REVIEW: POOR THINGS

4/5

The Living Of A Sacred Dear. 

142 Mins. Starring: Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef, Christopher Abbott, Margaret Qualley & Jerrod Carmichael. Director: Yorgos Lanthimos. In: Theatres. 

Riffing on Mary Shelley's 'Frankenstein', and things of that nature, Yorgos Lanthimos follows his epic big-three ('The Lobster', 'The Killing Of A Sacred Deer' and 'The Favourite') with a monster movie in 'Poor Things', which has the most riches when it comes to Oscar nominations, right now. The bride of Bella, played with pride by 'La La Land's Emma Stone, is also your favourite to take home the Academy Award for Best Actress come the weekend of February that follows valentine's matrimony. The screenplay from Tony McNamara best adapts Alasdair Gray's 1992 novel, 'Poor Things: Episodes from the Early Life of Archibald McCandless M.D., Scottish Public Health Officer'. Now, that's a mouthful like one character who spits out their meals, whilst another belches bubbles...and you thought your friends had bad table manners leaving their phones next to their plates like dessert cutlery. This odyssey of self and sexual discovery liberates the senses. In its resurrection, it makes the cinematography (by the revolutionary Robbie Ryan) of a steampunk-styled Victorian era London feel like a renaissance. Aesthetic art for the celluloid of the highest order that makes this crude and cruel intention complicated, but compelling piece of cinema an absolute classic.

Feeling like A24, but it's actually the also formidable Film4, is it your favourite from Lanthimos, whose best pictures (aside from the definitive 'Dogtooth') usually star with 'The'? Many cite 'The Lobster' as the first time Yorgos' talents bubbled to the surface. Whilst 'The Favourite' broke the Oscars like these 11 noms, just like at Britain's BAFTA's are set to do. Our best lies with the biblical proportions of 'Killing A Sacred Deer, which was the real coming out party for the most talented actor of the next generation, Barry Keoghan alongside a classic Colin Farrell. Before 'The Banshees Of Inisherin'. Before the Clown Prince holding all the cards. Before the 'Saltburn' of a bathtub. Spoiler alert, Emma Stone's character dies in the first scene. Leaping from Tower Bridge, as we can't see her face in the most haunting moment under the bridge of the Big Smoke since we saw Heath Ledger there in 'The Imaginarium Of Doctor Parnassus'. She is then brought back to shocking life by Willem Dafoe, who looks like Frankenstein's monster himself, in something that even that green mean machine doesn't have to bolts to comprehend. Emma may walk again, albeit with baby steps, but she has the mind of a child, as she must develop again from scratch. Stone's seriously stellar acting in this aged piece is proactive and profound, as not only does she act like a child, she also exhibits all the emotions of someone getting to grips with a brave new world and the ignorance it shows the innocent.

The fast and the furious jumping in this family would even make Vin Diesel blush, as there's more nekked sex in this movie than the down-and-out brothels of Paris it inhabits, via Lisbon, when not in an Orwellian London where motorized carriages carry horse heads on the front like a victory of a Godfather. Speaking of God, Dafoe plays him, at least in Emma's eyes, and does so with confliction and conviction. Although he was beat to the punch of the Supporting Actor nomination by Mark Ruffalo, and the best since, this hulking actor stole the show from Tom Cruise and Jamie Foxx's cab conflict as a beat cop in 'Collateral'. We love it when Mark is Marvel angry, but he's even better debauched here. Especially when he trips, or gets slapped with an accent that feels like Jack Sparrow went to grammar school. Through all the twists and shouts of philosophy and hedonism in this age of socialism, we also get a breakthrough performance from the gentle assistance of Ramy Youssef. A twisting and turning one from a third act cataclysmic Christopher Abbott. And Jerrod Carmichael showing us just how much talent he has, on board this jovial and jarring journey. Not to mention 'Once Upon A Time In...Hollywood's' Margaret Qualley making her mallet mark again in spare, but significant scenes. Classic all the way down to the closing credits and the promotional posters, there are so many themes to unpack here in this epic empowerment and the power of one woman brought back to life, but living on her own terms. There, there, with a patronizing pat on the back, to the poor things that find this hard to deal with. TIM DAVID HARVEY. 

Further Filming: 'The Favourite', 'The Lobster', 'The Killing Of A Sacred Deer'. 

TV REVIEW: THE BROTHERS SUN - Season 1

3.5/5

American Born Taiwanese. 

8 Episodes. Starring: Michelle Yeoh, Justin Chien, Sam Song Li, Joon Lee & Highdee Kuan. Created By: Brad Falchuk & Byron Wu. On: Netflix. 

Ever since icon of Hong Kong cinema Michelle Yeoh won the Oscar for Best Actress, last year, she's been in (you know the score by now), everything, everywhere, (yep, you guessed it), all at once. 'Yes, Madam'. As well, the classic 'Holy Weapon' of 'Magnificent Warriors' and Bond and 'Crazy Rich Asians' legend should be. Log onto your (or your best friend, boyfriend, girlfriend, family member, neighbours Wi-Fi's) Disney + right now, and you can catch her cameoing on the fun 'American Born Chinese', as well as the latest Poirot picture for her spirit in 'A Haunting In Venice'. But where she really excels is on the "other" mainstream movie and show streaming service.

A little one called Netflix, where in-between final crownings and new 'Squid Game's' with real people, she finds a home with 'The Brothers Sun'. A brilliant comedy/drama from Ryan Murphy's co-creator Brad Falchuk ('Glee', 'American Horror Story', 'Scream Queens', and 'Pose'), or Mr. Gwyneth Paltrow to you, and emerging talent Byron Wu. One that kicks ass with plenty of kung and gun-fu for you fans of dear John at the end of your wicks. In competition, this slow January, with Marvel's epic 'Echo' and HBO's latest 'True Detective' ('Night Country' on Max), 'The Brothers Sun' keep it in the family like a 'Fast and Furious' Vin Diesel.

