REVIEW: ASPHALT CITY

4/5

Third Watch

120 Mins. Starring: Tye Sheridan, Sean Penn, Gbenga Akinnagbe, Raquel Nave, Kali Reis, Michael Pitt, Katherine Waterston & Mike Tyson. Screenplay: Ryan King & Ben Mac Brown. Director: Jean-Stéphane Sauvaire. In: Theatres.

The concrete jungle of New York's 'Asphalt City', where dreams are made, but hearts are broken, finally finds its way to Tokyo, Japan, and all surrounding areas in the Land of the Rising Sun. It may have been over a year since its US release, but we should still pay heed to the message made by this film based on 'Black Flies' by Shannon Burke, and that original title from the novel idea. Featuring young star stud Tye Sheridan and the great Sean Penn, the medical emergency of 'Asphalt City' follows the TV drama likes of 'ER' (which was meant to be a movie too, until Steven Spielberg made 'Jurassic Park' on a promise that 'Schindler's List' would be financed), 'Third Watch' and all that Chicago fire and hope. Not to mention 'Tokyo MER', here in Japan and movies like Jake Gyllenhaal's camera cops 'End Of Watch' and his 'Ambulance' heist with Michael Bay. Yet the asphalt of this city haunts even more than Martin Scorsese and Paul Schrader 'Bringing Out The Dead' with Nicolas Cage, Ving Rhames and Patricia Arquette.

The red cross of this movie sees a perfect Penn with one to bear here. As expressive as the wrinkles on his weathered and worn face, the 'Dead Man Walking' and 'State Of Grace' star gives a performance you can put right next to 'Mystic River', 'Milk' or his haunted one in 'The Tree Of Life'. About to star In Paul Thomas Anderson's 'One Battle After Another' with Leonardo DiCaprio, after PTA's 'Licorice Pizza' with frequent collaborator Alana Haim, Sean sears as a paramedic who has clearly seen way too much on these NYC streets that will remind you of the final lost ride in 'One Night On Earth'. The apple is rotten, and it's too much to bear, even for a doting Dad who just wants to make the world a better place for his daughter. It's no place for a little girl, not even a young man, or rookie medic. As Tye Sheridan (reuniting with Penn after 'The Tree Of Life' as a child, although they didn't share screen time together) shows us the star the 'Ready Player One' player and former 'X-Men' Cyclops was always meant to be. Like his younger, 'Mud' and 'Joe' beginnings, this is his best role since his support in Paul Schrader's 'The Card Counter', as he leads this picture.

In way, way over his head in this brutal, albeit brilliant movie. Sheridan sees the worst of not only society, but those meant to protect and serve it, in a New York minute. Whether he's trying to calm patients, or dogs down, he needs more than patience in this perilous and seemingly futile pursuit, all whilst studying for his MCATs. Although the naked truth of a young love with a single mother played by St. Vincent lookalike Raquel Nave offers some hope in a haunting bathtub, amongst all the lack of humanity displayed towards those just trying to help their fellow man, until they just can't do it any longer. 'Johnny Mad Dog' and 'A Prayer Before Dawn' director Jean-Stéphane Sauvaire, off a script from Ryan King and Ben Mac Brown, adapted from Burke's 'Flies', explores the effects of psychological trauma experienced by first responders on the heart monitor beat. And it's testimonial tributes and hotlines to call if you suffer from something similar, in the closing red credits across the five boroughs should be heeded, as much as these heroes of the streets should be respected, and helped themselves.

Down in the asphalt, this city also makes room for Gbenga Akinnagbe ('The Wire', 'The Deuce', 'The Old Man'), WBC world champion boxer and 'True Detective: Night Country' standout Kali Reis, and an underused, but still as great as ever Katherine Waterston ('Alien: Covenant', 'Inherent Vice'). Character actor and Leo lookalike with the Brad last name, Michael Pitt has been a standout in everything from 'Boardwalk Empire' to the Hollywood remake of the 'Ghost In The Shell' anime, but right now he is accused of sexual assault. In 'Asphalt' he shows just how bad it can get playing a paramedic jaded into psychosis and a cruel bully with Jon Bernthal in 'Fury' like methods to his madness. The champ, no stranger to his own SA cases, Mike Tyson also appears in a limited, but commanding role as a chief, showing that he can act, even more than his hilarious cameo turn on 'The Hangover'. So, sure, this film has its fair share of problems alongside the depths of darkness in its narrative. Yet nothing beats the reluctant camaraderie built between Penn and Sheridan, from Chinese noodles to the slop of the city. These FDNY responders, showing respect to those who lost their lives on September 11th, give a gruelling and punishing tour of the streets they strive to save. This is real courage under fire. TIM DAVID HARVEY.

Further Filming: 'Ambulance', 'End Of Watch', 'Bringing Out The Dead'.

REVIEW: F1

4/5

Days Of Thunder

156 Mins. Starring: Brad Pitt, Damson Idris, Kerry Condon, Kim Bodnia, Tobias Menzies, Shea Whigham & Javier Bardem. Screenplay: Ehren Kruger. Director: Joseph Kosinski. In: Theatres.

Exhilarating every emotion and firing on all cinematic cylinders, 'F1' does more than 'Drive To Survive', like its Netflix docuseries. This official movie, filmed during actual races, takes pole position when it comes to racing movies of recent championship calendars. In the golden era of sports movies, especially biopics, we're talking about James Mangold's 'Ford V Ferrari' starring Christian Bale and Matt Damon, Michael Mann's 'Ferrari' with Adam Driver as Enzo, and Daniel Brühl's Niki Lauder versus Chris Hemsworth's James Hunt in Ron Howard's 'Rush'. This, however, is an old-school classic like Tom Cruise's 'Days Of Thunder' (ready for a reunion?) with that film's director Jerry Bruckheimer as the team's principal executive producer. A true throwback, from 'Maverick', 'Top Gun' sequel director Joseph Kosinski ('Tron: Legacy', 'Oblivion') taking the blockbuster director's championship with Brad Pitt in full Steve McQueen, leading man in his legend, mode. Now I know why my pops is such a fan of F1.

