TV REVIEW: BLACK MIRROR - Season 6

4/5

Mirror-verse.

6 Episodes. Starring: Annie Murphy, Salma Hayek, Samuel Blenkin, Myha'la Herrold, John Hannah, Monica Dolan, Aaron Paul, Josh Hartnett, Kate Mara, Zazie Beetz, Clara Rugaard, Anjana Vasan & Paapa Essiedu. Created By: Charlie Brooker. On: Netflix. 

"Get it right". In this world where the scariest threat to our humanity, even in the times of Putin, Jong-un and possibly Trump (say it won't be so) again, is A.I. We need to look into Netflix's 'Black Mirror' again, instead of just staring down the abyss of our phones. Especially as artificial intelligence is writing essays, painting pictures and entering fake Drake songs into the Spotify streams. Let alone the 'Secret Invasion' of designing Marvel themes that frustrate fans. Just imagine if it had its fake finger on the trigger. But before you get flattened by the idea of a driverless car, the sixth season and first in four years isn't all "tech is bad." Even after the most creative show on television and most critical series of our lives delivered likes in real life, blocking people right in their face, and the brilliant 'Bandersnatch' interactive movie where you decide the ending like one of those old "turn to page" mystery books. Although I can't get past deciding what to have for breakfast. Figures. Such is the indecisive world we live in. Now with its most divisive season yet, revolutionary creator Charlie Brooker says the origin of this outstanding series is actually all about how "people are f###ed up". And it shows. 

'Joan (or insert your name here) Is Awful' continues with the greatest 'Mirror' concept since Bryce Dallas Howard's character just wanted to be liked. Sensational sitcom 'Schitt's Creek' star Annie Murphy is so unrecognizable and undeniable it took me a minute to realize who I was watching. But we all know who Salma Hayek is. And as Annie sees the Hollywood actress live out the life as she's just known it on the red and black ta-dum platform of "Streamberry" (absolutely hilarious), it really is Murphy's law indeed (you can even interact like 'Bandersnatch' and make your own show). We've really said too much already, but what results is one of the sharpest points the genius passing bar of 'Black Mirror' has ever made. Not only at the threat of A.I., as great as the one Allen Iverson had on defences that couldn't answer him, but the very platform this show calls home and of course the people ourselves who all buy into and couch potato all this binge-watching without checking the fine-print like we would allergy information on a menu if we had a gluten intolerance. 

This idea of our collective serial stunted inspiration continues on the darkest times yet. 'Loch Henry' takes us to a small coastal town in Scotland, harbouring some of the world's most hidden horrors. Watching our obsession with true-crime documentaries and exploiting it for all it's worth. Everybody talks about the tortures that happened here in hushed tones. But nobody makes it out to this beautiful backdrop any more before the cameras start rolling in. I've never been a fan of true-crime documentaries. I don't get them, or the desire to watch something so sickening that actually happened. Now, holding up a mirror to our interest that borders on obsession, Brooker asks why. But then again, even if I don't like real life docs, how about all the detective and violent shows I watch? It's all action lit on the same camera. Compelling chapters of seasons like this make sure the answers don't fall in our laps. Instead, the questions stay with us long after the next show countdown and the awards have been announced. The true measure of art in this artificial age. 

'Beyond The Sea' takes us even further like that lovely little ditty once more with haunting feeling. Aaron Paul, Kate Mara and Josh Hartnett (all on formidable, fine form) star stud the longest and deepest cut of the series. One that plays out like a movie, out of this world, and way back down to earth of the human realities that ground all breaking science fiction stories like the fare of the forefather Philip K. Dick. In a fresh idea to a genre that's played out more than Marvel or the 'Fast' family sees two men lost in space work, whilst their android avatars walk around the world of their everyday lives back home on the third rock from the sun. When tragedy hits home for one in something that mirrors the Manson family meeting those in the sixties who asked why they put a man on the moon, a friend only sees fit that his co-pilot should take a walk in his shoes. Plug into what happens next and the predictable meets the ludicrous halfway for an ending that makes sense to the horrifying human condition the more you think how terrible this all is. 

By 'Mazey Day' starring 'Atlanta's' awesome Zazie Beetz, you'll see how dark this all gets by the end of the day and a classic conclusion you never saw coming. Truly showing how horrible humans can be (with old tech), we're taken back to the Tom Cruise and Katie Holmes days when before social media, the paparazzi were still obsessed with hunting down pictures of stars in scandal like a pack of wolves...even if it killed them. Hounding Hollywood's elite with a map to the stars homes, just so they can make rent. After two of the darkest episodes of the season, this ends more excitingly like the powerhouse premiere. It's also the best look at the lack of integrity in some journalists since Dustin Hoffman turned John Travolta's bank job world into a 'Mad City'. That mini-masterpiece of a movie was before its time. This one is of it. All the way down to what the last collective shot tells you of whose really pushing the buttons. A maddening meditation and roaring success at how much we are failing as a species. 

Then the creepiest is saved for last with 'Demon 79' that evokes both the time and aesthetic of 'Bandersnatch' and the vintage horrors Marvel gave us last year with their 'Werewolf By Night' at Halloween. A young woman working in a local shoe shop feels the pinch when she accidentally touches a talisman and is visited by a demon that's more "y'all right love" than "HAIL" you know who. Adopting the form of the man from Boney M, this demon gives our lead a more conflicting choice than the one Dave Bautista and company brought a young family's door with a 'Knock At The Cabin'. Funny yet forlorn in the nature of the raw racism and long loneliness that troubles this time...it's not far from where we are right now. Truly making a killing. Another reason why 'Black Mirror' is right on time and life as we know it. How do you do a deal with the devil when you've already sold your soul? Where does the real evil lie in the world? With the technology? Or the one holding it, looking into the darkest mirror? Time to refresh and update your settings. TIM DAVID HARVEY. 

Further Filming: 'Black Mirror: Bandersnatch', 'Making A Murderer', 'The Truman Show'. 

REVIEW: CHEVALIER

3/5

The Soloist. 

108 Mins. Starring: Kelvin Harrison Jr., Samara Weaving, Lucy Boynton, Marton Csokas, Alex Fitzalan, Minnie Driver & Ronkẹ Adékoluẹjo. Director: Stephen Williams. On: Disney +. 

