REVIEW: THE GRAY MAN

3.5/5

Six Shades Of Gray.

129 Mins. Starring: Ryan Gosling, Chris Evans, Ana de Armas, Jessica Henwick, Regé-Jean Page, Wagner Moura, Julia Butters, Dhanush, Alfre Woodard & Billy Bob Thornton. Directors: Anthony & Joe Russo. 

The Russo brothers are going 'Gray'. The directing siblings who have been Marvel maestros with avengance ever since they showed Captain America the spy games of 'The Winter Soldier' with Robert Redford, recently extracted Thor for a Netflix movie. And now they're making Captain America bad with a "trash 'tache", matched up with the "Ken doll" and a meta 'Barbie' movie joke in 'The Gray Man'. Also on the streaming service as Chris Evans goes up against Hemsworth's 'Spiderhead'. All at the same year his Disney Pixar 'Lightyear' is hoping to go to infinity and beyond buzz past the other Chris' 'Love and Thunder' and all that Mickey Marvel money. Meanwhile, Anthony and Joe Russo's action-thriller adaptation of the Mark Greaney series of books of the same name is something they want to turn into a Bourne again franchise for the action spying genre. A novel idea for Netflix's most expensive movie yet as the streaming service is losing more subscribers than magazines in this digital age. Despite monster shows like volumes of 'Stranger Things' and Season 2 of 'Squid Game' being given the green light. On 'Red Notice', speaking of the 'Project Power' (see star Jamie Foxx and Snoop Dogg as vampire hunters (SOLD!) next month) of action franchise starters like Chris Hemsworth's Russo produced 'Extraction', 'The Old Guard' of Charlize Theron was originally meant to star in this movie before all its development hell. As was Brad Pitt who's about to hitch a Shinkansen in Japan for his own Summer action smash, 'Bullet Train'. But instead we get Hollywood hearthrobs Ryan Gosling and Chris Evans (I'm sure many people are complaining) for the first leading man poster boy promotion face-off since Gosling and Bradley Cooper went to 'The Place Beyond The Pines', once upon a time in Hollywood. 

'Fifty Shades Of Grey' this is not. All action and guns blazing. No go on Bond like gadgets in this mission impossible that might be confused with something from Christian's closet. Praise the Lord. But you will see that Netflix bring out all their players (from 'Blonde' to 'Bridgerton') and all the tricks of their trade in bullets and bruises from punch-ups that light the Wick of classic choreography in this first chapter by the book. The plodding plot is literally written on a thumb drive and all that usual spy Intel yawn yarn. But the amazing action more than makes up for it in all the grey areas. In the literal fighting between the fireworks of a Bangkok opening, with a familiar henchmen face (Callvan Mulvey) from 'The Winter Soldier' and 'Batman v Superman: Dawn Of Justice' heavy fame. All before this massive movie trades postcards with The Rock, Ryan Reynolds and Gal Gadot's places of 'Red Notice'. London. Prague. Vienna. Delaware...just checking you're still with us in this heavy-handed, blow-for-blow movie. A Canadian Ryan not named Reynolds leads this picture and Gosling plays it like the McQueen of an old-school, no nonsense, Hollywood hard-man with a bruised soul. Owning it from his red suit and matching water pistol first squeeze of the trigger. Adding a franchise to his 'La La Land', 'Blade Runner 2049', 'First Man' and 'Drive' greatest hits. But it's Chris Evans who has all the best lines like his British TV personality namesake. And from 'Barbie' to 'Babe', that'll do. We'll save the rest of the bacon. GQ killing it in slick backed hair and polo's he turns into muscle shirts for this weight room rep for rep contest. The anti star-spangled Steve Rogers. Critics say this is Evans going against type. They obviously haven't seen this Human Torch (a John he'd be willing to 'Multiverse' revisit, oh Captain, my Captain) storming through comic fare like 'Scott Pilgrim' and 'The Losers' with a "crossbow bitches," calling everyone a douche. Or his ice cold hitman alongside Michael Shannon's 'Iceman'. And let's not even begin to unravel all that cable-knit from those 'Knives Out' with Ana de Armas. 

Throwing up her hands like she did in 'No Time To Die', clinking glasses with Daniel Craig's Bond...James Bond for one last dance as she shook and stirred, stealing the show. Armas arms up with Netflix again for her best work since her first magnified mystery with Craig, as she also reunites with Evans again. All before she's set to go 'Blonde' with the streaming service as Marilyn Monroe in Hollywoodland black and white. Better get those Oscars polished. This is going to create a subway grate storm. But we'd like to see more of her here. And the same goes for 'Game Of Thrones', 'Star Wars', 'Iron Fist' and 'The Matrix: Resurrections' star Jessica Henwick. Both showing they could front their own spin-off franchises as major players to come in the sequels. Bond favourite and 'Bridgerton' swooner Regé-Jean Page also smoulders in short screen time. A real screen presence beyond the fainting some may exhibit like flicking Thor too hard. It's clear to see Regé is a multi-picture born star in his own making. Add an almost unrecognisable 'Narcos' and 'Elysium' standout Wagner Moura, chameleonic as always. Actor, producer, director, lyricist and playback singer Dhanush, killing it as a Lone Wolf. And the 'Hill Street Blues' of legend Alfre Woodard, who appeared in the M.C.U. in 'Luke Cage' and 'Captain America: Civil War', as two separate characters and you really have something. But even with a legend like Billy Bob Thornton, giving this movie that is anything but "boring" more authenticity, whilst making fun of Evans' strong hand. And character actor familiar faces like Shea Whigham showing up. It's Billy Bob's on-screen niece Julia Butters that really gives this film something to fight for. Already a star after schooling Leonardo DiCaprio and Tarantino once upon a time in you know where. Is this the best acting you've ever seen? At least it is here in all the flexing between trail derailments and cargo planes being brought down like Tom Cruise in 'The Mummy'. Which seems to be the wrapped up new Netflix and action movie cliché. See also Woody Harrelson and Kevin Hart on last months Netflix comedy remake slash franchise starter 'The Man From Toronto'. But when the man from London, Ontario causes big smoke on board with a flare gun that's when you know you want to signal a sequel out 'The Shining' like maze of a formidable finale. We hope it finds its way and doesn't get lost in the grey. TIM DAVID HARVEY.

Further Filming: 'Extraction', 'The Old Guard', 'Captain America-The Winter Soldier'. 

TV REVIEW: PEAKY BLINDERS - Season 6

4/5

Plays A Blinder. 

6 Episodes. Starring: Cillian Murphy, Paul Anderson, Sophie Rundle, Natasha O'Keeffe, Finn Cole, Anya Taylor-Joy, Sam Claflin, Stephen Graham & Tom Hardy. Created By: Steven Knight. 