Pitt should do anything but stop when it comes to his recent run. Still at it at 60, after the Oscar, we've had the amazingly cerebral 'Ad Astra', 'Bullet Train' (they call him "Bra Pi" here in Japan), 'Babylon', and an 'Oceans' reunion with George Clooney for 'Wolfs'. But none hit the core harder than this Apple Original Film, amongst his many Plan B production credits (the mesmerizing 'Minari and astonishing 'Adolescence') and countless classic cameos (we really shouldn't say, but it's one of the best running jokes in Hollywood). The 'Se7en', 'Fight Club' and 'Interview With A Vampire' star could start another curious case of an 'Inglourious Basterds', 'World War Z' and 'Fury' run off of this. Bringing to bat some of his 'Moneyball' experience, and the trailer park loneliness of his Academy Award-winning 'Once Upon A Time...In Hollywood'. He plays a former Formula One young stud who's just looking for a drive after an early career exit. Bouncing rubber balls like 'Rocky', stickered headphones akin to a touring guitar case helping him escape from a world that should have been his, holding all the cards.

He thought he was out, but then team owner and former teammate Javier Bardem pulls him back in. The iconic 'No Country For Old Men' star and James Bond villain ('Skyfall') feels back after his recent run in Denis Villeneuve's 'Dune' trilogy with Timothée Chalamet. And his set-up, from teaser trailer, to launderette and restaurant would even convince me that I could win a Formula 1 race, and I shamefully can't even drive. Bardem's phenomenal rook, Damson Idris, is the real one to steal the show, though. You only have to hear the talent talk about his role on John Singleton's 'Snowfall', on Maverick Carter and LeBron James' 'The Shop' to see that confidence isn't an issue with this young man. Expect some hallmark Hollywood tropes and tricks to show him some humility, though, as his Joshua Pearce and Pitt's Sonny Hayes clash on the tracks and behind the scenes for their APXGP team that will convince you they're real. One point, hilariously, over drinks and cards in Sin City. Dealt perfectly by Kerry Condon ('Three Billboards Outside Ebbing, Missouri', 'The Banshees Of Inisherin') as team technical director, trying to lasso Pitt's cowboy tactics that make this motorsport so tense and thrilling on-screen.

'Killing Eve' star Kim Bodnia, 'The Crown's' Tobias Menzies and Shea Whigham (fresh off the 'Reckoning' saga of 'Mission: Impossible') also appear, alongside cameos from almost every driver and car on the circuit. Especially Lewis Hamilton, who helped fuel this passion project penned by Ehren Kruger ('The Ring' and 'Transformers' franchises). One that feels like a big, bolstered blockbuster, all the way down to the tracks scored and scorched by legend Hans Zimmer for these frames. Rocking you like the Queen and Fleetwood Mac soundtrack. But from IMAX fireworks in 24 hours of Daytona, to a Radio City Music Hall live in New York City world premiere, it's the first person camerawork that really puts you in the driving seat, from Silverstone, to Suzuka and the Las Vegas Strip (but, oh, to have seen Monaco). The Grand Prix of 'F1 The Movie, in close collaboration with FIA, is as real as it gets. Taking the summer movie circuit podium and spraying the 'Superman' and 'Fantastic Four' superhero competition with champagne as the best in the world. Number one and faster than a speeding bullet. TIM DAVID HARVEY.

Further Filming: 'Rush', 'Ford V Ferrari', 'Days Of Thunder'.

REVIEW: MEGALOPOLIS

2.5/5

The Fall Of Rome York City

138 Mins. Starring: Adam Driver, Giancarlo Esposito, Nathalie Emmanuel, Aubrey Plaza, Shia LaBeouf, Jon Voight, Jason Schwartzman, Laurence Fishburne, Kathryn Hunter & Dustin Hoffman. Screenplay: Francis Ford Coppola. Director: Francis Ford Coppola. In: Theatres.

Rome wasn't built in a day, and 'Megalopolis' lasts longer than a New York minute for this eccentric epic that combines the two cities in this tale. A passion project written and directed by 'The Godfather' of cinema, Francis Ford Coppola, this really is a labour of love. The incredible 'Apocalypse Now' and the outstanding 'The Outsiders' director has won five Academy Awards, a BAFTA Award, three Golden Globe Awards. Not to mention, two Palmes d'Or, to go along with Emmy and Grammy nominations. Now, he also has a Razzie for 'Worst Director'. Although, 'Madame Web' took home the Golden Raspberry Award for 'Worst Picture'. Coppola accepted his award and had an impassioned speech about how Scorsese "cinema" is losing the fight against superhero movies and the green screen. But did he check out the Gatsby gaudy gold CGI of his mega 'Megalopolis' flop, between the metropolises of Rome and New York City?

Sadly, for 'The Conversation' of 'The Rainmaker', this movie will be put with Francis Ford's 'The Godfather Part III', instead of the stunning sequel of 'The Godfather Part II'. No 'Lost In Translation', taking Tokyo, like his daughter Sofia, this movie makes you think of another reason why Nicolas Cage changed his name for no nepotism on his way to his own fame. Even he isn't crazy enough to do this bloated blockbuster (although he did read for it) that is saddled with its own narrative weight lifted from Shakespeare (with a shaky construction working stage) and ambition that reached for the head in the clouds above the sky. It's admirable, mind you. In 'Story Of Your Life', the Ted Chiang novella that inspired Denis Villeneuve's 'Arrival', there's something said about how men build competing skyscrapers to reach high in the sky in an attempt to get closer to God. That's a beautiful notion for a movie that aims to strike chords like Jessica Chastain did in both Terrence Malik's 'The Tree Of Life' (my favourite movie, but one people also walked out off) and Christopher Nolan's otherworldly 'Interstellar' with Matthew McConaughey and Anne Hathaway.