Fiddle me this. Making Mozart mad with his string selection, 'Chevalier' bows down to no one.  A Frenchman about to take over the world like Victor Wembanyama. Thanks to Disney +, we can now stream another favourable Fox Searchlight Pictures film from earlier this year like 'Empire Of Light' or 'Rye Lane'. Made by 'Lost' director Stephen Williams, this biographical drama looks at the life of French-Caribbean musician Joseph Bologne, Chevalier de Saint-George's. The untold story of the 18th century composer now has ears lent. Making its debut at the 47th international Toronto Film Festival last year, this fiddler on the roof of the French Revolution was handy with both a bow and a fencing sword, striking the deepest chord. A champion composer and Creole free man of color. The Paris Opera concertmaster showed his life mattered, even though the torturing trials and tribulations of his story made his song sheet a bittersweet symphony. 

Composed with 'Tár' like notes, this 'Belle' beautiful looking period piece reveals one of histories 'Hidden Figures'. On his own like a Jamie Foxx soloist, with real hair under those traditional powdered barrister wigs of pomp and circumstance fancy thrill, Kelvin Harrison Jr. is the real thing as the Chevalier, Joseph Bologne. Making 'Waves', the 'Monster' star who began his career with a bit part in '12 Years Of A Slave' plays a free man with boundless beauty. From the epic escapism his vivid violin playing gives everybody. To the raw ravaged reality that his character still doesn't have the same rights as those paying to see him perform. His hands that play so beautifully still locked in invisible chains with no gold. Adding to his already formidable filmography ('Cyrano', 'Elvis') with this high-note. From 'Enders Game' to 'The Trial Of The Chicago 7', nothing else holds his stage quite like this. It's just the type of music that comes from his Louisiana home of New Orleans. A carnival of classic music. No need to wait to applause. Take a bow, young man. The world is yours.

Samara Weaving steps out of those Margot Robbie lookalike comparisons (played off perfectly in the la la land of Damien Chazelle's 'Babylon') and her famous father's (Mr. Smith, Hugo) shadow to stir here across the strings. Marie-Josephine de Montalembert, a beautiful voice who won't be silenced by the imposing figure of her husband. Marc René, marquis de Montalembert, played with measured menace by Marton Csokas of 'Lord Of The Rings' and 'Loving' fame. His best role since he booked 'Noah', 'The Amazing Spider-Man 2', 'Sin City: A Dame To Kill For' and 'The Equalizer' in the same summer of 2014. Hire THAT agent! Alex Fitzalan's Louis Philippe II, Duke of Orléans and a welcome return of Minnie Driver as Marie-Madeleine Guimard continue to bring these period paintings to picture life. Yet it's the moving mothering of National Theatre treasure Ronkẹ Adékoluẹjo that really sobers you with a significant speech. 

Add the 'Bohemian Rhapsody' of Lucy Boynton as Marie Antoinette and you really will be crying Galileo at this grand opera of outstanding proportions with production tighter than a corset. The beauty spot is in the costume department. The real talent lies with the attached strings that sing. Swiping and battling from the fiddles of Cadenzas to the cadences of fencing that really speak to this battle of bravado. Even if this French film in the English language doesn't even at least attempt to speak a little bit of mother tongue before switching to an American accent in one line of a letter like Tom Cruise's 'Valkyrie' (which is actually worse). But that's OK, you can suspend your disbelief in a world where most of our heroes were even more ridiculous frills and capes. Yet, there are deeper issues that lie here other than whether one's wig is on straight. Racism and freedom in France until the flag is raised in revolutionary times. The growing social discontent plays like all we hear today as we try to take something from 'Chevalier's' notes. Something that lasts the test of time as the legend that is Joseph Bologne still stands in his own nobility. Sing his name. TIM DAVID HARVEY. 

Further Filming: 'Belle', 'Tár', 'Hidden Figures'. 

REVIEW: EXTRACTION 2

3.5/5

Extract Revenge.

122 Mins. Starring: Chris Hemsworth, Golshifteh Farahani, Adam Bessa, Olga Kurylenko, Daniel Bernhardt, Tinatin Dalakishvili, Andro Japaridze & (?). Director: Sam Hargrave. On: Netflix. 

"ANOTHEEEER" 'Extraction' movie produced by the Russo brothers is here. All as avenging star Chris Hemsworth seems to be hanging up his hammer as Thor Odinson, at least for now. Swinging onto your laptop small screen home theatres the same time an animated 'Spider-Man: Across The Spider-Verse' does here in Japan, along with the multiverse of another superhero in 'The Flash'. Cross commercially promoted with 'Fubar' star 'Arnold' who is taking over Netflix right now. Tudum! Hemsworth and Schwarzenegger have met in elevators and in gyms in real life. But don't count on an expendable Arnie cameo in 'Extraction 2'. Even if the action hero legend says that stars like him don't retire, "they just reload". There is an A-list cameo from another star though that shouldn't be spoiled. One familiar with showing Hemsworth the way in a cool as hell, heaven sent reunion. Making the idea of 'Extraction 3' seem like a terrific trilogy. 

You thought his Tyler created character was dead, falling off a bridge. All until you continued watching from beneath the pool for the post-credits scene like these Russos were giving you another Marvel movie. Now raking it in, Chris Hemsworth is back a perhaps the last new action hero, alongside Dwayne 'The Rock' Johnson in this Hollywood hard place. Showing he has the bullets and brawn to match Keanu Reeves' 'John Wick' clip for hit. Arming up like a 'Commando' and handling firearms with those forearms like 'Rambo'. And let's not forget the f###ing funny potty mouth from this man, that becomes instantly quotable, mate. The Aussie rules the beefed up big-screen this blockbuster belongs on. Especially on an epic one-shot, even bigger and better than the last one. Prison breaking like a fellow Netflix 'Daredevil' hero. The 'Red Dawn' star has many actioners that he can hang his 'Blackhat' on, but with this super sequel, Hemsworth can now extract another franchise and famous character without wearing his mother's drapes. Although we already miss the God of Thunder. 

Thunderbolts of shoot and beat 'em up action light up the cameras as dynamite director Sam Hargrave (a second-unit director for 'The Mandalorian') is back from the cradle to the second beat of his surname. Written by Joe Russo and based on the 'Ciudad' graphic novel by the 'Citadel' creators (those bros) and Andre Parks, Fernando León González and Eric Skillman. Sure the plot could be written on a few comic book panels, but after a training montage Schwarzenegger and Stallone would be proud of, this rock of a hard man recovers and gets to work for a film that if made in the golden era of 90s popcorn, Planet Hollywood action would have been like 'Under Siege 2'. Back then it would have been the biggest film of the year on the scale of 'The Fugitive'. It would have probably even had its own video game (still could). Now this sharp knife of an action cut is above the rest and the dull blade of Ryan Gosling's 'The Gray Man', starring another avenging Chris in Evans. 