Back home in sunny Southport (whose dunes were used to film an iconic Season 4 finale scene by the beach), we have two picture perfect 'Peaky Blinders' bars. Bouncers complete with caps you don't want to mess with. And more than enough cocky wide boys throughout this town that think posting a quote with Cillian Murphy in the background on their social channels makes them the next Tommy Shelby (no sir. Not me...promise). But it's all good. You know a show is good when it inspires this type of loyalty. Usually everyone thinks they're the Joker. Here in Japan it has taken a little longer for the final season of Peaky's (six) to make its way here in the Far East before the movies that come next, tipping their cap to the true peaked finale. So apologies for getting in on this deal late. Now Netflix has locked up its Shelby clan loyalty between penultimate seasons of 'Stranger Things' and new ones of their 'Umbrella Academy'. Not to mention the last crime down the line for 'Ozark'. Like the BBC showing the curtain to 'Killing Eve' and Idris Elba's 'Luther'. His tweed coat as iconic as a Peaky's cap is also getting the British Broadcasting Corporation big-screen treatment, now he's sang his small-screen series swan song. But who will the classic bell theme toll for in this blinding, crowing season from Steven Knight?

Tommy with a Tommy has his own 'Point Break' moment, losing it in his garden. And can you blame him? He thought he washed his troubles down the sink with that last shot of whiskey, but he's taking on too much water. Murphy's law and all that. Death is becoming him like a gypsy curse and there's hell to pay in his new theatre of playing politics. And to think he thought that would have helped him go straight. This is just his type of racquet. Now bespectacled and in Churchill's pocket, Tommy is campaigning for the Labour Party, but must get into bed with Nazi's if he really wants to bring these fascists down. And you thought your constituency was bad. Still, when you look at the mop that's just been wrung out of Downing Street, let me say this. Tommy Shelby for number 10. Yes, Prime Minister. In this house of cards with everything falling around him. '28 Days Later', 'Interstellar' and 'The Dark Knight's' Scarecrow is just too good at compellingly capturing this all, even with his arms length friends close and enemies closer stance. Taking no s### in the trenches no matter how much mud is on his face as this war hero with 'Dunkirk' tours of duty earns his stripes. Recently bearded and bedraggled in 'A Quiet Place Part II', Cillian showed his range with as few words as humanely trying to survive an alien apocalypse as possible. Here he reminds us he's a cut above the rest when he shaves and dons the UK's most popular haircut at the moment. Despite its main purpose being for lice prevention. You can never be too careful. 

Birmingham boils with brooding brimstone ready to bite the bullet in the sixth and one of the best seasons of the show. Grace is gone, as our some brothers in arms. And we've had accented villains to boot, from Adrien Brody's mob man to the instantly quotable Sam Neill for everything the New Zelander and 'Jurassic Park' legend says in that Irish accent. But speaking of accents. Thick as thieves it's Paul Anderson and that 'stache and slicked back hair that steals the show. Just like the time he was gunning for Robert Downey Jr. and Jude Law as Moriarty's shooter in 'Sherlock Holmes: A Game Of Shadows'. Even strung out (what's new?) Arthur is still a man of substance (no pun intended). Making us want to take a hit everytime he says "TOMMY" that way. Nothing has been finer since he lovingly declared to a toast that his Linda was and I quote, "up the swanny." But even with two powerhouse pivotal scenes with Tommy by the barrel that we simply can't spoil, it's one with someone from the 'Line Of Duty' turning his needle and the damage done into potent poetry. We forgot the man that's in everything, from 'Taboo' to 'The Irishman' in those shorts that pissed off Pacino, Stephen Graham was a guest star on this show this time around (delays and all that). And when he came bounding in with a footy on the Liverpool docks like he was just at the Kop for a kick-about, we were nothing but smiles. But what he said next, is the kind of thing that breaks a man. Even one in the gutter. Possibly making him again. And making Stephen the biggest name of the guests welcome here. Featuring, an underused, but understated Sam Claflin, clapping back. Tom Hardy living again like his sweetest 'Taboo'. And the 'Queens Gambit' of megastar Anya Taylor-Joy (perfection for this period) making more moves like this was her 'Last Night In Soho'. Playing her husbands puppet strings like she was the Godfather as Finn Cole (so good as a young John Cena (yeah, you read that right) in whatever the number of the latest 'Fast and Furious' movie is) has a score to settle and moustache to shave. But for all the evil the men do here. It's the women who roll up their sleeves and get it done once again. Sophia Rundle yet again being the smartest person in the room at all times. Yet it's the bruised and aching soul of Natasha O'Keeffe that's the heart of this show that sometimes seems devoid of one, even if it plays with those empire notions of family like a Corleone. But we all know who's truly missing and missed forever more. The late, great Helen McCrory, who of course played Polly. Her shocking and saddening death left a hole in much more than this show. Cillian's face says it all. And that's no act. But the writers and actors treat her passing with dignity and beauty in respect. Still as her wagon burns in the opening episode's funeral and we see her haunting portrait, her spirit stays with us throughout this season and the reason this family keeps going. This is for Helen. Rest peacefully. And as this show makes it's last stand on the small screen, bigger things await. It's not over. Don't you despair, we've still got the movie to go. By order of the Peaky f###### Blinders! TIM DAVID HARVEY. 

Further Filming: 'Luther', 'Killing Eve', 'Taboo'. 

REVIEW: ELVIS

4/5

Once Upon A Time In...Graceland.

159 Mins. Starring: Austin Butler, Tom Hanks, Olivia DeJonge, Helen Thompson, Richard Roxburgh, Kelvin Harrison Jr., David Wenham, Dacre Montgomery, Kodi Smit-McPhee & Luke Bracey. Director: Baz Luhrmann. 

Once upon a time in Hollywood, Austin Butler played a long-haired, Manson family hippy who tried to kill Leonardo DiCaprio and got what for from an acid dipped cigarette high Brad Pitt and his dog. A newspaper front page about Sharon Tate's murder in this movie (played differently by Margot Robbie in Tarantino's picture), serving somewhat as an Easter Egg as well of sign of the times, historical document. Butler served as the devil (or something dumber than that as Austin played Tex), there to do the devil's business. But now slicked back with Brylcreem and shakin' his legs like Stevens, he's here to give you what they once called the "devil's music" as Baz Luhrmann's 'Elvis', with hell to pay from Tom Hanks of all people. Because we all know it was 'Forrest Gump' who taught The King everything he knew. Back then portrayed by, faded in blink and you'll miss it, Kurt Russell. Who between going 'Overboard' with wife Goldie Hawn, all the way to their Mr and Mrs. 'Christmas Chronicles'. Bringing hell with him in 'Tombstone'. And even playing a planet in 'Guardians Of The Galaxy Vol. 2' (now that's Ego). Has made his career a labour of love and song to Presley. Only Vegas has played Elvis more. For more King Elvis in recent pop culture, time capsule memory, check this out. Iceman, Michael Shannon embodying Presley perfectly next to Spacey's President in 'Elvis & Nixon'. Despite not looking a thing like the King. And amazing artist Lo-Fang (who did a lightning string acoustic cover of 'You're The One That I Want' from Grease for a classic Chanel commercial starring Gisele Bündchen, directed by no other but Luhrmann himself) and his out of this world cover of Presley's 'Don't Be Cruel', with a ground control space signature of an Elvis Aaron soundbite on luck, love and the loneliness of being lonesome tonight in twilight. 

