REVIEW: REBEL MOON - PART ONE: A CHILD OF FIRE

3/5

'Star Wars: The Snyder Cut'.

134 Mins. Starring: Sofia Boutella, Djimon Hounsou, Ed Skrein, Michiel Huisman, Doona Bae, Ray Fisher, Charlie Hunnam & Anthony Hopkins. Director: Zack Snyder. On: Netflix. 

Rebels rejoice. You can now see the moon up with the stars. Netflix really is bringing out the big budget cash cows this fall. Jumping over everything with the 'Maestro' of an Oscar favourite, the indie like big budget hit of 'Leave The World Behind', and now this. So much so, this new N movie headliner begins with a new I.D. that rises through the streaming service's colours like a scraping sky. Similar to Disney's epic waterfall under the castle opening to coronate their 100-year anniversary. Yet Netflix may have beaten the blockbuster, but they'll never be Disney, Marvel, Star Wars, or even the DCEU. No matter how hard they try, or throw money and star names at pictures that don't stick longer than your latest scroll. Still, when corona crippled cinema, Internet flicks stepped in. As did fans complaining and campaigning. Taking HBO to the Max with their lobbying of the release of 'The Snyder Cut' of 'Justice League', which turned into a botched job once the keys to the Batmobile were handed to 'The Avengers' director Joss Whedon, who had already checked out of the Marvel movie machine, halfway through the 'Age Of Ultron'. 'Man Of Steel', 'Batman v Superman: Dawn Of Justice' and '300' director Zack Snyder's 4-hour epic 'Justice League' was pure fan-service redemption. Leading to his 'Army Of The Dead' Netflix zombie smash, and the bank-rolling spin-off prequel 'Army Of Thieves.' Now, with 'Rebel Moon-Part One: A Child Of Fire', before next April's extended cut following sequel 'The Scargiver', Snyder gives us his 'Star Wars' cut.

Conceived originally as a 'Star Wars' story, this rogue movie shows that anything can get made these days. Even a rejected Lucasfilm pitch. But that's not fair. This movie actually stands on its own two moon boots. Even if big blasters shooting second and electric swords looking rougher (but still cool as) than Ren's red sabre make this feel a little bit like a poor man's galaxy, far, far away. But what science-fiction space opera hasn't taken cues off of the credits crawl? At least this one has the great Anthony Hopkins as an android (and jot for the first time, see 'Transformers') narrating the exposition. This is hardly a rip-off, although we do see why it fell short of being made into a 'Star Wars' property. Especially with all the spin-offs and Disney + shows connected out there. This is light speed away different. Feeling more like a hybrid between Lucas' creation, the 'Lord Of The Rings' journeys and a 'Resident Evil' video game adaptation. It even has its own console tie-in too as Snyder want to start a world building IP with his own spin-off trilogies streaming their way on to Netflix's very own crowded schedule. There's enough cameos here to show there are plenty of big names ready to take us to their own brave and strange new worlds. Whilst, Zack has the dynamic, dark direction of gothic cinematography and brutally bruising action that served DC so well. Even though he was shot from the canon before the Gunn era cleaned house. This rebellious turn could more than make up for that and the fact that his Star Wars picture never saw the light of Rey.

Dark side decedent. The Mother world of this militaristic epic empire is fuelled by conquest and war, and forged by a class cast in avenging ensemble. Ever since she blade ran without an Oscar in 'Kingsman-The Secret Service', Sofia Boutella showed and proved she could be a star, even when she was unrecognizable, but undeniable in 'Star Trek-Beyond'. Here, she goes above and all that. Alongside cult sci-fi favourite Djimon Hounsou, delivering on the promise of his concept photo in perfect black and white. And 'Game Of Thrones' and 'World War Z' star Michiel Huisman, who still has us after that wonderful Lo-Fang 'You're The One That I Want' Grease cover for a Chanel No. 5 commercial starring Gisele Bündchen. More significant support come from 'The Host' and 'Cloud Atlas' star Doona Bae wielding more than just glow sticks, and an unrecognizable Cyborg in the form of 'Justice League' star Ray Fisher reuniting with Snyder and moving past Whedon's abuse of his power. Even more superstar wattage comes from the always scene-stealing 'Son Of Anarchy' and new 'King Arthur', Charlie Hunnam. But it's 'Deadpool' big bad, who still deserves hats off for walking away from 'Hellboy', Ed Skrein who makes the perfect villain. His admiral almost looking like a Nazi in this movie that takes cues from world wars, like 'Star Wars' does samurais and westerns. Farming more than one sci-fi influence, this girl on fire is hungry in these games that are anything but child's play. But this ballad of songbirds and snakes is going to need a little more than a cool shot with a gardening tool if it wants to rake in that George Lucas revenue and regard. These aren't the wars you're looking for. But they're still a decent clone. TIM DAVID HARVEY. 

Further Filming: 'Army Of The Dead', 'Justice League: The Snyder Cut', 'Rogue One: A 'Star Wars' Story'.  

TV REVIEW: THE CROWN - Season 6

4/5

Long Live The Queen.

10 Episodes. Starring: Imelda Staunton, Jonathan Pryce, Lesley Manville, Dominic West, Ed McVey, Meg Bellamy, Luther Ford, Olivia Williams & Elizabeth Debicki. Created By: Peter Morgan. On: Netflix.

A Parisian man walking his dog late at night minds his own business whilst waiting for his best friend to do his. Streaming through the streets of an Orwellian 'Down and Out' Paris, his lonesome stroll is surprised by the screeching of tyres. A familiar black car, with blonde hair in a blur, barely visible in the rear window. He sees the car speed down a bend and into a tunnel. He pays little mind. This is Paris, after all. Then he hears the kind of noise that just shakes you to your core. Because you know something just isn't quite right. That's the closest, and even this description is too much, we get to seeing the crash that took the lives of Princess Diana, Dodi Fayed and their driver Henri Paul on that truly tragic night in France that we are still haunted by (I remember waking up my shocked parents to tell them about it after reading it on Ceefax of all places in disbelief). And in terms of not showing the crash, that's a good thing. 

As the respectable forger of 'The Crown' Peter Morgan recently told Variety magazine that that was something they were never going to even consider. Even though, the creator has faced constant criticism for what some (most notably with royal appointment, Judi Dench) think is a hollow crown. Instead of the actual jewel in Morgan's career cap, from royal stage, to knighted big-screen, that it really is. From the sex lives of Charles and Camilla to ghosts that come in the night like a Christmas Carol, many want Peter to rethink his choices like Scrooge on the third visit. That's why the show now comes with a disclaimer like all those Disney stereotypes they refuse to put to bed (to learn, or make money from), all whilst accordingly cancelling gems like Goldblum's world. But what's so wrong with celebrating the love and youthful lust that still exists in couples past a half-century? Even if a May to December man like myself is fine wine biased. Love is love. And as for the ghost? Respectfully done, it'll give you anything but the Dickens.

What does truly terrify you is the state of affairs we are left in. Not only is the sixth and final series of 'The Crown' on Netflix, told over two parts from November to December, it also hits us in the heart with two losses. One being, of course, the death of Diana. And the other being the fact that as 'The Crown' calls curtain, this not only is it, but this reminds us of what else we've lost. Her Majesty. God save the Queen, and in this final furlong of the big-three told over six seasons, two-by-two, respect is not only paid to the Holy Trinity of great actresses that have played her, the incredible Claire Foy, the great Olivia Colman, and the legendary Imelda Staunton, but of course her Royal Highness, Queen Elizabeth herself. The one nobody can possibly top, no two sides of the same coin, but just one, stamped in history. Knighted for reigns to come that will never come quite as close. We miss you, ma'am. Just like we still can't believe you're gone. 

