TV REVIEW: SHOGUN (Miniseries)

4/5

The Last Shōgun.

10 Episodes. Starring: Hiroyuki Sanada, Cosmo Jarvis, Anna Sawai, Tadanobu Asano, Takehiro Hira, Tommy Bastow & Fumi Nikaido. Created By: Rachel Kondo & Justin Marks. On: Disney +.

Just like the 'Seven Samurai' of Japanese legend Akira Kurosawa have influenced everything from 'Star Wars' to the latest Zack Snyder 'Rebel Moon' awakening, intended force. Great Japanese actor Hiroyuki Sanada has inspired Hollywood, from Marvel movies to Snyder's 'Army Of The Dead'. Ever since he made his across the ocean breakthrough in Tom Cruise's 'The Last Samurai', alongside fellow Japanese legend in Hollywood, Ken Watanabe, from Christopher Nolan movies to Stateside versions of 'Godzilla' himself. Now over two decades later, as Watanabe stars in the second season of the yakuza detective drama 'Tokyo Vice', Sanada steals the spotlight in the hallmark Hulu historical drama 'Shōgun', a Star streaming Fearless FX drama on Disney Plus. Ten top episodes of this epic miniseries mesmerize and make it one of the most meaningful and monumental ones of 2024. A game of thrones and royal appointments to behold as heads roll for something bigger and more burdensome than a mere hollow crown. Carrying more poetic meaning like the quoting of 'One Hundred Poets. One Poem Each'. Now the only question remains in this age of 'Poor Things' and award winners. What's the best new expression for, you know what? "Pillowing", or "Furious Jumping?"

Created by Rachel Kondo and Justin Marks, and adapted from James Clavell's 1975 novel and a 1980s fellow miniseries of the same name, this American historical drama set on the shores of Japan is no whitewashed affair, not fully understanding the Japanese way in all their time, tide and traditions, even in the terrific title sequence and searing score. 'Calm With Horses', 'Lady Macbeth' and 'Persuasion' breakout star Cosmo Jarvis makes sure of that, as you will come to understand just like his well-intended, but at times fumbling, yet compellingly and completely human character does. It's a high watermark acting achievement for Cosmo. No longer lost in translation, next to Anna Sawai and their somewhat subtle, but undeniably combustible chemistry. Expect Emmys for Anna, who after starring in 'Annie', 'Giri/Haji' and 'F9' from the 'Fast and the Furious' franchise is a star of right now. Holding all her grace and poise in a deep and commanding performance that shows how far we've come. Damsel? Are you trying to distress us? You haven't seen heroines wrote this broadly or beautifully in Japan since Ghibli in the 80s, let alone the rest of the watching world that will be in awe. If you want to understand more about the life of Japanese people and the faces they choose, or refuse to share. Look no further than how she puts love and marriage into perspective. Or life itself, when the ground shifting under your feet in the Far East could dictate your fate at any second. As real and authentic as it gets.

Putting it perfectly, Sawai steals the show, even from the legendary Sanada, who from the science-fiction of life, to the crossing genres of the feudal 'Westworld', is as versatile as they come in Hollywood. 'Mortal Kombat' made him a recognizable face, even behind that mask. His Lord Toranaga will make him a household name...on any plain. Take Tadanobu Asano's complex character too, and you have an even deeper and darker role for another Japanese talent whose made his name in America thanks to Marvel movies (he's one of Thor's merry men), Martin Scorsese's 'Silence' (he's similar to another character in that movie), Jared Leto's 'The Outsider' on Netflix, 'Battleship', '47 Ronin', and 'Mortal Kombat' with Hiroyuki. A tenacious Takehiro Hira, terrific Tommy Bastow and formidable Fumi Nikaido (she'll straight scare you with her stronghold) round out the rest of the classic cast in this slow burner that makes you earn the holy trinity of its harrowing and haunting last three big episodes that may just break you. The military minds of this art of war, study more strategy than just classic combat scenes, but there's enough amazing action to keep you sated and satisfied. Still, if you were expecting a big battle in this crimson tide, don't be disappointed. This favourable show is not just for decadent display. It's a fable about forging peace and a new world order, just like Japan did, especially in the face of a world at war today. You only need to watch the Oscar winning Best Picture of 'Oppenheimer', that's finally made its way to Japan after a long and justified delay, to see all that war has done to this nation and the rest of the healing world. And how much we sometimes need to pull back instead of draw our swords for a second. From beautiful moments of deep dives, to pulling ships from the sea, you can see there's a peace in the stillness we all could do with savouring. TIM DAVID HARVEY. 

Further Filming: 'The Last Samurai', 'Game Of Thrones', 'Tokyo Vice'.

REVIEW: REBEL MOON - PART TWO: THE SCARGIVER

3/5

Scar Tissue.

122 Mins. Starring: Sofia Boutella, Djimon Hounsou, Ed Skrein, Michiel Huisman, Doona Bae, Ray Fisher, Staz Nair, Fra Fee, Elise Duffy & Anthony Hopkins. Director: Zack Snyder. On: Netflix. 

Giving us 'Part Two' of his 'Rebel Moon' best 'Star Wars' intention and impression on Netflix, Zack Snyder leaves us with 'The Scargiver'. Reigniting the embers of 'The Child Of Fire'. The 'Man Of Steel', 'Batman v Superman: Dawn Of Justice' and 'Justice League' (his cut) director's epic space opera that feels like it's lifted off the pages of a graphic novel to immortality like this.is.'300', continues the legend's streaming service legacy IP like the spin-offs from his zombified 'Army Of The Dead'. Just watch, man, as the redefining 'Dawn Of The Dead' remake geek God blends genres and his own work beautifully. At times, 'The Child Of Fire' and 'The Scargiver' twofer feels like the 'Star Wars' droid fans were looking for it to be. At others, a monster mash of his own movies, or the epic fantasies of 'The Lord Of The Rings', 'The Hobbit', 'Game Of Thrones' or the 'Harry Potter' franchise, complete with 'Legend Of The Guardians' owls. It's a hoot. The only question remains, is will you wait for this direct sequel's R-rated Snyder cut to truly get the best and most brutal version?

You see in this era...or week, of Taylor's new album, not much else gets a look in (sorry, Pearl Jam). But Snyder needn't put himself in the 'Tortured Poets Department' with all those other moviemakers like Ethan Hawke and Josh Charles of 'Dead Poets Society' in that video with Post Malone. Oh Swiftie, my Swiftie. 'The Scargiver' still leaves you with something to remember. Getting read for epic battles like lords and rings of power in Hobbiton, just darker still like the eye of Tolkien's 'The Silmarillion'. Sharecropping and stream crossing has never looked this GQ, farming these grand genre co-singers for all their worth. Culminating in a classic skirmish that sees ships fall to the sea, like 'Star Trek-Into Darkness'. Heroes and villains fall down floors together that now become slip and slide game with no footholds, like the skyscrapers of 'Transformers: Dark Of The Moon'. Flying forever like that runway off the sixth 'Fast and the Furious' film's London drift. Not to mention those duels with the swords of more than steel, but less than a Lucasfilm lawsuit. Dry-ice steam, looking like someone left the kettle on the stove. Yet nothing is overcooked here in this mesmerizing Motherworld of compelling, contemporary Snyder-vision cinematography. A rebel...with his own cause.

On the lighter (day battles looks like a new left turn for Zack) side of the Moon of Veldt, the warriors of Sofia Boutella, Djimon Hounsou, Ed Skrein, Michiel Huisman, Doona Bae, Ray Fisher, and the narration and robotics of Sir Anthony Hopkins reprise their roles from the first film. Boutella, a blast, armed with two guns Han would be proud of, proving she's a star. Not to mention a comic-book epic fantasy player. Huisman the heart, and the one that you want like his Baz Luhrmann and Lo-Fang Chanel No.5 classic commercial with Gisele Bündchen. The perfect pair is a cut above the rest, as they change their signature styles before the battle to serve iconic looks. Meanwhile, Hounsou, like Fisher, beautifully shows he has another note to his already terrific talent. Doona Bae continues to grip us with the gauntlets of her streaking, sabre like swords. And 'Deadpool' villain and do the right thing previous 'Hellboy' one Ed Skrein continues to have the untamed, unleashed fun of his life. Add the powerful potential of a new, young big-three in Staz Nair, Fra Fee and Elise Duffy and if the rumours and teases of this not being it are true, then this series of events and fellow films are in safe hands. It will certainly make up for the Hopkins C-3P0 gentle droid like teased disappointment. Or the charismatic vacuum left by Charlie Hunnam, only being in this part's predecessor that came mere months ago, last fall. Still, dismiss this for your latest bingeable Netflix obsession at your peril, reindeers. We don't want this Chili Pepper hot movie for your rotting tomatoes, to be scar tissue we wish you saw. Especially when it's denied and derived by sarcastic mister know-it-alls online. Critics will have their field day in this open world, but it's still a saga worthy of its own fire. It takes a village, and this Akira Kurosawa inspired picture, may not be Disney, but it's deserving of its own trilogy. TIM DAVID HARVEY.

Further Filming: 'Rebel Moon - Part One: A Child Of Fire', 'Man Of Steel', 'Star Wars-Visions'.

REVIEW: PRISCILLA

4/5

The King and I.

114 Mins. Starring: Cailee Spaeny & Jacob Elordi. Director: Sofia Coppola. In: Theatres.

Queens of the desert, don't be fooled. Toxic, tender and true. Are you familiar with the amazing American artist Lo-Fang? Made famous by his creative cover of 'Grease's' 'You're The One That I Want' on the Baz Luhrmann (who this reviewed movie replies too) directed Chanel No. 5 (who this reviewed movie gives thanks too) classic commercial starring Michiel Huisman alongside Gisele Bündchen. If so, you may have heard his out of this world, spacey cover of Elvis Presley's 'Don't Be Cruel'. To end this terrific take, we hear the king himself speak like he was being radioed down to Houston from out of space, or perhaps even higher still, in the heavens. "I'm proud of the way I was brought up to believe and to treat people...and uh, I have respect for people. And when I am pushed to a certain point I have a very bad temper, uh...but that doesn't happen very often, of course everybody has a temper. And then I don't like myself later."