Elsewhere in Hollywood, the Buss family just sold the Los Angeles Lakers to Dodgers owner, Mark Walter, last week. Fun fact, the purple and gold franchise of Kings and Kobe's was actually traded for New York's Chrysler building back in the day. One that game actor Adam Driver dangles precariously over for one stunning shot in IMAX that sets up this movie that sadly never lives up to that cliffhanger pretence. Adam's driving force gives it his all, but this remains with the 'Star Wars' star's recent misfires including 'The Last Duel', 'House Of Gucci', '65' and 'Ferrari'. All good movies, like the one that's in here somewhere. Let's hope a reunion with Scarlett Johansson in James Gray's 'Paper Tiger' takes him back to those 'Marriage Story', 'Paterson' and days of 'Silence'. Driver has charming chemistry with 'Game Of Thrones' and 'Fast & Furious' franchise star Nathalie Emmanuel, and one moment across the beams above the buildings is as cinematic as that famous photo of a working lunch. But it seems that even love can't save the day in this free fall.

This epic ensemble also features Giancarlo Esposito running for mayor, with a 'Breaking Bad', 'The Gentleman' and 'The Mandalorian' villain reputation that precedes him, like a banana to a fan's head. He takes 'Andor' standout Kathryn Hunter as his first lady, and the 'Harry Potter' and physical theatre star shines like she does as all three witches in Joel Cohen's 'The Tragedy Of Macbeth' with Denzel Washington. There's also great, albeit overshadowed with everything, turns from Aubrey Plaza's blonde ambition, and Laurence Fishburne's assisted narration for the title cards. Yet this movie's box office was surely further blunted by troublesome stars Shia LaBeouf and acting legend Jon Voight, looking absolutely ridiculous here. Yet, Shia is searching for redemption. A little more, could also be applied to a criminally underused Dustin Hoffman (ditto, Jason Schwartzman). Then again, this is a movie that throws as many A-listers at the towering walls as it does blueprints. It's a lot, even for the most hardened 'Brutalist' architects, to digest.

Lady Liberty looks lovely, as does some of the visions of a Tomorrowland that even Disney couldn't dream up upon their wishful stars. Yet Coppola's castle has too many arrows in it to survive a time when cinema seats tip up, as our caps don't from our streaming phones. And that's part of a bigger problem, locked in development hell. New York looks oh so great, 90s classic and Shakespearean in the streets. Almost Spike Lee like. But the meagre return on the big budget makes one of the most anticipated movies now a mere afterthought. Finally seeing the glowing light of day in the Land of the Rising Sun after being the most critical of the last calendar cycle. Francis Ford Coppola's original idea from 1977, concerning the fall of the Roman Republic and the future of the United States of America, still holds true to this day, as he retells the Catilinarian conspiracy in NYC. It's just this artist paints this picture in too hard and bold brushstrokes. After many studios wouldn't finance this film (wonder why?), Coppola built a large fortune in winemaking and funded it himself (again, ambition), but perhaps this is one message in a bottle that should have remained corked. TIM DAVID HARVEY.

Further Filming: 'The Godfather', 'Metropolis', 'The Tree Of Life'

TV REVIEW: THE FOUR SEASONS - Season 1

4/5

Open Season 

8 Episodes. Starring: Tina Fey, Will Forte, Kerri Kenney-Silver, Marco Calvani, Erika Henningsen, Colman Domingo & Steve Carell. Created By: Tina Fey & Lang Fisher & Tracey Wigfield. On: Netflix.

Spring. Seasons greetings. Sometimes shows just take you by surprise. And the eight-part wonder of 'The Four Seasons', streaming on Netflix, gets better with the age of every episode after its mild midlife beginning. There are many crises here, but keeping up with the kids on Netflix isn't one of these 99 problems. Even if the streaming service is TUDUM-ing through all their comic con like fan favourites ('Squid Game', 'Stranger Things', and 'Wednesday' to come), these mid-lifers could even render Arnold Schwarzenegger's second season...well, 'Fubar'. In the golden age of 'The' television ('The White Lotus', 'The Bear'), 'The Four Seasons' will remind you of the 'Golden Girls' as the salt and pepper sets in. A month off 40, I needn't worry about all that, I won't have any hair to go grey soon anyway.

Summer. Deluxe like the hotel. Based on the Alan Alda (the 'M*A*S*H' legend makes a classic cameo) 1981, written and directed, movie of the same name, 'The Four Seasons' does for televised versions what Jessica Chastain and Oscar Isaac's 'A Most Violent Year' reunion in 'Scenes From A Marriage' did for its own Swedish house muse. Created by lead actress Tina Fey, Lang Fisher ('Never Have I Ever') and Tracey Wigfield ('Great News' and the 'Saved By The Bell' revival on Peacock), these thirty-minute or so comedy-drama episodes show you the great parts of America and real family drama and dynamics...with feeling. Whether we're at a lake house that could even make Sandra Bullock and Keanu Reeves jealous, or speeding through the renewal of vows. This blooming good garden party is much better than an eco resort where your phone isn't the only thing with bad service.

Autumn. Just wait until you pedal pub your way to a beach bar before the fall calls for a family holiday and some youth theatre that really hits close to home. Leaving the great state of New York in one, from throwing ultimate Frisbees to slaloming through all sorts of stress at a ski resort with the great guest star Toby Huss channelling Elton John perfectly at not the most opportune moment, but a hilarious one all the same. These 'Four Seasons' are ones that can break you with tears, and those of laughter, sometimes within striking distance of each other. In one moment, it's warm and quaintly funny. In another, it will leave you with a lump in both your throat and conscience, with some of the all true to life speeches that are probably about to go viral in quotable social media. Then, out of nowhere, it'll blind side you in the snow...and there I go and spoil it all by saying something stupid like that. All before it brings you right back as you wipe away the tears that are about to be replaced with those same ones of laughter. In other words, it's hilariously heartbreaking.

Winter. For Fey, this could eclipse '30 Rock'. For the great Steve Carell, he's found his new 'Office' to work in. The ever versatile 'Despicable Me' Gru and 'Anchorman' Brick shows he says it best when he goes all 'Dan In Real Life'. Will Forte also shows us he can play it seriously deadpan, even if another SNL alumni still has us picturing him with celery up his a## as 'MaGruber'. Being unable to listen to Mr. Mister's 'Broken Wings' in the same way again (if you know, you know. If you don't, count yourself lucky). Yet, it's Erika Henningsen and Kerri Kenney-Silver who provide heart and soul, especially for Carell, and Marco Calvani who offers some much-needed warmth across the seasons. Still, we all know who's the real show starring steal of this 'Seasons' series. The great, dandy, Colman Domingo, fresh off 'The Madness' of his own Netflix show. The 'Rustin' and 'Sing Sing' Oscar nominee, who really makes an entrance, has one of the best moments and speeches of 'The Four Seasons'. Coming in the finale, and the penultimate episode, that he also directs. The man who has voiced both Batman and Norman Osborne, and is set to play Joe Jackson AND Nat King Cole (in a movie he'll direct) also has deft comic-timing. Call the midlife, because a second series is on deck, too. Truly in-season. TIM DAVID HARVEY.