It still feels strange saying King Charles. But long live. And 'The Wire' star Dominic West is wonderful as Charles, especially when making peace with Diana, who along with Dodi always steals the show. This series may not touch controversies like the Prince Andrew or Harry ones (after all, you only have to watch 'South Park' to see they want their privacy) in spare scenes. But they do show just how claustrophobic the cameras of the paparazzi made Diana and Dodi. Just how scary these stalkers were. And what those bright lights and tabloids did to the young couple just trying to try out their love in headlines that will forever be etched in our flashbulb memories. The isolation captured perfectly as a forlorn Diana hangs her legs over a board in a perfect blue paradise she should and would have been so happy to have, if it wasn't for the reflections of all that lied below.

From Emma Corrin, and their first walk out into the public eye, to the redefining, chameleonic Elizabeth Debicki. Many have played Lady Diana, from Naomi Watts to Kristen Stewart as 'Spencer'. And no one has done her dirty like a Michael Jackson song the Princess wish she heard at a concert where the King of Pop left it off his set list out of respect. This series even had two iconic performances. Soon this will be like Hamlet, or Macbeth, when many people will play her with their own inspired interpretations. But unlike Shakespeare's globe reach, this face famous all around the world was real. So respect is of the highest order. Yes, this show knows how to hold up a mirror to the drama with its own nuanced look at the grey area, but what's really to be celebrated, before it is commiserated in a cruel twist of fate's fickle fingers, is the love and fun Diana had with her family. And of course we mean her two boys, who we are still heartbroken for, no matter what has transpired since, for better or worse. 

Driving her car like Stewart or Murakami, and listening to 90s nostalgia like Chumbuwumba, or an 'Older' George Michael, this was a different time, and an iconic one, until tabloids and tragedy struck like the Big Ben chimes of the six o'clock news. No matter how many times Diana got knocked down, you know what she did again, never letting anyone keep her down. And yes, that sentiment shared in a song feels fitting. All until everyone else was too much. The great Jonathan Pryce, a heartbreaking Lesley Manville and outstanding Olivia Williams. The brilliant brand-new love of Ed McVey and Meg Bellamy as William and Catherine. Not to mention Luther Ford as Harry, acting above being sometimes branded as a stock villain. They all help 'The Crown' shine with its sixth seal. But none like The Queen herself and the one that would have been if we just let her breathe. Diana should still be here, the people's princess, taking care of her own, as others speculate about her sons. Making peace with the mother-in-law who just wanted her to find hers. Maybe now, watching over us all, they have found both of theirs, together. Forever. TIM DAVID HARVEY.

Further Filming: 'Spencer', 'The Queen', 'Downton Abbey'.

REVIEW: MAESTRO

4/5

A Star Is Reborn.

129 Mins. Starring: Carey Mulligan, Bradley Cooper, Matt Bomer, Maya Hawke & Sarah Silverman. Screenplay: Bradley Cooper & Josh Singer. Director: Bradley Cooper. In: Theatres. On: Netflix. 

Taking his glove off to shake my hand in the bitter New York winter cold, after I thanked him for his performance in 'Silver Linings Playbook' helping my anxiety struggles, Bradley Cooper is a true gentleman. Despite some of the sleaze labels some have given him in Hollywood, when they made a scandal out of how good his and the Academy Award-winning Lady Gaga's performances were in the 'A Star Is Born' remake powerhouse. Like David Spade said after their Oscars' performance of their hit (and one of Gaga's biggest), 'Shallow', "are these guys f#####g?!" Turns out they were just f#####g with us, and as a matter of fact were just absolutely amazing actors. Back when I met him, after Russell's 'Playbook' with Lawrence (David O. and Jennifer respectively), we were beginning to see shades of Cooper's true calling on the stage. 'The Hangover' star was on Broadway for his empathetic and all-encompassing portrayal of 'The Elephant Man', which made it to London's West End. Following this and Bradley's directorial debut, we now know what's true with this star reborn. Bradley Cooper isn't just one of the best leading men out there, he's also one of this generation's great directors, in the actor slash mode of a Ben Affleck chasing the legendary likes of 'The Tender Bar' of George Clooney and the great Clint Eastwood (who Cooper collaborated with front and centre in 'American Sniper' and then in support of 'The Mule').

Composed and conducting himself classically, Cooper is incredible in the magnificent 'Maestro' from the bicycle pedalling Amblin Entertainment, now streaming on Netflix for your Academy consideration service. 'The Place Beyond The Pines' and 'Limitless' star's love letter (co-written with Josh Singer) to the late, great Leonard Bernstein is a thing of boundless beauty. Forget what hacks have said about the prosthetic nose (the aging is amazing), this portrayal of the beloved Lenny, who refused to alter his last name to bridge the gap from behind the scenes, to stage conduction, is one of legend, for a legend, as Cooper continues his legacy. Underrated on his own 'A Star Is Born' movie thanks to the Streisand show stealing power of a singer and actress going Gaga, people forget how Bradley proved he could play guitar, write his own hit songs and let it all rip on the live circuit, actually touring around the world to film the anything but staged concert scenes. Hand him a conductor's wand here, and he'll give you even more magic, Harry. One particular performance, which you can see on the sweaty strands of hair on the Best Picture contender (surely, let the awards come) poster, is so iconic it will go down in movie lore. And that's after the more intimate scenes of inspired beauty (and at some times, relationship brutality) of the muse behind the maestro's madness of talent, that even features Snoopy, as Bradley bowls all us Charlie Brown's over with a fastball. It's a cinematic dream like an R.E.M. reference that feels more than fine.

As Hollywood as they come in 'Blonde' first-half black and white like 'The Artist' that he is, Cooper's direction gives us the greatest show, man. Staging it all, one minute he's a young Hollywood heartthrob, like when he first came out, just hanging out over a piano with a cigarette. The next, he's a Broadway showstopping sailor, whose tapping could even make Channing Tatum cry 'Hail Caesar' like there really were, 'No Dames'. Headphones on, the first half of this period piece in the 1940s feels like old Hollywood to the land. Bringing outstanding orchestration and big brass to a character's walk off the bus, that makes us feel like we are on the stardom path to a true great of this generation. We really are with the 'Promising Young Woman' of Carey Mulligan. Of course, 'The Great Gatsby', 'Wildlife' and 'Shame' star has already given us an education in acting. But here, with real 'Drive', the 'Never Let Me Go', 'Inside Llewyn Davis' and 'Mudbound' best actress of our time, continues her reign after 'She Said', playing Felicia Montealegre with absolutely everything she has to bear. Especially when there's an incredible walking moment of juxtaposition in concert, all the way back to the hotel room with the slippers left outside the door. Yet, think of a number, and back-to-back, Cooper gives us the same chemistry with Carey that he did with the one and only Lady. No one else can come close, but even Sam Elliott got an Oscar. And a scene-stealing Matt Bomer makes his case here, alongside 'Stranger Things' star Maya Hawke (whose pops Ethan played with Netflix last week to 'Leave The World Behind') and comedian Sarah Silverman, who is showing she is a serious acting talent. Spielberg and Scrosese have even got behind this project, because Bradley is a true 'Maestro'. Take a bow! TIM DAVID HARVEY.

Further Filming: 'A Star Is Born', 'Tár', 'Blonde'. 

STAND-UP REVIEW: TREVOR NOAH - WHERE WAS I?

3.5/5

The Yearly Show.

108 Mins. Starring: Trevor Noah. Director: David Paul Meyer. On: Netflix. 

Two-by-two, comedian Trevor Noah really is living up to his last name with his latest Netflix stand-up special. It doesn't really feel like it's been over one year since the last one. Although 2022's 'I Wish You Would' only came out on the first week of December, unlike this next to last week one, if you really want to split hairs. The arc of the former 'Daily Show' Stewart successor, who made his own legendary lane, and 'Born A Crime' bestseller is really setting sail now. Finding his post politics career trajectory with frequent director collaborator David Paul Meyer for his latest comedy show, spinning in the Motor City of Motown, Detroit. If heading back to the Sandman spotlight of the pure art form of one man and a microphone is Noah's new gig, then he'll never be told to get off the stage.