Return to sender this massive movie will never be. To be Frank, as amazing as 'Aretha's' Jennifer Hudson, or as timeless as Renée as 'Judy' for your recent memory. The King truly takes his throne on this one with Baz Luhrmann's unchained melody. Oh my love, ignited like that legendary Leguizamo gassed up, petrol station scene. Baz has always been known for that big bravado like the 'Moulin Rouge'. And the iconic 'Romeo + Juliet' director with a script flip for the modern twist's epic 'Elvis' is no exception. Energetic and unrelenting in all its gold like his gaudy 'Great Gatsby', only to switchblade flick to the more human heart and touch of drama in the films second half just like his reunion with old sport, DiCaprio. Yet still mixing the modern love of today with the timeless nature of a boy who would be King and give us a Fab Four and even all those BTS Army's you see in One Direction. Music and all the styles you see today just wouldn't be what they be without Presley. And Baz knows this. The Netflix 'Get Down' series director making his music box part of the palette of his cinematic canvas. Bringing the man who said he was "the first man since Elvis Presley to do black music so selfishly" Eminem and Cee-Lo Green together for an aptly titled song from the movie ('The King and I') that could even bring down Lady Gaga's Maverick 'Hold My Hand' from Tom Cruise's 'Top Gun' sequel. Summer smash for Summer smash. Spinning like the roulette wheels in Luhrmann's legacy remaking (the King's and his) mind. Putting Elvis' name in bright lights and giving cinematic glory to Christmas concerts and other strip sets from his hometown to Hollywood. Hella hot in all leather. All for the Mercury rising of his own 'Rocketman' like ascension and 'Bohemian Rhapsody' that has to be seen on the big screen. Love and thunderbolts of lighting. Galileo. Nuanced narration comes from the most unreliable source in the crooked like his nose Colonel Parker. America's Dad, legenday 'Forrest Gump' and 'Toy Story' actor (sticking up for Tim Allen who will always have a friend in him, when it comes to Chris Evans' 'Lightyear') and all-round nice guy Tom Hanks. He's never played it this bad, even as a gangster in 'Road To Perdition'. You'll be as surprised to see him like this as you were to see him justifiably scold some fans who almost knocked over Rita Wilson. But in a league of his own he really shows his range, managing like when he directed the Oneders in 'That Thing You Do'. Heaped and steeped in a fat suit as he buries Elvis in bad picture deals and the sands of a Las Vegas residency for his sins. He had the greatest show on his hand and fancied himself as the next P.T. Barnum (figures), shovelling snow. But from a ferris wheel first date, to the curtain coming down in anger, the only thing more compelling than Hanks is Butler himself as Presley. Ready to take the Oscar throne. 

Vocally, Austin is Elvis to a tee, thank you very much. And like Prince, he's got the look of the King too. So much so, sometimes you'll think you saw a flash of deep fake in this digital age. But from the first time he moved his hips to wagging fingers, to almost starring with Streisand as his iconic gold belt held him down like a chain, a star is born in Austin. Bringing not just iconic impersonation, but heart to these matters. The scene where he cloaks his tears, burying his face into his lost mother's (the gladness of Helen Thompson as Gladys) clothes is as heartbreaking as the real story relayed in a recent biography of another King, Muhammed Ali, where Elvis was so heartbroken on losing the love of his life, he climbed on his mother's coffin and begged her to come out. Elvis lived through it all. The assassinations of Dr. King, JFK, Bobby. The substance of what he really wanted to say through his music. And the abuse of pills first swallowed with an all American Coke, not to mention the manager exiled from Europe who wanted to go Dutch on his career earnings. Thank God for the love of Olivia DeLonge's perfect Priscilla Presley. His floundering but forthright father in 'Rake' and 'Mission: Impossible 2' star Richard Roxburgh (one front porch moment of comfort during the cruelty of the press is both beautiful and brutally heartbreaking). And 'Waves' Star Kelvin Harrison Jr. as legend B.B. King, showing you Beale Street really does talk. There's even appearances from 'Lord Of The Rings' star David Wenham. 'Stranger Things'', dear Billy, Dacre Montgomery. 'The Power Of The Dog's' Kodi Smit-McPhee nightcrawling. And 'Home and Away's' Luke Bracey for the Aussie. But nothing will shake the King. Not even the ironically named International Hotel in Vegas, standing like a mausoleum in the way of touring the world that he can't even run around. He still changed the world he could never quite physically reach with an outstretched finger though, as he pumps his arm around like a chopper, or the born to run Springsteen American dream who would one day storm the gates of Graceland like The Killer's sang. Just like when we see the real deal song one last time with all his heart. This 'Elvis' will never leave the building. TIM DAVID HARVEY. 

Further Filming: 'The Great Gatsby', 'That Thing You Do', 'Once Upon A Time In...Hollywood'. 

REVIEW: MS. MARVEL - Season 1

4/5

The Marvelous Ms. Marvel.

6 Episodes. Starring: Iman Vellani, Matt Lintz, Yasmeen Fletcher, Rish Shah, Saagar Shaikh, Aramis Knight, Laurel Marsden, Arian Moayed, Alysia Reiner, Mehwish Hayat, Fawad Khan, Mohan Kapoor, Zenobia Shroff & Nimra Bucha. Created By: Bisha K. Ali. 

Blinding lights like that absolute banger from The Weeknd, making this trailer explode on to our smartphone screens, moved across Marvel's iconic title comic scroll. And world building from that very moment, you just knew 'Ms. Marvel' was going to be different. And she and the show from runner Bisha K. Ali (of 'Loki' and the American adapted 'Four Weddings and a Funeral' series) really are. A knockout with a huge fist, bigger than the Hulk...at least for a moment. Breaking more walls than 'Deadpool', as words, feelings and animated comic iconography streamed across the screen as you watched on Disney + on the same day as Ewan McGregor's 'Obi-Wan Kenobi' of 'Star Wars' fame. Ms. Marvel translates typography and traditions across her signature from college in Jersey City, all the way to her Muslim roots in Pakistan. Hallowed history lessons meet modern art on the streets for closing credits that will compellingly capture you like no other in Easter Egg comic reference. All the way to the best Marvel post-credits scene tease in years...but alas, we've already said too much. How about the other reveal to the electric guitar? This Marvel will shock and awe you like the cutout banner of Kamala Khan herself, sitting atop a sign welcoming you to New Jersey, above the turnpike like a lampost. One that probably had more people swerving in their cars than that classic Janet Jackson album advert in black and white that, forget the Superbowl breaking the Internet, caused more crashes than the stock market. Hold on. This show is so Jersey, boy, like Springsteen. It even has many a reference to hometown hero Bon Jovi and a hilarious response. But when this show truly goes home, that's when it stands on an electric platform all on its stepping stone own. 