Hemsworth and the other Hollywood highlight aren't the only members of this team that get your seal of approval. 'Body Of Lies' and 'Paterson' star Golshifteh Farahani is back again and this time widow making and kicking even more ass, back in military grade black with Chris. As this former stuntman Hargrave's picture features more slight of hand-to-hand combat than those suits do Velcro hidden compartments. Amazon Prime 'Hanna' star Adam Bessa is also back to his best as her brother, even if you won't wear his shirt. Martial artist Daniel Bernhardt makes for a good villain in Konstantine. Hot on the heels of Tinatin Dalakishvili's mother, motivated to run for her family. Including a standout performance from Andro Japaridze as her son, more forgiving, or not understanding, the sins of his father. Yet it's Ukrainian and French actress Olga Kurylenko whose character offers even more insight and light into all of this and the extracted backstory. The 'Hitman', 007 'Quantum Of Solace', 'Oblivion' and 'Black Widow' Taskmaster brings as much star power to this franchise as the aforementioned special guest. But no one puts it down like Hemsworth. Back from the character dead, he breathes new life into not only this sequel and Netflix movies, but also the dying action hero genre itself. Now, if he can just pull out a third charm. TIM DAVID HARVEY. 

Further Filming: 'Extraction', 'The Gray Man', 'Under Siege 2'. 

DOCUMENTARY REVIEW: STAN LEE

3.5/5

Across The Stan Lee Verse. 

86 Mins. Starring: Stan Lee. Director: David Gelb. On: Disney +. 

Marvellous. Right now we are heading 'Across The Spider-Verse' in cinemas for one of the biggest blockbusters of the year, not to mention one of the best 'Spider-Man' films of all-time. And it's animated. Amazing. Even more so than Tobey Maguire, Tom Holland AND of course "Peter THREE", Andrew Garfield. And right as 'The Flash' tries to outrun it in this multiverse of madness, from 'Doctor Strange', to 'No Way Home', we have every hero, everything, everywhere, all at Michelle Yeoh once. The Oscars are calling as you can expect another animated gold statue with a red hood to catch even more cobwebs. And just to think this all came from Marvel character co-creator and cameo king, Stan Lee staring at the walls of his New York office and seeing an insect climb the walls like King Kong did the Empire State Building. 

Coincidentally watching his last 'Big Hero 6: The Series' episode as Boss Awesome this weekend, the late legend who we lost a few years back was truly an original. And now he's immortalized yet again on a Disney + documentary that some critics are calling an "infomercial", as Jack Kirby's son Neal blasts it for misrepresenting his dear dad's own legacy. Kirby was an incredible artist, ditto to Steve Ditko, who also left Marvel with no love lost towards Lee. Yet, this documentary that you can file as canon next to Marvel's '75 Years: From Pulp To Pop', 'Assembling A Universe' and 'Behind The Mask', not to mention the making of 'Legends' series, doesn't shy away from the strained times, even if it does lean heavy towards their side of the story. Narrated by the man himself before his death, and heavy on archival footage to go along with some cute, but relatively cheap looking claymation, like Netflix's current 'Arnold' and Schwarzenegger's 'Total Recall' autobiography, this biography can do next to the 'Marvellous Memoir' of Stan Lee's own 'Amazing, Fantastic, Incredible' comic-book life story. Thank you for the gift. 

Stanley realized that comic-books were for more than just kids when he completed training manuals for soldiers in the war using the same cell by cell format. From Timely to Atlas, the world domination would begin as he corralled a team of writers and artists to give you something that could even be kryptonite to Superman and DC Comics. For every billionaire Batman, there was a playboy philanthropist like Iron Man. In talk shows, Detective Comics brass body claimed fans didn't want to see more human heroes and relatable villains, but here we are, all these years later with both sides straddling the fenced fine line of good versus evil. A hero could even be a high-school kid, holding his homework in one hand and a subway car about to plunge into the Manhattan river on the other strand. And now your friendly, neighbourhood Spider-Man from canon to cosplay is all over the world. From Mumbai to a whole new Mexico. Rocking out like a punk and even hamming it up like a pig. And to think the web-crawling pitch was originally rejected with a rolled up newspaper before it debuted on the last copy of an Amazing Fantasy book (not that type of fantasy) nobody normally gave a damn about. 

For every Justice League, there were Avengers. And then an X-Men when the world needed to come together and celebrate their differences, instead of living in a bigotry we still see today. But Marvel's first family was the 'Fantastic Four', and that's where Kirby became the jack of all trade with his action spreads that are even adapted to the big screens you see the live action on today. In 'FF', Lee gave us the iconic Silver Surfer. An alien who wondered why we were killing and hating each other when we lived in a brand-new Eden where we should love and embrace our fellow man. Sound familiar? Imagine that! X-Men friends and foes Professor Charles Xavier and Magneto were based on Civil Rights heroes Martin Luther King Jr. and Malcolm X. Stan Lee created the first black superhero in 1966. And you know what the Black Panther and the late, great Chadwick Boseman did to the already crazy successful comic-book culture in 2018, changing the game. 

Masterminding the likes of The Incredible Hulk based on his love of literary classics like Robert Louis Stevenson's 'Dr. Jekyll and Mr. Hyde' and Mary Shelley's 'Frankenstein', Stanley Martin Lieber grew up during the Great Depression. His father struggled to find employment, and young Stanley vowed to not follow this same struggling path. Taking inspiration from the likes of 'Sherlock Holmes' as he read at night under his magnifying bedside lamp, Lee went on to write his own iconic books for his collective cast of characters, chapter crossing over in each other's verses. 'Wolfgang' and 'Jiro Loves Sushi' documentary director David Gelb really marvels and excels when he serves up a slice of family life. The greatest story being between Lee and the love of his life, his late wife Joan. A real Ms. Marvel whose English accent was described as being "like music" for the self-confessed Anglophile. Joan herself in an old interview describing the moment she met her man. Stanley apologizing to her and admitting that he was "going to fall in love with (Joan)" at first sight. Now how's that for a caption for your panel? What else can we say but, Excelsior! TIM DAVID HARVEY. 