'Where Was I?' Forget about that! Where was he? As Trevor takes you from Berlin, Germany and how amazing their accountability is, to the America he knows and loves to this day...even if it could end, like the world at any New York minute. Trevor Noah has some pointed, nuanced things to say about the big song and dance everybody is making about which bathrooms we can pee in...and just wait until he gets to the national anthem, right after comparing the abridged German one to Darth Vader's marching music. Wondering why the US sings it at home sporting events, outside the NBA in Canada. Those who don't want to take a knee, don't worry, he's not taking an aim at you. Although, you will double over in creases when he breaks down how American's sing the anthem and turn it into something sexy and fly swatting. This is the sort of water spit inducing bit that will leave your snacks all over your laptop screens, just like when he made an iconic impression of President Barack Obama in his special last year, which we just wish he would do again. It'll have you unable to resist, laughing along like you sing to Neil Diamond's 'Sweet Caroline'. Ba-da-ba-ba. Good comedy never seemed so good.

'Patricia' was proud. 'Afraid Of The Dark' showed you he was fearless. And 'I Wish You Would' granted us what we really wanted. Now 'Where Was I' is the perfect tour-de-force looking back on his calendar and passport stamp page. From bed bugs in Paris (yep, it really is a problem. I've never heard my family say no to a trip to France before), to a classic limo cameo in closing, this show is no stretch, it's a perfectly timed, take of terrific tickles for your ribs. A few good critics have decided that this feels more like a TED Talk than a stand-up set. So how about a TREV Talk? Because I could listen to this man muse all day, and aren't the best TED's the one that make you laugh, and cut Diamond jokes? Mining more, Noah has certainly found his footing on stage. Sure, he's a few steps away from the red rope of a 'Headliners Only' Netflix special featuring Kevin Hart, Chris Rock and a very, special guest. But he's one himself, literally in that Garden of comedy Eden in the Big Apple. And his own direction is rife with warm, welcoming humour, that in this Matt Rife day and age is Seinfeld safe, but just like Jerry, still f#####g funny! Not curbing your enthusiasm, but encouraging it. Across the atlas, there's thoughtful and insightful satirical humour, that his old show was known for, here. And even the top five things white people love the most (I'm so triggered, and where's the mayonnaise?), to break down the final curtain. Trevor Noah has been around the world (and I, I), and it's clear he's still going places. TIM DAVID HARVEY.

Further Filming: Trevor Noah 'I Wish You Would', Trevor Noah 'Afraid Of The Dark', Trevor Noah 'Son Of Patricia'.

TV REVIEW: SQUID GAME - THE CHALLENGE (Season 1)

3.5/5

The Squid and the Whale.

10 Episodes. Based On: 'Squid Game' by Hwang Dong-hyuk.  Produced By: Studio Lambert & The Garden. On: Netflix.

May the odds always be in your favor. Dammit! Wrong game. Still, Netflix's 'Squid Game' is making a killing. The South Korean, most successful and streamed show on the service announced a hugely anticipated second season, this year. Until then, the wait may not be over, but you can still enjoy 'The Challenge'. A reality TV game show based on the series, whose sets are so alike to the actual arena itself, that I almost (almost) believed my sister that they actually kill the losers of this competition with millions in the piggy pot on the line. But this isn't when we were kids, and you tried to convince me back in the day that the world was actually black and white, like it was on TV. I'm not falling for this one (am I?). Instead, a collection of contestants waiting on sidewalks from all across the world (Australia, Chicago, London) are hit with the kind of squib like paint bullets which make you think they really should be wearing goggles. Did they never watch Ant and Dec's response in 'Byker Grove'? "He can't see, man!"

Even though the next middle-aged white guy (I can't talk) who says "let's go", or "we in here" is getting red light green-lighted, 'Squid Game-The Challenge' still meets and then exceeds all expectations. It's got all your favourite games for your umbrella academy, like the one with the doll, and maybe even a tug-of-war. But it's the selection process that reveals so much more about us as humans. You'll be as disgusted as you are of the sound of them all licking their biscuits, which is something I never thought I'd write about (notice I just said, write). This show may be a winner takes all designed to screw each other over, but do some have to be so burger stealing blatant about it? Not convincing us to pick up the phone, or that they mean well as those who've done the behind the back crime, react like that Drake Toronto Raptors fan meme of former Golden State Warrior Kevin Durant getting injured in the NBA Finals in real time to his betrayal bringing forth someone else's elimination. This show may be chock-full of b######s and b#####s, but the biggest one is karma. Don't get used to anyone you meet in the 'Big Brother' like diary room for too long, now.

This show may be a student of psychology's dream (I myself was eliminated from that form of competition), but don't hold on to much hope for humanity here. The only thing more grating than the backstabbing, the gen z lingo used by the millennials heading for father time myself, or even the biscuit licking, has to be the shameless self-promotion. Sure, there's nothing wrong with confidence, and you're not going to win this game without it, but tone it down a tad. "I'm the greatest!" Modest too. "I think my best quality is...", your humility, maybe?! And trust me, this is just a game and a show. God didn't put you here to do this, he's busy with much more important issues in the world right now. Just hold on to your umbrella and be done with it, maybe. But this inhuman ignorance displayed here isn't, 'Squid Game-The Challenge's' fault, they're just holding up a black mirror to it all on Netflix. And we're more than happy to lap it up like cats for these contestants who are all about the cream ruling everything around them like Wu-Tang. So what does that make us? And would we do the same? After all, this is 'Squid Game'. Whose pink boiler factory setting suit and PlayStation fencing mask, plus Tenenbaum tracksuit made for last year's most popular Halloween costume. This trick is straight scary, but still a treat before Christmas. And with a second season of this on order too, let the real games begin. TIM DAVID HARVEY.

Further Playing: 'Squid Game', 'Big Brother', 'Who Wants To Be A Millionaire'. 

DOCUMENTARY REVIEW: KEVIN HART & CHRIS ROCK - HEADLINERS ONLY

3.5/5

Between a Rock and a Hart Place.

82 Mins. Starring: Kevin Hart, Chris Rock, Bill Burr, Jerry Seinfeld & Dave Chappelle. Director: Rashidi Natara Harper. On: Netflix. 

Imagine reading all about this in your New York Times. Rock. Hart. The Garden. The two kings (or should we say GOATs?) of comedy with a special guest. Like Steve Harvey (what's up, Pops?), D.L. Hughley, Cedric The Entertainer, and the late, great, dearly departed Bernie Mac. Making Madison Square The Mecca again like when Jay-Z, Billy Joel, Bruce Springsteen, or Prince played here. The house that King's, Ewing's, 'Melo's and Brunson's built. Pearl's and Clyde's. The Eden in this Big Apple you just want to take a bite of. Not to mention the Nets Knickerbocker neighbouring Barclays Center in Brooklyn, where Rock's pops used to work. Although, we would love to see this show live, like the real thing. The streaming service Netflix does the next best thing with their 'Headliners Only' documentary film following their Batiste 'American Symphony' bringing art back to NYC like a Basquiat jersey. Now, in this cancel craving age, if people still don't see that stand-up is art, then it isn't Netflix that is the joke. Like Chappelle shows, Chris Rock had people reciting his bits like lyrics. Now it's Kevin Hart who is Drake to his legendary Jay-Z (he may show up at his Mecca to pay respects too), or Kobe to MJ. For comedy jam, what Jackson is to moonwalking.