Comic Con is a bigger deal than a line of people dressed in Burgundy. And 'Ms. Marvel's' outstanding opening episode in celebration doesn't just play flashback to the greatest hits of the avenging M.C.U. as you will hunt and chase for eggs like the White House lawn every Easter. It also pays tribute to the fandom and the legions of those who grew up looking at capes with marvel. Especially the name of our superfan turned superhero Kamala Khan, AKA, Ms. Marvel. Calling her "Light Girl" would be like calling Natalie Portman's mighty Doctor Jane Foster, "Lady Thor". Batman certainly learnt his lesson in this week's 'Love and Thunder' release. The walls of teen Kamala's bedroom are adoringly adorned with pictures, posters and fan art of Brie Larson's Carol Danvers, AKA Captain Marvel to a salute. Save a statement on a postcard you can't ignore, like it's signed, sealed and delivered message, "my body, my choice." Timely and necessary. Until everyone understands. The real strength of a hero is within too. Lending a hand to a falling friend (the popular kid Lauren Marsden) at the convention as literal Ant-Man heads will roll (a firm fan favourite here and we're no shrinking violet to that), Canadian actress of Pakistani origin Iman Vellani is the right choice for Khan. Capturing the spirit of this young teenage dream which goes down as one of the best Marvel TV shows for this young Avenger to be, no cloak and dagger. Virally webbing up some youthful 'Spider-Man' spunk between the lockers with 'Hawkeye' heart for the family. A game changer that represents the culture in a massive 'Black Panther' like way ('Wakanda Forever' is the next movie, this fall), just like last years epic 'Shang-Chi and the Legend of the Ten Rings'. Taking us across the globe like 'Moon Knight'. All before 'She Hulk: Attorney at Law' makes her case for the wonder women of Marvel next month. Or 'The Marvels' to come. All as Kevin Feige throws the comic-book at you. CATCH! 

Just like an iconic "funvee" moment that rivals the cop cars caught in both 'Spider-Man 2' and 'The Amazing Spider-Man 2' for your Tobey Maguire and Andrew Garfield multiverse. Mr. Fantastic similair arms stretched out like a kid reaching to be lifted up by their parents. But she's come of age now. In a suited up, superhero reveal after six sweet episodes of origin story show us Vellani in all her red, blue and gold glory. Iman's incredible charm and Smart's could carry the whole show in her own two hands, but she's got the whole community around her, serving as a shield. 'Pixels' star Matt Lintz (who once auditioned for Peter Parker, and you can see it) stands out in this visually creative series as the best, best friend that anyone could have. Whilst we can't wait to see more of Yasmeen Fletcher's campaign for change in the second season. Rish Shah stirs the soul as a love interest with a secret that makes it all too good to be true and Saagar Shaikh is brilliant as Kamala's brother and superhero chaperone. In Pakistan and the perfect backdrops of vibrant colour, Aramis Knight plays a soldier on her side, showing Khan how to harness the responsibility of her great power. Especially as agents Alysia Reiner and Arian Moayed (seen in 'No Way Home') are on the case and legend Nimra Bucha wants all the power for herself. But as the traditions of this shows testament take you back to a crowded train in Pakistan and a beautiful backstory between greats Mehwish Hayat and Fawad Khan, it's home where the heart of the matters and never forgetting where you come from are. And Mohan Kapoor and Zenobia Shroff are absolutely amazing as Kamala's understandably worried, but undeniably proud parents. The awe on their faces when they see just what their girl is made of is beyond beautiful. And their own wise wisdom is lessons needed with heed to be learnt. Without them, there's no Kamala. And without their love, there's no marvel as this is truly marvelous. It's the real power lying beneath the clenched fist, serving as an even bigger hand that extends an invitation to learn and love all about this world and family. You've never seen a superhero like this on screen, until now. One that looks like the whole watching world, but is anything but ordinary. And it couldn't come at a better, or more needed time. To the name, this is a real Marvel. TIM DAVID HARVEY.

Further Filming: 'Captain Marvel', 'Shang-Chi and the Legend of the Ten Rings', 'She Hulk: Attorney at Law'. 

REVIEW: LIGHTYEAR

 

3.5/5

You've Got A Space Ranger In Me.

100 Mins. Starring: Chris Evans, Keke Palmer, Peter Sohn, Taika Waititi, Dale Soules, James Brolin, Uzo Aduba, Mary McDonald-Lewis & Isiah Whitlock Jr. Director: Angus MacLane. 

Tom Hanks has a snake in his boots with Disney and Pixar's 'Lightyear' and all the buzz, thank you very much. Why is it not his best pal Tim Allen's voice? This feels like an unfair Ricky Gervais joke. And recent weeks have shown us you won't like Woody when he's angry (whoever dubbed that "back up" comment (he was right to say it) over Woody and Buzz is on a genius level like that meme of Will Smith slapping the bass and Chris Rock on sax). Turns out Star Command is coming in to an Avenger who told Hulk to SMASH as Disney continue their big-three reign with Marvel, Star Wars and their own magic kingdom. Hanks will have to just show 'Lightyear' whose boss as Colonel Parker in Baz Luhrmann's 'Elvis' epic set to step on everyone else's blue suede shoes this summer with 'Once Upon A Time In...Hollywood' new star Austin Butler. Everyone except another Tom, Cruise and his 'Maverick' season with the almost 40 year later 'Top Gun' sequel. Just what year is this? Maverick?! Buzz Lightyears back on shelves?! Presley!?! It's marvelous like two avenging heroes called Chris going to battle. 'Lightyear' versus Taika Waititi's (who's also in this movie) 'Love and Thunder'. Thor Hemsworth and Evans' Captain America striking on the streaming stage too with Netflix's 'Spiderhead' and 'The Gray Man' hero sounding movies going at it also this month. Super! 

Buzzing, 'Lightyear' is a meta movie inside a Pixar popcorn picture. And it's truly touching as fingertips point to iconic catchphrases. The set up to this 'Toy Story' spin-off isn't as simple. Is it an origin story? Or is that what the direct to video source material of 'Buzz Lightyear of Star Command: The Adventure Begins', or the television series of a similar name spawned is? One thing's for sure this space man is not imitation like the fun 'Small Fry' Toy Story Toon like a happy meal. Even if some wish for some home improvements. Marooned on a hostile planet with his commander and crew because of a mistake he made, this 'Lightyear' doesn't want to be a buzzkill as he tries to break the sound barrier through three halos like Cruise at the start of 'Maverick'. A ranger fit for the cap, who despite the hilarious meme saying he looks like he'd turn his body cam off, or the Biff big bro look with more chins than a Dominos diet, has Captain America like integrity to the salute. So who better apart from maybe Allen to voice him than Steve Rogers himself Chris Evans? Who now holds two iconic characters for Disney as the shield is passed. Finding his way home in a post Cap role that fits like the skull cap and the fuzzy hat hair you never knew he had. Evans said when embarking on 'Civil War' that when you play someone so good, for so long, "you take a little bit of that home for you". But you can tell that the former Human Torch (who has fantastically expressed a Multiverse desire (madness)) and 'Knives Out' cable-knit star has so much character. And he's a good man. So he's always going to make good on a role like this. To infinity. 