'Blood runs in the family', and the tablecloths, as you pour your tea for this eight episode wonder of an English and Mandarin language series. This may not be Japan, like this writer's Tokyo home, but this son knows how to rise alongside his brother and mother. From Los Angeles, California, to Taipei City, Taiwan. Bruce Sun thinks he's living the California dream like a Beach Boy. Skating through life like this was Venice Beach with designs on being a comedy improv star, which we all know, to parents, looks like it requires no work at all. But on the contrary (you never seen how an episode of 'Curb Your Enthusiasm', that has lasted this long before this quarter's final season, works?). Then, his life is turned upside down, with no plan, when his brother, Charles Sun, comes to town from Taipei. 

With a smart suit, but no tie, slicked back hair, and a gangster goatee, this guy looks like he means mean business. And just wait until he plays a round of golf at the driving range (you know, you're not supposed to hit it that way (that's what she said), right?!). He's not here to fix your broken chair leg, but hand it to you. Then, for the Sun's, Bruce runs into more gang members than South Central as Charles dances with the trials of the triads in this game of thrones. All for some of the most amazing action you've seen since Yeoh was handing it to everyone, all at once and fellow Oscar winner Ke Huy Quan had everything in his fanny pack, no short rounds, Doctor Jones.

Yeoh is an undeniable great, nailing it with a drill, hacksaw and a pair of marigolds, but her on-screen offspring more than make their mark. Young director and actor Sam Song Li is a star of the future with this 'American Carnage' and that's no improvisation. You could see him as the sidekick in the next superhero movie for Marvel or DC, but he plays no second fiddle here. He's the real star of the show, or at least the protagonist catalyst, as it all comes back to him. Meanwhile, the pure presence of Justin Chien as the older brother watching over his youngest with a stronghold that looks like he doesn't care (but oh, how you know that isn't true) reminds us of actors we've seen before. That's just how great a talent to take with you through this year, he is. 'The Madness Within' this 'Pool Boy' and 'Sun Moon' actor tells us this throwback, if born back in the dawn of HK cinema, would be his own legend like Yeoh or Jackie Chan. Yen, Li, and everyone else, all at (yeah, we said it). 

Elsewhere, Korean Joon Lee plays the best, albeit stoner unreliable, best friend. Whilst Highdee Kuan's (you may have seen her in 'Proximity' of legend Maggie Q's 'Fear The Night') District Attorney who always gets her man, puts her dent in things like Batman's Harvey. Another star of right now, and the future that's upon us, that we feel like has been around for years. Just like the legend that runs through these Taiwanese and triad traditions and these brothers in arms. With great support from recurring stars like a twinning Alice Hewkin, comedian Jenny Yang, the grace of Madison Hu and legend Ron Yuan, these brothers are something you should stream and confide in as you continue watching long after the sun has gone down. TIM DAVID HARVEY. 

Further Filming: 'American Born Chinese', 'Fubar', 'Everything Everywhere All At Once'. 

TV REVIEW: WHAT IF...? - Season 2

4/5

WTF.

9 Episodes. Starring: Jeffrey Wright & the Multiverse. Created By: A.C. Bradley. On: Disney +. 

Time. Hate. Reality. It's not a linear path. Marvel movies seem to face the same disdain online, as say, fellow industry giant, LeBron James of NBA basketball, these days. It gets worse when algorithms post the comments to our social media accounts when we didn't even ask for them. Poisoning our timeliness and making negative our minds. What if we all just enjoyed entertainment, like we're supposed to? Especially when it comes to those who've not only maintained a high quality and longevity, but also vastly contributed to the revenue of their respective industries. Particularly in a time during the pandemic when both networks were at risk of having their property going out of business at the places they are served. Even many actors and directors are shunning superhero shows and movies, despite the money they made being in them like half of Hollywood already is, like they are here, but more on that later. There's irony being smelt, and hands that do the feeding being bitten. Yet, from fans to those who work to put on capes, the bandwagon is hopped back on when it suits them. They love to hate and celebrate the poor performance of 'The Marvels', and say this is what Mickey Mouse gets for going "woke" and broke. But they don't 'Echo' that sentiment when they virtue signal themselves for saying an inclusive show about a disabled, but more than abled superpower passes their pretentious bar. The same can be said when we get animated over shows like this and the little 'I Am Groot' shorts, but want to pass a guilty verdict on the fun 'She Hulk-Attorney At Law' that now has a "no, thanks" from Disney when it comes to a second season, green with legendary 'Loki' envy.

Like Sebastian Stan says, as excited about his Winter Soldier 'Thunderbolts' team-up movie as we are, Marvel have, "a great batting average." But even Shohei and the King hits some and misses some from downtown Los Angeles, but on this Hollywood Walk Of Fame, plenty of big stars are joining Commissioner Gordon himself, Jeffrey Wright on this Captain 'America Fiction' of Marvel Multiverse lore that asks 'What If...?' again like Pepper Potts, Gwyneth Paltrow's 'Sliding Doors'. The nice, nuanced narration of Wright is right on the money, and he's joined by the legendary likes of many assembled Avengers. Now, it's no secret and the names are out there like an epic, extended version of 'Spider-Man: No Way Home', but again, we don't want to spoil the sauce. So we'll just reference the movies that some of these Marvel actors are in, like an accented 'Chef', and leave the rest up to you. Although we will say that 'Man Up' and 'No Escape's' Lake Bell and 'Kung-Fu Panda's' Mick Wingert do a killer Black Widow and Iron Man respectively, now Scarlett Johansson and Robert Downey Jr.'s contracts are up. No tribute band B.S. Elsewhere, highlights in A.C. Bradley's comic creation with Jeffrey's baby come from 'Carol' and an absolute legend who likes to slap stickers on 'Jurassic Park' lunch boxes. But tell me, Disney +, what happened to the world according to him?

