognizer in the city in 'Tron' three's teaser trailer. That's right, the city. The users have made their way home to our grids and networks, which speaks deeper to the idea of A.I. taking over the world like 'T2', and this movie has cycle chases, chopping cop cars in two, to rival the 'Terminator' superior sequel, looking like time-lapse photography throughout the city. Not to mention a class cast featuring a megalomaniac Evan Peters (your favourite Quicksilver with a Dillinger apt name), an always amazing Jodie Turner-Smith ('Queen and Slim'), turned up as the Goddess of war. Comedian Hasan Minhaj, the comic relief of Arturo Castro, 'Star Wars' and 'Gotham' favourite Cameron Monaghan (making for two Jokers in the pack), and a sadly wasted Gillian Anderson. But dude, when you see Jeff Bridges, that's when it all comes together. Fascinating. A neon dream reimagined for the modern world that almost makes its legacy dated...until now. TIM DAVID HARVEY.

Further Filming: 'Tron', 'Tron: Legacy', 'Blade Runner 2049'.

TV REVIEW: BLACK RABBIT - Miniseries

4/5

Rabbit, Run

8 Epsiodes. Starring: Jude Law, Jason Bateman, Cleopatra Coleman, Sope Dirisu, Odessa Young, Abbey Lee, Robin de Jesús, Forrest Weber, Chris Coy, Don Harvey, Hettienne Park, Amaka Okafor & Troy Kotsur. Created By: Zach Baylin & Kate Susman. On: Netflix.

There's a line in David Mackenzie's 2016 neo-western classic 'Hell Or High Water', scripted by the great Taylor Sheridan ('Wind River'), where Chris Pine's character, Toby Howard, tells his brother Tanner, played by Ben Foster, "you know, you talk like we ain't gonna get away with this!" Talking about being on the run from Jeff Bridges and Gil Birmingham's lawmen, following a string of bank jobs. To which Foster replies, "I never met nobody get away with anything...ever, you?" Pine's Toby has to ask, "then why on the hell did you agree to do it?" "Because you asked, little brother", Tanner says in kind, riffing on an old, Waylon Jennings country song. And that's kind of the size of it when it comes to superstar actors Jude Law and Jason Bateman's brothers in arms, who are also each other's keepers. 'Black Rabbit', a wonder of an eight-part limited series crime thriller/family drama, concerns a onetime band of brothers, who are now in dire straits after their new restaurant gig comes with more courses than were on the menu.

The titular name of the once next big thing in music, is now the name of the New York City restaurant they run, maybe into the ground, as one of these rabbits is in the hole. Check, the above picture and guess which one. This show from Zach Baylin (the screenwriter of 'King Richard', 'Bob Marley: One Love' and 'Creed III') and Kate Susman is rumoured to be based on the real life controversies of The Spotted Pig eatery in NYC. But one thing's for sure, this slick and slimy thriller is as New York as they come. With moral rot eating at the core of this Big Apple, big bluster of one of the best miniseries in recent memory. Another thing that's a given is how 'Black' is like a mirror to 'Ozark'. Or that classic series mixed with some helpings of 'The Bear' and all that foul language served up on the plate. Not only is this a Netflix affair starring Jason Bateman, although carrying some of that 'Carry On' hair, he looks more like a Waylon Jennings country song than the 'Arrested Development' of his trademark sarcasm. There's also familiar music that haunts in a trademark title sequence and the cards of some caricature clues. Even Laura Linney directs a couple of classic episodes. Think like when Bryce Dallas Howard got her hands on 'The Mandalorian', they're that best in show.

Bateman is brilliant, frustratingly so. This is his legacy making lane...and we're glad he's staying in it. Meanwhile, his combustible chemistry with his brother is as compelling as it is charming. With family devotion like Leonardo DiCaprio in 'One Battle After Another', or that Paul Thomas Anderson movie co-star Benicio del Toro in Wes Anderson's 'The Phoenician Scheme', Jude Law will do anything for his down-and-out anchor of a brother, even if that includes breaking his last name. The iconic actor of 'The Talented Mr. Ripley' and 'Road To Perdition' scene-stealing still feels somewhat underrated. Even if he is Dr. Watson to Robert Downey Jr and Guy Ritchie's 'Sherlock Holmes' and a young Dumbledore in the 'Harry Potter' spin-off 'Fantastic Beasts' franchise. Check 'Contagion', 'The Grand Budapest Hotel' and 'Side Effects' for more evidence of this. Yet it seems to be the smaller screen where this Hollywood megastar from London shines, like 'The Young' and 'New Pope'. This is his calendar too, following the 'Captain Marvel' star's turn in the 'Star Wars' 'Skeleton Crew'. Here, as another anti-hero, he plays coming apart at the seams of his slick suit and still cool, receding hairline (jealous), perfectly. Accented, like the American one this great Brit has down, even if it is as shaky as his character's morals.