Beyond balloons however, look 'Up' and you might just see a Pixar poetic scene that stirs you with how much we lose as time passes in an 'Interstellar' instant. Because this will leave you crying when Matthew McConaughey realized his young daughter was Jessica Chastain. Faster-than-light though, this hyperspace takes you even further back to the future. So much so that a famous villain makes an appearance like you've never seen or thought he would be before. Now how's that for an Easter Egg? A scene stealing Keke Palmer (it's about to be her Summer, 'Nope'), 'The Good Dinosaur' Peter Sohn, Dale Soules, James Brolin, Uzo Aduba, Mary Mcdonald-Lewis, Isiah Whitlock Jr (sheeet) and of course Taika Waititi sound out the rest of the class cast with a voice for Angus MacLane's truly animated movie. Still nothing pulls this movie up more than Sox. A robot cat and emotional support animal that will evoke all your ooh's and ahh's with none of that 'Jurassic Park: Dominion' running and screaming from the multiplex, despite Jeff Goldblum. From its cat traits to what comes rolling off his tongue, this is the nip. Miaowing with white noise and coughing up gadgets galore like a Bond villain cat, by the hairball. You've never been this in love since Banderas' 'Puss In Boots' gave you those Minion eyes. Which another character does here thanks to a classic Bill Hader cameo. Cute characters created for Christmas list gifts and fun formula offset by real, earned emotion that will leave youngsters and big kids alike looking differently at their own lives and love are the Pixar product. And this one really is a gift like the Buzz Lightyear that was everyone's favourite toy, not just those who wrote Andy on the foot. Even if the favourite movie of the kid who brought the product placement space ranger home's moon boot clogging plot will sometimes make you wish it moved a little bit more at lightspeed. This is still lightyears ahead. To infinity...and a beyond that's great. TIM DAVID HARVEY.

Further Filming: 'Toy Story', 'Toy Story Toons: Small Fry', 'Captain America-The First Avenger'. 

REVIEW: THOR - LOVE AND THUNDER

4/5

Thor Thor.

119 Minutes. Starring: Chris Hemsworth, Christian Bale, Tessa Thompson, Jaimie Alexander, Taikia Waititi, Chris Pratt, Pom Klementieff, Dave Bautista, Karen Gillan, Sean Gunn, Vin Diesel, Bradley Cooper, Russell Crowe & Natalie Portman. Director: Taika Waititi. 

Sweet child of mine, the thunder is back. But this time, it's a love story. And even if you find those kinds of rom-com thunderbolts of lightning very, very frightening, Galileo. If all romantic comedies were like 'Thor-Love and Thunder', you'd be screaming "ANOTHEEEER". And that's the tea. Poirot himself, Kenneth Branagh's bawdy 2011 first 'Thor' film was fresh fun. Sibling rivalry setting the Shakespeare in the park stage for things to come like the assembling Avengers battle for New York against brother in arms Loki. Many consider Thor's 'The Dark World' sequel to be Marvel's worst movie not called 'Eternals'. But both enjoyable, entertaining films deserve better from the fans. And if this is the worst the M.C.U. has to offer, then you're in for a treat like skipping leg day (although this God doesn't like Van Damme) for cheat day. Still when 'What We Do In The Shadows' and Oscar nominated 'Jojo Rabbit' director Taika Waititi broke the bifrost and chopped off Odin son's legendary locks, it was clear we needed the change we were in for. With 'Ragnarok' he destroyed Asgard with Cate Blanchett Hela horns to pay. Coming out of dark worlds with vibrant colour. Taika left you green with envy as he even had a Hulk for his thunder clap. Upstaging everyone with the voice of his own lovable rock-steady concrete character Korg. Here narrating the "Dad bod to God bod" story so far with some hilarious misnames for the God of Love and Thunder's muse. Now forthcoming 'Star Wars' director Waititi (right now going against himself and Hemsworth's fellow avenging Chris, Evans (also going to Netflix battle with 'The Gray Man' against Hemsworth's 'Spiderhead', that sounds like it's own superhero movie) in the Disney buzzing 'Lightyear') doesn't keep us waiting with one of the shortest, silliest, but also brilliant and beautiful Marvel movies in recent memory. A new/old 'Loki' has his own show now. And friend from work Bruce Banner is about to provide more than legal aid for our 'She Hulk' attorney at law for the next Disney + series after 'Ms. Marvel'. No matter. See that 'American Psycho' over there butchering God's like he was about to listen to Huey Lewis and the News and kill another Joker? Now there's a Batman! With an axe to grind.

Dark Knight Christian Bale is seriously good here. Despite rebuking a reporter who asked him what it was like to enter the Marvel Cinematic Universe. To him the M.C.U. is where him and Gordon locked up Heath Ledger's legendary clown prince. "I saw one of the ones were the big bloke was looking for stones", Bale hilariously told Empire magazine when asked about his superhero binging. But now this anti-hero has literally lived long enough to see himself become a villain that looks a little like Voldermort, you're going to love the spell he puts on you. From his Moby looking back story, brutal and beautiful. To his rolling sympathy for the devil, as one of the best and understood Marvel villains of all-time (we see you, Michael B. Jordan's Killmonger). "All God's will die" he declares like it was his duty as he takes a sword a knight would be proud of and plunges into a world that turns dark...literally. In a reverse 'Wizard of the Oz' as Kansas, or new Asgard is turned upside down and Waititi's colourful 'Love and Thunder' palette tonal turns into 'Logan Noir' for the Shadow Realm. Or something out of the Snyder verse for this former caped crusader. This gadget from his armoury enough to break the storm coming from Thor's called axe. A tool that's building his own jealousy to hilarious Iron Man suit or Doctor Strange cape effect. As a former flame is making its boomerang way back to the booming Australian with the underrated comedy chops that never takes any of us fairytale stuff God's and monsters were made of seriously. And just look at who that hammer is spending time with. No not Lady Thor, but Dr. Jane Foster. The new mighty. And blimey the substance of story that you can't spoil given to this passing of the mjolnir to 'V For Vendetta' hero and 'Star Wars' Queen Natalie Portman is bold, believable and true to the source, not searching for a box tick. But something deeper and more meaningful. It's great to have Portman back like you've never seen her before. From the first time you caught the trailer tease and saw those iconic realms that now belong to her. 