Stranger things are happening though when David Harbour's Red Guardian has gone missing like he was lost in Russia, a stranger is in Moscow like Michael. But never fear, you know he'll be back in the third season. And with a 'Marvel Zombies' cartoon on deck to continue the comic culture in time for Halloween like the Marvel Spotlight of a 'Werewolf By Night', the M.C.U. is really getting animated like the Hugh Jackman like return of the animated 'X-Men' ('97) series that is a close-call with the classics when it comes to the brilliant 90s 'Batman' one for DC. 'What If...? could come between them, crossing over in connected strands of Multiverse plot, like when a certain Captain, not named Steve, but who can still do this all day, became live in living action for Doctor Strange's 'Multiverse Of Madness'. This supreme show has it all, though, continuing to build on its own worlds beautifully. Released by Disney Plus, episode-by-episode over the festive period like the BTS documentary, 'Monuments: Beyond The Star', there's even a Christmas episode to put up on the top of your die hard's trees, and plenty of early Easter Eggs too. New characters of legend, echoing representation, like Kahhori make their mark. And this watchable journey with Jeffrey also throws it back to some classic Earth's Mightiest Heroes we've longed to see suit-up in de-aging CG, but now can in these comic cells. But it's when The Avengers venture to 1602 that things get real beautiful and bawdy. Brilliant. If you don't want to watch this, what are you thinking? TIM DAVID HARVEY. 

Further Filming: 'Doctor Strange and the Multiverse Of Madness', 'Star Wars-Visions', 'X-Men' 97'.

DOCUMENTARY REVIEW: BTS - MONUMENTS: BEYOND THE STAR

 

4/5

Monumental. 

8 Episodes. Starring: RM, Jin, SUGA, j-hope, Jimin, V & Jung Kook. On: Disney +.

Beyond the stars themselves, RM, Jin, SUGA, j-hope, Jimin, V and Jung Kook, BTS are an ARMY. Like the biggest voice of their fans, telling you to 'Love Yourself', in unison with these idols like you don't need permission. Ones that have already been truly monumental. And even in their 'Hiatus', Disney + is following several of their concert films (most recently, 'Permission To Dance-Live In LA') with a new docuseries 'Monuments: Beyond The Star', that they released episode-by-episode over the Christmas and New Year period. Catching up, this intimate and influential last dance is inspired, with hopes that the best is yet to come in the lives of this South Korean K-Pop phenomenon and the most loyal fanbase in perhaps all of entertainment. Movies, sports, the lot. From the ARMY fangirl and boy with love beginnings, to the mandatory military service that many of the members are going to enlist in, it's been a long and winding road for the biggest band since The Beatles. And even now, their one direction's see them on several solo acts, but you know these big hitters will always return home.

Just like the beginning of a brand new 'Spring Day', a personal favourite that plays out over the closing credits of the final episode in these eight wonders taking fans closer than those clappers that were the only way to communicate in concert during COVID. You can feel the devastation, especially in favourites J-Hope and Jimin, moving in perfect time, like they were still dancing, to this imperfect time when they are given the news that corona has cancelled their concert. They truly love their fans who have been behind them since day one, before the Billboard 100s, American awards and Grammy invites. This Disney doc that maps the path of these souls and their individual personas. The HYBE hype is real, with co-signs to these singers from chairman Bang Si-Hyuk and 'BEYOND THE STORY : 10-YEAR RECORD OF BTS' author Kang Myeongseok. Compelling and captivating, from the 'Danger' debuts, to speaking out at the United Nations. Or attending high-school graduations, or the ceremonial shaving of the head before South Korean military enlistment. This movie show about these showstoppers of music really strikes the deepest chord. Even when quarantined in their lovely, but lonely apartments, or out fishing a million miles away from the world, you'll catch on to the message and its deeper meaning.

There's plenty of celebrity co-signs here, but you know who the biggest stars are. And they shine so bright. Still, one 'Mic Drop' from super DJ Steve Aoki shows just how far they came. Before the pandemic, a double dose of 'Idol' and 'Boy With Luv' took their worldwide fame to a whole new stratosphere. But then what came after they reached out after social distance, behind the mask, really made monuments and moments that reached out and touched everybody. Including the top of the charts. The big-three of 'Dynamite', 'Butter' and 'Permission To Dance' sealed this seven as the greatest group on the globe. And then, it all stopped again. Or at least took a break. What comes up, must come down...but it always comes back up again like bubbles to the boil. Even if they all go their separate ways. RM's 'Indigo', J-Hope's 'Jack In The Box', Suga AKA Agust-D's 'D-Day' (and his and Hope's own respective making of Disney documentaries), Jimin's 'Face', V's 'Layover', a 'Golden' Jung Kook with the 'Dreamers' of his official World Cup anthem, and what's to come with Jin when he returns from service, after dropping the first solo single since the break ('The Astronaut'). Proof that these Bangtan boys have still got it. No matter how many Blackpink and Seventeen supergroups come after them. They paved the road like Psy. What's beyond this, we don't know. All we can do is wish upon a star for more monuments. TIM DAVID HARVEY. 

Further Filming: 'BTS: Permission To Dance-Live In LA', 'Suga: Road To D-Day', 'J-Hope In The Box'. 

TV REVIEW: ECHO - Season 1

3.5/5

Echo Chamber.

5 Episodes. Starring: Alaqua Cox, Chaske Spencer, Tantoo Cardinal, Devery Jacobs, Zahn McClarnon, Cody Lightning, Graham Greene & Vincent D'Onofrio. Director: Sydney Freeland. On: Disney +.

Loving to hate seems to be the modern world's M.O. these days. Especially "socially". And in particular when it comes to the forms of media that provided them with so much fun and fancy-free entertainment in the past. During dark times too, like the planet's pandemic. It's a Marvel(s) that fans almost relish an M.C.U. movie being bad. Sick of superhero movies that they shouldn't watch if they don't like, and leave to the fans that have been there since the beginning. Blaming it on Disney's diversity or Hulk's being 'She' in this woke age, although the 'Attorney At Law' had being like that for years. All whilst having the 'Selective Outrage' of hating on comedians who make just a joke out of all of this/ But then when a truly groundbreaking, hero for all, show comes along, then people jump back on the bandwagon with a sign that points to virtue signalling. And Marvel's new five-part series on Hulu and Disney + echoes that sentiment. But at least 'Echo' is getting the Marvel Spotlight it deserves, like a 'Werewolf By Night', live in living colour.