Chris Rock himself, an alumnus of SNL, described those he came up with being like X-Men's school of gifted comedians. But no one had it quite like him. The best since Murphy, who passed the torch from Eddie to Dave. But no bridge, his career is far from over. It's like he said, he's not entering the Hall of Fame whilst he can still play. Putting up 25, 8 and 6 assists. Handing nothing to nobody, but more than willing to share the floor with the former Rookie of the Year, whose now an MVP too. Rock to Hart. Heart to Heart, these roc boys in the building are cutting and putting up diamond performances tonight, as they drop more mics than The Source. Your one-stop shop to a guaranteed laugh like Caroline's on Broadway or New York City at 3AM with a two drink minimum. Just look at the greatest of the Apple when it comes to that job, share the stage. Luminaries and peers like Jerry Seinfeld and Bill Burr offering hilarious, but also insightful testimonials. Seinfeld perfectly summing it up like the mined beginning of 'There Will Be Blood', better than the time he asked the late, great Larry King if this was still CNN in his defence. Yes, comedy may be silly, but this is serious stuff. And this defining documentary aims to bruise as many ribs as it tickles, pulling no punches. 

A slick and sick soundtrack, matched with establishing shots of New York, New York, make this concert behind the scenes film as unforgettable as Nat King Cole. Especially when these three(?) kings wax lyrical about their trust in the process, and how divine comedy can be in all its God laughs tragedy. Offering substance to the New York City streets style of a streaming service film that looks as much as this billion dollar former blockbuster provides, or how much you'd have to ante up for a ticket to one of these sold out shows. And it's all worth that very price of admission, even though you get about as much time on stage as you would if you saw The Sandman on your left like Captain America. No matter though, whether chopping it up in restaurants we also couldn't get a reservation for, or just being funny with the routine stuff they say (like what Rock says about our beloved Boss), this more intimate look of two real influencing, generational greats is inspired. Taking us higher when Cedric and D.L. offer our own individual ignorance, some African proverbs together. And that's the point, rap God Nas (with another classic to set off these proceedings this evening), once said "there can only be one mic, and there can be only one king", but then even he squashed his beef with Jay-Z. But these days you can have more than one GOAT on this Mount Rushmore that would definitely carve their faces like pumpkins, (which back in the day would make a great battle rap). That's something that those looking for that life may need to heed in this history lesson. Especially when 15 minutes have become seconds in this world, as individual as Insta and forgettable as one of their stories with TikTok attention spans. Oh, and to never go to a meeting hungry, you'll find out why when you get your fill by watching these headlines only like the morning papers. Continue watching the throne. TIM DAVID HARVEY.

Further Filming: Chris Rock: 'Selective Outrage', Kevin Hart: 'Zero F###s Given', Kevin Hart: 'Don't F### This Up'.

REVIEW: THE SHEPHERD

 

3.5/5

Flying Home For Christmas.

39 Mins. Starring: Ben Radcliffe, Steven Mackintosh & John Travolta. Screenplay: Iain Softley. Director: Iain Softley. On: Disney +.

Some folks won't get back in time for Christmas, this year. But spare a thought for those who never made it home at all, lost to the skies. That's what Disney + do with their new short film 'The Shepherd'. Guiding you through the legendary 1975 book of the same name, by the great Frederick Forsyth. Scripted and directed by 'The Wings Of The Dove' of 'K-PAX' director Iain Softley. A film that felt like John Travolta's 'Michael'. He's also in this too. The 'Pulp Fiction' and 'Grease' icon, not the charming, fallen angel he played who wanted to see the world's largest non-stick frying pan. Alongside 'Luther' and 'Rocketman' actor Steve Mackintosh. Backing up our lead and young fighter pilot Ben Radcliffe ('Masters Of The Air', 'The Witcher') whose just trying to make it home on Christmas Eve for the one whose waiting for him by the tree with the porch light on. Produced by Travolta and the 'Gravity' of the great Alfonso Cuarón, this grounding feature soars with subtle beauty. Taking wing on a traditional texture, but telling a timeless tale of the spirits of the sky that help lost souls find their bearings. Like Rudolph with his nose so bright, guiding Santa's sleigh tonight. 

Aurora. Awash in the great Northern Lights like hue, the beauty before the brutality of Ben's character staring death down from the nose of his plane will truly terrify you. Heading home by the grace of God and a schedule change, this should have been a milk run, until engine failure serving as fate's laugh, put all hell to man's plan. The claustrophobic cockpit confines will really compel this idea to you. That is, until a confidant helps him on his journey as the words on the radio come into fond relief like the time you heard the brave, new world order of Captain America utter the immortal words, "on your left" to the one who carried the shield before him. This great British film taking us back to the 50s RAF is a crowning achievement worthy of a salute in the same fall we see the final rise of Her Majesty The Queen on Netflix. This HollyShorts Film Festival favourite will warm your heart like chestnuts roasting, this Yuletide season. Fans of 'Top Gun-Maverick' and co-star Glen Powell in the aviating 'Devotion' with Jonathan Majors from way back when will love this trip. Yet this shares the same flight plan with Chris Pine's true life vessel rescue of the underrated Disney epic 'The Finest Hours', guiding men home safely to shore from the lighthouse. 

A Vampire meets a Mosquito in these friendly but turbulent skies, but no blood is lost as this film does anything but suck the life out of you. Lest we forget, this is a love letter sent by air mail to all those who dedicated their lives just so we could make it back around the constant calendar for another Christmas with the ones we hold dearest. Piloting this picture, a real and revelatory Radcliffe brings this right back to our door with a definitive performance, punctuated and direct. His last film was the Nick Frost dance-off 'Cuban Fury' from over a decade ago. You can bank on his next one being sooner and longer than this, less than a half of football screen time. It's the perfect short to remind you, between all the trimmings of turkey and tinsel, what the real meaning of Christmas is. Giving what we have to those less fortunate. The star-power of 'Saturday Night Fever' icon and mid-90s 'Face/Off' and 'Broken Arrow' legendary hero...and sometimes villain, John Travolta, will stop people from scrolling past the Plus menu. But it's the guardian influence he and a scene-stealing Mackintosh have on our young gunner that will really leave the most indelible impression. If you already know the Forsyth saga, then please don't let that eggnog leave your lips loose for those you share the sofa with. Because the reveal of this journey will move even more if it comes by a bittersweet and sobering surprise. Even if you see it coming a mile off. What 'The Shepherd' really herds you to in the light, is the remembrance of all our fallen soldiers. Something that will always be held in our hearts, long after the paper poppies have wilted on our lapels and lost their pins. This shepherd refuses to leave any of its lost flock behind. TIM DAVID HARVEY. 

Further Filming: 'The Finest Hours', 'Red Tails', 'Devotion'. 

REVIEW: THE POD GENERATION

3.5/5

Brave New World.

109 Mins. Starring: Emilia Clarke, Chiwetel Ejiofor, Rosalie Craig, Vinette Robinson & Jean-Marc Barr. Screenplay: Sophie Barthes. Director: Sophie Barthes. In Theatres.

Ever since we took a bite out of the big, digital apple, we've been obsessed with pods. From iPod's (yes, I still have one. Praying to Steve Jobs that it lasts forever) to AirPods (which my friend hilariously once said makes people ears look like something out of 'There's Something About Mary'...I think he now has a pair, too). We really are 'The Pod Generation'. In this applied, electric, eclectic age of turning convenience on its head like 7-11, we really have become the swipe age that Steven Spielberg's 'Minority Report', based off the findings of science-fiction forefather Philip K. Dick, promised. Although, we still need to see these digital newspapers that constantly refresh as you read. Try using that for your fish and chips. Weary of the rise of A.I., is our humanity and heart artificial in the face of all this intelligence? If only we could hold up a 'Black Mirror' to ourselves, and really see what all that screen time is worth, and at what cost. We want to go from A to B so quickly that our self-driving cars of the future may drive us off the road, like Netflix's end of the world epic 'Leave The World Behind', also out in Japan this week. Could pods shaped like a TeamLab Borderless egg take away the pain and burden of childbirth for modern families?