Further Filming: 'The Four Seasons (1981)', 'The White Lotus', 'Scenes From A Marriage'.

REVIEW: 28 YEARS LATER

4/5

Dead Reckoning Part One 

115 Mins. Starring: Jodie Comer, Aaron Taylor-Johnson, Alfie Williams & Ralph Fiennes. Screenplay: Alex Garland. Director: Danny Boyle.

28 social media posts later, nope, that's not Cillian Murphy. And expect the 'Oppenheimer' star and executive producer to react like that viral video of his social battery running out to any more questions on the matter. Although dynamic director Danny Boyle has said he will return to the '28' time stamp series in the future. Until then, we will have to settle for a reunion between Boyle ('The Beach', 'Sunshine', 'Slumdog Millionaire') and screenwriter Alex Garland ('Never Let Me Go', 'Dredd', 'Civil War') for '28 Years Later'. Where does the time, and that 'months' movie go? '28 Days Later', starring Murphy and Naomie Harris, was an instant, guerilla, shot classic. The stars of the future (Jeremy Renner, Rose Byrne and Idris Elba) laden sequel, lost Boyle, but did give us 'Trainspotting's' very own Robert Carlyle, until he lost us, running out on his on-screen wife. That sequel, with a bigger budget and screen resolution, was Larry David good, but the enthusiasm is back with the very different 'Years Later'. Perhaps the most meaningful of these movies yet.

Brutal, at times beautiful, brilliant, and at time bonkers, the third film in this trilogy will spawn even more sequels to come (starting with 'The Bone Temple' in January 2026), and none of them have anything to do with a Sandra Bullock romantic comedy (shame). This one, taking on everything from 'The Walking Dead', to 'World War Z', reaffirms the zombie genre as the new vampire one that remains undead. Coincidentally, this comes out in the same weekend that actor/director team Michael B. Jordan and Ryan Coogler's hugely successful 'Sinners' finally finds itself on the shores of Japan...and one of those stars makes an appearance here too, but we've already said too much. '28 Years' stars a bedridden Jodie Comer, following 'Free Guy', 'The Last Duel', and the brilliant 'Bikeriders' with Tom Hardy and Austin Butler. There's something killing Eve, but we don't know what. So, a grizzled hunter with Kraven experience, and potential Bond, Aaron Taylor Johnson (on fine form) heads out with his son for something straight out of 'The Road'. But what's to come with Comer will really move you in her delivery.

Yet for all the zombies, and the little clothes they wear, '28 Years Later', this is a coming of age story. Played perfectly by star of the future, Alfie Williams, in the introduction to his feature-film debut. Not only does this 'Kes' like, "good lad" show strength of character, he's also a dab hand with the bow and arrow, getting his Hawkeye marksmanship on for months, like previous series star, Renner. Alfie amazes, even more than some of the best talents in the business (Comer and Taylor-Johnson). As a matter of fact, the only thing that comes close to Williams, is scene-stealer Ralph Fiennes. On a tear since the 'Conclave' almost decided on him being the next pope, and Oscar winner. Bald and covered in iodine, stacking skulls, this doctor will be prescribed to the next sequel with Williams, and we're sure, Boyle and Garland too. Also, reuniting with Anthony Dod Mantle for some haunting and historical, compelling cinematography. The '28 Days Later' franchise is back like ... and delivers like the special post that's worth waiting for. The post-apocalyptic infection strain is here, at a time when it all seems way too real in this World War U.K. of alphas and fat slobs. Oh, and you'll never watch the 'Teletubbies' in the same way again. But they were always scary. TIM DAVID HARVEY.

Further Filming: '28 Days Later', '28 Weeks Later', 'Sinners'.

REVIEW: SINNERS

4/5

The Vampire Trap 

137 Mins. Starring: Michael B. Jordan, Michael B. Jordan, Hailee Steinfeld, Miles Caton, Jack O'Connell, Wunmi Mosaku, Jayme Lawson, Omar Miller, Li Jun Li, Yao, Buddy Guy & Delroy Lindo. Screenplay: Ryan Coogler. Director: Ryan Coogler. In: Theatres.

Let he without sin, cast the first stake. Believe the hype. 'Sinners' isn't just one of the most successful movies of the year, it's also one of the best in calendars. Spike and Denzel. Scorsese and De Niro, or DiCaprio (hell, even both of them in 'Killers Of The Flower Moon'). Some of the best actor/director one-two punch partnerships of all-time now have some company. As a matter of fact, when it comes to Ryan Coogler and Michael B. Jordan's shared filmography, they already did. 'Fruitvale Station', 'Creed', 'Black Panther', that cameo and now THIS! An outstanding and original, stand-alone movie that stand all on its own. One of the best blockbusters of the scorching summer, that actually came out in April (but is released this weekend in Japan), that could even show a final reckoning to 'Mission: Impossible'. Plus, Tom Cruise loves it too. This mud bound Mississippi Delta movie with shades of 'Blade' and 'From Dusk Till Dawn' tells more than vampires to get out to boot. Ones that they to 'Coco' communicate through music, breaking on through to the other side of the doors. Picking from the roots of black music, whilst some whites try to wash and pass it off as their own.