That mood is managed magnificently in the mesmerizing new movie from 'The Virgin Suicides', 'Marie Antoinette' and 'The Beguiled' remake director Sofia Coppola, now as famous as her family for more than 'The Godfather Part III'. As the Best Actor Oscar winning 'Elvis' (check out Austin Butler, minus the quiff, in a scene stealing tear on 'Dune: Part Two'), focussed on the relationship between The King and Colonel Parker (played perfectly, and differently by Tom Hanks), who here is a phone call away, Mrs. Presley was sidelined like she never should have been in that film, or life itself. But now another gem from A24 and Mubi, 'Priscilla' is the perfect reply. 'The Bling Ring' and 'A Very Murray Christmas' director, who last gave us the outstanding 'On The Rocks' with the 'Ghostbusters' legend, is no stranger to the Eamon and Frankee F you right back and forth. They say Spike Jonze' hallmark ahead of its time 'Her' was actually a response to Coppola's opus of 'Lost In Translation'. And this movie about the Queen to Elvis' King features signature skinship styles (camera flashbulbs, revealing the real portraits of what lies behind the photographs. Slow and sombre drives away from what seems like a paradise to a whole new type of freedom of uncertainty) to Sofia's love story starring Bill and a young Scarlett Johansson in the same Park Hyatt this writer now frequents after being moved to move to Tokyo, ten years after seeing Coppola's cinematic classic capture his heart, only to leave it here in Japan.

Yet with class, like fellow great actress turned even better director Olivia Wilde's classy response to being served on stage by Jason Sudeikis, don't worry, darling (or Graceland gate storming like Springsteen fans), this is no hatchet piece. More the restrained passion of a sobering relationship drama that shows all the love, hate and war that we can all relate to as we go through this nuanced life where all is not fair, but we can cut a clear path of where the hurt comes from in raw retrospect. The dark side of Elvis actually sits with respect as the perfect companion piece to the blingy Baz Luhrmann directed blockbuster that took the ring like King James' version of crowning achievements in these game of thrones. It's dignified, but does not shy away from what he did...and even why. Estate be damned for their dismissal. Real love is only right if you recognize the wrong too...and at least atone. One biography about King of the ring, Muhammed Ali actually deep dived into Elvis never being the same as he crawled on the coffin of his mother, begging her to wake up and come out. Brutal. That's also compelling, captured on camera between Coppolla and Jacob Elordi perfectly. 

'The Kissing Booth' star gaining even more recognition for the sensational 'Saltburn' is also worthy of an award for his royal appointment as Elvis. Sure, so soon, after Austin, it seems like this would play in the shadows of the Butler who served us with a redefining role so strong that the accent stuck. But many men (Kurt Russell, more than once) have played the King, like they have an even better one in MLK, and more still will. Yet, this is 'Priscilla's' movie...literally. Produced by Priscilla Presley herself (who loves 'Elvis'...and of course Elvis) and based on her book ('Elvis and Me'), this 80th Venice International Film Fest favourite stars Golden Globe nominee for Best Actress, Cailee Spaney. And this is much a coming of age tale for the mid twentysomething actress who plays Priscilla from her too young teenage years to the same point she's at now. As classically compelling as Coppolla's cinematography, Cailee will be as legendary as Sofia's starlets lost, beguiled and blinged. Not to mention those virgins and Antoinette. Going off their heads, this is survival, anything but suicidal, or a "sad girl" stereotype from critics and cynics. The 'Civil War', 'Uprising' star gives us an acting masterclass for one of a woman finding her own agency. After hollow worship, this biography takes the real crown. TIM DAVID HARVEY.

Further Filming: 'Elvis', 'Jackie', 'Lost In Translation'.

REVIEW: THE IRON CLAW

4/5

The Iron Men.

132 Mins. Starring: Zac Efron, Jeremy Allen White, Harris Dickinson, Maura Tierney, Stanley Simons, Holt McCallany & Lily James. Director: Sean Durkin. In: Theatres.

Claw caught in a cruel fate that shows fingers are fickle, if you're not familiar with the history of wrestling, then you'd be forgiven for thinking that 'The Iron Claw' is not a true story. Too tragically unbelievable to be true, but this is as real as a 30 for 30 and needs to be documented for more than the ESPN crowd. As dynamite director Sean Durkin ('Martha Marcy May Marlene', 'The Nest') whose favourite films include 'Jaws', 'The Shining' and the sobering Al Pacino classic 'The Panic In Needle Park' (which this strings out stirringly like) adapts what should be a book for the new modern day legend of an A24 movie (co-signed by the BBC). That number, especially in this year, should certify a classic like Kobe...particularly when it comes to sports drama. But what's almost as surprising as the true nature of this tale, is that this last dance and waltz in the ring avoided the Academy's tickets like wrestling does real hits. But this one, that should be, pulls no punches with an even more fitting tribute to the true nature of wrestling when one character curiously questions its integrity. That word influences and inspires this whole picture that takes its own belt as one of the definitive fighting family dramas, like Miles Teller's post 'Whiplash' blood on the drum skin, 'Bleed For This'. Into an arcade of fire like its searing score from the singer in the mahogany aesthetic of this classic American family truth telling.

Wrestling with Mickey Rourke's Springsteen song 'The Wrestler', and the serious coming out party of Steve Carell, alongside a formidable tag-team tandem of Channing Tatum and Mark Ruffalo catching foxes, 'The Iron Claw' grabs hold and won't let go as part of that ringside big-three. Sports stories have always provided cinemas with great theatrical takes. The creed of boxing blockbusters like 'Rocky'. All the football films of Friday night lights on any given Sunday. And even all the latest basketball big-hitters like baseball's 'Moneyball' that have come court on a field of their own dreams on a cinematic court canvas. It's like the art of the games themselves, and now wrestling pins you to your compelled seats with this indie hit that will feature in the best kind of local cinemas from fact in Liverpool, to Kino in Tokyo (what a way to go). Clawing away at the game like Tom Hardy's 'Warrior' (also Oscar oppressed) did for UFC in this modern day 'Road House' remake amazon with a cheeky Conor to strut around with Scouser swag from the Irishman. This brutal, yet beautiful biographical film about the Hall of Fame legendary Von Erich family is something you will never forget. Even, if, like me, this is your first introduction to them. Marked by tragedy that seems like a curse, you can guess what happens next, but if this is the first time you've seen them against the ropes, the story should be theirs to tell, not mine. In an all too real film that actually has one heavenly, beautiful moment that's truly touching and looks as genuine as the grace of the angles that walk with us in this spirit of embracing brotherhood. To the Stetson, a Texan theatre premiered this picture, that despite the lack of awards, actually earned the prestigious, undeniable honour of being one of 20213's top ten best by the National Board of Review. This World Class Championship Wrestling (WCCW) signature move is spearheaded by none other than Zac Efron, with arms and Rock 'Baywatch' body oil for days. But not many pants to go with those budgie smugglers, only distracted by the classic 'cuts. 

Ever since 'High School Musical', Efron has balled out. Showing he had the comedy chops as one of Seth Rogen's 'Neighbors'. But watch this, this is where he really shows you he can actually act like 'The Paperboy' with McConaughey and Kidman. But for his greatest show, man, this is his best biopic since Bundy, ' Extremely Wicked, Shockingly Evil and Vile'. With subtle, bracing beauty as he heartbreakingly sleeps in the gym away from his family and the lovely Lily James in a powerhouse performance, as he doesn't want his newborn to be touched by his curse. You can't blame him, or the hurt in turn that it causes, which is felt...like a curse. Straight out the kitchen, 'The Bear' megastar Jeremy Allen White (built like one, or that hilarious meme of him being Gene Wilder with a gym membership), gives us a deeper and darker turn as an aspiring Olympic discus thrower. Whilst you can 'Trust', that in this 'Triangle Of Sadness', the ever versatile Harry Dickinson will break your heart like he did in 'The King's Man'. You won't believe the incredibly versatile actor is actually British, like you can't deny the "WOO" of Aaron Dean Eisenberg as Ric Flair. The inspired introduction of Stanley Simons, who just wants to sing, will truly break you too. No matter the restrained passion nursing of 'ER' legend Maura Tierney. Alongside the Lavar Ball well-intentioned overbearance of Holt McCallany, and it's road to hell message. For Holt, who character acted with so much of that in so many films before making his mark in Netflix's 'Mindhunter', should have had his Oscar nomination for this. This is kind of the passed over ignorance that the real family's father felt they faced in real-life. In a way, it's a disgrace, but 'The Iron Claw' should get a hold of you for other reasons. To tell you, how fleeting this life is. And that no matter the success, it, or the ones you hold closest, could be all gone in an instant. So hold them, just as close, and don't let go of the notion that real success is found in family and the eyes of the one's staring back at you. As you embrace in the face of it all. TIM DAVID HARVEY.

Further Filming: 'Foxcatcher', 'Bleed For This', 'The Wrestler'.

TV REVIEW: CURB YOUR ENTHUSIASM - Season 12

4/5

Pretty Little Larry.

10 Episodes. Starring: Larry David, Jeff Garlin, Cheryl Hines, Susie Essman, Richard Lewis & J.B. Smoove. Directed By: Robert B. Weide.