Talking about this generation, there's no movie like this pioneering one for the future to replicate. Even if you search your IMDB's like you used to your memory banks, for a list longer than the amount of production companies that have got behind this look of the big picture. So many that you may be left as frustrated as Peter Griffin in 'Family Guy' when he thought all the exciting, establishing logos at the cinema were actually scenes from the movie he was watching ('Man Staggering In A Dark Alley After Being Shot In The Arm Productions', anyone?). But whatever it takes to get original ideas films financed these days in this Marvel movie world and streaming service cinema. The 'Cold Souls' of dynamic director and writer Sophie Barthes helms this sci-fi romcom that doesn't pull any subtle punches at this calculated digital era. Filmed in beautiful Belgium, masquerading as the Big Apple, this New York couple played by two great Brits are the real deal. Just like the applied look at some fantastic futuristic enhancements that may help (that we will leave as a surprise), as well as hinder. It's just all part of the treadmill we're walking on, like a scrolling phone, literally whilst we work. It's enough to make you visit your A.I. therapist the way none of this feels human any more in our new normal and out of this world as we knew it reality.

Cynicism be damned, though. There's a beautiful, broody, beating heart to this love in times of technology family. 'Game Of Thrones', 'Secret Invasion' and 'Last Christmas' (make that your festive pick to kiss under the mistletoe) star Emilia Clarke just wants to be a mother. And nature vs nurture, which way will she choose. Dreams of her pregnancy that haunt her come across as both beautiful, and brutal in the loneliness they are carrying in this labouring for love. What can't be denied is the charismatic Clarke's charm, that endears all to her character. You can tell the person she is playing truly loves her husband. Just like '12 Years A Slave' icon Chiwetel Ejiofor loves her back too and the soil of the natural world that still allows you to get your fingers dirty in this all surface, storage cleaner gen Z. When he too can carry the baby and do his share, with an applied harness that needs some IKEA like instructions, Piers Morgan giving Bond bulls### can be damned. This Sundance Film Festival also features 'Sherlock', 'Doctor Who', 'Black Mirror' and 'A Christmas Carol' favourite Vinette Robinson and the theatrical Rosalie Craig as a Womb Center Director. Not to mention 'Harry Potter', 'Andor' and 'The Tragedy Of Macbeth's' Kathryn Hunter, and Jean Marc-Barr as a Bezos type. But it's the central characters that really bring this birthed idea home. One that can inspire a new generation to grow pods from their own seeds of life. TIM DAVID HARVEY. 

Further Filming: 'Her', 'Mitsuko Delivers', 'Black Mirror'. 

REVIEW: LEAVE THE WORLD BEHIND

3.5/5

At World’s End. 

141 Mins. Starring: Julia Roberts, Mahershala Ali, Ethan Hawke, Myha'la & Kevin Bacon. Screenplay: Sam Esmail. Director: Sam Esmail. On: Netflix. 

When the rain starts to pour, and the world comes to an end, this movie will be here for you like a 'Friends' reference that feels fitting in this film after we lost the dear, comedic legend Matthew Perry, last month. Netflix, have been there before, here's looking at the apocalypse then of 'Don't Look Up' starring megastars Leonardo DiCaprio, Jennifer Lawrence, Jonah Hill, 'Wonka' (also out this week), Timothée Chalamet and Meryl Streep. This star-studded affair focusing on the end of the world as rapid eye movements knew it, billed by Julia Roberts, Mahershala Ali, Ethan Hawke, Myha'a and Kevin Bacon feels more akin to the 'Mother' of all Netflix psychological mindf### movies in 'I'm Thinking Of Ending Things' starring a breakout Jessie Buckley ('The Lost Daughter', also from the streaming service). Especially with the cluster-screw of a confusing ending that compounds it all. Still, with a world that's felt like it's been ticking since the "millennium bug" and then the very real COVID pandemic, why not 'Leave The World Behind'?

Based on the book of the same name and lane by Rumann Alam ('Rich and Pretty', 'That Kind Of Mother') and adapted and directed by Sam Esmail ('Mr. Robot', 'Homecoming', 'Comet'), 'World Behind' reaches the deep impact Higher Ground of Barack and Michelle Obama, presidential productions. Attaching their name to this Netflix film like they did Colman Domingo's Oscar favourite Civil Right movie 'Rustin' and the 'American Symphony' of a Jon Batiste and Suleika Jaouad documentary this fall. Although this latest Netflix episode frustratingly feels more like 'The Old Guard' of their big-budget and name 'The Gray Man' blusters, rather than 'Passing' The Academy bar of say 'The Irishman', or 'Marriage Story' (not to mention, 'Rustin'). Something that frustratingly feels all too familiar to something this most successful streaming service seems to subscribe too. As their big home cinema movies, seem to miss the mark of their prestige TV shows like 'Squid Game', 'Stranger Things', 'Ozark' and (SAVE) 'Glow'. Talk about being desperate to see a last episode. Maybe something doesn't translate when it's not on the big-screen, like trying to watch Christopher Nolan's 'Oppenheimer' on your phone, but that doesn't account for most N movies being off-pace and kilter in the way they probably think you are bingeing and pausing it on a train to work. Now, I promise you, that's not what I'm doing. Honest.

'Guess Who's Coming To Dinner' meets '10 Cloverfield Lane' with a 'Knock At The Cabin' in an apocalyptic piece of cataclysm cinema that stares through the peephole at the who, not at the why, or what. Meeting a classic moment of cinematography juxtaposition as a split screen sees a well-dressed family at the door of their own home, rented by the casual Friday attired holiday homers, armed with their suspicions and the nearest thing to hand. One is black, one is white. You be the judge of who's who, but don't you dare dismiss the grey areas lying in this, man. The mystery of 'Moonlight' and 'Green Book' double Oscar winner Marhershala Ali's refined character is 'True Detective' deep, but at a 'Blade' tipping point. We'd say the knockout Ali is an acting descendant of Poitier and Washington (Denzel was originally meant to make a 'Pelican Brief' reunion with Roberts) with how he carries himself and his acting talents. But then wouldn't we just be playing into the 'Green Book' like tired stereotypes of only comparing actors to their own race? Like every white ball player to Larry Bird. We're just comparing like for like greatness here, though. Throw the manual and script out and watch Ali float like a butterfly, dancing with Julia. Kudos to whoever picked favourite Blackstreet's 'Let's Stay In Love' for the soundtrack, too. We hope it was Roberts. The fact that she was the one who caught all that crap for some dumb Hollywood exec suggesting she should play Harriet Tubman is still so ridiculous. It wasn't her fault, but the one of a tone deaf industry. Let's not make the same mistakes.  

Let's just say Mahershala is his own man, worthy of recognition for just one name, like the great Myha'la. It's Julia Roberts who heads this class cast though, which also features a scene-stealing, sizzling with red cap rage Kevin Bacon. Is her character thinking through misplaced misanthropy, or just the sadly as American as apple pie, racism? One thing's for sure, the 'Pretty Woman' and 'Erin Brokovich' icon keeps bringing the deep dramatic acting. We still can't get over her taking Lucas Hedges to a cemetery in 'Ben is Back' and asking where his drug addicted character wants to be buried. Yet in all this white noise of oil tanker's and Tesla's running riot (that has got Elon Musk all in a tizzy), not to mention more deer staring at you than Nara Park in Japan during corona when there were no cookies, it's our best actor Ethan Hawke giving us the speech of his life that really resonates. Calling himself a useless man, in this world of many, despite the fact that unanimously this actor is anything but, adding to his acclaim. Leave all the Oscar and saving the world stuff behind for the superheroes and stars, though. This one forces you to put your phone down and take notice. No longer stuck in second gear, like it hasn't been your day, your week...you know how the rest of the calendar goes. Don't have a phobia of no tech in your reach. C'mon, just leave it. After all, it's not the end of the world. Right? TIM DAVID HARVEY.

Further Filming: 'Don't Look Up', 'Knock At The Cabin', '10 Cloverfield Lane'. 

REVIEW: WONKA

4/5

Chalamet and the Chocolate Factory. 

116 Mins. Starring: Timothée Chalamet, Calah Lane, Keegan-Michael Key, Paterson Joseph, Matt Lucas, Mathew Baynton, Sally Hawkins, Rowan Atkinson, Jim Carter, Tom Davis, Olivia Colman & Hugh Grant. Screenplay: Simon Farnaby & Paul King. Director: Paul King. In: Theatres. 