Spinning-off perfectly on a chopper from the 'Hawkeye' series, where she made her debut a few last Christmases ago. And feeling like the Kingpin street-level world of Netflix's former 'Daredevil' in more ways to be taken as red, Alaqua Cox's Maya Lopez keeps shooting-straight, right between the eye. The Native American (Menominee) exploring her character's hometown Oklahoma roots in this 'Logan' like run. Burning motorcycle rubber to the iconic theme tune of the Yeah Yeah Yeahs. Cox was born deaf and also has a prosthetic leg, but what really reaches you is both her amazing acting talent and the subtle beauty she brings to a more nuanced Marvel movie like show. Showing that anyone can be a hero, regardless of disability, especially when their other abilities and human nature are truly super. Also honouring where she comes from and the roots of a hero (of sorts, and hopefully redemption) that takes place in the real America and all the history that had either been forgotten, or worse still, erased. It's a community effort, led by the likes of the fond and funny Cody Lighting (one drive-by reaction moment is absolutely hilarious), and featuring standout performances from 'Twilight's' Chaske Spencer, 'Reservation Dogs'' Devery Jacobs and 'Westworld' and 'Fargo's' Zahn McClarnon. First appearing on 'Hawkeye' in a cataclysmic moment of cruelty from a hero wandering like a Ronin.

Yet, Sydney Freeland's lead directed series finds new ground with some absolute legends. Everybody's favourite Graham Greene ('Dances With Wolves', 'Maverick' and 'The Green Mile') plays a kindly shopkeeper from Maya's past who suits up heroes with even better accessories than the man who loves Betsy. Whilst his 'Wind River' co-star Tantoo Cardinal continues her incredible run of late after stealing the show in Scorsese's 'Killers Of The Flower Moon'. The Canadian actress of Cree and Métis heritage already has the Order Of Canada. And now the 'Dances With Wolves' and 'Legends Of The Fall' icon is getting the attention she rightfully should have in Hollywood for this deep and definitively affecting performance of power. Green and Cardinal have been here before...together, but now it's time to see their names in the spotlights they so richly deserve, but have never needed. 

Born again, and springing more superhero surprises you'll want to stick around for, Vincent D'Onofrio is king again for more than a day in a Yakuza white suit soaked in red like the big hit this mobster is since he made his 'Daredevil' debut. In the same week as he plays a "master of disguise" in Kevin Hart's 'Lift' heist ensemble for Netflix, D'Onofrio is having himself a week with this completely different character. More than a "You should never have embarrassed me in front of Vanessa" hilarious mannequin meme, Vincent's deeply felt and nuanced portrayal all the way down to the voice is Jackman as 'Logan', or RDJ as Stark iconic. In any multiverse, nobody could do it as classic as this best big bad. But from great train robberies, to amusement arcade throwdowns that hark back to 'Hawkeye', released in its entirety, nothing translates better than 'Echo' and the ensemble ending. The ripple effect will last for generations to come. TIM DAVID HARVEY. 

Further Filming: 'Hawkeye', 'Daredevil', 'Prey'.  

STAND-UP REVIEW: RICKY GERVAIS - ARMAGEDDON

3.5/5

Deep Impact. 

62 Mins. Starring: Ricky Gervais. Director: John L. Spencer. On: Netflix. 

Best before end like a Tim Vine gag about cheese of the same name, Ricky Gervais' 'Armageddon' on Netflix isn't the end of the cancel culture world, or his career as they know it. In the same fall that see Dave Chappelle close out the year with 'The Dreamer', critics want to put these "controversial" comics to bed in the name of being "woke". But it's time to wake up. Sure, they could play it 'Seinfeld' safe like Trevor Noah's nice 'Where Was I Special' that still pokes at some punctuated points, but then what envelope would they really be pushing in the name of comedy? Gervais has already roasted the entirety of Hollywood in a Golden Globe opening monologue that deserves its own award, and everyone is getting all offended about a Taylor Swift gag that wasn't even funny in the first place to get all worked up about. This 'Armageddon' coming at the same time as Chappelle's show, like when the Bruce Willis movie was joined by Morgan Freeman's 'Deep Impact' reminds us that Netflix is at its best when it's a joke. One that's on you if you can't take it. 

Petitions to remove certain jokes online. Making a wish with some sick jokes about dying kids. Wait a minute! These are just jokes. And about fictional ones at that. It's OK, Gervais says, if he dies in a few weeks they'll all just claim it was wonderful satire. Sure, some jokes don't land. But not every player's shot scores, and not every singer hits every note. And don't get me started on how many retakes and reshoots your favourite actors and movies need. You can't stop random thoughts from pushing their way on to your daily life's train tracks, and Gervais has enough brain farts here to make everyone screw their faces up. But what are they shouting Ricky's name like this was 'Boyz N The Hood'. They brought the tickets. You have at least two chance to change your mind when you scroll to this on your streaming service. And those trolling him on the wannabe artists home formerly known as Twitter don't have anything to say about the beautiful message he leaves us with in a compelling closing. Although, they do have s### to give him about his stance for animal rights and the environment. I smell the hypocrisy of the 'Selective Outrage' Chris Rock was talking about in a great year of stand-up on Netflix. And we haven't even got to the best in show, Bill Burr yet.

Ever since looking like Michael Jackson (oh, those jokes) on the cover of his own thriller, Ricky Gervais has done more than most give him credit for. Besides from the Brent of giving us an 'Office' party that's not spelling it all out like the Brit rugby players on 'Family Guy' say. Before the brunt, he's dealt with death and dementia in definitive dramas that also know how to make you laugh through these dark days, with humour the same. Oh, and according to his work with the legendary Karl Pilkington (there are mirrors of Karl's attitude here when it comes to save the date wedding invites years in advance), he practically invented the podcast as we see it today. And let's not forget the work his black t-shirt and pants look has done for Primark, too. Sex, death, race, religion, disability, free speech, global warming, the holocaust, Epstein's and Elton John. Nothing is safe or off the table on this special that Gervais unwrapped with Netflix on Christmas Day. But there's still a point to be made. And even when there's not, he still makes you laugh in a turbulent time when the world could just end tomorrow. And just wait until he enters a game of thrones. Sure, this is something you probably shouldn't have watched around the table at Christmas Day. Maybe just stick with 'The Crown', or the King's speech. But in this New Year, two resolutions should be made. For people to stop getting so offended by jokes, and for said comedians to stop going on about that too, now they've made their last stands in the name of stand-up comedy. Then maybe we can all just laugh together. TIM DAVID HARVEY. 