Thor four (try saying that after a pint of Asgardian mead) is more than fan service or blockbuster pop culture. It's just a storm of critical consenus breaking delight that puts the hammer down on sticking the landing. As point break goes up against the Maverick new 'Top Gun' movie of the Summer, Hemsworth in a new suped up suit is hilarious as always. Making his Marvel deal as massive as his bulging biceps that leave swooning Goddesses falling over themselves like bowling pins, or streaming Netflix one. About to extract another epic 'Extraction' movie with those avenging Russo's, also playing in the sandbox with Chris Evans' 'Grey Man' moustache. And his reunion with Portman puts them right next to Pepper and Tony and Peter Parker and MJ when it comes to Marvel power couples. Taika taking the piss with the pebbles of Korg will make you forget about Loki, or the not so jolly green giant. Whilst the welcome return of Jaimie Alexander's Lady Sif will make you glad she was probably cameoing on 'Agents Of S.H.I.E.L.D.' when Cate laid waste. You probably can't remember the names of the Warriors Three, can you? But that's OK this movie doesn't know either. It's a brave new Asgard and Tessa Thompson's terrific King Valkyrie takes the throne now. And if that wasn't enough for you, even the 'Gurdians Of The Galaxy' are here for Thor Volume 4 (that's better), that sounds like Star-Lord's Zune has been permanently stuck on Guns N Roses (we ain't complaining, welcome back to the Jungle). Chris Pratt, Pom Klementieff, Dave Bautista, Karen Gillan, new member Sean Gunn and Vin Diesel, who is Groot and Bradley Cooper as Rocket are funny fun as always. Wanting for more adventures of Thor as we look into the eyes of those we love. But listen, for all the classic cameo callbacks, family ones, more stage shows and a pair of goats (watch Marvel's hilarious 'Robot Chicken' like 'M.O.D.O.K' if you want more on Disney Plus) who really are a scream (ten times later...it's still hilarious). It's 'Gladiator' himself Russell Crowe's scene stealing Zeus that's a real strike of lightning to the bolt he waves around like it's the thing he leads his famous orgies with. Crowe has got his feet into some failed franchise ideas of late (we would have loved to have seen more of his Dr. Jekyll and the Hyde side in Universal's Dark Universe), but we hope this isn't the only time he has a God complex. But for all this big bravado and bluster, 'Thor-Love and Thunder' is sweet, sincere and hits the spot. Even if at times it flicks too hard. Or if we have been robbed of Jeff Goldblum and Peter Dinklage cut cameos. Along with a primal scream from Bale (save it for the goats) and a Kate Bush song because of all that running up with 'Stranger Things'. For Thor fans though, this is Valhalla. Give it a round of thunderous applause. You've got to love it! TIM DAVID HARVEY.

Further Filming: 'Thor', 'Thor-The Dark World', 'Thor-Ragnarok'. 

TV REVIEW: STRANGER THINGS - Season 4 (Vol. 2)

 

4/5

When You're Strange.

2 Episodes. Starring: Winona Ryder, David Harbour, Millie Bobby Brown, Finn Wolfhard, Gaten Mattarazo, Caleb McLaughlin, Noah Schnapp, Sadie Sink, Natalia Dyer, Charlie Heaton, Joe Keery, Maya Hawke, Pria Ferguson, Joseph Quinn, Edurado Franco, Dmitri Antonov, Cara Buono, Brett Gelman, Matthew Modine & Paul Reiser. Created By: The Duffer Brothers.

Papa's got a brand new bag. And Netflix have just received it like an NBA free agent this Summer. Over a billion served like McDonalds. I guess they got their subscribers back. Because so many servers crossed the streams on the release day of 'Stranger Things' Season 4, Volume 2, that the site crashed. Like Eleven spinning a helicopter right round like a Kate Bush record 'Running Up The Hill'. Bringing all its blades down to the ground before they burst the clouds. Headphones back on, we're delving deeper into the Upside Down one more time before the fifth and final season. Better hold on to those bedsheets as you binge. Because this really is like a movie. The last episode clocking in at 2 hours and 20, it may as well be three. But believe me you'll be hooked and won't be able to tear yourself away from a single second of nuance and nostalgia. And this isn't because it's the flavour of the month. Legendary like Bush, this is another one of not only Netflix's best, but one of the greatest shows of all-time coming to a close (see also the two set of episodes finale of the outstanding 'Ozark', for more dark designs lost in the woods of a runaway American dream). But really this is spilt into three...or four...or Eleven. As our superhero and all out local ones are spread out all over the map. From Hawkins to Mother Russia. And only a pizza delivery will connect them like Uber Eats. But that hasn't been invented yet. So join the new Goonies of Millie Bobby Brown, Finn Wolfhard, Gaten Mattarazo, Caleb McLaughlin, Noah Schnapp, Sadie Sink, Natalia Dyer, Charlie Heaton, Joe Keery, Maya Hawke and Pria Ferguson. Joined by new favourites Joseph Quinn and the dude Edurado Franco. Not to mention another 'Game Of Thrones' standout in Dmitri Antonov joining David Harbour, Winona Ryder and Brett Gelman's flame throwing prison break. And of course cult legends Cara Buono, Matthew Modine and Paul Reiser. And what The Duffer Brothers pack in your duffel bag is enough to travel with until we get Strange again over a year from now. In epic conclusions, spin-offs and even stage shows for a Netflix show that can only be beaten by the South Korean BTS like juggernaut, 'Squid Game'. Red light. 

Green light. And all the colours of the rainbow. We live and love in a more LGBTQ inclusive world these days. Or at least we are trying to head that right way to the letter in hope and dreams for this land. People can be who they want to be and love who they want to. Like they always should of. If only woman's rights when it came to abortion and their choice belonged in 1973 and not these dark ages. The right to identify with your real self and fall in true love is being reflected in society and what we stream. From sounds on Spotify to Netflix's own latest seasons this month of hit shows 'The Umbrella Academy' and of course these 'Things'. Now complete with a closeted character. One who I won't out, because that's spoiler territory, despite a member of the cast's tweet being exactly that too. Leaked like Doja DM's. And that's another crazy thirst trap story. But a backseat car confessional moment that said character does in subtle shades is monumental as much as it is brutally beautiful. And turning away into hand over the mouth stifled tears that we can only see on reflection, it's a vulnerable, private moment of speaking your truth. Not just to declare your love, but more to help a friend express theirs. And that's the real deal, because friends like the catchphrase t-shirt says, don't lie. And for all those in this open embracing world who are putting the pressure on the show and stars character to truly come out need to understand another thing. Living and loving in your truth is beyond a beautiful thing. But choosing to keep it close to your chest as your heart chews on your sleeve as excruciating as it is needs to be respected. Sure it's a choice based on the cruel confides this prehistoric age of the 80's and the world we still live in now puts on people. Afraid to be seen as not normal (they love, they couldn't be closer to the core of normal, but living in a lovely world of heart that's anything but ordinary), or much, much worse. But encouraging people with open arms is the best gift you can offer. Pressuring with a pointed finger is not as bad as those who clench a fist with angry words...but it's not too far away either. You have to allow people to be what they want to be...when they are ready to be so in their own good time. And this show is no stranger to that. 