Jordan rules, firmly shaking the hoops hoopla namesake tag with a movie you should all invite into your homes now it's available to stream on Max. On a dual duty, playing twin brothers Smoke and Stack, Mike drops one of his best yet. Despite the fan speculation theorizing that his 'Creed III' co-star Jonathan Majors was going to play his brother before the former Kang who was conquering the box-office was accused of assault. Yet, this all Michael B. Jordan...and Michael B. Jordan in a compelling performance that captures a couple of cinematic classics like Leonardo DiCaprio in an 'Iron Mask', the 'Legend' of Tom Hardy and 'The Parent Trap'. 'The Wire' and former 'Fantastic Four' Human Torch just has the goods. He always has. Whether bringing the tragedy of Oscar Grant to the forefront with respect and honour, stealing the show in his masked up and lip pulled 'Black Panther' heist, or rejuvenating the 'Rocky' franchise with punch. Now, here he plays two sides of the same brotherhood coin perfectly, having his own back. Going Star-Lord on the pistols with anyone who tries to cross his family. And one hell of a line to match, those trying to outrun his gun.

That's what you get when you used to work for Capone in Chicago, but before this guy let's loose with a Tommy gun for an explosive and epic end, straight out of 'Django Unchained', you'll see him in a bloodied vest, shaking, trying to roll up a smoke with real vulnerability that hints at more than just the vapours that have cleared with the new morning in this movie. The great, first African-American Major League baseball player Jackie Robinson said that hate was a disease (and look what they did to him), and that's what they think the undead have here, as the vampires are a metaphor for the racism that still tries to drain people of colour to this very sad and very lost day and age. One of the best British actors around, 'Skins' and 'This Is England' star Jack O'Connell (see him as Amy Winehouse's love Blake in 'Back To Black' and in Tennessee Williams' 'Cat On A Hot Tin Roof' with Sienna Miller in the West End), leads this gang of the stalking dead, at his sweaty and creepy best, with the same red eyes you used to capture on camera film. Trying to work out who sucks blood with a garlic bulb taste test straight out of 'The Thing'. He's a dab hand on the banjo too, but that's got nothing on the Juke joint party that feels like a musical montage that brings all the generations together until the roof (the roof) is on fire.

Coogler's creative production also features a searing score from Ludwig Göransson ('Oppenheimer'), famous for awakening Childish Gambino's love. But nothing sounds as good as our introduction to singing star of the future Miles Caton, stealing the show from the second he takes us to church. When he shows Jordan's Stack what he's got with his guitar in the front seat of that Gumdrop, you just Michael's reaction isn't acting, B. 'True Grit' Oscar nominee and new 'Hawkeye' herself, Hailee Steinfeld also gets hers with combustible chemistry with Jordan, no Lively and Baldoni drama (she's married and Mike's no 'Spider-Verse' star). Elsewhere, 'Luther' and 'Loki' star Wunmi Mosaku shows real spirit and soul, and Jayme Lawson ('The Batman' mayor) and Omar Miller ('Ballers') offer even more depth. Just like characters of Li Jun Li (with grace) and Yao (good enough to go by one name, and Ming's too), and a pivotal moment where the widescreen is left behind for your inspired IMAX. There's room for a couple of legends, too. Delroy Lindo continues his 'Da 5 Bloods' and 'The Harder They Fall' hot-streak. But we won't spoil the show when it comes to blues legend Buddy Guy. Let's just say it's time to get your teeth into all of that. It'd be a sin to miss this. TIM DAVID HARVEY.

Further Filming: 'Fruitvale Station', 'Creed', 'Black Panther'.

REVIEW: SNOW WHITE

3/5

The Big Apple

109 Mins. Starring: Rachel Zegler, Andrew Burnap & Gal Gadot. Screenplay: Erin Cressida Wilson. Director: Marc Webb. On: Disney +.

Bad apples appear to have poisoned the well, as Disney keeps churning out live-action versions of their animated classics like buttermilk. From the original 'Cinderella' (2015), to this month's 'Lilo & Stitch'. This rush of blood to the head is enough to make even Mickey Mouse faint with exhaustion from box-office blunder busts, to Marvel malaise and even some problems in a galaxy far, far away. Now, where's Minnie for true love's kiss? When Golden Globe winning 'West Side Story' star Rachel Zegler ('The Hunger Games: Ballad Of Songbirds & Snakes') was cast as 'Snow White', all those 'Little Mermaid' haters were up in fins. Then the rising star drew even more ire when she criticized the 1937 'Snow White and the Seven Dwarfs' animated original, and then Trump and his supporters. Firing back at all the hate she'd received online. There were even rumours of a real on-set beef with the Evil Queen, played by 'Wonder Woman' and 'Fast & Furious' star Gal Gadot, herself courting even more controversy for her opposing views on the Israeli–Palestinian conflict. Boycotts began and ran rampant.

Hate has no place here. Clouded in controversy, to make matters even worse, 'Game Of Thrones' megastar Peter Dinklage also criticized the film and its treatment of people with dwarfism. Resulting in not only a change of direction, but the best joke from Ricky Gervais ("he wasn't happy"). What we are now left with is now CGI creations, straight from the ChatGPT A.I. generator, that could give children nightmares, and seven members of the dwarfism community without a job. Even though, the likes of 'Pirates Of The Caribbean' favourite Martin Klebba still star. You'll like him when he's Grumpy. Now, some fans are left singing, "ho-hum, it's off to woke we go", as Jason "Wee Man" Acuña of 'Jackass' fame said it best, "why are you hiring 'Snow White and the seven average people'?" All this aside (I know, we're exhausted too), 'Snow White' still makes strides. Sharing the chores with the dwarfs and even meeting the bandit of Andrew Burnap (Public Theatre's 'King Lear' and Broadway's King Arthur in a revival of 'Camelot'). He's no Prince Charming, but he'll earn your hearts.

Despite what may be thought about the two leads, they shine in their starring roles, iconic costumes and a perfect peddler woman transformation. But it is clear to see this is an unfortunate flop that subscribers should have waited to stream now it's available on Disney Plus. Directed by 'Gifted', '(500) Days Of Summer' and 'The Amazing Spider-Man' filmmaker Marc Webb, the Brothers Grimm German fairy tale is adapted into a script by playwright and professor Erin Cressida Wilson (the movie version of Paula Hawkins' 'The Girl On The Train', starring Emily Blunt). Whistling why you work, there's still a great song and dance in here, and all the cute creature comforts (that hedgehog) of Bambi and her friends to bring back all that Disney magic. But, mirror, mirror, on the wall, what of all the toil and trouble? You may be better off watching 'Snow White And The Huntsmen', instead of this 'Beauty and the Beast' like wilting rose. A movie whose own star herself, 'Twilight's' Kristen Stewart, was shrouded in so much controversy, she wasn't even in the second, Chris Hemsworth solo movie. It seems, in this day and age, the hate left in its wake and the world is something we all have to bite into. A shame for a children's story. In the bitter end, nothing really seems fair here. TIM DAVID HARVEY.