Further Filming: 'Dave Chappelle-The Dreamer', 'Trevor Noah-Where Was I?', 'Ricky Gervais-Supernature'. 

REVIEW: GOOD GRIEF

4/5

Down and Out in Paris and London. 

100 Mins. Starring: Daniel Levy, Ruth Negga, Himesh Patel, Celia Imrie, David Bradley, Arnaud Valois, Medhi Baki, Kaitlyn Dever, Emma Corrin & Luke Evans. Screenplay: Daniel Levy. Director: Daniel Levy. On: Netflix.

Up s###'s creek, without so much as a paddle, or a Eugene for fatherhood leverage, Daniel Levy faces grief head on. Not to mention his definitive directorial debut. The 'Schitt's Creek' star and writer for Netflix follows the best sitcom of today with the most heartbreaking and healing thing you'll see all year...and I'm aware it's barely halfway through January. In 'Grief', Levy writes a love letter to a lost one in the form of a formidable pairing with Luke Evans, which begins as the greatest Christmas party and sing-a-long you've ever attended. The festive feeling brought home by the white marble of those legacy making London homes that could rival New York's Brooklyn brownstones. But then, you know what the late, great George Michael (the fact that we lost him on Christmas too, is all so heartbreakingly cruel) said about 'Last Christmas', and WHAM! Once this hits you, it will split you in two like the twist of the classic Christmas movie of the same name (starring Emilia Clarke, Henry Golding and Michelle Yeoh) in terrific tribute. Good God, 'Good Grief' is good.

After the most outstanding opening to a Netflix movie since 'The Crown's' very own Vanessa Kirby gave birth to 'Pieces Of A Woman' in our collective heartbreak of 2020, Daniel wakes up to a pure white morning like the cold marble outside in sheets that scrunch like snow. But as he rolls over with the perfect bedhead and iconic spectacles, like a white rose, there's no one there by his side. And if you thought that was too much to take, you haven't read anything yet. Navigating through grief, the great, best British way, there are no hints of Jake Gyllenhaal's 'Demolition' man here. But there are shared shades of Colin Firth's 'A Single Man' in Tom Ford style, when other potential lovers come into this grand design (like the sympathy for Medhi Baki). And one gorgeous gallery scene with the help of Arnaud Valois ('BPM', 'The Girl On The Train') as this Orwellian depression turns to Paris, France and all that chic, truly feels like art. Especially as Levy makes his own under his individual legacy. Moving like Monet in this mediation of grief gone, gorgeous in its remembrance of love. But like The Beatles knew best, you don't get by without a little help from your friends. And 'Yesterday' standout Himesh Patel and the 'Passing' and 'Loving' of Ruth Negga deserve to stand side-by-side and arm-in-arm with Levy for any award that comes this way for the generational great who has left turned into the greatest moment of his career like Eugene did when stopped talking about 'American Pie'. Some may say, like his father's scene -stealing classic cameo in a John Cusack and Kate Beckinsale Christmas love story named after a classic restaurant in New York's Little Italy, that it was all just, 'Serendipity'.

Smokey Robinson once asked, "what's so good about goodbye." And apart from this big picture, nothing. Grief is not good, like a play on Michael Douglas' words off 'Wall Street', but at least it makes us appreciate what we had. So let's all do that, right here, right now. Whilst we still have the chance. Especially as a eulogy from a legendary Michael Bradley and Celia Imrie's inspired speech that will go down in darker romcom history as one of the most iconic lines in the great, albeit underrated genre will truly floor you in a twofer. A 'Booksmart' Kaitlyn Dever sending up the fake, entitled generation of modern day celebrity in this 15 second of TikTok fame, and the original Princess Diana of 'The Crown' Emma Corrin, screaming at the superficial art world will really tickle your funny bone as this one tugs at your heartstrings, but Netflix really have made a great find here. Especially riding along in the same week of Kevin Hart's 'Lift', that although good, doesn't really take us any higher than the usual big-name and budget cash cow formula for the small-screen streaming service that's trying to build its own worlds like Zack Snyder's star warring 'Rebel Moon'. This one finds a much better home for your laptop cinema. Between all the shows and comedy ones, not to mention the prestige pictures, May to December like a Bradley Cooper 'Maestro' as we 'Leave The World Behind' with real born stars. There is real substance to this style. This ride from the Musée de l'Orangerie to the Roue de Paris shows us the good in mourning in this big wheel revelation. As the world keeps turning, so does our memory, and Levy turns his dull ache into the best beat of his heart. TIM DAVID HARVEY.

Further Filming: 'Schitt's Creek', 'Demolition', 'A Single Man'. 

REVIEW: LIFT

3/5

Hart Landing. 

104 Mins. Starring: Kevin Hart, Gugu Mbatha-Raw, Vincent D'Onofrio, Úrsula Corberó, Kim Yoon-ji,  Billy Magnussen, Jacob Batalon, Jean Reno & Sam Worthington. Director: F. Gary Gray. On: Netflix. 

When your 'Ride Along' requested Uber, but you got stuck with 'Lift'. Streaming server Netflix knows how to follow a formula. Throw a wad of cash and passports at the biggest names in the biz, and what do you get? 'Red Notice', 'The Gray Man'. 'Heart Of Stone' etc. Remember those movies? Exactly! They only came out over the last few years, too. Sure, they're enjoyable fare, but they can be stamped next to the likes of Angelina's 'Tourist' exhibition with Johnny Depp, which became the 'Armageddon' fuel of stand-up and multiple times Golden Globe host Ricky Gervais...before he took everyone to task in THE definition of a mic-drop. N has one more trick up it's sleeve, with plenty of money in its back pocket. Make it rain for Kevin Hart. Even though, the former almost Oscar host's latest stand-up special is streaming on Peacock. The 'Reality Check' is that the 'Central Intelligence' of the 'Jumanji' Rock's best friend gives the service its feathers. No matter the hard times. So, let's still give him his flowers, like the 'Headliners Only' documentary of Christmas with Chris Rock. With this 'Lift' in an otherwise joyless January, Kevin is talking about starting the year off right.