Metallica's most metal 'Master Of Puppets' pulls all the 'Hounds Of Love' iTunes chart strings as Joseph Quinn's Eddie 'The Banished' Munson thrashes on the top of a trailer. Honoring the rock God's with his own Hellfire to keep Vecna's BAT'S (BTW F, Vecna, the massive scab) at bay as he and Dustin (looking like a Knight of Camelot with that headband pulled over the hoodie) club these winged creatures. It's a huge moment in a nostalgic show as such that just rocks with a full tongue out. Quinn's Eddie has been the fourth season stealer (both volumes) since he welcomed you with open arms to a game of dungeons and dragons. And how about his pop ('Agents Of S.H.I.E.L.D.' actor Joel Stoffer)? More range than Natalie's Nancy with a hacksaw and a shotgun. Joseph's Munson has so many a moment for your memes. Like his improvised car pool pass to the best babysitter in the world Steve Harrington. Who he also hilariously tells to put a shirt on after he falls into the Upside Down, lying down and giving us the new bare chest Jeff Goldbum in 'Jurassic Park'. But Doctor of rocking out, Quinn's character has more meaningful medicine than that as he cures our broken hearts. Wishing he could have saved the cheerleader as he saves the world. He prescribes Iron Maiden to us, saying it's music like we do this shows theme. One small but significant moment play-fighting with Dustin like he was about to take over the new best friend role now the one with the bat and nails has traded it in for a Scoops Ahoy cone is just, a word I know I've used too much this review, but just as true...beautiful. "Never change" he says and once more with feeling and look who's talking. The kind of way we wish someone would have done to us back in high school (thank you, headteacher) and maybe we would have stayed the same too (I hope so). It's scenes like this in this cinematic, supernatural and thrilling, cult, classic science-fiction fantasy that really come of age and show us what the show is all about. Between bunkers of lifting up space pods or battling with monsters with swords. Lile Steve's stories of a brooding dream. It all feels believable and not barely, because of the genuine feeling given to these characters by these young, but emotionally mature actors. Reminding everyone of the lost youth of us boys and girls. Especially as most of us who watch this, grew up in this time and are now staring down the hairline...I mean barrel of our forties. To be young again, hey. Well, wonder about those years no more. The thing is when it comes to this show, we're right back there once more. Even if by the time the next season rolls around puberty will be long gone for these new Hollywood stars as they start applying for their mortgages. The ultimate feel old yet meme. You do. Don't you...big boy? TIM DAVID HARVEY.

Further Filming: 'Stranger Things','Stranger Things 2', 'Stranger Things 3'

REVIEW: THE BLACK PHONE

3.5/5

Sinister Things.

103 Mins. Starring: Mason Thames, Madeleine McGraw, Jeremy Davies, James Ransone & Ethan Hawke. Director: Scott Derrickson. 

Stranger things are happening on 'The Black Phone'. Dialled in to the amazing aesthetic of its seventies setting like 'Halloween' carpentry. For this haunting, rocky Denver small Nevadan Town (actually the equally as such Wilmington, North Carolina for you with heels of tar) and its brooding bungalows with much more that lies beneath the basement. Nuanced and nostalgic like the Netflix billionaire streaming show starring another Hawke making her Robin rounds, that's second volume of the penultimate season rocks and rolls this weekend too. But screw Vecna, who is this 'Hellfire Club' member rolling around in shady clown paint like Joker make-up and a slash hat? Looking like a Guns and Roses roadie spray-painted the Mystery Machine. Meddling with some kids and no snack signs of a cartoon dog. Like zoinks, Scoob, at least he's wearing a mask in this day and age. But what a horrendous Halloween one looking like it belongs in the halfway house closet of ancient lore and the devil's hell itself. Oh, and what's with all those balloons? Is he telling kids they'll float too like Pennywise? 'IT's' been done before (we see the yellow slicker reference down the drain), but it's still so haunting here. And those bifocals just scream "don't take this stranger's candy" and offender like Stanley Tucci in 'The (Not So) Lovely Bones'. When it comes to this black sabbath, even ET would want to use someone else's phone. 

Calling up classic tropes, but adding his own twist. 'Deliver Us From Evil' and 'The Exorcism Of Emily Rose' director Scott Derrickson takes Joe Hill's supernatural short-story of the same name and turns it into the madness of a movie. Right after the 'Doctor Strange' director departed 'The Multiverse Of Madness' and handed it to 'The Evil Dead' of original 'Spider-Man' director Sam Rami, with fans hoping for Tobey. Using the EMERGENCY of seventies shock news footage, especially in the jarring title-sequence to haunt some realism into the parts of this genre that fetches far or strays in cliché. You'll jump with the scares too, reaching for the hand of your nearest and dearest. There's a prowler about called 'The Grabber' and in this world waking up to the fact that you should respect someone's personal space and "handsy" is to flimsy a name for someone whose palms belong in firm cuffs, this violater shows how close to the bone it really is today. A shock story and cautionary tale to how we really need to take neighbourhood watch and account to just how safe our children really are these days. Evoking the human horrors that turn from the pages of Stephen King novels. The lost boys in this movie stacking up like milk cartons as they all posthumously communicate with the latest kidnapped victim like a 2Pac album. 

Thespian Ethan Hawke still to some may be know as the rookie from 'Training Day'. But the grey in the hair and his magnificent 'Magnificent 7' reunion with Denzel Washington beats to the notion that it has been long tour since that first day on the job. Cinephiles know him as the Richard Linklater experimental actor who starred in the 'Before' trilogy through the day and years of a relationship. Not to forget the decades made 'Boyhood'. Those may have been surprised (and a little disappointed (no sir, not me)) to see the 'Dead Poets Society' and 'Gattaca' actor in a Marvel movie like series this year. But they weren't when they saw just how meaningful this time in the M.C.U. was, just like his monologue, walking on glass villain of legend. This like 'The Purge' is the 'Daybreakers' and 'Predestination' mainstream and indie versatile actors first scary movie since 'Sinister', which was so shocking for this film fan who didn't fall in love with the horror genre until he was 30 (hey, it took me to 25 to do so with The Beatles. Some of us just need a push) I cancelled seeing Jack White in concert...SIX MONTHS LATER! Here, getting axe-murder bloody like 'The Northman', he's firmly back in the genre (although 'Moon Knight' haunted under a pale one) like he belongs (and he does). Bringing cruel cunning to the voice of his compelling charm. But hey, like Pink Floyd, leave those kids alone. Because they're more than alright (there's even one who spray-can hair-metal looks like dear Billy), led by Mason Thames, down a river of future stardom as his character rises out the basement like a phoenix. And the dreams of Madeleine McGraw. The sweet sister ready to hit you with a brick if you try and mess with her sibling. Then there's the 'Helter Skelter' of 'Dogville' actor Jeremy Davies (mullet looking nothing like his classic character in 'Saving Private Ryan'...and what an actor for it), showing more shades of those King human horrors that haunt even those with their heart somewhat and somewhere in the right place. Aaaand speaking of Stephen, 'IT Chapter Two's' very own James Ransone. As hilarious here as he was when country music played over oily puke. There's no angel to be sent here, but more than the devil will care for this spirited film that steals you away. 'The Black Phone' is a mirror to all we miss today whilst we stare at our smart ones. And it's a warning to a watching world to be more engaged. Don't hang up! TIM DAVID HARVEY. 