Here's a pretty, pretty good story. About two years back, I went on a date with a wonderful American woman who I didn't want to stay away from me like Lenny Kravitz sang. I thought it went pretty, pretty well. I took her to the New York bar in Tokyo's Park Hyatt hotel, made famous by the Sofia Coppola classic 'Lost In Translation' love story starring Bill Murray and Scarlett Johansson (this is where the two other women I've been on a date with during my swipe right time are like, "you took me there too motherf#####", in their best Susie Essman voice. Took the "takai" tab. You know, errr (*Larry David voice*), what you're supposed to do. But then, as I got home and we made it Instagram official, swiping through her pictures of the night I saw the same skyline and then the meme of memes..."Directed By Robert B. Weide." Bring on the trumpets. I mean, that was a pretty hilarious way of knowing it was a done deal. I should have married that one.

More heartbreaking than realizing that even with my LD hairline and fashion choices, I can't seem to inexplicably date everyone from the Hollywood star here, to Xena Warrior Princess, is the fact that we have to come to terms with the fact that this is the last season of the classic HBO show 'Curb Your Enthusiasm'. A baker's dozen of twelve terrific seasons that redefined comedy and the improv of sitcom...even bringing the master of such Vince Vaughn to a recurring role that pays tribute to the late, great Bob Einstein. After all this time, what's your favourite episode? For this Lakers fan, I'd be tripping if I didn't say the one where Shaq slipped, but even those glory days are even boss bested here by THE classic cameo in a coral of them that we compel you not to reveal on the water cooler that is social media. Or how about the best bit on that infamous Oscar's slap? As for all the epic episodes that will now be rerun like...well...'Seinfeld', you don't need to take a trip down memory lane. The final, almost hour long episode will do that for you as it seeks to right the wrongs of the Jerry co-created show that the legendary J.B. Smoove tells Larry he "f##### up", straight. No chaser. As 'Curb' chases this decade's long ghost in the same court-room drama, prison (just wait until you see his mugshot). Yet, comedy clip shows aren't the victory lap franchises think they are, as your Home Box Office continues its trend for stunted season finale's in this comedy game of thrones. Still, it's more of a disappointment that it's over...roll credits and get the hint...like I certainly should have.

Atlanta like Donald Glover plays home to this final dose of 'Enthusiasm' in a child's gambit in the same week we're taken back to '97 for some animated 'X-Men' (sniff...I can't say why) and the other best theme tune ever made. There's plenty here to get stuck into as Larry "Involved" David sticks it to the man and crazy election laws with the most controversial bottle of water since the one he took into the bathroom. Pitching a pants tent, the opening episode, is a real spectacle like putting a lawn jockey outside your home. There's more unFOREgettable golfing moments with Takahashi in a duel worthy of the gladiators. Not to mention stirring addresses, nightmare trips from hell and a classic car you just have to smell like the cheese. Whether your names Ken, or Kendra, you don't need to be disgruntled at this, even if no lessons are learnt by the finale. And that's the point. It's the same old Larry you love. No matter how much he hates this. With Jeff Garlin always by his side like the best, best friend in comedy. Whilst the interplay between the perfect pair and Susie Essman is a comedy trio, big-three like no other, we never want to shut the, or get the f### out our house. Not to mention the candle held for Cheryl Hines, and the 'Cheers' that brings with Ted Danson. Yet for all the dynamic duos, partnering up here, like the classic odd couple moments with J.B. Smoove (with the guffaw inducing explanation of s###) that still bring da ruckus (you haven't been to an all-you-can-eat buffet, until you've been to one with him), it's his friendship from birth with the late, great Richard Lewis, who we lost midway through this season, that really moves us. How could they do another season now he's gone? Simply put, they couldn't. The enthusiasm wouldn't be the same. So as we curb this classic, this is it. And this is for him. There is no better. TIM DAVID HARVEY.

Further Filming: 'Seinfeld', 'Atlanta', 'Young Larry'.

REVIEW: GHOSTBUSTERS - FROZEN EMPIRE

3/5

I Ain't Afraid Of No Frost

115 Mins. Starring: Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Kumail Nanjiani, Patton Oswalt, Celeste O'Connor, Logan Kim, Emily Alyn Lind, James Acaster, Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts & William Atherton. Director: Gil Kenan. In: Theatres.

There are some stranger things in the neighbourhood, now Finn Wolfhard, McKenna Grace and Carrie Coon are the ones to call for your new 'Afterlife'. They breathed new spunk and spirit into the iconic and retro great 'Ghostbusters' franchise with their new theme. All whilst bringing the old guard back, Dan Aykroyd, Ernie Hudson, Bill Murray and more. Perfectly paying tribute to the late, great Harold Ramis with some spirited CGI emotion capturing. Fans around the world and all the way back to New York City were caught Hook and Ladder to these hearse driving, fire house favourites. Crossing the streams of tears. It helped them get over the 2016 girl proton powered reboot that was actually as alive as Saturday Night and cruelly criticized. And for all those 'busters who get to join the boiler suit donning gang, you would think they could be invited back for a major monster mash-up of a movie too, with Chris Hemsworth manning the phones. Fans shouldn't have listened to Trump. Instead, the 'Frozen Empire' sequel of this new recharged ghost busting franchise brings a touch of frost and a little of a cold front to its New York City paranormal cops. The reception hasn't been a complete cold shoulder, as it's made more money than an ice cream truck in July. But after the new life of its predecessor, the rigor mortis is starting to set in for this frozen film.

Don't be afraid of no ghost, mind you. Because this super supernatural film is still superb in this age of heroes, and a fun film to boot. It's just the leaders of the old and new school Paul Rudd and Bill Murray, reuniting after the 'Ant-Man and The Wasp: Quantumania' sequel, know all about how a slumping sequel can bring the scary out of even the most sought after franchises. Their individual, trademark one-lining, one-of-a-kind humour more than do the heavy lifting with easy whilst the ghost garbage fills to bursting. In this class cast, freshmen and reunion, the same can be said for the class of her own Carrie Coon, 'Stranger Things' and 'IT' star Finn Wolfhard making a new friend a little greener than Eleven, but none less bald and the moxie of McKenna Grace stealing the show and making this Ramis like spectacle her own with Harold hallmarks. Or the innovating originals refusing to trade places, and instead desiring to share spaces. Just like the legendary Dan Aykroyd with a paranormal show that the Riker of 'Star Trek: The Next Generation', Jonathan Frakes would be proud of...and that is true. Or the as magnificent as that meme of him giving it to himself, Ernie Hudson, going yards. Giving this film its heart and inspiration that could convince any cynic or those cashing a cheque that this was the real deal. Add the amazing Annie Potts taking care of everything and the major mayor William Atherton still square, trying to make sure these meddling kids don't get away with anything. Nostalgia on the nose doesn't have to be nuanced when it's in fabulous service of the fans.

Hallmark haunts help this dry ice atmospheric feature from Gil Kenan survive the winter. Not to mention the pre-summer blockbuster march of film fodder. Co-writing a script with Jason Reitman in tribute to his father Ivan, this film is as spirited as the New York it occupies is all pizza grease and subway grime. In the time it takes, here in an NYC minute, you're reintroduced to friendly ghastly faced favourites and a whole new gang of ghosts that still wow like the holograms of a 'Haunted Mansion' at Disneyland. Figure in the recruiting return of the cool Celeste O'Connor and the literal Podcast, Logan Kim, and this fifth film feels as fresh, yet as fond, as all the others in the franchise. Walking around like a Statue of Liberty Easter Egg (just like those classic 80s toy commercials) or Marshmallow Man monster, as we "stay puft" with the new mini scene-stealers of the roasting marshmallows as cute as Groot or Grogu. Then in this spectral spectacle the fire of Kumail Nanjiani, the comic timing of Patton Oswalt, the great British sarcasm of James Acaster looking like the pulp of Jarvis Cocker's son in this fiction, and the Ricci like haunting spectre of Emily Alyn Lind give this empire a new state of mind that stops it from freezing over. For the 40th anniversary like Disneyland, Tokyo, these old ghosts still rock like the boombox busting theme. And as stone lions come alive like the tigers, bears and "oh my" of a 'Night At The Museum' this film and franchise is far from the fridge. Epic exposition chilling us to the core like a Robert Frost poem or an Aykroyd monologue that chews the scenery. Still, if this crew in the coolest cab don't want to be left out in the cold ready to thaw out, they might want to chill for a Big Apple minute and go back to the core. There, this old dog might find some new tricks that aren't so easy to scare up. TIM DAVID HARVEY.

Further Filming: 'Ghostbusters: Afterlife', 'Ghostbusters II', 'Ant-Man & The Wasp: Quantumania'.

REVIEW: OPPENHEIMER

4/5

The Dark Day 

180 Mins. Starring: Cillian Murphy, Emily Blunt, Matt Damon, Florence Pugh, Josh Hartnett, Casey Affleck, Benny Safdie, Jason Clarke, Dane DeHaan, Alden Ehrenreich, David Dastmalchian, David Krumholtz, Scott Grimes, Matthias Schweighöfer, Alex Wolff, Jack Quaid, James D'Arcy, Tony Goldwyn, Matthew Modine, Tom Conti, Rami Malek, Kenneth Branagh & Robert Downey Jr. Director: Christopher Nolan. In: Theatres.

'Barbenheimer' may have stimulated the summer season of Hollywood blockbusters in theatres. Bringing bums back to those iconic red cinemas seats that were previously tipped up during the pandemic and the age of streaming. But the memes and artwork it inspired led to cruel controversy targeted here in Japan when last year a fan on X (or some other drug) posted a mocked up picture of Cillian Murphy's J. Robert Oppenheimer carrying Margot Robbie's 'Barbie' (made to look happy and celebrating) away from the atomic bomb blast that destroyed and devastated Hiroshima and Nagasaki. Just another twittering troll on what was Twitter. Until the official 'Barbie' Twitter account in the US got involved and replied, "it's going to be a Summer to remember". As if anyone in Japan could forget. Adding insult to more than injury, they already have to put up with cruel and abhorrent memes every time someone mentions a heatwave in Summer, and now they have an official 'Barbie' representative interacting and unbeknownst to them maybe, co-signing. Then came a soft boycott of 'Barbie' due to the controversy and worse retaliating memes from some X users just as callous, putting the same meme up, but changing the background to the World Trade Center on 9/11 and even making the lovely (and I say this about her character) Margot Robbie (who had absolutely nothing to do with this) looking like she was hit by the bomb blast. Truly disgusting behaviour. Both ways. But not from westerns or Japanese people. Just mindless, ignorant individuals. The kinds we don't have to be.