Searching for higher ground on the rooftop of this restaurant. Feeling like a springboard to the Brooklyn Bridge above. One that could take them across the water and out of this city and its river of problems. It's all so symbolic. Like the black rabbit hanging above the eatery's entrance like a fresh kill. Law and Bateman are in deep, like their Manhattan hotspots reservation client list. In hot water with the wrong sort of people and the right kind of actor, as 'CODA' Oscar winner Troy Kotsur commands every scene he's in, letting his Junior (Forrest Weber, making his newcomer mark) off a very tight leash, with right-hand man Chris Coy in play. If that wasn't Bermuda enough for you, there's a love triangle, featuring 'Dopesick' and 'Clipped' star Cleopatra Coleman and British, 'Gangs Of London' actor Sope Dirisu. And more heat in the kitchen with head chef Amaka Okafor (Netflix's 'Bodies' star about to body 'The Bear' with her rabbit) and 'Tick, Tick...BOOM!'s Robin de Jesús. Add Odessa Young's blood is thicker than ink, a haunting Abbey Lee, and your best friend at the end of the bar, Don Harvey, and you have a great wine list of a cast. Yet it's 'Blindspot' and 'Don't Look Up' actress Hettienne Park who will be on the case for more casts after copping this detective character here. Fading to black, with Law and Bateman at it like rabbits (pause on that) with law and disorder, this is one restaurant you want to make a booking for. Get it whilst it's hot! TIM DAVID HARVEY.

Further Filming: 'Ozark', 'The Bear', 'The Madness'.

REVIEW: STEVE

4/5

Adolescence 

92 Mins. Starring: Cillian Murphy, Tracey Ullman, Jay Lycurgo, Simbi Ajikawo & Emily Watson. Screenplay: Max Porter. Director: Tim Mielants. On: Netflix.

Outstanding as 'Oppenheimer', Oscar winner Cillian Murphy ('28 Days Later', 'Batman Begins', 'A Quiet Place Part II') gives us even more dark depths as 'Steve' on Netflix, reuniting with 'Peaky Blinders' director Tim Mielants ('Patrick', 'Wil', and 'Small Things Like These', also with Murphy). Based on the 'Shy' novella by the brilliant Max Porter (the 'Grief Is A Thing With Feathers' author also penned this script), 'Steve' is a tired and troubled teacher at the head of a school that serves as a society for boys with behavioural difficulties. Battling his own demons of addiction, Murphy's law and disorder in education is comparative to a compelling salad days look at Ryan Gosling in 'Half Nelson'. As a matter of fact, with the distance in those vast, old Hollywood blue eyes, and the greying of his overgrown beard, the 'Inception' and 'Dunkirk' actor could play Thom Yorke if they ever do a Radiohead biography (how about 'Anima's' Paul Thomas Anderson?). And you just know Jonny Greenwood ('One Battle After Another', 'Phantom Thread') would make the music.

Yet, this school of thought, that takes a bleak, blank stare at the issues of mental health in its awareness, is more than the 'Sunshine' and Shelby star. Or 'Peaky' blinding like symbolic scenes awash next to the laundry and a tumble dryer, caked in mud. British-American actress, singer, dancer, screenwriter, producer, director, and author Tracey Ullman gives her absolute all in a deputy role that should have Best Supporting Actress engraved all over it. The 'Black Doves' star stole the show in the last season of Larry David's classic 'Curb Your Enthusiasm', like she will do in the forthcoming fourth one of the hugely popular 'Ted Lasso'. But she is no laughing matter here, what more could you expect from someone who played Mother Nature herself in 'I Could Never Be Your Woman'. Holding her own against fellow great Brit, Emily Watson ('Punch-Drunk Love', 'The Theory Of Everything' and 'Small Things'), whose Hollywood stock, at least on the small screen, has risen considerably thanks to the HBO likes of 'Chernobyl' and the 'Dune: Prophecy' spin-off series lead.

Little Simz herself (who absolutely rocked Fuji Rock festival here in Japan this summer, can we just say?), Simbi Ajikawo, is also a terrific teacher. The 'Sometimes I Might Be An Introvert' singer and Netflix 'Top Boy' revival star has also acted as herself in Marvel's 'Venom: Let There Be Carnage'. But THIS is her movie moment. With that being said, this Platform Prize section performing film at the 2025 Toronto International Film Festival, in select UK and US cinemas, will leave you streaming when it comes to Jay Lycurgo's (Netflix's 'The Bastard Son & The Devil Himself') Shy student carrying rocks that he throws for more than just his love of geology. The ground is shifting beneath his young feet, and the man who has played both Tim Drake in 'Titans' and a gang member in 'The Batman' is brilliant at displaying the bracing and brutal angst adolescents face. As a matter of fact, this school and social education of the dark corners of the United Kingdom's systems is comparable to the Emmy winning shock of 'Adolescence'. As dangerous as the minds Michelle Pfeiffer dealt with, or a Samuel L. Jackson '187' call. Minds that shouldn't be ignored, or merely called mad. The anger comes from somewhere, and an extended hand does much more than a clenched fist. 'Steve' reaches out. TIM DAVID HARVEY.

Further Filming: 'Adolescence', 'Half Nelson', 'Peaky Blinders'.