Further Filming: 'Marvel 75 Years: From Pulp To Pop', 'Marvel: Assembling A Universe','Spider-Man: Across The Spider-Verse'. 

REVIEW: SPIDER-MAN: ACROSS THE SPIDER-VERSE

4/5

Along Came ALL The Spiders. 

140 Mins. Starring: Shameik Moore, Hailee Steinfeld, Brian Tyree Henry, Luna Lauren Vélez, Jake Johnson, Jason Schwartzman, Issa Rae, Karan Soni, Shea Whigham, Greta Lee, Daniel Kaluuya, Mahershala Ali & Oscar Isaac. Directors: Joaquim Dos Santos, Kemp Powers & Justin K. Thompson. In: Theatres. 

This is what memes are made of. Get ready to go into the 'Spider-Verse' again with no way home, as another directing big-three (Joaquim Dos Santos, Kemp Powers and Justin K. Thompson) point at each other and direct us 'Across The Spider-Verse' for this stunning 'Spider-Man' sequel. Swinging above buildings and across Asia this weekend with 'The Flash' of another superhero multiverse of madness, everything, everywhere, all at once. Not to mention a whole web of slinging spiders ready to break the Internet. Catch them if you can, from comics to computer games and more classic cameos than you could ever imagine like this weekend's DC 'Flash' dance. If you thought the MCU trilogy concluding climax to 'Spider-Man: No Way Home' (that we still refuse to reveal, just in case) was uncanny and of course...amazing. Then just wait until you go down the water spout of this in part superior sequel. 

Miles ahead once again, 'Dope' voice actor Shameik Moore is so mesmerizing as Morales, you want to see him do this in live action. Time for him to do his own thing. But what could top the great graphic design of what they're now calling the best series of 'Spider-Man' movies (sorry Tom) heading to their own trilogy like Holland, Maguire and hopefully one day for Sony, Garfield? Miles Morales in a new suit as slick as his classic Jordans is running red and holds in his arms the future to what remains the most successful and sought after superhero showstopper for the franchise (you only have to watch the new Disney + Stan Lee documentary to see). Yeah, sure he thrills between skyscrapers and spills onto side-streets, but the most human of characters flies even further with family...and we're not saying that because we're still in turboboost 'Fast X' mode. 'Atlanta's' Brian Tyree Henry and 'Dexter's' Luna Lauren Vélez (not to mention the prowling memory of 'Moonlight' star Mahershala Ali's character) keep New York's finest firm in his belief of the responsibility that really matters...and this chapter of verse is all the more powerful for it. 

Web-shooting across the rest of these eight-legged freaks, and you'll need a spider diagram just to keep up with all these arachnids own multiverses. More bites than your skin in summer, let's go catch all the spiders, rolling down a 'Doctor Strange' similar train chase like Easter Eggs. Hailee Steinfeld is already 'Hawkeye', and now the star with 'True Grit' continues under the hood as the now iconic Spider-Gwen, doing whatever a Spider-Man can. Crawling out of the ruins of an even more significant story with her dear dad and cop, Captain Stacey (played by Shea Whigham, who also copped a role hot on the heels of Joaquin Phoenix's Joker). Then there's Dopinder, 'Deadpool's' Taxi driver who expands this comic world more than Ms. Marvel with Pavitr Prabhakar of a magnificent Mumbai. Not to mention, 'Moon Knight' himself Oscar Isaac. Reprising his role as Spider-Man 2099 after the perfect post-credits scene in 'Into The Spider-Verse' with the great Greta Lee by his A.I. assistant side (eat your heart out, Siri) that really started this all off, making memes out of everything. Sure, unlike his hilarious, inspired turn in the last movie, Issac's ninja vampire spider is more of a buzz-killing energy sucker here. But his character more than raises the stakes and Oscar has won us when it comes to a live action idea for the future of 2099 (although a certain Ghost Rider has us too).

Across the rest of the strands, framed like Roger Rabbit, or all those animations that amazed you, we have even more creepy crawly insects that interject. Jake Johnson's pizza belly friendly, neighbourhood Peter Parker is welcomed back with an even bigger bump, as we long for the noir, neon and Spider-Pig, Spider-Pig of the last movie. Meanwhile, riding a chopper and nursing a baby bump, Issa Rae is the realest as Spider-Woman. But the show-stealing belongs to 'Get Out' and 'Nope' great Daniel Kaluuya rocking out as Spider-Punk and Wes Anderson's stratospheric 'Asteroid City' star Jason Schwartzman as The Spot that fills the plot with so many holes that actually connect all the dots. 'The LEGO Movie' makers Phil Lord and Christopher Miller are really building and writing (with Dave Calla(spider)ham) a whole new world for Spider-Man and his amazing friends. Jamie Foxx's (get well soon) Electro has got his wish. There is a black Spider-Man. And right now, he may just be the one wrapping up everything down the strands and climbing up to the top of the web. An intricate design from the influence of heaven sent hallmark, amazing animation with plenty of heart. Now, let's swing to the verse of the great 'Beyond'. TIM DAVID HARVEY. 

Further Filming: 'Spider-Man: Into The Spider-Verse', 'Spider-Man: No Way Home', 'The Flash'. 

REVIEW: THE FLASH

4/5

Flashpoint.

144 Mins. Starring: Ezra Miller, Sasha Calle, Michael Shannon, Ron Livingston, Maribel Verdú, Kiersey Clemons, Antje Traue, Ben Affleck & Michael Keaton. Director: Andy Muschietti. In: Theatres. 

Let's get nuts! Ever since we swung 'Into The Spider-Verse', and pointed at an iconic meme that made for more spiders than you accidentally eat at night (I'm sorry), we've entered a 'Multiverse Of Madness'. And it really has been everything, everywhere, all at once between Marvel and DC like James Gunn. The only thing we need right now is the ultimate comic crossover between the Stallone and Schwarzenegger like rivals. This weekend, at the same time we go 'Across The Spider-Verse' for the stunning sequel to the Miles Morales awesome animated Sony 'Spider-Man' movie, we finally have 'The Flash' film from DC. After years of delays and pushbacks over the star playing its central character. But based on the 'Flashpoint' comics, it's the flash-dance with a certain caped crusader that will get cynics in cinemas. 