Call him by whatever name you like, but call Timothée Chalamet the man with the Golden Ticket to Hollywood. The 'Call Me By Your Name' star and 'Beautiful Boy' is about to go electric as Dylan, following Part Two to his epic 'Dune' saga with fellow generational great, director Denis Villeneuve. It's going to be quite a year, like it has been for his friend Greta Gerwig, whose movies ('Lady Bird', 'Little Woman') he's done the most in with bit parts. Now, he follows in the chocolate wrapper dropping footsteps of more than a meme, the late, great Gene Wilder ('Willy Wonka and the Chocolate Factory') and Johnny Depp ('Charlie and the Chocolate Factory'), collaborating with the Scorsese to his De Niro (or DiCaprio), to give us 'Wonka' (make sure you pronounce that properly), an origin story with a twist. Chocolatiers, lend me your ears, and taste buds, because you've never seen Willy Wonka (again, please pronounce it properly, for the love and all that is holy) quite like this. All in the same fall another friend of Tim ('The French Dispatch Of The Liberty Kansas Evening Sun'), Wes Anderson gives us his Netflix Roald Dahl shorts ('The Wonderful Story Of Henry Sugar', 'The Swan', 'The Ratcatcher', 'Poison'). Do-ba-dee-doo! 

The charming and charismatic Chalamet really is the greatest showman like Hugh Jackman, showing those worrying about his Zimmerman chronicles that he really can sing, and has even more in his back pocket. All to the tune of The Divine Comedy of Neil Hannon music on this 'National Express' to a London looking Big Smoke and mirrors. And to those haters that can't get with this festive feeling fall wonder, asking what's he doing with that suitcase of tricks bigger than Eddie Redmayne's in 'Fantastic Beasts'? You'll float too! He's making chocolate, of course? Now, how do you like that."Dark? White? Nutty? Absolutely insane?" With the perfect head tilt that shows, Timmy could play The Joker for Burton in another multiverse. But this is Paul King's mesmerizing musical fantasy. The man that brought a certain Peruvian bear with a penchant for marmalade to life, ladies and gentlemen. King has crowned an amazing achievement once again. Tip of the hat and cane to the superstar, he's studded with another franchise to his name. Sure, this candy coated, sweet treat of an extravaganza, may rot the teeth of most, but after the year we've had we could all use a spoonful of sugar to help this movie medicine go down. The air of Nike certainly know how to just do it...and go with it. Gift boxing Timothée with some iconic rarer than chocolate rocking horse crap, 'Wonka' edition sneakers to rock at the NBA's first In-Season Tournament cup that Hollywood won too.

Chalamet is as much a 'Wonka' (come on, now), as Depp and Wilder, at times even a wilder one. But there's more in this box of chocolates, where you never know what you're going to get. 'The Day Shall Come' when Calah Lane will become a star...and that day is today. Even with an all Academy of talent in this Hollywood hit-making, churning factory. One half of the iconic duo that's given us the new horror hallmark, Keegan-Michael Key is remaking his career in his own key of life too. And he's hilarious as a police chief who may be getting a little Wiggum at the waistline in this wonder. If that scares your paunch, perchance, then wait until you see the Chocolate Cartel. Led by 'Casualty' legend Patterson Joseph (there will be a risk of a diabetes medical emergency here), 'Shooting Stars' icon turned Hollywood hot property Matt Lucas (trying to shoot down this budding star) and the hilarious 'Gavin & Stacy' star Mathew Baynton (don't mention the poor). 

If that wasn't enough, the hilarious 'King Gary' in regal attire Tom Davis, and another legend in 'Downton Abbey's' Jim Carter are here. There are so many big names on board that even the legendary likes of Sally Hawkins, Rowan Atkinson and Olivia Colman almost get lost in the shuffle, but you know big deals like that never could. The biggest being 'Notting Hill's' own Hugh Grant having the fun year of his career with this and his play in 'Dungeons and Dragons' ('Honor Among Thieves'). He's the funny little man that's being following Chalamet around. Yes, that's right, he's an Oompa-Loompa, but we can't believe they didn't get a real orange skinned person whose been Tangoed, or starred on 'Geordie Shore' to play him. As for the rest of the hate and debate, pleeeease! Just wait until he goes vertical, or dances. Once he starts, he can't be stopped. Just like this fountain of chocolate, that's just the ticket. TIM DAVID HARVEY.

Further Filming: 'Willy Wonka and the Chocolate Factory', 'Charlie and the Chocolate Factory', 'The Greatest Showman'.

TV REVIEW: FRASIER - Revival Season 1

4/5

They're Calling Again. 

10 Episodes. Starring: Kelsey Grammar, Jack Cutmore-Scott, Anders Keith, Jess Salgueiro, Toks Olagundoye & Nicholas Lyndhurst. Developed By: Chris Harris & Joe Cristalli. 

Cheers to you. Goodbye, Seattle. We loved you. Back in Boston, Frasier Crane may have left Seattle like the Supersonics on a reverse 'Cheers'. But he's still listening, going from Seattle's Best Coffee to Beantown. So get ready to toss your salads and scrambled eggs, even if critics have left you not knowing what to do with all this Paramount + revival sequel, rebooting the golden era 90s sitcom that was just as popular as those 'Friends' that will always be there for you (Rest peacefully, Matthew Perry). When the rain starts to pour, even outside the Pacific Northwest, you may think this doesn't pass the bar like Sam Malone. But this psychiatrist still knows how to shrink back into his most iconic character. Kelsey Grammer wears his Frasier alter-ego like a tailored, bespoke suit. So much so, you'll still be forgiven for calling him by his character name, even if he has other iconic ones that could leave you grumbling like stepping on a rake repeatedly. 

The Beast of the X-Men franchise has the sleepless outside of Seattle blues, but as soon as he moves into a new apartment and finds himself another watering hole that isn't as iconic as the one propped up by postal workers and people whose name everybody knows, but still a sweet spot, it all begins to blend seamlessly together. Making this reboot a clear continuation and its own successful sitcom in its individual right. All the way to the classic drawn-up intro ID, even though the skyline has clearly changed. Go ahead and call up. Baby, this has still got you pegged. 

What is a boy to do? Tell me what you see, like those legendary lines on the title-cards. Over the Custom House and Prudential Tower and Zakim Bridge past 111 Huntingdon Avenue. Or the literal on the nose Rorschach test of Dr. Crane's new Massachusetts digs. Based on the acclaimed David Angell, Peter Casey and David Lee show, created from Glen and Les Charles' 'Cheers' character, this new 'Frasier' that you could never replace in all his brooding bellows is redeveloped by Chris Harris and Joe Cristalli. With a polishing from Shiny Brass Lamp productions, Grammer helps clean up this shiny new example of an old favourite...this is far from his first rodeo. He's still got it, especially when he and his son can't work out which date is who's in a 'Frasier' as classic as the original situation comedies, like the time he refused to pay in a parking lot he just circled around, whilst trying and failing to find a space.

Speaking of his son, it might not be the original Freddie, but the firefighting Jack Cutmore-Scott adds new life to the family tree of daddy issues. Add Jess Salgueiro's scene-stealing neighbour and best friend, and across the hall like Chandler and Monica, you have a new favourite cast that replaced the old one. Sure, we're Niles away from a real Crane cameo like when David Hyde Pierce appeared on 'The Simpsons' as Kelsey's Sideshow Bob's brother (cue rake), but we can feel him on the other end of the phone. And we still have a couple of classic cameos we simply won't spoil, with more to come that we hope tend bar, culminating in a classic Christmas episode this festive season, directed to no dry eyes by Grammer himself.