'Don't F### This Up' on a personal journey. His 'Guide To Black History'. Netflix have handed Kevin Hart the keys to a lot of original content, from films to shows. Most recently, the buddy comedies of  'Me Time' with the Tenenbaum tracksuit of 'Spenser Confidential', Mark Wahlberg (on his own deal with the devil of a good blood and black Netflix) and 'The Man From Toronto' remake with Woody Harrelson and the best fart gag ever. The redemptive 'Fatherhood' showed Kevin's heart had another level, though. And now in his Eddie Murphy money days, the comic wants to play it straight, like he did in his riffing 'Life Story' gem with Wesley Snipes. What we have now is an epic ensemble of a heist movie that is all teach and go-go gadgets. Sure, it could never steal away from the likes of the 'Oceans' crew, and it's a little self-serious at times, but Hart still has fun. He has too much natural charm and rizz to be razzed by the standard, lacklustre blockbuster b.s. The budget on this thing screams 'Air Force One' like Harrison Ford did saying, "get off my plane." Without Hart, it's 'Space Force'. Hackers, safecrackers, sort of masters of disguises and more inside men than a promise of a Spike Lee and Denzel sequel, there's many all-stars in this line-up. But in F. Gary Gray's big picture, it's executive producer Hart that brings it all together like a team-up recruit. 

'Friday', 'The Negotiator', 'Be Cool', 'Law Abiding Citizen', 'Straight Outta Compton', 'The Fate Of The Furious' and 'The Italian Job' remake. One of the most versatile directors in Hollywood, Gary Gray has directed them all. Not to mention some of the best music videos. Ice Cube's 'It Was A Good Day', OutKast's 'Ms. Jackson' and 'Waterfalls' by TLC. Now he's chasing that with a star-studded cast. Keeping their heads ringing, 'Beauty and the Beast' and 'A Wrinkle In Time' star Gugu Mbatha-Raw continues her great run after the latest, and greatest 'Loki' series to marvel at. Speaking of which, Kingpin himself Vincent D'Onofrio echoes a great week in big-hits with this versatile hustle. Yet, here in Tokyo, it's 'Money Heist' standout star Úrsula Corberó who really, and literally pilots this picture. South Korean singer Kim Yoon-ji gives Tokyo a run for that money in this heist. Whilst 'Into The Woods' and 'Aladdin' star Billy Magnussen (who does versatile great work on the likes of 'Bride Of Spies' and Bond's 'No Time To Die') is the Hart-less comic relief (think Chris Evans in 'The Losers' with a crossbow, b#####s). And we even get to see the "man in the chair" himself, 'Spider-Man's' best friend Jacob Batalon. Sam Worthington's real life 'Avatar' and a 'Leon' legend in Jean Reno keep the big names twisting and turning like all good bank jobs. But this one joins the mile high club. You might want to stow your tray tables and carry on luggage for this one. 'Lift' takes to the skies and sticks the landing, even if, like Kevin sitting in coach, it could do with a boost. TIM DAVID HARVEY.

Further Filming: 'Red Notice', 'Heart Of Stone', 'True Story'.

ANIME REVIEW: SPY X FAMILY - Season 2

4/5

I Spy. 

12 Episodes. Starring: Takuya Eguchi, Saori Hayami & Atsumi Tanezaki. Director: Kazuhiro Furuhashi. On: Netflix, Disney +, Amazon Prime, Crunchyroll.

A gold star for the stellar second season of 'Spy x Family' that still seems to be the most popular anime coming straight out of Japan, even if Bruno Mars, back in the land of the rising sun to sell out more domes, is Instagram holding a copy of the manga everybody is reading right now, Jujutsu Kaisen, next to something as modern day Japanese as that...a vending machine. A crane game prize under his other arm, as fans across the drops of gold in the ocean look to UFO catch an Anya (check, but with an ex) and Bond (check...ruff) fluffy for its biggest and cutest rival. This family of spies and such starring Takuya Eguchi, Saori Hayami and Atsumi Tanezaki are again streaming on everything right now. Netflix, Disney +, Amazon Prime, and of course, Crunchyroll outside of Asia. And sure, Kazuhiro Furuhashi's series sequel may only have a dozen episodes next to last season's quarter-century, but how about a movie?

'Code: White' is dominating Japan cinemas right now, like the Far East's very own latest Studio Ghibli ('The Boy and The Heron') and kaiju ('Godzilla Minus One') are across the globe. And that's the tea, like the classic opening credits and theme song 'KuruKura' from Ado that bumps like chicken. Animated by Keep Your Hands Off Eizouken's Masaaki Yuasa, this march with teacups will have you all singing, walking and drinking along like those addicted to hot plastic bottled brews from vendors and conbinis. Eugene Winter's closing credits, featuring Vaundry's (featuring Cory Wong) Todome no Ichigeki" (トドメの一撃, lit. "Finishing Strike") are a joy too, for a show that stops any enemy in its tracks, even when it just comes to the songs they sing. Add the power of this short but sweet season's epic episodes in twilight, and now you're speaking everybody's language like a telepath. Nothing is lost in translation in this successful second season and massive movie that may as well have been a precognitive-preordained spy hit.

Anya is still the cutest, and that green suit from Loid Forger still signature to this sleuthing style of European elegance, but it's Yor's amazing assassin who truly kills it. Stealing the show in this second season, especially on-board the several episode arc of a boat that could rock like its own blockbuster movie. Complete with the hanabai of a truly explosive fireworks' festival, masking what's happening above deck. These impossibly inspired, infectious missions are mesmerizing to your good mood. Even if being shot in the buttocks like 'Forrest Gump' or Denzel in 'Training Day' will make an ass out of an opening episode date. Whether we camp with 'Damian's Filed Research' trip, or take a dog's day out or two with Bond, the skinny fur on this series is fun-filled, albeit absolutely moving at times. You'll laugh. You'll cry. You'll wonder why this sniper shot of a mission is over before it all began. And just wait until you watch the latest Bondman 'Spy Wars', episode within an episode spin-off. Make this one your choice (or else), as this family spies hard again between macaroons and lost cats astray. Unrequited love from all sides, and the feeling that this family is closer than they let on to each other. Even between what is not said in read minds and hidden thoughts. 'Spy x Family' is a multiplying hit by the book that won't fold like origami. If we can see the future, it reads like getting away with murder. As easy as, I spy, with my little eye, something beginning with peanuts to an elephant. TIM DAVID HARVEY.