Need some help? Nothing can excuse what Ezra Miller has been accused of over the last feel years. It's more than a few misdemeanours and minor offences. It's very troubling for the once burgeoning star. They are talented for sure and take this picture to fast and furious, speed racing heights. Especially as they are also doing double-duty in this 'Back To The Future' like time warp. Again, just like we've said about 'Creed III' and Jonathan Majors, a whole film and host of talent shouldn't suffer because of the actions of one. But accountability needs to be taken too, with all that great power (even if that's the moral message of the "other" superhero movie this week). Keeping up with this film is your choice. Take a stand if you want to for the right way, not to just virtue signal for likes. But don't shame others who choose to watch the film. They are not the ones under accusation here. Besides, if we boycotted everything, there'd be nothing left to see. Cinemas would resemble corona times. Now, yes, especially in a superhero film like this, it's important how we pick and choose what our kids see and the role models they become. But remember, it's the hero on screen the kids dress-up as. Not the star of the show they don't know. Miller is right on time in this movie. We just hope they get the help they need off-screen. 

Justice for all comes in the form of a movie that is truly in a league of its own. A coral of classic cameos for your vivid viewfinder that we can't wait for you to see for yourselves and talk about in hushed tones when you've cleared the cinema. Unlike Homer Simpson after watching 'The Empire Strikes Back'. Like Seymour, we do know the principals thanks to promotional posters, but if you're like my sister's fiancée (also called Tim, my man) and you don't have social media (how are you reading this?), look away now (but, the picture?). Because it really is a joy to experience things for the first time, like when Tim saw 'No Way Home' with absolutely no clue to what was going to happen like my girlfriend (I'm Hulk with envy). Back in the day, they even revealed the 'Judgement Day' Terminator twist in the trailer, but this was before the time we can all see cinematic commercials on our timelines. If you're watching this film for the first time, you're teased right until the tarpaulin is tugged from your eyes. 

Beetlejuice, Beetlejuice, Beetlejuice. Wrong movie, but seeing the great Michael Keaton return as Batman is a brooding thing of beauty. Especially when he spins the chamber around the iconic Batplane from Tim Burton's 1989 Gotham gothic classic. More than making up for the fact that his iconic Batmobile stays in the cave like Alfred's memory. He is Batman and the suit still fits. Long after the unexpected virtue of 'Birdman' and another feathered souped up star in The Vulture's 'Homecoming' with your friendly, neighbourhood Tom Holland. It's not just Keaton though in this multiplicity, as Ben Affleck is back as the bat too and our best Bruce Wayne, worn and weary with wise words for our hero who just wants to save his parents from those who dance in the pale moonlight. An outstanding, operatic, opening amazing action scene stirs those who want the Synderverse restored in Gunn's era. Just be glad we got the 'Justice League' cut that really was above the rest. 

Superman lives with Supergirl though and a bullet and hater proof performance from 'The Young and The Restless' star Sasha Calle, as we're not in Kansas any more, Toto. Give this hero her own show on the CW, WB. And because Barry is causing more trouble than a Bill Hader HBO show, all sorts of butterflies are being stepped on to mass effect. Michael Shannon's Zod from 'Man Of Steel' makes a welcome return with the scene stealing Antje Traue by his side, straight out of the Phantom Zone. Even Barry's dad looks Fresh Prince difference. 'Watchmen's' Manhattan, Billy Crudup put in some small, but significant performances previously behind the prison plexiglass as Henry Allen. But now after scheduling conflicts with the rise of 'The Morning Show', 'Band Of Brothers' and 'Boardwalk Empire' star Ron Livingston makes the role his own. 

Yet for all the big stars and the love of Kiersey Clemons garnering your journalist interest, it's the moving mothering Spanish silent 'Snow White' star Maribel Verdú who strikes the strongest and deepest chord, dancing in the kitchen. This is no flash in the pan. After Aquaman sank the family in 'Fast X', 'The Flash' is running away with the summer blockbuster season. The only film that could make fun and sense of all the clusterf### of casting DC has become. And it all works. Even a maverick like 'Top Gun' Tom Cruise (if only he was Iron Man in 'Doctor Strange's' multiverse love) called 'IT' director Andy Muschietti to congratulate him on his powerhouse popcorn movie...and that's the competition next month. They thought making 'The Flash' clear the finish line was a mission impossible. How's this for a reckoning? Dead on. TIM DAVID HARVEY. 

Further Filming: 'Batman (1989)', 'Zack Snyder's Justice League', 'Spider-Man: No Way Home'.

STAND-UP REVIEW: AMY SCHUMER - EMERGENCY CONTACT

3.5/5

Chasing Amy. 

51 Mins. Starring: Amy Schumer. On: Netflix. 

EMERGENCY! Hold on to your funny bones, Amy Schumer is back. And this time it's no holes barred for the 'Trainwreck' star, coming in like a wrecking ball in Barbie pink. Schumer's new Netflix stand-up show, following her specials 'Growing' and 'The Leather Special' (not to mention the 'Parental Advisory' comedian showcase), 'Emergency Contact' contacts everyone. Including Alec and Hilaria Baldwin. In this day and age where no comedian is safe, those jokes won't go down well with everyone. Especially when she references the tragic 'Rust' set-shooting (full disclosure, she doesn't make any direct jokes about that which would offend people, or touch a raw nerve), but you best believe she's making a point like that "Franco-phile' joke she dropped on LeBron James and Maverick Carter's 'The Shop'. Or the Oscars one she kept in the envelope. After all, isn't that the true nature of comedy? To test the waters and make satirical prodding points that direct us to a more moral message that we shouldn't shun with apathy or ignorance? 

But damn already, in a time when we have to over-explain everything we watch or listen to these days (just wait until I review 'The Flash') to cover all bases and avoid public disgrace, let's keep it funny like Leonardo DiCaprio told Samuel L. Jackson in 'Django Unchained'. And the 'Titanic' star himself might get that sinking feeling when it comes to the hilarious, "she has an old soul" joke. Schumer's such a star now, she knows all about the lifestyles of the rich and famous like red carpet bombing Kanye and Kim Kardashian. But whether she's letting a man pretending to not be blind have it, or fixing up those who think plastic surgery is a good idea, she's not afraid to poke fun at number one. Herself. 