So you can see why this year's Academy Award-winning Best Picture, 'Oppenheimer' took so long to make it here. As it marches to an eight-month late release this week and end of March. Trailer introduced by Japanese 'Batman Begins' and 'Inception' star Ken Watanabe Then again, the previous Oscar winner for Best Picture (the epic 'Everything Everywhere All At Once') only came out after the Oscars, too. Unless it's a Marvel movie, many films feature here in the Far East a little, or much later. You can see 'Past Lives' in the near future. Some for understandable reason. When you watch Paul Thomas Anderson's legacy making 'Licorice Pizza' starring Alana Haim you can also see why offence was caused in a different, but no less ignorant way. Still, like that, THIS is a great movie. One for all-time. No wonder it sealed seven Oscars. And long overdue winner of Best Director, Christopher Nolan has given us his magnum-opus. And here's this generations' filmmaker like the 'Dune' of Denis after him who has even bested his redefining 'Dark Knight' trilogy, not mention his epic exploration one of 'Inception', 'Interstellar' and the terribly underrated, pandemic lifting 'Tenet'. A memento to his prestige in his traditional trademark directing decadence. Beating 'Barbie', and so many other great films, out the box like Scorsese's historical re-telling, in order to learn new lessons 'Killers Of The Flower Moon' with his own epic ensemble like 'Dunkirk'. Exploring similar themes and Geiger counter like scratching score that itch at you. Even if Hans Zimmer isn't collaborating this time like Nolan and fellow knighted filmmaking and life partner Emma Thomas' former Warner Bros home. Victims of the streams (kudos though to 'Tenet's' Ludwig Göransson ('Black Panther', Childish Gambino's 'This Is America' amongst others) who also took home the Oscar for Best Score). World building, a wild west town like Johnny Depp's 'Transcendence' for this doctor of the Manhattan Project, as the atomic age of building a bomb became the race before the space age one. And who would have thought that a three-hour epic that is almost all talk would not only be an Oscar winner, but the highest grossing movie of the year not made out of plastic? If you build it, they will come to your field of dreams.

Japanese cinemagoers are right in saying that more film-time should have been devoted to the suffering Oppenheimer's bomb cause. This is a place that, like they say in 'Shogun', knows death can come at any moment when they feel the earth move. A presentation of both sides maybe like the great Clint Eastwood's dignified directed career-turn in twin war movies, 'Flags Of Our Fathers' and 'Letters From Iwo Jima'. Yet, there's nothing gratuitous about Nolan's nuanced and wonderful work. No glorification, just conflicted guilt from our pure in his methods protagonist. It's always respectful and dignified, and you don't even see the actual bomb blast here. Just in testing. But there are haunting visions of moments that really step on your chest and one that is truly horrific, and in days gone by before this desensitized age would be all you needed to convey the absolute horrors of all this. Nolan has always been one for symbolism, too, like his hidden tribute to Heath Ledger. Here, a massive globe in the White House's Oval Office almost looks like the very bomb itself and the effect it had on the world as we knew it. A reminder in this cautionary tale that prays for peace, that even if we have great power, it doesn't mean we should wield it. Presided over by a President played by a man we won't spoil, but is no stranger to going to great lengths to play these political figures, hidden here. There's a world of wonderful actors here that deserve to be mentioned in this epic ensemble, mind you. David Dastmalchian ('The Dark Knight', 'The Suicide Squad'), David Krumholtz ('Numb3rs'), Scott Grimes ('ER'), Matthias Schweighöfer ('Army Of The Dead' and 'Thieves'), Alex Wolff ('Hereditary'), Jack Quaid ('The Boys'), James D'Arcy ('Agent Carter'), Tony Goldwyn ('Friday The 13th's' Jason), Matthew Modine ('Stranger Things', 'The Dark Knight Rises') and Tom Conti all show up in small, but significant roles. As do friends of the Nolan's like the great Kenneth Branagh and an Academy underrated Matt Damon, with his friends of the family Casey Affleck showing up like Matt did in 'Interstellar'...it's been enough time now, right.

Although she had strong competition from the 'Barbie' speech of America Ferrera, 'Nyad's' support of 'True Detective' great Jodie Foster, 'The Color Purple' of Danielle Brooks, and well deserved winner of 'The Holdovers' Da’Vine Joy Randolph, Emily Blunt deserved her nod. Bringing some of that sobering 'The Girl On The Train' acting, also whilst stealing the scene in a table flipped moment that is akin to the ace in the hole that is Best Actor winner Rami Malek's character. 'Dune: Part Two' star Florence Pugh should have also garnered a nomination for the explicit soul and pain of her heartbreaking lover. The future is hers. Alongside the likes of 'Uncut Gem' Benny Safdie, Alden Ehrenreich (back after some unfair 'Solo' railroading from 'Star Wars' fans) and the young, great Dane DeHaan in real prominent and powerhouse parts. There's not enough nominations to go around the table, that hides some behind flowers they should be given. The ever consistent Jason Clarke. The return of the poster boy Josh Hartnett, still so fresh to this. There's more to 'Oppenheimer' than just Oppy. Take Robert Downey Jr. for example. An acting ironman in more ways than one. Don't discredit his time locked up in the M.C.U. Nor what he spearheaded with Marvel in career redemption avengance. But this is the man who played Chaplin perfectly. A real bona fide actor with the 'Best Supporting Actor' statue to add gold weight to that claim in compelling courtroom drama in bold and beautiful black and white. To peace. And the 'Peaky Blinder' (movie to come) eyes of Cillian Murphy that has been a mainstay in many a Nolan movie already. But now, more than '28 Days Later' this actor is getting his overdue respect. Reuniting with Blunt after 'A Quiet Place II', haunted by visions even his Batman Scarecrow couldn't conjure up, Cillian's craftsmanship of character confirms this as a classic. Making the Stetson and pipe iconic, as he tells more behind those bookended stares into the void than he does in the stirring science of this incredibly interesting take on THE turning point in world history. Like Alan Turing, J. Robert Oppenheimer finally got his long-awaited due. But who was it for? And right now, we need his story more than anything. But can you tell me, for what reason? TIM DAVID HARVEY.

Further Filming: 'Barbie', 'Dunkirk', 'Interstellar'.

REVIEW: SHIRLEY

3.5/5

She Had A Dream

107 Mins. Starring: Regina King, Lance Reddick, Lucas Hedges, Brian Stokes Mitchell, Christina Jackson, Michael Cherrie, André Holland & Terrence Howard. Director: John Ridley. On: Netflix.

Surely you can't be serious? And ladies and gentlemen, hold your 'Airplane' gags, with all due respect and love to the late, great Leslie Nielsen. But why is this movie buried on the more midweek, nuanced side of Netflix like an Academy afterthought, this March? Madness! 'Shirley', not to be confused with the fellow biographical drama of literally the same name starring Elizabeth Moss, gathering some of her best work as novelist Shirley Jackson just four years ago, she deserves better. Why was this not a marquee movie, dangling in the November rain waters as Oscar bait like Annette Benning and Jodie Foster's 'Nyad' team? Could it be due to the Civil Rights of Barry Jenkins' James Baldwin adaptation 'If Beale Street Could Talk' Best Supporting Actress winner Regina King's co-star Colman Domingo? That's a lot of names to get through, but as 'Rustin', Domingo deserved the Oscar, just like Bradley Cooper's 'Maestro' (also on Netflix). Although we are yet to see the great Cillian Murphy is the board sweeping 'Oppenheimer' as it finally gets released in Japan this very weekend. Still, why can't we have the rights of two similar, historical and groundbreaking movies passing at the same time? If justice could really talk in this day and age, 'Shirley' would sing. 

A hidden figure like Taraji P. no longer in the age of stories like 'The Color Purple' being retold to new eyes and ears. Shirley Chisholm was the first Black woman to be elected to the United States Congress. Barrier breaking like Thurgood Marshall, played beautifully by the late, great 'Black Panther' and James Brown and Jackie Robinson star Chadwick Boseman (rest peacefully) in the film of the same last name. She would have been President too. Mounting a monumental and moving campaign that charmed and compelled many until it was unfairly and unjustly derailed. Remaining in the margins as a footnote thanks to the same kind of ignorant disregard from those in power who should be clutching at straws, not holding the very lives and livelihoods of our children and future generations in their cruel, choking grip. Remind you of anyone? Even in the face of all this racist dismissal, Chisholm responded to her loss with grace, and saw it as the gift real winners and pioneers see a so-called defeat as. A moving of the needle. A push in the right direction. That will spur the next one on to bigger and better things. Reach one, teach one. As Jay-Z said on the beautiful election night, "Rosa Parks sat so Martin Luther King could walk. Martin Luther King walked, so Obama could run. Obama's running so we can all fly." Well, Shirley ran too...and flew as close as she could to the sun. 

Take wing and spread the historical news of how it happened once you see her incredible and inspired journey of influence yourselves. Moved by the integrity. Maddened by the injustice. '12 Years A Slave' Best Adapted Screenplay winner and writer John Ridley (the man who gave us Andre 3000 as Hendrix in 'Jimi: All Is By My Side') directs his definitive movie with due diligence and dignity. Feeling like its seventies soul setting all the way down to the script and soul-baring soundtrack. This biographical blaring of a powerful, yet profound political statement is the best march to justice since 'Selma' and the 'Rustin' behind the scenes that orchestrated it all as Mr. Domingo goes to Washington...twice. Produced by the eponymous King, Regina, already one of TIME magazine's '100 Most Influential People In The World' proves she is queen with a classic, crowning role. A spectacle all the way down to the frames of her powerful prescription. The soaring speeches she makes to her public, the wise words she counsels to her closest in private. It all means so much. Just like the team behind this game changing 'Watchmen' and 'The Harder They Fall' star. Showing like Stallone, it's not how many times you fall, but...you know the rest.