Further Filming: 'Spy x Family-Code: White', 'Holmes In Kyoto', 'Detective Conan'.

REVIEW: AQUAMAN AND THE LOST KINGDOM

3.5/5

A Fish Out Of Water. 

124 Mins. Starring: Jason Momoa, Patrick Wilson, Amber Heard, Yahya Abdul-Mateen II, Randall Park, Dolph Lundgren, Temuera Morrison, Martin Short & Nicole Kidman. Director: James Wan. In: Theatres.

Lost at sea, there were many anchors making sure the waterlogged 'Aquaman And The Lost Kingdom' would sink without a trace come Christmastime. Especially after 'The Flash' in the pan year DC had at the box-office, despite representing for new heroes like the 'Blue Beetle'. All these movies have been so much 'Shazam' fun (I mean, how can you not go nuts at the return of Michael Keaton's Batman and even more in all these multiverses?), but as new DC leader James Gunn hit reset in the same year he concluded his great 'Guardians Of The Galaxy' trilogy for Marvel, it seemed like his new team was merely cutting limbs before they went cape fear gangrene, with no hopes of growing back in a year like the claw. Now, with Zack building his own 'Star Wars' galaxies over on Netflix with 'Rebel Moon', the Synderverse is officially over. We don't even get the cut post-credits scene of Ben Affleck's Batman like we did with Aquaman in the fun 'Flash'. However, the last bite of this fish is f#####g funny, and this so-called 'Lost Kingdom' from James Wan finds itself as a fun film to conclude the Justice League's reign from Atlantis.

Still, how do you expect spectators to show up for a sequel where there aren't much in the way of stakes seen as this is it? Especially with Gunn already expressing a desire to recast Aquaman himself, Jason Momoa as another Detective Comics character (Lobo), before this movie even had a questionably long-delayed, trailer come out. You can't just tease the fangirls with a new black suit for this orange man like Syracuse. Momoa was facing his own backlash, baring the brunt of Vin Diesel and a family of fans who blamed him for 'Fast X's' poor performance at the summer box-office. Look, even Tom Cruise jumping off cliffs on choppers, straight on to runaway trains knows nothing was beating the 'Barbenheimer' monster last year. Besides, Jason's fun and fancy-free villain was the best thing about 'X' that needs to be rebranded like Twitter to avoid that blood is thicker than engine oil cliché. Why this Pride of Gypsies has gone from someone fans at conventions take photographs with, literally brushing off their boyfriend, to tabloid fodder for Dad-bod shaming is beyond me. Either way, the ever lovable Jason who knows how to end things amicably and beautifully (just look at his mature situation with both Lisa Bonet, and Lenny Kravitz) is clearly relishing this one last ride. And if this is it, he's at least succeeded in doing something even bigger than uniting the seven. He's turned 'Aquaman' from a punchline in to one of the best superhero hits and redemption arc ever since Robert Downey Jr.'s Stark realism put a reactor in his iron lung.

Shakespeare in the sea may be the case here, beyond realms of underwater worlds and a Brick throwing trident that sometimes anchors a hammer of Thor sound. But what cinematic caped crusade doesn't crib off the others that came before it? Momoa's Arthur Curry literally calls his brother Loki, but tongue-in-cheek and nice nod to the rival he once wrote "f### Marvel" on a fan's poster, Jason's jovial jokes with Patrick Wilson (who is clearly having as mush fun as he is) are a joy. Especially when they run with it all. But what's that floating in the water. The elephant in the bedroom that really threatened to make this 'Lost Kingdom' take on too much water and drown was the appearance of Amber Heard. Fans petitioned for her removal after her trial with Johnny Depp went public and social media turned into a slap for all, punching down asylum. We can't tell if she's being shoehorned or sidelined here, but she still brings it in what may be her last role in this unforgiving industry that turncoats takes sides quicker than their memories of all they said and shunned before. There's enough star power here to distract us from all that, though. Names like Nicole Kidman and Dolph Lundgren (currently enjoying dual franchise time with this and 'Expend4bles'), and even Bobba Fett (Temuera Morrison being the lighthouse keeper who will set you right on the path home). Whereas Randall Park and 'Only Murders In The Building' legend Martin Short in mo-cap, bring the comic relief. But after his own Manhattan Project with the 'Watchmen', it's Yahya Abdul-Mateen II's new and improved Black Manta that shows us if this is it for these high-seas, maybe we have found Jonathan Majors' conquering Kang replacement. And on a seahorse he rides, this buddy comedy that takes on climate change is one of the most expensive films ever made, and it deserves more than washing up onto a dry January. But time and tide, love. TIM DAVID HARVEY.

Further Filming: 'Aquaman', 'The Flash', 'Blue Beetle'.

STAND-UP REVIEW: DAVE CHAPPELLE - THE DREAMER

3.5/5

The Dreamer, The Believer. 

56 Mins. Starring: Dave Chappelle. Director: Stan Lathan. On: Netflix.

Still 'Killing Them Softly' with his mic-drop song, like The Fugees reuniting at his 'Block Party', Dave Chappelle returns to the stage of his first San Francisco special an almost Kobe 24 years later, to show just how far he's come (his other San Fran special in 2004 is a classic too, 'For What It's Worth'). Back then, the former 'Def Comedy Jam' star with the pizza delivery sketch had to offer tickets outside to get asses in seats. Nowadays, any of his Morgan Freeman narrated stand-up shows on Netflix drum up enough controversy to make them the biggest drops of the year on a streaming service that in the last few months have boasted new material from both Ricky Gervais ('Armageddon') and another from Trevor Noah ('Where Was I?'). Netflix is a joke, but still, some people still don't get it.