You won't believe what she named her baby. And talking about family, she also details her husband's autism without making a cheap joke out of it all. Actually empowering how awesome he is, like she's done about her self in previous tougher than leather specials of growth. When it comes to the target on her own back, she deserves more than a clap for taking all that life and others have thrown at her in her stride. It's more than the whole "Fat Amy" in 'Pitch Perfect' thing before all you other twigs get a chance to say it. Which I know the skinny about, making thin jokes better than the bullies in high-school to take away their power. Besides, Amy's got more amazing jokes in her body of work to worry about. After pregnancy her doctor may as well be called Hugh Jackman and as for the back, she's about to tell Esmeralda all about the bells. 

Speaking to a 27-year-old (those were the days) audience member called Libby throughout, Amy amazingly connects all of us rounding the home base of 40 with the next generation sharing our collective pain of what's happening or what's to come (Libby), all whilst making it fun. Laugh now, cry a few years later. After Ali Wong ('Don Wong') and John Mulaney ('Baby J') made recent returns to the stand-up stage for the streaming service, Netflix is way more than just a joke. Even if all of this goes down a little more smoothly like a cool, calm club experience. 'Emergency Contact' may not take you as hilariously high as Schumer's most successful shows, but it's not in need of the heart paddles either. CLEAR! Tickling your ribs with all the bells and whistles, if you were once in love with Amy like a Dean Martin song, you'll still remember why like, "that's amore." Make contact. TIM DAVID HARVEY. 

Further Filming: 'Amy Schumer-Growing', 'Amy Schumer-The Leather Special', 'Amy Schumer Presents: Parental Advisory'. 

DOCUMENTARY REVIEW: ARNOLD - Miniseries

4/5

Looking BACK.

3 Episodes. Starring: Arnold Schwarzenegger. Director: Lesley Chilcott. On: Netflix. 

Hey, Arnold, how about another 'Total Recall' on your American dream of a career? 'Arnold' is the perfect accompaniment to Schwarzenegger's amazing autobiography, block built like his body, 'My Unbelievably True Life Story', released over a decade ago in 2012. Streaming on Netflix right after they debuted his funny new, formidable, family action series 'Fubar'. 'The Terminator' taking over the service like SkyNet, thanks to some hilarious A.I. (he told you the 'End Of Days' was coming) across all those shows you continue watching, but will never be the same again. What a time to be Arnie! Arnold Schwarzenegger has had a f###ing unique career beyond all recognition, and this documentary miniseries directed with decadence and definition by Lesley Chilcott ('Watson', 'CodeGirl', 'Waiting For "Superman"') tells his life story in three acts. 

'The Athlete' looks at the bodybuilder who came from chopping wood and lifting tree trunks in the forests of Austria, to the Muscle Beach of Los Angeles' Venice Beach. The Hollywood star beginning of his American Walk of Fame dream. Hulking strength that even made Lou Ferringo green with envy. 'The Austrian Oak'. More medals than most countries rack up in the Olympics. Mr. Olympia seven-times over. Mr. Universe. The world was his like a lifetime membership to Gold's Gym. 'Pumping Iron' like that iconic documentary, not to mention the legendary line about comparing lifting weights to coming (I guess it really is "pumping iron") that certified his cinematic coming out party. Just like he said suited and booted in 'True Lies', "here's my invitation". BOOM! 

'Hercules in New York'? Nah! How about Arnie goes to Hollywood. 'The Actor' looks at the most famous chapter of his life biography featuring faces like James Cameron, Jamie Lee Curtis, Danny DeVito (with the best line ever after stealing his on 'Fubar') and friend and former enemy, the Sly Stallone. Terrific testimonials and tributes feed the Seymour of your nostalgia for a time when action heroes were action heroes and big blockbusters were exactly that before this expendable (although those fun films bring it all back) age. From taking over from OJ Simpson as 'The Terminator' because they couldn't believe the former footballer would be a convincing killer (yep), to showing the mechanics of movement behind the machine and the origins of that infamous line. To all the 'Predator's' and 'Barbarians' that came before and after. Just like the 'Junior' and 'Twins' (the character Arnold says he's most like) classic forays into comedy for the multi-talented running man. As this mega movie star became a Friday night fixture like Conan or introducing his next career choice on Jay Leno. 

When Arnold Schwarzenegger was just a boy in Austria he dreamt of being the best bodybuilding champion in the world. Check! He dreamed of being a world-famous action actor and movie star. And you know he did that. But like Sly quipped in 'The Expendables' right in front of his face to the great Bruce Willis (thank you for the movie memories, champ. Stay strong), "he want(ed) to be President too." That one is kind of a Tom Cruise mission. But the 38th governor of California ('The Governator') ain't half bad. Living amongst the Kennedy's helped him complete the ultimate American dream trilogy. Arnold Schwarzenegger's ex-wife Maria Shriver declined the opportunity to tell her story in the documentary, but Arnold expresses great regret over his affair, but of course, not the wonderful son in Patrick that it gave him. Back to politics as usual, republicans can be fiscally conservative and socially liberal too, but some of his decisions remain controversial. Such is the nature of politics and the opposing sides of debate. 

Schwarzenegger takes ownership of this, just like his many mistakes. The affair and the numerous allegations of sexual harassment. One thing the running man in politics did recall for the good of the whole wide world that watched him was any "bulls###" nominal percentage goal on climate change. Instead, he took action on global warming. Sure, the inconvenient truth is you can't terminate or erase this catastrophic problem completely in this day and age, but you can sure get to chopping it down, instead of trees. What Schwarzenegger's run did for the environment would make Al Gore proud and was something President Barack Obama continued. 

To this day Arnold campaigns against hate and injustice and all that is Fubar. Whether it's the Trump administration or speaking directly via video to the people of Ukraine or the Russian soldiers who are being lied too. Far from retired as you can see, Schwarzenegger is still working out, making movies and staying politically conscious. That's when he's not shovelling his donkey's s### outside his big, beautiful house. Offering great advice to those who may be going through "s###y" times like we all do. Get to work. "Be of use!" Bringing back a time when we simply put it DAOWN! This last action hero isn't stopping at seventy, and why should he? Everything else he wished for, he worked for and made it all come true. Straight out of Austria, there's no better example of the American dream than Arnold. TIM DAVID HARVEY. 

Further Filming: 'Fubar', 'Pumping Iron', 'The Terminator'. 

TV REVIEW: AMERICAN BORN CHINESE - Season 1

3.5/5

Everyone Everywhere All At Once.

8 Episodes. Starring: Ben Wang, Yeo Yann Yann, Chin Han, Ke Huy Quan, Jimmy Liu, Sydney Taylor, Daniel Wu & Michelle Yeoh. Created By: Kelvin Yu. On: Disney +. 