Further Filming: 'Snow White and the Seven Dwarfs (1937)', 'Snow White And The Huntsman', 'West Side Story (2021)'.

REVIEW: THE ACCOUNTANT 2

3.5/5

Tax Day

132 Mins. Starring: Ben Affleck, Jon Bernthal, Cynthia Addai-Robinson, Daniella Pineda & J. K. Simmons. Screenplay: Bill Dubuque. Director: Gavin O'Connor. On: Amazon Prime.

Banking on the chemistry they set in the first film, 'The Accountant 2', with lead Ben Affleck and co-star Jon Bernthal, sees Batman and The Punisher settle all accounts on Amazon Prime. It's been an almost unbelievable ten years since the original 'Accountant' took names, and you know what, but now, with the streaming success of the big-three (Netflix, Disney Plus and Amazon Prime), it finds a home on Amazon MGM Studios with all 'The Boys', 'Jack Ryan's' (that Ben once was) and 'Reacher' figures that kick ass. After the 'Air' of Affleck's Nike recruiting Michael Jordan movie with Matt Damon showed us real Artist Equity across the board. And right around the time, now, where the perfect 'Good Will Hunting' pair debut a trailer for their new film ('The Rip') on Netflix's comic con like Tudum showcase. Not to mention, whilst the boy Bernthal steals the show from 'Daredevil', once again, as Frank Castle on 'Born Again' streaming on Disney Plus.

Reprising their roles from the first film, Cynthia Addai-Robinson ('Spartacus', 'Arrow', 'Shooter') and a 'Whiplash' J.K. Simmons are back like the writer/director reunion of Bill Dubuque ('Ozark') and Gavin O'Connor ('Warrior'), working as well as the one-two punch of Ben and Jon. Sure, it's a shame that the moxie of Anna Kendrick withdrew from 'The Accountant 2', much like the lack of supporting big names like Jeffrey Tambor and John Lithgow, but it's OK. 'Cowboy Bebop' star Daniella Pineda steals the spare scenes she is in, with what could have been a 'Ballerina' audition. Yep, this action lights the wick fuse, in some serious hand-to-hand action and gun play with the real 'Hurt Locker' heat. What more can you expect from Affleck (who directed the likes of which in 'The Town' and his seriously underrated 'Live By Night') and the man with a skull on his chest? But when Affleck and Bernthal get to talking, let me tell you something. Charlie Cox may even get jealous of this beautiful, bantering and blistering back and forth.

There's a sweet sensitivity to Affleck's autistic assassin, even if there is somewhat of a Hollywood 'Rain Man' like treatment of his condition. This is why 'The Accountant 2' one-ups its surprise smash hit of a predecessor, and there is even a third film in the works. The action is absolutely amazing, sure, that's a great given, but the best scene in the movie may be a speed dating one, where his hilarious Wolff character beats Bumble, even if he does seem a little unhinged. Swipe through that, Tinder. Mix that up with a classic hoe down in a honky-tonk bar (how dya like them apples?), and you'll be in for a real song and dance with the perfect pause picture. And just wait until you find out who his "guy" in the chair is. The ever charismatic Bernthal, practicing how to speak to a woman in a mirror, wearing nothing but his tighty-whities rocks a t-shirt repping country icon Waylon Jennings the rest of the time out. And Affleck even replies, "because you asked" to Addai-Robinson's "why" like Chris Pine and Ben Foster referencing the same song in their own middle-America action hit, 'Hell Or High Water'. Come both of those things, make sure you find 'The Accountant', too. TIM DAVID HARVEY.

Further Filming: 'The Accountant', 'The Punisher', 'The Town'. 

REVIEW: PREDATOR - KILLER OF KILLERS

4/5

Predatory Warfare

90 Mins. Starring: Lindsay LaVanchy, Louis Ozawa, Rick Gonzalez & Michael Biehn. Screenplay: Micho Robert Rutare. Director: Dan Trachtenberg. On: Disney +.

Killing it in animation, director Dan Trachtenberg may be to the 'Predator' franchise, what Dave Filoni is to the 'Star Wars' one. Following the success of the perfect 'Prey' on Hulu, back in 2022 (WHAT?!), Trachtenberg reinvigorated the dreadlocks of the franchise Arnold Schwarzenegger made "GET TO DA CHOPPA" famous, with a sequel to follow all those DVD ordering confusing titles, that didn't even use the name. Sure, ever since Danny Glover got "too old for this s###" in 'Predator 2', we've had some fun films. Especially the previous one. But as much of 'The Brutalist' that Oscar winner Adrien Brody is, we need something a little stronger to go up against those heat-seeking three dots. Now, before Trachtenberg's highly-anticipated sequel, 'Predator: Badlands' heads into the killing fields this fall, Dan the man has one more sweet surprise for us on Disney Plus. 'Predator: Killer Of Killers'.

An adult animated science fiction action horror anthology film, that's quite a mouthful to get your mandibles into, this sixth film and eight instalment overall finally gives 'Predator' the arsenal to go up against 'Alien' (which has its own 'Earth' bound TV series coming to Hulu, following last year's run of 'Romulus'). Let alone other cult sci-fi IP's like 'Planet Of The Apes', or 'Mad Max' for this 'Rambo' like hunter of invisible game. With a screenplay from Micho Robert Rutare, Trachtenberg's terrific second act of his own 'Predator' trilogy is animated in more ways than one from The Third Floor production company (founded by artists who worked together on 'Star Wars'' 'Revenge Of The Sith'). Told in three acts, with a sweet surprise to come after, this Easter seeker also stars the voices of Lindsay LaVanchy, Louis Ozawa and Rick Gonzalez. Ozawa actually starring in 'Predators' himself, for one. Not to mention Sgt. Kyle Reese, Cpl Dwanye Hicks and Lt. Coffey himself, 'The Terminator', 'Aliens' and 'The Abyss' legend Michael Biehn, for all you comic convention favourites.