'The Closer' still hasn't left the conversation. And that's a shame, when it's '8.45' that we should really still be talking about for what its message means. For some fans, the green and red of the classic 'C' logo on this N service is enough to get us excited at just how much of an icon he is. However, after the 'Closer' fallout we all seem to be living in a reactionary world, where our over-cooked hot takes seem to be more important than what is really trying to be said as we all end up punching down on all sorts of people. We live in a  social media prison that is more concerned about being first and offended, than nuanced and true. Yes, 'The Closer' was at times a misguided misfire, but Chappelle was trying to say more. All that seems to be diluted into the white noise of reels and such things we can never scroll past. The algorithm has everybody messed up, Dave included, as we're all making this the hot button issue and not the material itself. After all, IT'S JUST A F#####G JOKE! Until we keep that punchline and back and forth going like a Will Smith slap, that also gets taken to task here...AGAIN. Although at least Chappelle, as a 'Headliners Only' friend of Chris Rock, had his own courtside seat to this 'Selective Outrage'...and his own incident which we get the hilarious 411 on here like Jamie Foxx in a sheriff's hat. 

If you believe an opening 'Man On The Moon' joke like Andy Kaufman in a wrestling match with Jim Carrey, then Chappelle is leaving the trans community alone. Or is he? Just wait until you see who he's taking shots at this time, as 'The Dreamer' wakes up like R.E.M. But before you go around thinking this is the end of the world as we know it...we already left that all behind on Netflix. And this special feels fine. Even if some 'Titanic' jokes sink and Lil Nas X has been left feeling betrayed, despite a photo of the pair in the closing credits. I'd be more concerned with the one with Elon Musk, but this X still hits the spot it marks, and still has a lot to say for all the dreamers out there. Even if the inspiration could be fine-tuned to tune out all the braggadocios B.S. and back and forth with those taking shots at him. But then again, your favourite rapper does it. So why not a man who wastes more microphones than blown outlets? Dave Chappelle has never just killed them softly. His sticks and stones have always broke bones. But just like a slap that's getting heard a little less around the world, maybe this 'Dreamer' can put to sleep all the snoring of the past and return one of the best stand-up guys to the comedy circuit he is used to, instead of the social media circus. Then, like Rock, a Hart place, or his good friend and 'Chappelle Show' actor Bill Burr, we can go back to just laughing and sometimes trying to stifle a guilty laugh as we spit out our water, but never our dummy. TIM DAVID HARVEY.

Further Filming: 'Dave Chappelle-The Closer', 'Chris Rock-Selective Outrage', 'Headliners Only'.

REVIEW: EXPEND4BLES

3.5/5

Old Guard, New Blood. 

104 Mins. Starring: Jason Statham, Sylvester Stallone, Curtis "50 Cent" Jackson, Megan Fox, Dolph Lundgren, Jacob Scipio, Levy Tran, Tony Jaa, Iko Uwais, Randy Couture & Andy García. Director: Scott Waugh. In: Theatres. 

No Schwarzenegger. No Rourke. No Li. No Crews. No Snipes. No Norris. Somewhat of a Banderas. No Ford. No Willis (although we all know why that is, and we all wish the 'Die Hard' legend and his family the best). And not even a Van Damme, Gibson, or 'Frasier' Crane Kelsey Grammar. Following the epic 'Expendables' trilogy classically conceived by action-hero icon, Sylvester Stallone, the fourth film (dubbed, 'Expend4bles' for all those who can turn a font) feels a little off. Old, but not obsolete, it's still a long way from actually being "expendable", as the title of this franchise that began drawing its pension almost a decade and a half ago suggests. This extended retirement tour of Planet Hollywood with a block busting fist looks like some of your favourite big-screen gunners have passed, one way, or another. But things aren't always as they appear. And although there are no cameos from a film series that has tried to bring everyone from Jackie Chan to Clint Eastwood on board, it can still spring a few surprises. 

'The Expendables' can wait to go to hell like their comic-book series in this world of superheroes that still can't pack a wallop as big as these star and stripe savants. 'Act Of Valor' and 'Need For Speed' director Scott Waugh is having a barney with Sly Stallone, whose Expendables general Ross still knows how to earn his crust. Following his tell all 'Sly' Netflix documentary, the stone rollin' Stallone is far from ready to be put out to pasture like his final 'Rambo' feature, or all the rocky beef with the 'Creed' franchise. Flying his aeroplane like Jefferson, despite a crooked nose, with the best wingman in tow. Jason Statham knows a thing or two about franchise vehicles. He'll ride the 'Fast and Furious' highways and the 'Hobbs and Shaw' spin-off race to death does him part. But right now, with this show steal, and the current 'Beekeeper' sting, one of the best hard men at the top of his game puts his hard hat on and gets back to his honest work of kicking a##. Add another legend in the returning wig and prescription scope of Dolph Lundgren (also on double-duty, right now, with this and the 'Aquaman and the Lost Kingdom' sequel) and MMA hitman Randy Couture and that cauliflower ear backstory, and most of the band are back together. Even if it only is the fab four, playing from the rooftops.

Aside from an untouchable, 'Godfather' legend Andy Garcia, pulling all the strings with a cocktail stick in his mouth that Puffy would be proud of, 'The Expendables 4' is all about pumping new blood into an ageing franchise. Much like the third film was looking to do. Although none of those new recruits show up here. Instead, we have the 'Power' of Curtis "50 Cent" Jackson with his own theme music and Megan Fox with a machine gun like Kelly, arming up for some awesome performances. Not to mention Jacob Scipio doing his best Antonio Banderas impression (think Josh Brolin as Tommy Lee in 'Men In Black III'), and 'Female Fight Squad' and 'Furious 7' starter Levy Tran ('Gemini', 'The First Purge') absolutely inking every moment she's on-screen. Yet it's 'The Raid' of straight scary villain Iko Uwais, and the help of 'Ong-Bak' legend Tony Jaa that really kick-starts this sequel back into straight-shooting gear. This epic in itself ensemble twists and turns like the favourite ring Stallone wants to put back on...no matter where it's been. But where else could we have gone, with both Hulk Hogan and The Rock cooking up interest in the series? Originally Sly wanted Jack Nicholson as the villain, and even Jean-Claude Van Damme showed interest in playing the brother to his Jean Vilain bad guy, Claude Vilain (this is Sideshow Bob brother genius). Even Pierce Brosnan was in talks. Word may not have been bond, but one thing that shakes us is that if there is this much interest stirred up, there's still life in these old dogs yet. TIM DAVID HARVEY.

Further Filming: 'The Expendables', 'Escape Plan 2', 'The Beekeeper'.