There really is a young Niles in the amazing Anders Keith, who his and Daphne's son perfectly, showing the napkin doesn't fall too far from the table it just wiped. A perfect crossover as Frasier and Freddie play the new odd couple. Toks Olagundoye is the smartest mind in an educational big-three as Dr. Crane switches radio psychiatry, not to mention a terrific talk show we need to see on yet another spin-off, but if you miss that Frasier and Niles interplay, his old college roommate from England makes up for that in spades. Nicholas Lyndhurst is literally the best thing about this show. As the 'Only Fools and Horses' and 'Goodnight Sweetheart' star shows just how versatile he is, saving the day like when Rodney cosplayed Robin with The Del-Boy Knight. Can you even imagine, or picture it in a million years. But from his liquid lunches, brunches, breakfast and dinners, to the crowning name of his cat, this primetime Emmy ready talent teaches us all a thing or two. Even if he never actually shows up for class. And just you wait until he puts the gauntlet down. 

If you can't find comfort in this, sofa-side manner, then I don't know what to tell you. In a terrific third act, Frasier gets up to all sorts of tricks that would leave most on the other side of the therapist's couch. From mistakenly using murder metaphors, to being punch-drunk in love with looking like Cliff at closing. Not to mention who he sneaks out his apartment, so his son doesn't see. This time the came to fix your sink tongue in cheek is literal. This still feels like Frasier, like when he left Boston the first time for stormier skies in Seattle. This one proves you can go home...and make it your own again. But the heart lies with the one we lost in tender tribute. Like the late, great John Mahoney (Rest peacefully) says from his iconic La-Z-Boy throne in an apartment back in Emerald City, reigning from the heavens, "It all works out". Good morning, Boston. We love you too. Cheers. TIM DAVID HARVEY. 

Further Filming: 'Frasier', 'Cheers', 'Friends'. 

TV REVIEW: THE SANTA CLAUSES - Season 2

3/5

Second Clause. 

6 Episodes. Starring: Tim Allen, Elizabeth Mitchell, Austin Kane, Elizabeth Allen-Dick, Matilda Lawler, Devin Bright, Eric Stonestreet & Gabriel "Fluffy" Iglesias. Created By: Jack Burditt. On: Disney +.

Ho, ho, hold up! It's time for another Christmas already?! Just as we were boxing up our decorations, good tidings come around once again for you and your kin. So, before we wish you a Happy New Year, it's a Merry Christmas on Disney + with festive, streaming feeling. Not only are we fast and furiously 'Dashing Through The Snow' on a one horse open Ludacrismas with Lil Rel Howery for a film that's all about family, like Vin Diesel. But we now have the 'Home Improvement' family affair of another season of 'The Santa Clauses' featuring Tim Allen and his own daughter Elizabeth Allen-Dick, bringing on her own witching hour. Jack Burditt's second season stars the Ms. Claus of Elizabeth Mitchell, showing the great chronicles of Kurt Russell and Goldie Hawn that she's the original, a next in like to the Ansel Elgort throne, Austin Kane, and the new North Pole power couple of Matilda Lawler and Devin Bright. Tap in and nose your way through another half dozen episodes under your tree, as Allen looks to retire his red coat once again and hand it to the young buzz that is his son. But, will this show that now extends its Christmas run to two movies and series end up on your naughty, or nice list as it checks in twice? Coal or carrot, either way, Santa Claus is coming back to town like a Springsteen song.

Rocking around the Christmas tree, if 'tis is not the season for your Christmas spirit, it's been a rough year, than stand-up comedian and 'Magic Mike' star on the tree Gabriel "Fluffy" Iglesias will be your spoonful of sugar rush medicine like the milk and cookies you still leave out each and every year. Holiday cheers to the Speedy Gonzales of LeBron James' 'Space Jam 2: A New Legacy'. Not afraid to Bugs and Mickey, change lanes from Warner Bros to Disney, like DC and Marvel. He plays a kindly Christmas shop and lot owner with a charming little pop-up that might be a far sleigh ride from the grandest of grottos, but still something to visit. That is, until he's joined by one Santa whose knee you will be too scared to sit on. Stealing the snow, an almost unrecognizable Eric Stonestreet is undeniable as Magnus Antas. A Bizarro Santa. Not to mention, a Nutcracker throwback ready to break your balls as a truly mad Santa. The bawdy and bold St. Nick from the unanimous 'Modern Family' MVP is the best thing about season two and even has us wish listing a spin-off, before we get a third helping of all this Clause and effect. He has the best lines and biggest belly laughs and is a hero to us fellow rosy cheeked year-round face aches (no, I've not been skiing. Piste off). Sitting on his throne like Thanos, this former nutcracker is having a ball, discovering cellphones, delivery services and movie rentals that could put his own streaming service out of business.

Pole to pole, we've got an Easter Egg hunt of cameos and callbacks that make this cast of characters legendary. Some may say Bah Humbug to this like a Grinch, but with Christmas in the heart like Norah covering Dylan, this is a time to be happy and with family. And this show is exactly that. For those throwing rotten tomatoes at the sleigh, remember like the Roadrunner of Iglesias' 'Jam' with James, that most media and trolls love to hate, this is a darn kids movie. It's not really for you, unless it's fun for the whole family. Stop raising those high 'brows and unfold your arms, this does no harm. Even if Santa needs to be a little nicer this year. All coal, and ho, ho, oh no. So don't regret this like a Scrooge being visited by the ghosts of past, bound to give you the Dickens like a Christmas carol. Because, after all, did you forget what day it is? This Tiny Tim says God bless you as 'The Santa Clauses' hobble towards another dance around the North Pole. I dream of Christmas, and it seems to be every day in the household of the other Tim. But with a few home improvements, Allen has the key to unlock and unwrap more gifts for calendars to come. A streaming stocking-filler for you to peel away at like an orange in the bottom of the sack. Mistletoe and wine, this Disney + original will leave you dashing through the show. TIM DAVID HARVEY. 

Further Filming: 'The Santa Clause', 'Dashing Through The Snow', 'Home Improvement'. 

REVIEW: NAPOLEON

4/5

Napoleon Dynamite.

157 Mins. Starring: Joaquin Phoenix, Vanessa Kirby, Tahar Rahim & Rupert Everett. Screenplay: David Scarpa. Director: Ridley Scott. In: Theatres. On: Apple TV. 

No thumb down. This time next year, the most anticipated fall blockbuster will be Ridley Scott's long-awaited 'Gladiator 2' starring Paul Mescal, Joseph Quinn and Denzel Washington. Not to mention Connie Nielsen, Djimon Hounsou, and Derek Jacobi, reprising their roles from the 90s, golden era, landmark classic. But until then, despite his height, you can look up to this year's winter movie, the great Scott's 'Gladiator' reunion with Joaquin Phoenix like Ridley's 'Robin Hood' one with Russell Crowe. The epic 'Blade Runner', 'Alien' and 'Kingdom Of Heaven' director has a Napoleon complex, but don't thumb your nose at it, as he returns to his arena of battle royales like his 'Last Duel' with Adam Driver, Jodie Comer, Matt Damon and Ben Affleck, or the 'Exodus' of 'God's and Kings'. Only Spielberg 'Saving Private Ryan' wages war on screen quite like Scott, and one strategic battle, volleying cannonballs on ice (this is not a Disney movie) sees Ridley reflecting Napoleon Bonaparte's art of war like Sun Tzu. It will remind you of 'Game Of Thrones', and why, just like my friend said, that this Apple + production might have been better served as a series in this day and age of prestige TV. Then again, on the idiot box of a small steaming screen, you wouldn't be able to experience this, and the still on top of his game at 86, Ridley Scott's, cinematic classic for the mainstream movie making circuit. Turning big-screen blockbuster battles into an art-form in the same year the explosive 'Oppenheimer', merged with 'Barbie' and the 'Dead Reckoning' of an unstoppable train and Tom Cruise in 'Part 1' (that's how you do movie television) of the latest 'Mission: Impossible' fuse got everyone taking their theatrical seats once again.