Tell me, who else Googled, 'Vin Diesel dance track' after watching 'American Born Chinese'? Just me? Well, it's actually pretty good. But this show about family on Disney +? Even better. It wins the race of streaming shows right now in this binge culture. Right when the Mickey Mouse property is receiving a mixed bag response when it comes to their multiple Marvel and Star Wars shows (but we love them and can't wait for this month's 'Secret Invasion' which should be the 'Andor' of the M.C.U.). 'ABC', that searches for superhero and youth in revolt identity like 'Ms. Marvel', is a refreshing rebirth. And more for the popularity contest of the spot the cameos from 'Everything Everywhere All At Once' drinking game (don't worry, we won't spike the punch). Oscar winners Michelle Yeoh and Ke Huy Quan may headline this Academy when it comes to the billboard promotions, but it's the principal stars who really take you to school. All in a show that seeks to educate you on Chinese mythology and family much like the Disney + basketball movie 'Chang Can Dunk' that went further above the rim than Hulu's 'White Men Can't Jump' remake and even the 'Rise' of Giannis Antetokounmpo (but that's no failure either). 

Seeking to Stop Asian Hate in all forms, from America to across the world, and to show the love of Chinese culture in a time when trumped-up ignorant idiots used to call COVID the "you know what virus", like 'EEAAO', 'America Born Chinese' is a revelation. Hiding behind the usual family high-school comedy heart warmth, it's actually one of the realest things Disney have produced...and we're not sleeping on the kingdom either. Costumes capturing ancient mythology. A feast of martial arts from the legends. And enough drama and dynamics to redefine what all this means. This is the sleeper show of the year. Created by 'Cloverfield', 'Milk', 'Star Trek' and 'Wonder Woman 1984' actor Kelvin Yu and directed by 'Shang-Chi and the Legend of the Ten Rings'' very own Destin Daniel Cretton, this 'American Born' show is based upon the Chinese graphic novel of the same name. Crafted by Gene Luen Yang in 2006, who drew from the sketchbooks and diaries of his adolescence in the 90s. Mixing it up with mythical God's, Chinese folk tales and mysticism found in the classic Chinese novel 'Journey To The West'. Published during the Ming dynasty and attributed to Wu Cheng'en. 

Starring instant star Ben Wang, who displays both poise amongst the paranoia of high-school turning you into a hashtag, and the hope to rise from the stuffed locker ranks to a school soccer star like a freshman king, 'Born Chinese' runs through culture and mythology to a sick soundtrack. Even if a certain 'Fast X' star doesn't make it to the car radio. Bon Jovi does however, for you Jersey boys looking to Dad dance sing along. Yet it's exchange student Jimmy Liu who really changes the game as scrolls and staffs are looked for amongst happening upon pendants, perchance. It's Wang's parents (get the name right) that really strike a chord to why family matters, even as we come of age and the musical that is the high-school stage. One-upping the moving mothering in 'Chang Can Dunk' (which Wang also plays in) by Mardy Ma, 'Singapore Dreaming' star Yeo Yann Yann is a dream cast. Making us earn ever emotion, showing us all her strength. Ever since breaking out in 'The Dark Knight' (or being broke out of Hong Kong), Chin Han has been in favourite franchises like 'Captain America', 'Independence Day', 'Ghost In The Shell', 'Mortal Kombat' and the scariest film of all-time, made reality, 'Contagion'. But here as a weary and worn, deflated, but not defeated Dad he really makes his mark. Especially when he says his peace, or talks about the love of the past.

Sydney Taylor is more than a love interest in this story. The power of friendship and that first teenage thing you feel when you connect with someone in class that can partner up to something more will take you back to your notebook's nostalgia. But all hail the Monkey King, played perfectly by the martial arts genius of 'Into The Badlands' and star of Hong Kong cinema Daniel Wu. Suited and 'John Wick' cool booted. Get your pencils out, kids. There's a whole host of cool cameos in these eight wonderful episodes that we want to talk about, but can't. Especially one drunken master...and we don't mean Jackie Chan. We can talk about the 'Everything Everywhere All At Once' double-act, dynamic duo of Yeoh and Quan though. Michelle is all presence in a regal role that shows she's not only the mother of the year (aside from mine...and OK, OK, yours), but one of our most amazing actors. But it's Ke Huy Quan's anything but side-story that really hits home...especially after 'Indiana Jones'. A character who used to be a 80s sitcom star with a clichéd catchphrase that was cruelly reduced to some racist stereotype comedy, Quan tells it like it is in real and raw retrospect. It may have been a different time, but that doesn't make it any less unacceptable. With that powerful narrative thread running through what you previously cringed at into the powerful payoff, nothing else can go wrong. Especially with the genius finale. 'American Born Chinese' is the rebirth of the real America. In all its celebrated cultures. TIM DAVID HARVEY. 

Further Filming: 'Everything Everywhere All At Once', 'Chang Can Dunk', 'Ms. Marvel'. 

TV REVIEW: FUBAR - Season 1

3/5

Flexed Up Beyond All Recognition.

8 Episodes. Starring: Arnold Schwarzenegger, Monica Barbaro, Milan Carter, Gabriel Luna, Fortune Feimster, Travis Van Winkle, Fabiana Udenio, Jay Baruchel, Barbara Eve Harris, Aparna Brielle & Andy Buckley. Created By: Nick Santora. On: Netflix. 

The old dog is in the kennel, the "get to" is in "da chopper", and the cookie is DOWN! Come with he if you want to watch 'Fubar'. Arnold Schwarzenegger is taking over Netflix. Not only is the seven-time Mr. Olympia bodybuilding world champion starring in a new action/comedy that will really remind you of 'True Lies'. The 'Terminator' /"Governator" also has a new three-part documentary series ('Arnold' as amazing as his 'Total Recall' autobiography) on the streaming service. And if that's the "hasta" to your "la vista", baby, then just wait until you see Schwarzenegger superimposed onto all your favourite Netflix shows from 'Emily In Paris', to 'You' and everything this side of 'Wednesday'. We may be living in a scary world of A.I., when any actor alive or dead could star in any movie (no one is expendable even if half of the old firm doesn't show up for the fourth film), but Arnie in CGI comedy scenarios is something you have to see...NAOW! It's so good for him to be back. "TA-DUUUUME!" 