Poetic justice comes for the 'Ray' star with that co-star and the 'Empire' of an always terrific Terrence Howard. Armed with his own intense and moving speeches, without so much as a stage to set them on (see the heartbreaking 'Hart's War'). Not to mention the bar exam legal counsel of a Dahmer looking, but just delightful Lucas Hedges who already has quite the career with 'Manchester By The Sea', 'Lady Bird', 'Three Billboards', 'Boy Erased', 'Ben Is Back' and the West End 'Brokeback Mountain' adaptation. Add a brilliant Brian Stokes Mitchell, classic Christina Jackson, mesmerizing Michael Cherrie and 'Moonlight's' own André Holland on the dark side, amongst other classic cameos, and this film is formidable. But it's the late, great star of 'The Wire' and 'John Wick' Lance Reddick who will really stay with you in one of his best and last roles. A pivotal one at that, with stirring second-billing. Revelatory in its defiant and dynamic delivery of definition. An actor like no other with a voice the same. Poitier poignant. Let's hear it for him. Long live in our movies and memories. Even with a pre-Netflix, limited theatrical release, nothing is failed here. Just like Chisholm's courageous and beautiful bid to be the first female, and at that time Black President in US history. Something we might see again with names like Kamala or Michelle. Call on this Shirley. TIM DAVID HARVEY.

Further Filming: 'Rustin', 'If Beale Street Could Talk', 'Hidden Figures'.

REVIEW: ROAD HOUSE

3.5/5

Road Trippin'

121 Mins. Starring: Jake Gyllenhaal, Daniela Melchior, Billy Magnussen, Jessica Williams, Joaquim de Almeida, Austin Post & Introducing: Conor McGregor. Director: Doug Liman. On: Amazon Prime.

The house always wins. To begin the madness of March on streaming, great Brit, 'Lock Stock' directing legend Guy Ritchie released 'The Gentlemen' spin-off series on Netflix, that has a tied-in covenant with his 2019 crime caper of the same name starring Matthew McConaughey. This came mere weeks after his actual Amazon Prime movie, 'Guy Ritchie's The Covenant' finally saw the light of day of a release in the land of the rising sun. To end the prime time of this month, that film's star has his own arrangement with Amazon. Remaking the 1989 classic 'Road House' (the late, great Patrick Swayze's 'Footloose') to bring more air to Prime TV's streaming war with Netflix and Disney +. Just like the time Matt Damon and Ben Affleck tried to bring Michael Jordan to Nike. But the bond may already be broken. 'Swingers', 'The Bourne Identity' and 'Mr and Mrs. Smith' (his film with its own Amazon TV remake right now) director Doug Liman is looking to boycott the film's release because it's not theatrical. Although Gyllenhaal maintains, Amazon always made it clear that this would be a home movie affair. Even if it is a roaring, untamed lion like its MGM production.

Your eyes may be left streaming at what a shame this is, because this fun, original besting, bar bust-up should be taken outside. It belongs on the big-screen in all its big bravado and fight night spectacle with an actual UFC legend. Building the great Jake up to look like one and actually film scenes during actual sporting events like fellow Hollywood heartthrob Brad's latest pit stop. Or the time a stronger Gyllenhaal hit you 'Southpaw'. The best ultimate fighting championed movie since Tom Hardy's MVP of 2011 'Warrior' is also a bloody cocktail napkin love letter to the Swayze original, switching it up to key in Florida. Wipe yourself off, because it's getting hotter out here, in a Hawaiian shirt Tom Selleck would be proud of. Remember when Steve Carell told a neighbourly Mark Wahlberg to put a shirt on for his 'Date Night' with Tina Fey?! Well, he forgot to tell Jake to button his up. As the great actor ('Donnie Dark', 'Brokeback', 'Prisoners', 'Nightcrawler' and so much more) convinces us of his cool, but cruel hard-man, muscled up demeanour. Never once treating any of his projects like they are second rate to the Academy Awards he should garner, or the Batmans he should have played by now. See the ultimate Hollywood like character in the 'Spider-Man' sequel, or his 'Ambulance' joyride with Michael Bay. Something we all sorely needed the weekend after the Oscars, where Will Smith did a bad boy thing. Ring the alarm for this one and one of the legacy making Liman's diverse and best. The man who brought out some of Tom Cruise's modern day best has every right to be pissed. This maverick movie, that brings that 'Top Gun' like retro 80s nostalgia for the classics back, deserves to take off.

It's like the perfect Spring Break movie before the Summer blockbuster circuit that passes the bar that it hits. Miami muscles, lavish locations and more cocktails than Cruise are served up, but there's more to slide across the bar like a goon in an old western. Jake sells the hard stuff, and the Hollywood acting in this B-movie affair, like the time his Broadway 'Othello' co-star Denzel Washington (how good does this sound?) was 'Out Of Time', also in Florida...ALSO in a Hawaiian shirt with punch. Meanwhile, some other big names tout his legend. Austin Post, AKA Post Malone, becomes a movie, as well as a rock star in the opening octagon that gets real close and personal with the one-two punch handheld directing. He refuses to fight a kindly, charming Jake...and a troubling tragedy in his backstory, is why. One man who will fight him, or at least sick his dog on him like 'Stand By Me' is devilishly good 'No Time To Die' turncoat Billy Magnussen, all Jason Clarke in McConaughey's beachside 'Serenity'. And what a dog it is in UFC superstar Conor McGregor's acting debut. The "introducing" tag like Anna Chlumsky in 'My Girl' is hilarious, but yet what an introduction. The literal bare cheek of it all when the Irishman takes down everybody in burning sight with his naked ambition. Akin to Jason Statham's 'Fast and the Furious' opening, transportation that put everyone in the hospital exactly where they needed to be. The cinematic, charming and compelling Conor is also exactly where you never thought you'd be convinced he could be. But you know, the man whose suit pinstripes once read "f### you" has always craved a stage. Add 'Suicide Squad' star Daniela Melchior, 'Fantastic Beast' and 'Daily Show' senior correspondent Jessica Williams, and Joaquim de Almeida staying in sunnier and shadier climates after 'Fast Five', and this Hollywood heavyweight brings the big guns to the burnt down house. Like Frankie said, this is one for the road. TIM DAVID HARVEY.

Further Filming: 'Road House (1989)', 'Southpaw', 'Warrior'.

TV REVIEW: THE GENTLEMEN - Season 1

3.5/5

The Covenant

8 Episodes. Starring: Theo James, Kaya Scodelario, Daniel Ings, Joely Richardson, Vinnie Jones, Giancarlo Esposito & Ray Winstone. Created By: Guy Ritchie. On: Netflix.

Lock, stock, and one smoking pot farm. A month after the Japanese release of great Brit director Guy Ritchie's modern warfare with Jake Gyllenhaal, who also has a home for his 'Road House' remake vehicle on Amazon Prime this week, Ritchie strikes up a covenant with his 2019 movie 'The Gentlemen' in this Guy's eight-part wonder of a spin-off series on Netflix. And even though it's a little less than Jake, a major player from 'Guy Ritchie's The Covenant' pops up from the pill box in a gangster glam and grime series that is chock-full of classic cameos. But alas, there are no cameos from the 2019 caper of the same name. No Hugh Grant. No Colin Farrell pronouncing names wrong as he tells you to calm the "f", or something to that effect, down. Or Matthew McConaughey. But it's alright, times three. Even if 'The Gentlemen' season one on Netflix doesn't hit the heights of Charlie Hunnam shooting into the air like a Jonah Hill 'War Dog' in 'The Gentlemen' after telling some C U Next Tuesday that he couldn't back up a phone. He tried to be nice. And this series really is. Bringing out the stocked big guns with 'Breaking Bad' and 'The Mandalorian's' big bad Giancarlo Esposito like you hope the new X-Men does as Professor Charles Xavier. Not to mention the big smoke of the acting legend of London gangsterism, the Ray Winstone. As iconic and legendary as his palms out reaction to the interviewer who asked him if he'd rather win the Oscar for Best Actor or have West Ham win the Premier League.

You know the rest. Whilst we still hope to snatch a 'Sherlock' sequel to complete the trilogy of the classic sleuth incarnation we prefer to that other Avenger on the brilliant BBC series, Ritchie returns to the rich world he knows best. And to the manor born his royal appointment to the IP of his most original sequel of sorts makes him the lordship of the gold rings and brass knuckles. Downton Abbey this is not, even if the lines are blurred with this little old house in the country that serves as an Oasis to all those popular Brits who wish they were made for more than Chelsea or 'The Riot Club'. Scoff at these toffs all you like, but this affair is more like the jewels of 'The Crown' meeting the housing estate chav beginnings of 'Kingsman', before Giancarlo brings the American 'Statesmen' class. Better get your Argyle and crushed leather ready like Henry Cavill, because this show serves as 'The Divergent Series', 'The Witcher' and 'London Fields' star Theo James' Bond audition. Even though our new 007 may have already been cast quicksilver faster than you can say, "I thought it was gonna be Idris". Theo's terrific take on the classic British gentleman with more hiding behind the crawl space of his closet of brogues is one of such restrained dignity, you feel like you've seen him before, even if, like me, you haven't watched 'The Divergent' films yet. He has so much presence. Subtle in its power. A star of the future that you feel like has been in bigger roles. But this is it. He actually started his career in an abbey more Downton than this downtown character too.