Akin to 'The Lord Of The Rings: The War Of The Rohirrim' animation from the fall, Jim and John Thomas' classic characters look amazing on animation. Much to rival a Japanese anime. And just wait until you get your katanas into the samurai's second act in fedual Japan. Preceded by some Norse mythology that could even hammer down Loki and Thor and followed by the aerial assault of the second world war that could even combat with the top gun of Netflix's own science-fiction anthology series 'Love, Death + Robot's' own 'How Zeke Got Religion' from last month. And the differing, but definitive Predators themselves are absolute beasts. Whether facing axe, sword or the blades of a plane, these scout ships cloak this cinematic cartoon with classic, compelling trappings. The 3D Unreal Engine animation, on the other hand, takes inspiration from everything from Katsuhiro Otomo's legendary Japanese anime 'Akira', to Netflix's anything but archaic 'Arcane' series. And what results is one of the best looking 'Predators' you've ever seen. You are one beautiful looking motherf###er! TIM DAVID HARVEY.

Further Filming: 'Predator: Badlands', 'Prey', 'The Lord Of The Rings: The War Of The Rohirrim'.

REVIEW: WE LIVE IN TIME

4/5

About Time

108 Mins. Starring: Florence Pugh & Andrew Garfield. Screenplay: Nick Payne. Director: John Crowley. In: Theatres.

Love is timeless. Whether it be with Anne Hathaway in 'One Day' with Jim Sturgess, or what movie-star Julia Roberts shared with bookshop owner Hugh Grant in 'Notting Hill'. Sticking around forever, like the orange juice that stained her top. Now, it's time we marvel at another classic case of charming chemistry. As the thunderbolt* that is Florence Pugh, meets an amazing Spider-Man in Andrew Garfield, whose had his Weetabix, for another lovely London, romantic classic, 'We Live In Time'. But dear God, this is no rom-com, as the nuanced non-linear narrative from screenwriter Nick Payne ('The Sense Of An Ending', 'The Last Letter To Your Lover') and director John Crowley ('Intermission', 'Brooklyn') will absolutely break you.

Garfield ('Never Let Me Go', 'Tick, Tick...Boom!') and Pugh's ('Midsommar', 'Little Women') Tobias Durand and Almut Brühl (absolutely amazing names) compellingly connect as they live in the time that they have left, and what carries on with their daughter (played perfectly by Grace Delaney). Whether loving, fighting, or being even more combustible than the steamy sex Pugh shared in 'Oppenheimer' with Cillian Murphy. You'll never guess how this Weetabix rep and former figure-skater turned Bavarian-fusion chef met, but it's a love story for the ages, a decade in the making. All as this Toronto International Film Festival debuting movie of last year finally finds its heart in Japan, after an A24 US October release, followed by France and the UK splitting the difference with StudioCanal in the New Year. Expect to see this 57.5 million dollar grossing movie on Film4 soon, my fellow Brits. From pens that work, to finding the perfect way to crack an egg, this movie stays with you like ink in your shirt pocket.

Riding wild horses on a classic carousel, these young hearts that run free can't be dragged away in a love so bright it could burn you. It's a good job Florence and Andrew have got each other's back through thick and thin, in a day and age where sadly our limits to love stretch to how many people we can swipe through in a single day. Chicken coops, cooking competitions and figure skating, that will move you more than Emilia Clarke and Henry Golding in the George Michael devotion of 'Last Christmas' in London's Covent Garden, are all on the menu. And 'The Other Place's' Lee Braithwaite and 'After Life's' Kerry Godliman give as good as they get in a show that can't be stolen from our two leading lights. Like Vanessa Kirby's 'Pieces Of A Woman', a new love letter to our hearts and home lives has been written. And one particular scene in a petrol station, we shouldn't spoil, is beyond beautiful and as real as it gets, as there won't be a dry eye in the bathroom stall. In this life, where sometimes we're too busy to see the beauty, we need to take the time, whilst we still have it. Live. TIM DAVID HARVEY.

Further Filming: 'One Day', 'Love & Other Drugs', 'The Lake House'.

#AcrossTheStreams - Adolescence/Celine Dion 'I Am'/Sarah Silverman 'A Speck Of Dust'/Netflix Tudum 2025/One Day At Disney (Shorts)

ADOLESCENCE (Netflix): One of the most talked about and shocking shows of the year is a must-watch, just so you can see how bad it really is. The situation, not the show, this series might be one of the best in years. The ever versatile Stephen Graham, coming home, and top man Ashley Walters, give absolutely incredible performances that should garner all awards in this bold British psychological crime drama concerning the murder of a young schoolgirl. The drama is so profound, so palpable, that you'll forget that most of these engrossing episodes are filmed in the terrific technique of the one-shot of a continuous take. The suspect, played by Owen Cooper, makes this young man a next generation star. Whilst his mother, Christine Tremarc ('The Leaving Of Liverpool') and Erin Doherty's ('The Crown') forensic psychologist move you more. This is a critical and compelling look at safety in schools and the madness of the manosphere that is unflinching in its take on everything. It will rock you to your emotional core. No wonder, Brad Pitt's Plan B production team are in talks with the streaming service Netflix for a second season. 5/5.