The grandest of finales sees definitive direction that we've never seen before from Scott, boxing us into the blood and bruises, as the defences are formed with no room for squares from the man who chipped the pyramids. Ridley dressed up cameramen and other stagehands as soldiers to get as close as possible to the gut-wrenching scraps in the mud that would soon turn to flowers like the change of a season. And you thought the soldiers that just played drums or flutes, leading the brigades, had it bad. These really get it in the neck. There's a big-three trilogy of fights here and a couple of other set-pieces that seem like small skirmishes in comparison, but what really compels is Phoenix's powerhouse acting from the fire to the ash. 'The Master' of walking the line and giving depth to 'You Were Never Really Here' and 'I'm Still Here' (they sound like break-up and reply movies like Sofia Coppola's 'Lost In Translation' and Phoenix's own 'Her' with Spike Jonze), is truly terrific as a bona fide Bonaparte, to death does him part. Before 'Folie à deux' and a newborn star going Gaga as Harley Quinn, will the French general garner another Oscar for Joaquin, who achieved the impossible in attaining another Academy Award for 'The Joker', after the late great, previously thought untouchable Heath Ledger? Turning the Clown Prince Of Crime into our new Hamlet. You can expect a nomination for a man who has given us great acts for years, from an 'Inherent Vice' to 'C'mon, C'mon'.

Before parting this mortal coil (c'mon, c'mon, that's not a spoiler), Bonaparte's hair gets noticeable thinner (I feel your pain) as his paunch gets clearly more profound (ditto), like a literal version of that meme about hair and muscles not growing, but your stomach being like, "I got you". But what's really complete, when it comes to Joaquin's commanding portrayal, is the very first time he storms a castle and leads his men into battle. And just how anxious he actually is. Phoenix channels the nerve and war orchestrating hand gestures perfectly, like he and Ridley were studying old paintings for mannerisms. All for a bad mannered man who would end up just standing around in cocksure confidence in the heat of battle before getting stuck in. But in this war epic and historical account of the French Revolution that has been crippled by critics in France ("history is a set of lies agreed upon"), scripted by David Scarpa, and bookended by great roles from a charismatic Tahar Rahim, and a scene-stealing Rupert Everett, it's Vanessa Kirby who is truly revelatory as Empress Joséphine. The love of Napoleon's life, his wife, his muse and the reason for his tortured soul to the letters, as more brutal battles play out in the bedroom than they do on the battlefield. In the chambers of his heart, 'The Crown's' own Princess Margaret, Vanessa Kirby (who starred this summer in the aforementioned 'M:I' movie), replaces new Ridley favourite Jodie Comer, but still kills it like Eve. Even turning the basic instinct of what may shock the 'Downton Abbey' crowd into a position of real power. At times, she's Lady Macbeth to our general, at others a solitary soul who stirs the loneliest and darkest reaches of our hearts. But always her own, powerful person. 'Napoleon' begins with the beheading of Marie Antoinette, but even more heads will roll after as Scott gives us more than cake. If you want a thing done well, get Ridley to do it. TIM DAVID HARVEY. 

Further Filming: 'Gladiator', 'The Joker', 'The Crown'. 

REVIEW: SCOTT PILGRIM TAKES OFF

4/5

Bits Of 8.

8 Episodes. Starring: Michael Cera, Mary Elizabeth Winstead, Satya Bhabha, Kieran Culkin, Chris Evans, Anna Kendrick, Brie Larson, Alison Pill, Aubrey Plaza, Brandon Routh, Jason Schwartzman, Johnny Simmons, Mark Webber, Mae Whitman & Ellen Wong. Created By: Bryan Lee O'Malley & BenDavid Grabinski. On: Netflix. 

Great Scott! In the words of 'Family Guy' Peter Griffin's John Wayne impression, "Happy Thanksgiving, Pilgrim!" If you're a fanboy or girl of Bryan Lee O'Malley's 'Scott Pilgrim' graphic novels, or the massive move adaptation, the amazing 'Scott Pilgrim vs. The World' which came out thirteen years ago (unlucky for you. Feel 'WHAT THE F###!?' yet?), then you'll been thankful for this holiday season gift. Dialling 'Scott Pilgrim vs. The Animation' to 11, Netflix's new eight part, highly-anticipated and long-awaited 'Scott Pilgrim Takes Off' series really does. Multiverse merging the worlds of Japanese anime and 8-bit video games perfectly, this is a treat to unwrap between Halloween and Christmas. Developed by O'Malley and BenDavid Grabinski, directed by Abel Góngora and executive produced by 'The World' director Edgar Wright, they said they wouldn't do this US and Japan crossover, set in the terrific Toronto, Canada (looking animated and amazing) unless ALL the main cast reprised their roles. Well, here you have something else to give thanks for at this time of year. Michael Cera, Mary Elizabeth Winstead, Satya Bhabha, Kieran Culkin, Chris Evans, Anna Kendrick, Brie Larson, Alison Pill, Aubrey Plaza, Brandon Routh, Jason Schwartzman, Johnny Simmons, Mark Webber, Mae Whitman and Ellen Wong with knives out, like you've never seen them before. Blooming over Necry Talkie's talk about it theme and a sick soundtrack scored by Joseph Trapanese and Anamanaguchi. It's more than "whatever". BOOM!

In this alternate reality where a succession of stars return after being marvels and more in their post Pilgrim pilgrimages, this cult classic transforms into an epic expanded universe. Changing its tone like Ramona Flowers changes the colours in her hair to begin each episode the same way like a new day as she rubs the steam from the bathroom cabinet mirror after applying and washing out her dye to a cat's yawn. Press start as you cradle each episode like your beloved nostalgia for many a genre that are 1Up super powered here. With compelling cinematography from Hikari Itou and Yoshihiro Sekiya, edited to perfection by Keisuke Yanagi, the action amazes, and it's funny as f###. It doesn't just look the part. It retro fits style with substance and is more than self-aware of some of its previous problems, when it comes to our protagonist's dating life. Sure, some may say this arc drags, but it's still triumphant before the Game Over screen (continue? 9...8...7), and there will be many who will feel Scott Pilgrim actually crash lands, as its main character taking off, gets sidelined like many a Marvel or Star Wars lead these Disney + streaming service ticking boxes days. Yet, this novel idea and monster smash of a movie was always as much about the Flowers as it was the Pilgrims. And it all just leads to a formidable finale anyway. Get ready for the next battle like 'Tekken', and fight all you like, but this one doesn't pull any of its punch. Spiking and slapping the ball with a slam dunk of a volley that packs a wallop.

Girl power, vegan power and more broccoli than Snoop Dogg's trailer before he played us all like April, this indie picture has even more bass. A special delivery to your world on roller-skates that will knock you through a time-loop. Defeating all the critics on the hunt like the league of evil exes, we must have a second season. Even if this would remain a stand-alone classic without one, because despite the post-credits tease, O'Malley has admitted to Rolling Stone magazine that it would take 50 separate miracles to bring 'Scott Pilgrim' back again. But how about the 15 of bringing all the cast back in a chat code master move? Not to mention some classic cameos like the Wright ones from Edgar's own epic Cornetto trilogy. Stranger things have happened in the name of nostalgia, and it's clear to hear (if not see), that Cera and Winstead's chemistry is still set. Captain America, Chris Evans of course, steals the show with his Human Torch of a D-bag. Mixing it up with both Captain Marvel AND Superman. Not to mention all the wonders of Wes Anderson's world. The bands back together like Mae Whitman. A f#####g fantastic Aubrey Plaza, a pitch perfect Anna Kendrick, and all the stars like Kieran Culkin. And there's finally justice for Ellen Wong's character. Thumbing the controls perfectly, this game joystick is taken in the right direction with no ham fists. Now, if Scott could still just get himself together and afford his own apartment and stuff. Shut up and take my coins, Pilgrim. TIM DAVID HARVEY.

Further Filming: 'Scott Pilgrim vs. The World', 'Scott Pilgrim vs. The Animation', 'Shaun Of The Dead'.