Next to this James that would be King like a Cavalier, not to mention all the big names and familiar faces showing up in this Ritchie legend, you need someone who can hold their own. And stealing the series, 'Skins' star Kaya Scodelario has plenty of that in this game, working Theo like the godmother that this queenpin could be. Scodelario has shown up in prominent parts of the 'Maze Runner', 'Resident Evil' and 'Pirates Of The Caribbean' franchises, but now, like James, this is where she will make her name. This power, will they be a couple, or just business partners, will soon make you forget about all the big names from the 2019 picture that are missing like the bottom of the Thames. But what a sequel movie smash-up they would all make in this legacy. Especially with royal f### up, but comic relief of Daniel Ings ('The English Game', 'Black Mirror') dancing like a subservient chicken whilst a classic character actor looks on with a perfect Scouse accent like you didn't think he had another level like a 90s British R&B group straight outta London. Not to mention 'The Tudors' and 'Maybe Baby' joy of Joely Richardson and one big Guy name that does make it back to Ritchie's canon holding a smoking shotgun as this country mansion's groundsmen with the best name for a pet hedgehog. When 'Lock Stock' first came out, with two shotguns held up like swords, former Wimbledon FC footballer Vinnie Jones became a movie star like the time of London's crime syndicate became cinematic like De Niro and Pacino. Thanks to Ritchie. Vinnie had Hollywood by the balls like Peter Beardsley. He was even the Juggernaut, b####! But how good it is to see him back where he belongs with these gangsters and gents. This gentleman's agreement, with all that came, before is a firm handshake that looks forward to the next time we meet. Your Grace. TIM DAVID HARVEY.

Further Filming: 'The Gentlemen (2019)', 'Lock, Stock and Two Smoking Barrels', 'Guy Ritchie's The Covenant'.

MOVIE REVIEW: TAYLOR SWIFT - THE ERAS TOUR (TAYLOR'S VERSION)

  

4/5

The Americana Dream.

211 Mins. Starring: Taylor Swift. Director: Sam Wrench. On: Disney +.

Tokyo, Japan. The middle of February means Valentine's Day (fun fact, in Japan, February the 14th is the day when women attempt to woo men like a leap year. Whereas, one month later on 'White Day', the men reply with a gift. Talk about getting left on read). Football fans know different, though. On any given Sunday in February, it's Super Bowl time. And as Taylor Swift played almost a week's worth of shows in the Rising Sun's capital, many 'Lovers' wondered whether she would make it back in time for the Sunday showcase featuring her partner, Kansas City Chief tight-end Travis Kelce. Especially with the last show on Saturday night. But the superstar, hero and biggest star on the planet did like only she could...and of course time zones would allow. But I wouldn't put it past Swift being able to go back in time as she brings all her eras back, like re-recording her albums so she could own it all in a master move. The same way the "Swiftenomics" of the biggest tour of all-time has stimulated the American economy (we need that here in Japan too). Prior to all this, the Japanese government had even issued a Taylor made official deceleration on paper that the Super Bowl would not get in the way of the singer performing the entirety of her Tokyo leg, day-by-day. An album announcement as big as best baseball player Shohei Ohtani (check out his Disney doc 'Beyond A Dream') revealing his wife to be Fujitsu Red Wave basketball star Mamiko Tanaka (expect a Kelce wave of fame now) also came in Japan for 'The Tortured Poets Department' (best Wes Anderson movie name ever). This is just how big Miss Americana is. She's an international incident. You could just tell from the legions of fans queueing up like only the Japanese could in a merch line that would equate to most major groups gig lines for the first day of sales of the actual tickets. And for those who couldn't cop a last minute one (hands up), for reasons we won't get into, they congregated and sang together outside, making new friends and memories in beautiful moments that showed how much Swift really does break down barriers, even in a socially shy land like Japan.

The Swifties were out in full force in the Far East like only a BTS Army could match for the biggest act in pop, whose still a little bit country, like a diamond Shania Twain, and one of the best folks in the biz. If you missed out on 'The Eras Tour' in any arena (it's just wrapped up a spot in Singapore), and even the cinemas that became concert halls for the sold out shows of the movie, you can now catch it with Mickey Mouse in the comfort of your own home and laptop speakers that can still bring the full force of all the power she had to bear on the jumbotrons of football stadiums she touched down in all around the world before she embraced her beau after his big win. Disney + is now the home for the three and a half hour epic 'Eras' show, making sure no one will miss this one of a kind event. To watch crimson and clover until your heart's content. Following 'Folklore' behind the scenes tales on Disney, and the Netflix 'Americana' standing next to Beyoncé's and a 'Five Foot Two' Gaga, this is the best concert film available to stream since BTS gave you 'Permission To Dance'. Directed by Sam Wrench, this AMC and Cinemark Theatres landmark hit is as cinematic as the biggest blockbuster of last year ('Barbenheimer' we're looking in your direction). And when Taylor makes her epic 'Eras' entrance underneath some Las Vegas like showwomanship, it's like a superhero entered the picture as she really sticks the landing. Mining heartbreak into gold.

And this Elvis will never leave the building, as she makes planet earth her residency like a Hollywood star in the 90s when we were more concerned about what was on the big screen than what was reflected on our "smart" ones. Those major film studios that passed on this distribution might want to order a plate of humble pie the next time they book a table at Planet Hollywood. They needn't have had reservations. Outside of 'Oppenheimer' and 'Barbie's' world, this has done the popcorn business. It would have been the biggest Marvel movie of the year from the star who is rumoured to play Lady Deadpool in the forthcoming 'Deadpool and Wolverine' film starring her friend Blake Lively's husband. Another friend joked with Swift about all the albums she didn't tour, making some of her best, folky work during our socially isolated pandemic. "What are you going to do, tour them all and do three-hour shows?" Responding like Nashville's Man In Black Johnny Cash when told it looks like he was going to a funeral, "exactly". Swift got her Springsteen at sixty on and brought each and every house down, night after night, after night. And you can see the California love of the SoFi Stadium in Inglewood here for your inspiration. I mean, this is a major player who even has a banner in the Lakers arena, presented to her by the late, great Kobe Bryant, even before one of his two jerseys made it up to those rafters he raised 'chips in. This cinematic rendering like a Beyoncé 'Renaissance' is a revelation that even impressed Oscar winning director Christopher Nolan who had the best film of the year. And now, like 'Oppenheimer' showing in Japan this month after the controversy and sensitivity, you can finally see what we missed. Classic choreography of all the Taylor made hits and star power of pop and perhaps now movie's biggest star. The trend these days may be to call everything an era (even your fashion choices and life decisions), but none is quite like Taylor's version. TIM DAVID HARVEY.

Further Filming: 'Taylor Swift-Miss Americana', 'Taylor Swift: Folklore (The Long Pond Studio Sessions)', 'BTS: Permission To Dance- On Stage LA'.

REVIEW: DUNE - PART TWO

4/5

Dunesday.

165 Mins. Starring: Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Austin Butler, Florence Pugh, Dave Bautista, Christopher Walken, Léa Seydoux, Souheila Yacoub, Stellan Skarsgård, Charlotte Rampling & Javier Bardem. Director: Denis Villeneuve. In: Theatres.

It's sands of time, you jumped on the 'Dune' buggy bandwagon. Coming out of the pandemic, 'Arrival', 'Sicario' and 'Blade Runner 2049' director Denis Villeneuve refused to take HBO to the Max and let his big-screen (now we know it as) 'Dune: Part One' to be a victim of the home cinema, small-screen streaming surge during our social isolation. It's the same reluctance that led 'Interstellar', 'Inception' and 'The Dark Knight's director Christopher Nolan to take his ball and go to Universal after a long relationship, from 'Memento' to 'Tenet', with Warner Bros. Now Nolan may finally receive his overdue Oscar for 'Oppenheimer', you can see vivid shades of him in Villeneuve, all the way down to the former Legendary Pictures production company and stirring scores from the great Hans Zimmer. The John Williams of our time, like Nolan, is Spielberg. The redefining, Denis has turned brilliant blockbusters into an art form, with a poet's eye behind the camera for science-fiction epics that border on the Biblical. Such is the nature of our futures, prophesied from our collective pasts and paths. Philip K. Dick's electric dreams would be proud, like they would have been of the French-Canadian's beautiful 'Blade Runner' sequel. But this is Frank Herbert's ancient tome, first took on by David Lynch in 1984 of all years, and now brought to searing screens with boundless beauty of compelling cinematics.

IMAX. Dolby Atmos. Experience it everywhere, except for your smartphone screens. Because 'Dune: Part Two' is a superb sequel worthy of its predecessing, outstanding original. Deeper and darker as it sets up the messiah, even if your protagonist is denying it like Monty Python. Turns out he really is a very naughty boy. Timothée's terrific take on Paul Atreides is worthy of all (with much respect to the Twin Peaks' of Kyle MacLachlan, damn good acting), even if the charming Chalamet's compelling descent, walking the fine line between darkness and light, may leave some adrift in the desert. Not 'No Country For Old Men' and 007 villain legend Javier Bardem, mind. His belief to the word is his bond. He's obviously never seen Python, but as he rides snakes in the sand (I need that therapeutic thumper to help me sleep) that redefine cinematic creature features, he doesn't waste a word like he urges everyone to hold their water. Just like you should in this almost longform three-hour runtime. But what of the Beyoncé famous Zendaya in this renaissance? After her teased appearance in the first part that was akin to the awakening force of Mark Hamill's Luke Skywalker up on the hill, she's here, clear and present in the danger of the war to come and what it will do to the men, women and children waging it. The 'Euphoria' and 'Spider-Man' star has always been a bigger name than her projects, but now she's here in the best of her biggest movies.