Further Filming: 'Sinister', 'Stranger Things', 'Moon Knight'. 

REVIEW: LICORICE PIZZA

4/5

Punch-Drunk Pizza.

134 Mins. Starring: Alana Haim, Cooper Hoffman, Sean Penn, Tom Waits, Benny Safdie, Danielle Haim, Este Haim, George DiCaprio, Maya Rudolph & Bradley Cooper. Director: Paul Thomas Anderson. 

There will be pepperoni...or at least, I hope. I should be packing for London right now. Or at least thinking about it. But corona, crippling flight prices and all that. Wishing I was getting ready to see Haim's long-delayed 'Women In Music Pt. III' album world tour with my best like Este. Pushed back due to COVID-19 more times than hair from sunglasses on that 2019 Summer's day when the sisterhood made their iconic Lou Reed wild side walk, 'Summer Girl' classic video. One of many filmed with cult legendary director Paul Thomas Anderson ('Now I'm In It', 'Hallelujah', 'Man From The Magazine') for the best album of our worst year of 2020 (thank the heavens for HAIM and the home made 'I Know Alone' video and dance tutorial). A family friend who first got together with the Haim's for a 'Valentine' ode like no other and recently even offered more of his one-of-a-kind, incredible and inspired visuals to a 'Lost Track'. The director who gave us 'Magnolia', 'Boogie Nights'. The early dramatic Hollywood hustle of Adam Sandler and his 'Punch-Drunk Love'. 'The Master' and 'Inherent Vice' with Joaquin Phoenix. Aaaaand 'Phantom Thread' and 'There Will Be Blood' with Daniel Day-Lewis. Now how's that for some reach for your milkshake? Not to mention Radiohead's amazing 'Anima' movie and all those other Haim's. PSA, PTA is one of the best and most versatile directors working today with verve. And The Academy and a 'Licorice' all-sorts assortment of Oscar nominations can serve that up to you by the slice. 

Summer girl finally meets boy, but why the delay? Here in Japan it has taken more than six months to make it over here. All for the first of the very month I should be flying home to see them in the Big Smoke for a Haim Birthday. Well, once upon a time in Hollywood maybe an ill-advised Japanese accent with no push-back, akin to Quentin Tarantino's treatment of Bruce Lee in his movie can be blamed for any boycott or pushed back date. Yet, despite these screens that you really shouldn't laugh at, even if you bite your tongue, 'Licorice Pizza' really is one of the best pictures of the (last) year and Anderson at his most amazingly acclaimed. A love story with comedy (but no rom-com). Mesmerizing as it moves through the days of Californian malaise. Where everything and nothing happens at the same time. As irreverent as it is relevant. There's an age gap as big as the one between teeth (forget May to December, this is 'The Graduate' to last semester), but this young love is still a dream in the land of silver screen ones. This is a gem. Just like the introduction of two of the hottest new stars in Hollywood(land) that like the 1973 San Fernando Valley setting of this movie feel like a throwback. Well, anyone that knows the best band in the world right now, knows Alana Haim. The owner of many an iconic look served in Anderson's cinematic Haim videos and now this extended one. We already knew she had the comedy chops with the various Instagram sister skits like the 'One More Haim' green suit, what the fudge. When she was first announced for this movie starring some of the biggest names in the industry, we knew she would be good. But we didn't realize back then that she was going to be the star of the show. But boy is she. Second to none. Except maybe the equal-billing of our leading man. A born actor like the high-school kid he plays with more credits to his name. Why does he look so familiar? That's what they asked. But we know why now. Not only is he Cooper Hoffman. Son to the late, great Phillip Seymour. But in his DNA (no nepotism) he's just someone who seems like he's always been here. The very first moment you see him on screen. Just like when he with 100% assurity in his belief, tells his friend he's just met the woman he's going to marry. Without a hint of romantic Hollywood cliché. 

'Life On Mars' ain't just a song as Lana Del Rey said. It's the stellar soundtrack that scores the terrific trailer of what you just knew was going to be another classic like 'Days Are Gone'. No matter how long you had to wait. Or the gassed up oil crisis, end of the world, monumental moment in this movie of sprinting in the California sun for these maverick like Dallas top guns who run here more than Tom Cruise. All the way into an epic embrace that feels like 'La LA Land', but dances to a completely different tune. In its own steps. Cooper Hoffman is a young, Kingpin suited entrepreneur, from pinballs to the water beds that will float with you on a dream away to nostalgia. Whilst Alana is Alana. In all her amazing agency and defiance to a world that back then was in some ways as ass slap backwards as it still is now, today. But you have to love the hallmark moments to the anti-Hollywood side of Cali that is searching for love and freedom, in equal, but their own measures. Just like you have to love the Haim response to one of her sisters advising that she shouldn't pick fights with everyone all the time. Because yes that's the perfect for the parts, Danielle and Este, or as matter of fact, the whole Haim family doing their friend a solid. In a movie chock full of classic cameos (is that Herman Munst', or Jerry Buss), even Maya Rudolph shows up with nary a word, but what a presence. Big names like Sean Penn and Tom Waits come in to play local legends as big as the acting and music ones they actually are with revved up and introduced golf course gusto. Whilst one half of the brotherhood of best directors working at the moment Benny Safdie (recently a Jedi in Disney +'s 'Obi-Wan Kenobi') campaigns as a charming political figure (real life city councilman Joel Wachs) with something to hide...even though he shouldn't. Even Leo's dad George DiCaprio shows up on this film lovingly dedicated to the gentleman Robert Downey Sr. But it's Bradley Cooper who steals the show once again, despite a recent Chris Pratt like backlash (why to both actors?), even after the Hollywood heartthrob wrote, directed, played and made his own original and outstanding songs to 'A Star Is Born' with a new Hollywood one in pop Queen Lady Gaga. This town is unforgiving, but Cooper is undeniable as Jon Peters. Filmmaker and former hairdresser and boyfriend of Barbara Streisand. Here looking like the Barry Gibb he's been meant to play (must be the coiffure and facial fuzz that make him the bee's knees like the Bee Gees). Cooper on Copper, a moment with Hoffman, trying to teach him how to pronounce his girlfriends name has the same funny feeling like that line flub in the Cohen Brothers' 'Hail Caesar'. But even better than that or a Channing Tatum tap-dance is how Alana (no dame...or damsel in distress) maneuvers a big-wheel out of gas down the Hollywood hills off its own momentum and her moxie. That's her and this movies moment right there. Complete with one perfect shot staring through the rear view.  When it goes from meandering to meaningful in that many left turns. The heartburn of young love in 'Licorice Pizza' stretches the cheese for as long as it will string you along. And goes down just as sweet. Order up! TIM DAVID HARVEY. 

Further Filming: 'Magnolia', 'Boogie Nights', 'Haim-Valentine'.