CELINE DION: I AM (Amazon Prime): The 'I Am' Celine Dion documentary on Amazon Prime is heartbreaking, but the icon's resolve is absolutely undeniable. It's not just her voice that is powerful. Directed by Academy Award winner Irene Taylor, this Prime movie looks at the life and recent troubled times of the 'Titanic' singer. Following the loss of her husband, Celine was set to embark on an epic Las Vegas residency like all the legends do. Yet, she had to cancel the tour at the last minute. What was revealed was that the 'It's All Coming Back To Me', 'Because You Loved Me' and 'Think Twice' singer was diagnosed with Stiff Person Syndrome. A nerve damaging disease that is so rare that only one in a million people get it. This hasn't stopped the one in a million talent, though, who documents her return. This film will break you and then lift you all the way back up again as tears are shed. Celine even knows how to have fun, like her Jimmy Fallon impression of SIA, or calling Ryan Reynolds' 'Deadpool', "Spider-Man" in her 'Ashes' video. Yet when it comes to her dedication to her craft and her determination to outlast everything else, her heart will go on. 4/5

SARAH SILVERMAN-A SPECK OF DUST (Netflix): Classic comedian Sarah Silverman also had a rare, life-threatening disease she recovered from. A throat disorder called epiglottis. Last week, Silverman, who has been doing the rounds on Netflix's 'Everybody's Live With John Mulaney', released her new Netflix special 'PostMortem', concerning her candid talking through, grieving process of losing her parents. Yet, her last Netflix special, almost a decade ago in 2017, talks about the time we almost lost her. Another absolute, frank and therapeutic no-holes barred tell-all refuses to search for sympathy. Instead, it moves you more in mysterious ways, like the second coming that this self-proclaimed, "godless" woman celebrates. Using humour to deal with trauma, there's no better way. Ashes to ashes, specks to dust. 4/5

NETFLIX TUDUM 2025 (Netflix): If you want to see more of the new stuff that's coming soon on Netflix, then look no further than the 'Tudum' (Arnold Schwarzenegger voice) show that plays like the streaming service's version of comic con for all you 'Continue Watching' geeks. Hosted by Sofia Carson (of Netflix's very own 'Carry-On' and the forthcoming 'My Oxford Year'), live from the Los Angeles Lakers' former home of the Kia Forum, this show has the scoop on all the new series. Bringing out all the stars to Hollywood to preview sequels to 'Knives Out' (cheers for Jeremey Renner may just ring tears) and 'Happy Gilmore 2', not to mention new films, like Ben Affleck and Matt Damon's 'The Rip' (great Cookie Monster bit), and Guillermo Del Toro's remake of Mary Shelley's 'Frankenstein' starring an outstanding Oscar Isaac. And that's before we get to Netflix's big-three previewing the final seasons of 'Squid Game', 'Stranger Things', and the fall's second season of 'Wednesday', featuring a monster performance from its new born star, Lady Gaga. Click your fingers like abracadabra to that. 4/5

ONE DAY AT DISNEY (SHORTS) (Disney +): Stages may be set, but behind the scenes is where the real magic happens, and the 'One Day At Disney' shorts, released in 2019, before the pandemic, highlights all of Disney's essential workers. It's a human, heartfelt look at all those unsung heroes who are finally getting their spotlight for making your dreams come true. From animators, to character designers and storyboard artists. Recording engineers. Animal keepers. Seamstresses. You'll see casting directors, table reads, recording engineers experimenting with how they capture sound and even a one-of-a-kind organist who plays it again. All the cast and crew, from feature films and T.V. series, to the people of the park itself, working to make your day at Disney the best of your life. These are the real stars you wish upon. 4/5. TIM DAVID HARVEY

REVIEW: LOST IN STARLIGHT

4/5

Love On Mars

98 Mins. Starring: Kim Tae-ri, Hong Kyung, Kang Koo-han, Ahn Young-mi, Sharon Kwon, Yun A-yeong, David John Robbins & Jang Mi. Screenplay: Kang Hyun-joo & Han Ji-won. Director: Han Ji-won. On: Netflix.

By starlight, lost in translation, women aren't from Venus and men aren't from Mars, in this first Korean language animated film to stream on Netflix. Instead, 'Lost In Starlight', that could compete with many a Japanese anime, sees an astronaut head for Mars, whilst her earthbound love shoots for a different type of stars. With shades of everything from 'Your Name' to 'Total Recall' for you wholesale, this child of Philip K. Dick continues South Korea's absolute dominance of the entertainment industry. Not one month after the 'Worldwide Handsome' Jin became the latest member of BTS to arm up with a second record (the 'Echo' EP), and just a few weeks before Netflix will conclude one of their best and most successful shows of all-time, 'Squid Game' (it's going to be hard to top the Russian Roulette of that opening episode with 'Train To Busan' star Gong Yoo).

'Interstellar' inspired and reaching to the technology of today, from driverless cars to digital copies of the New York Times. Crash landing on you, this may be the best romantic fiction from Korea since the North met South. In a brave, and applied, new world where there is so much commercial content to 'Minority Report' swipe through, it can be hard to find love and life in a big and bright world where you can even walk through digital billboards. Yet just like 'Her', it's done with soul, in this new Seoul as 'Revenant' stars Kim Tae-ri and Hong Kyung reunite. A match made in the stars, as their charming chemistry is ever combustible. Especially in a romantic, racing moment in the streets, playful and reminding you of Matt Damon and Emily Blunt in 'The Adjustment Bureau', as another pair of star-crossed lovers with the odds stacked against their favour keep their distance. But when they do come together, it's a mesmerizing montage of 'La La Land' love and city beauty that truly takes you away to either your fondest memory, wildest dream...or maybe even both as one and the same.

Directed with digital decadence by Han Ji-won ('The Summer', 'The Sea On The Day When The Magic Returns'), off a script co-written with Kang Hyun-joo, 'Starlight' also stars Ahn Young-mi, Sharon Kwon, Yun A-yeong, David John Robbins and Jang Mi. Not to mention 'The Umbrella Academy's' very own Sparrow, Justin H. Min, in the English language version. Yet, all eyes are on Tae-ri and Kyung's central characters. Even in this legacy making and lasting landscape that will remain in the magic of your mind's eye. Seoul looking as familiar, and as much the future, that we are on the smart age precipice of. Like Brad Pitt in 'Ad Astra', Nan-young is an astronaut who wants to go to Mars like 'The Martian', after her mother never returned. Meanwhile, Jay is a former singer who now fixes retro equipment, still with a song in his back pocket. Together, they remind us of this movie's message that there is someone rooting for you in the universe. It's a beautiful dedication of togetherness, no matter what. Like these characters, and the cute recreations of their stills in promotional photographs by the two lead stars. No need to feel lost in this world, when these two stars shine a light on your love. TIM DAVID HARVEY.

Further Filming: 'Crash Landing On You', 'Your Name', 'Blade Runner 2049'.