Bene Gesserit, scary, but sometimes hilarious, tones (I wish I had that voice when teaching) I can also speak that truth into existence for the power of the great Rebecca Ferguson. A star who was dubbed as the next up after stealing the show in 'Mission: Impossible' and Hugh Jackman movies made her 'The Greatest Showman'. Now, alongside the 'Dead Reckoning' of last year's 'M:I', she holds the keys to many a major franchise. And here with an inked face and Gesserit regalia, she looks like royalty, like the legendary Charlotte Rampling. Add the returning villains of Dave Bautista and Stellan Skarsgård, and the Thanos turned hero of Josh Brolin (a surprise spoilt by the trailers, but still a sweet payoff when you see it emotionally play out on film) to the mix (and check out his enchanting 'Exposures' behind the scenes photo album with Greig Fraser) and all is forgiven for the thanks given to the three barrelled names of 'Beau Is Afraid's' Stephen McKinley Henderson and newbie Tim Blake Nelson hitting the cutting room floor. But just you wait for an undeniable, uncredited cameo. Newcomers include a Zendaya more to come, chain-mailed Florence Pugh, an incredible Léa Seydoux, a pivotal Souheila Yacoub, and the legendary Christopher Walken. But it's the shaved head and 'brows of Austin Butler's knife licking villain that really steals the show and seals the deal. Especially when 'Elvis' leaves the building and enters a noir 'Gladiator' arena in artistic black and white. As deadly as a scorpion with a Sting in his tale. 'Part Two' of Denis Villeneuve's 'Dune' saga promises us to be the Godfather of cult classic trilogy adaptations like 'The Lord Of The Rings', 'Planet Of The Apes', or Nolan 'Knight'. But if we are really to believe in the rumoured 'Messiah' to come, it's time to put two hands together and bow down on our knees. For 'Dune' to be definitive in blockbuster and movie making lore, it has to reach the most high. The tree and water of life. TIM DAVID HARVEY.

Further Filming: 'Dune: Part One', 'Dune (1984)', 'Blade Runner 2049'.

REVIEW: SPACEMAN

4/5

Skinny Love.

107 Mins. Starring: Adam Sandler, Carey Mulligan, Kunal Nayyar, Lena Olin, Isabella Rossellini & Paul Dano. Screenplay: Colby Day. Director: Johan Renck. On: Netflix.

Intergalactic Christ. By the end of the Babylon zoo that is 'Chernobyl' and 'Downloading Nancy' Swedish director Johan Renck's 'Spaceman' on Netflix, 'Little Miss Sunshine' and 'Dumb Money' star Paul Dano sweetly and hauntingly addressing you as a "skinny human" will be part of your love language. And just wait until that tentacle like leg reaches out for a heartbreaking embrace. Tentacle? That's right, riddle me that! This is the man whose character once wrote love into his life for 'Ruby Sparks'. The Riddler of 'The Batman' who even penned a graphic novel on the iconic villain he redefined like Ledger. Now, he plays a creature in this feature that looks too good to spoil, but is in fact a spidery octopus that shares similarities with the real 'Enemy' of Jake Gyllenhaal at the end of that 'Dune' director Denis Villeneuve film. This frightening at first, but then fond arachnid even looks like him in the same vein that Josh Brolin sort of looks like Thanos. Vivid voice acting like 'Dogman' Caleb Landry Jones as the titular robot in Tom Hanks' 'Finch', Paul somewhat steals the show in what is essentially an Adam Sandler movie, lost in space and love with who Dano directed alongside Gyllenhaal for 2018's best 'Wildlife' look of the sort of human nature that even had MJ asking "why"?

If you believe they put a man on the stage that could moonwalk, then this is the movie for you. Based on the 'Spaceman Of Bohemia' book by Jaroslav Kalfař, this is one of Netflix's more nuanced and nicer movies in a glut of Oscar bait and big budget crowd (dis)pleasers. At the edge of our solar system, there are plenty of cerebral astronaut dramas as lonely as Matt Damon's 'Martian'. Specifically, the 'Solaris' and 'Ad Astra' of Damon's respective 'Oceans' co-stars George Clooney and Brad Pitt. Yet this is the only one that can hit the 'Interstellar' levels of Nolan's genius, with even more heart and Max Richter music off he scale like Zimmer. Just like there are plenty of 'Punch, Drunk Love' serious Sandler films playing straight for 'The Wedding Singer', 'Waterboy' and 'Happy Gilmore' (let's have a hand for the late, great Carl Weathers. Rest peacefully) comic legend. From the first film to really deal with the trauma of 9/11 in 'Reign On Me'. To the undeniable anxiety attack that was 'Uncut Gems' from the Safdie siblings. Even Netflix's basketball 'Hustle' last year balled with all of Sandler's 'Murder Mystery' and 'Ridiculous' movies as part of his deal with the streaming service. But here, the best of our 'Funny People' gets to show how serious he can be as he stirs us in the compelling craft of what seems to be a solo mission. Yearningly lonely with sallow skin, sunken eyes and dreams, Adam amazes in what a lesser actor would leave us yawning at. Adam Sandler belongs with the greats. Especially as he has shown us another note in how he can balance the two sides of life's divine comedy and great tragedy like no other. This spaceman that says, "it's all in your mind", kills it like Brandon Flowers.

Down back to earth and reflected in the black mirror of this science fiction, Carey Mulligan again show promise like no other young woman in this industry. Dealing with a loss of love and limited script and screen time with ample acting. A true, 'Maestro' following her Oscar nominated Bradley Cooper movie (also on N) with another award worthy performance that inspires the same isolation as Dano's 'Wildlife' amongst the raging fires of a hell hath scorched earth and a scorned marriage in all its restrained fury. Conducting herself with conviction in the face of the uncertainty of both love and life itself. With an adapted screenplay from Colby Day, 'The Big Bang Theory' star Kunal Nayyar explodes in this science. Whilst Swedish 'Chocolat' star Lena Olin adds even more gravity to this ground control. But it's the iconic Isabella Rossellini (who still has the greatest sitcom cameo ever, friends) who gives legend to this space genre legacy making movie. Out of this world, but brought right back down to earth with that familiar this of the life you thought you knew's disappointment, 'Spaceman' is a sobering solar system of stars, memories and multiverses. Showing us in this day and age where we untether ourselves from everything except our tech, it's high time we began to reach out again. Because, after all, you know what happens when you shoot for the moon. TIM DAVID HARVEY.

Further Filming: 'Ad Astra', 'Interstellar', 'The Martian'.

REVIEW: ARGYLLE

3.5/5

Argyles Or Brogues?

139 Mins. Starring: Bryce Dallas Howard, Sam Rockwell, Henry Cavill, Bryan Cranston, Catherine O'Hara, Sofia Boutella, Dua Lipa, Ariana DeBose, John Cena & Samuel L. Jackson. Director: Matthew Vaughn. In: Theatres.

"I know it's true. It's all because of you," sounds hauntingly reminiscent as it comes into play over 'Argylle', double-L, no sweater. The kind of record you feel you've heard before. As familiar as time. Surely this is a classic? Yep! From a long time ago? Nope! From the vaults, this is the recently unearthed John Lennon vocals from 'Now and Then'. And now The Beatles have officially licensed their music for movies, this is a testament to just how iconic this simple and sweet melody truly is. Even if it is almost used to overkill like a 'Titanic' tribute in 'Kick Ass' (speaking of a 'Nowhere Boy') and 'First Class' X-Men director Matthew Vaughn's new graphic novel ultraviolent movie following in the blade running steps of his big-three 'Kingsman' movies. Sofia Boutella's even here, too. Amongst classic cameos from everybody from Rob Delaney, to Jing Lusi over the fireworks of a Hong Kong skyline, and more we shouldn't say. Comic set-pieces that follows the vintage and vibrant patterns of Vaughn, that also takes hues and cues from everything from Melissa McCarthy's unlikely but undeniable 'Spy', to the Austin Powers franchise, shagging 007 for more shaken and stirring references to this game of raised glass goodbyes. Time to propose a toast for the man who would be Bond. Word is.

Superman may not be returning for James Gunn's 'Legacy', but in this witching hour, Henry Cavill is crushing it in a velvet suit and a haircut Biff from 'Back To The Future' would be proud of. Just like he did in Guy Ritchie's 'The Man From U.N.C.L.E.' that needs a sequel and partner recast. A second Sherlock is a super sleuth here, much like fellow great Brit Jude Law's American playing 'Spy', that also served as his James Bond audition. You can't deny the cavalier Cavill's charm and compelling charisma, even though he isn't really here, despite the fact that he's front and centre on his character's namesake's poster and promotional photos. He's a figment of your imagination. Or more, Bryce Dallas Howard's. The real star of this picture alongside the scene stealing, and all Fallon like dancing, real spy Sam Rockwell. Rocking it with the set chemistry and the one-two punch, perfect interplay with Cavill as fantasy and reality blends together like the truest lie from the bigger bridge that divides greater spies and their real lives for good. We all know Howard can direct like her father Ron, she's given us the best episodes of 'The Mandalorian', like she did playing the protagonist in the most liked 'Black Mirror' one. But can she get her J.K. Rowling one on and write a bestseller? You bet! So much so, this fan fiction walks the line of real and fake so finely. Armed with a cool cat, 'The Lady In The Water' reaches new depths. Flushing any previous doubt, BD Howard takes those heels off and throws them away, sticking it to those 'Jurassic World' haters who said you couldn't get a woman who does both.

This epic espionage ensemble action comedy also features small but significant roles from the amazing Ariana DeBose and singer Dua Lipa in a dance with Supes straight out of the 'Pulp Fiction' play book. At times, you wish their inspired intro was the real movie itself (spin-off prequel of sorts anyone?). Especially when the always welcome John Cena comes in with a Magnum P.I. shirt to make the peace with the former cape flying moustached man, minus the CGI. But it's the legend's that get it done. 'Home Alone's' very own Catherine O'Hara continuing her classic legacy now she's no longer up 'Schitt's Creek', dear. Best wishes to one of the greatest sitcoms of all-time in this era of modern families. Kind regards to the great Bryan Cranston too. Playing the 'Malcolm in the Middle', 'Breaking Bad' angles perfectly with a shotgun. And in this blunderbuss that packs everything but rock salt, you can't forget Vaughn favourite Samuel L. Jackson with a man cave any Laker fan would be proud of amongst all the vino. You know that jersey of his friend Magic Johnson is real. This marvellous Marv movie, with music from the fab four and a side deal with Apple movies, makes a statement by rolling the dice on some major world building. Stick around after the last orders of credits. There are more books to come from the spy who read me. Don't sweat it. It all comes together like a pair of socks under some slacks and your Sunday best pair of shined shoes. Don't like it? 'Argylle', f### yourself! TIM DAVID HARVEY.

Further Filming: 'Kingsman: The Secret Service', 'The King's Man', 'Spy'.

REVIEW: GUY RITCHIE'S 'THE COVENANT'

4/5

Lone Survivors.

123 Mins. Starring: Jake Gyllenhaal, Dar Salim, Antony Starr, Alexander Ludwig, Sean Sagar, Bobby Schofield, Emily Beecham & Jonny Lee Miller. Director: Guy Ritchie. On: Amazon Prime.

Beyond the call of duty of modern warfare movies like 'Zero Dark Thirty', 'American Sniper' and 'Jarhead' (also starring the great Jake Gyllenhaal), 'Lock, Stock' London gangster films and 'Sherlock Holmes' cinematic series director Guy Ritchie holds 'The Covenant' with that very movie itself. The gentleman's agreement with the 2006 supernatural horror starring The Winter Soldier, Sebastian Stan himself, that he wouldn't steal their name. Therefore, 'Guy Ritchie's The Covenant' (originally translated as 'The Interpreter') out this weekend in the land of the rising sun, available on Amazon Prime, if you're a subscriber in other territories is far from pretentious pondering. The title referring to the sacred bond, duty and commitment to your fellow man, especially in times of war. 'The Covenant' also aligns itself with one of the great Guy's best pictures. The great Brit forming a kinship with his Hollywood lead that goes beyond the big names and tabloid news both have been read all about. Ever since 'Donnie Darko' and 'Brokeback Mountain', Gyllenhaal has shot to the star-studded stratosphere like his sister. But since 'Prisoners', and in films such as the nuanced 'Nightcrawler', Netflix's 'The Guilty' remake and even the mysterious Mysterio in 'Spider-Man: Far From Home', Jake has been no less than a master of portraying rage in all its dark and untapped corners (see 'Southpaw', 'Stronger' and so much more).

Bearded and brilliant, before reuniting with Ritchie once again (for an untitled action flick), and doubling-up with Amazon for the 'Road House' remake with Connor McGregor, Gyllenhaal tugs at his in an incredible scene where two lone survivors lost at war together after a Wahlberg like descent down the perilous, ambushed mountains of Afghanistan, can't put what they've just faced into words. Backs turned and unspoken gestures unseen, this speaks to man's pain and the perplexing one of veterans of war that we'll never know unless we experience the same frontlines. It's a masterful moment from all involved which takes this picture from just another war one (although there is never, "just another war") to a best one. One of the greatest in either big name's filmography. Or the new one of a definitive Dal Salim who makes this picture his own, forming a deeper and compelling covenant with Jake's sergeant. Clever camera work in the vehicular mirror of their first meeting captures it all perfectly. And from blood to sand after, it never lets up until it finds its home. We just wish this one had its place in award season, at least in nomination, as it lays as forgotten as some of the unheard statistics that return (or cruelly don't) from a war that raged since the tower fell and still hasn't finished causing more pain to everyone involved, foreign or domestic. 'Borgen' star Salim paints this picture profoundly in a face that maps even more than his cold-blooded nature to conflict and his nurturing kindness to the brothers he is banded to in arms. 

An artillery of accented action brings a battalion of brilliant but bracing scenes in a film that may even best the beginning of Mark Wahlberg's perfect partnership with Peter Berg (one that gave us the fellow public service responsibility power of 'Deepwater Horizon' and 'Patriots' Day'). Setting off a new one between these two guys. The cast in these barracks is bountiful, too. Amazon's own Homelander Antony Starr is in prime position to be one with this and the other 'Boys' he goes to superhero war with. Whilst actual 'Lone Survivor' and 'The Hunger Games' star Alexander Ludwig offers experienced veteran counsel as Gyllenhaal feels like the guilty again. Nursing beers, being put on hold longer than the last time your tech failed and a view from a perfect home with a loyal and loving ('Hail Ceasar's' Emily Beecham, underused, but undeniable) wife that he can't see for his thousand yard stare back to the place he doesn't belong, but left is bruised soul in. Making their mark, Sean Sagar and Bobby Schofield round out the rest of this cast in conflict, before Jake unleashes a roundhouse like Swayze on the world's most famous UFC fighter. But it's an American accented 'Trainspotting' star Jonny Lee Miller that really impresses as a colonel. Almost as unrecognizable as the time he played Prime Minister John Major perfectly for 'The Crown'. But give that to Salim whose chances of going unheralded after this would be slim to none in a just world. But do we live in that? The real life behind this incredible and inspired story paints a different picture in a time when Hollywood would prefer to gloss over what's actually real. Maybe the real covenant should be between doing and what's right. Make that your bond as you band together with your brothers. Then all might begin to be fair in love, life and the very wars we rage for those same sins. TIM DAVID HARVEY.

Further Filming: 'Lone Survivor', 'Jarhead', 'The Guilty'.

REVIEW: MADAME WEB

3/5

Into The Spider Web.

116 Mins. Starring: Dakota Johnson, Sydney Sweeney, Isabela Merced, Celeste O'Connor, Tahar Rahim, Mike Epps, Emma Roberts & Adam Scott. Director: S.J. Clarkson. In: Theatres. 

Into the Spider "worse", if only 'Madame Web' could really see into the future. Then the clairvoyant, precognitive mutant from Marvel Comics could see all the rotten reviews for her new Sony movie and all the tomatoes thrown by trolls. Not to mention the online rumours that many theatres were reporting of refund requests. Whilst the stars of the said film were being duped into believing that they were entering the M.C.U. like The Joker always intended on 'The Dark Knight'. Wrong movie? You bet! Because across this Spider-verse we are truly 'Far From Home' here with no Garfield, or Maguire. Yet, this 'Madame', with more critical fangs out for it than the venom that 'Morbius' received, feels as early 2000s as 'Bully Maguire' dancing to the soundtrack and the setting of this blockbuster that rewinds right past that pre-Netflix video store. And in a day and age where the third 'Fantastic Four' iteration (or is that four, dear John? I should keep quiet and in my place) since way back then will retro it up in the swinging sixties, there's nothing wrong with a throwback.

If Beyoncé's 'Dangerous In Love' really was about to come out, and Britney Spears' 'Toxic' had everyone dancing on the tables without knowing who it was really about, then 'Web' alongside Jared Leto's 'Morbius' and Tom Hardy's 'Venom' would Voltron form a big-three that would take pride of place next to those fun, early 21st century, 'Spider-Man', 'Fantastic Four' and 'X-Men' movies. But this is another time and tide. The age of "haterade", where even the fun-filled NBA All-Star Weekend is greeted with folded arms and mean tweets, when those paying it all to be in attendance are too busy looking down at their phones to see what's happening above the rim. Entertainment, again, is meant to be enjoyed, but it seems we can't get enough of hating the things we love. Marvel, in particular, right now is facing the tide turning toxic trend of getting it from all corners, and all studios. Even the mighty M.C.U. is getting it in the neck like an 'Old School' Will Ferrell, to keep the references in line and time. Especially when the films are fronted by what the Jordan Peterson crowd would refer to as "females". Please! What was really so bad about the fresh and fun, 'Attorney At Law', She-Hulk going deeper than 'Deadpool' (in more ways than one). And 'The Marvels' wasn't half-bad, either. And I haven't got a balcony ready, "it was all bad" comment primed like some muppets. Critics are calling it, "'Madame Web' is not as bad as you think", they say. "It's worse!" Sure, it's a long way from being a great movie and the franchise this origin story sets up may already be dead in the water, but you can still enjoy it whilst it lasts.

'Fifty Shades Of Gray' star bonds herself to this picture, even if we'll never see 'Madame Web: And She's Back'. But seriously, people quick to ridicule, don't actually see when people are having fun back, just for a laugh. Jokes on them, I guess. 'The Lost Daughter' star knows how to do the heavy lifting when the spider silk strand thin plot requires it. Charging this picture with her paramedic heart paddles. Anyone who believes she's the problem with this picture that belongs in the past like its period will be given the Ellen treatment. You're not getting one over on her. Or dutiful director S.J Clarkson, who makes her big-screen debut after helming everything from episodes of the best show on TV ('Succession'), to Marvel's own street-level Netflix heroes ('The Defenders'). Once upon a time...in new Hollywood, Sydney Sweeney steals the show in the SSU, as the 'Anyone But You' star like a Rolling Stone music video, may not be in the MCU, but should Multiverse jump as a perfect Spider-Woman if there's any justice. Ditto to an inspired Isabela Merced ('Transformers: The Last Knight', 'Sicario: Day Of The Soldado') and 'Selah and the Spades' star Celeste O'Connor forming their own teenage dream big-three of the future we'll sadly never see like Madame. Oh, but no one say's "it's webbin' time", before you believe everything you read online, like when Martin Scorsese called the 'Fast and the Furious' franchise "cinema". Well...it is, but I'm still confused. Does Christopher Nolan actually like it? Don't be so quick to discredit a film which has a fond cameo from comedian Mike Epps and also features 'Napoleon' standout Tahar Rahim as Ezekiel, looking more like Spider-Man 2099 in a nice looking suit. And just you wait until Easter-or the streaming release, it seems-to find out who Emma Roberts and Adam Scott play perfectly. Even then, this franchise knows when to pull it back. If only critics could. Don't get lost in the web. TIM DAVID HARVEY.

Further Filming: 'The Marvels', 'Morbius', 'Venom'.