'Scorpion' developer Nick Santora has more than a sting in his movie resume tail, writing for 'The Sopranos', 'Prison Break', and 'Law and Order' amongst more with criminal intent. Now he creates a new Netflix action/comedy that at times feels like a classic, even though it's run-of-the-mill, tried and tested spy fare with a little more flair. This Blackjack and Skydance production maybe mechanical, but it's no bad robot and after the eight episodes that you can easily binge with a few cigar breaks, you'll be wondering and wanting to chomp down on more. Surely with the audience reaction, and Schwarzenegger's wholesome Ringo Starr in 'The Simpsons' like reply to almost every fan, we'll see a second season. Even if Netflix cancel more than social media. Old, but by no means obsolete, Arnie is a joy to watch in this barn burner from the very first side-street corner dumpster explosion. Now, after all the American action we've watched and witnessed over those American dreams years, that Arnie made his reality, you must know what F.U.B.A.R stand for. 'F###ed up beyond all recognition', but this show is anything but. 

Chopper clichés. Hallmark homages to old lines and friends, they're all here. But it's the spy family of these CIA operatives that really make this time bomb of this even dramatic plot tick. More than holding her own next to an action icon, 'Top Gun: Maverick' star Monica Barbaro ('Chicago Justice', 'The Good Cop') brings even more to 'Fubar' as the spy sins of the father are visited on the daughter. 'Warped' star Milan Carter is also a geeks dream in addition, trading quips and tricks of the "hen is in the house" spy trade. Yet it's the 'Terminator' reunion with Ghost Rider Gabriel Luna (not to mention another cameoing one from another 90s action classic) that's really a joy to watch. Also making for some moving scenes from the 'Dark Fate' star who plays the perfect villain. 

Fortunate for us, Fortune Feimster brings the funny and almost a big toe to the proceedings. 'The Mindy Project' star is one of the best things about this show. Especially when she fist-bump teams up with 'Transformers' and 'Scorpion' star Travis Van Winkle at his career best. More drama and love is brought to your living rooms with 'Jane The Virgin' and 'Austin Powers: International Man Of Mystery' star Fabiana Udenio, as this Girl Dad team of spies deal in deception from the office to the home life. Taking its toll on 'Knocked Up', 'Tropic Thunder' and 'This Is The End' actor Jay Baruchel and even 'Prison Break's' own in command Barbara Eve Harris. Both brilliant. 'A.P. Bio' star Aparna Brielle steals the show with heart and Andy Buckley from 'The Office' even makes it home here. Not to mention some Henson hilarious muppet like puppets that sound like something straight out of 'Avenue Q'. 'Fubar' puts a bullet straight through your 'Number One Dad' coffee cup. The perfect brew for this weekend's Father's Day. Take your daughter to work day has never been so exciting. All the way to the thrilling final furlong. That's it and that's all. TIM DAVID HARVEY. 

Further Filming: 'Arnold', 'True Lies', 'Terminator: Dark Fate'. 

REVIEW: WOMEN TALKING

4/5

She Said. 

104 Mins. Starring: Rooney Mara, Claire Foy, Jessie Buckley, Judith Ivey, Sheila McCarthy, Ben Whishaw & Frances McDormand. Director: Sarah Polley. In: Theatres. 

Lend me your ears for just a moment. Even though the last thing anybody needs is another guy like me trying to mansplain a movie, when really I should be just taking the minutes. But for all the Oscar darlings and winners this year, from 'Tar', to 'Everything Everywhere All At Once', this Academy Award nominated 'Best Picture' still deserves to be listened to. Thankfully, now you can hear 'Women Talking' in Japan, better late to the roadshow release dates in independent cinemas like Yokohama's Kino, than never. But despite the top ten acclaim of the National Board Of Review and American Film Institute, not to mention the Best Adapted Screenplay award at the 28th Critics' Choice Awards, 75th Writers Guild of America Awards, AND the 95th Academy Awards, it has been reduced to the box-office and media's margin somewhat, just like the 'All The Presidents Men' and 'Spotlight' meeting of 'She Said', bringing Harvey Weinstein to justice. 

You really need to listen to what she said too, as standing up against the patriarchy and decades of discrimination and abuse really talks. Ignorance will dismiss it as "Me Too movie" like it's such a bad thing to have a film that documents a world changing movement that looks for equality and accountability for all. Those reducing it to what they sneer as just as slogan or hashtag trend have no idea about what it or that is all about. And what it takes and makes of the lives brave enough to make a stand. There wouldn't even need to be a movement if it wasn't for the arrogance of abusers who believe those saying Me Too, Black Lives Matter, or Stop Asian Hate are less than. Failing to see what more we can make of this wonderful but weary world we live in if we all extend a hand instead of clench a fist. This is why, when women talk and say them too, boy, you better man up and listen. Because real strength belongs to what they used to refer to as "the fairer sex". 

Along comes Toronto, Canada's very own Sarah Polley, the 'Ramona' and 'Dawn Of The Dead Actor', now with her very own screenwriting Oscar, directing this definitive and formidable film. Slow burning in a barn in the middle of a farm. Following her adaptation of 'The Handmaid's Tale' writer Margaret Atwood's 'Alias Grace', Polley now adapts fellow Canadian writer Miriam Toews' 'Women Talking' novel for a towering achievement. Regarding a group of American Mennonite women this film is influenced by the gas-facilitated rapes in Manitoba Colony, Bolivia. Not to forget all the gaslit abuse and harm that has come women's way. In this remote, religious community the men remain mostly unseen, save the lovely, kindly Ben Whishaw ('Paddington' and Bond's Q in a compelling career turn) taking the minutes and a moment and song that reveals to you just how close this traditional yet timely tale that seems part of the past is to what so many still go through to this day. No matter if you're reading this article now, or much later like this week's Japanese release. 

Do nothing. Stay and fight. Leave. Those are the three big choices facing this epic ensemble cast who all deserved a nomination like women do their say. After discovering the rape and abuse of almost, if not all the women in the colony, doing nothing is not the way. Yet, the remaining tied choices all carry a glory and a consequence that binds them together in this barn. Only a child giving them a shocking moment of hilarious levity from the darkness of dealing with the depravity of devils who will never pay for their sins that the women do in blood. The powerful and profound nature of this plebiscite will even leave you wondering which way you would go and what strength you would have in each situation. Just like if you were faced with this difficult and dangerous dilemma yourself, you have no idea how 'Women Talking' will end. You just hope, for better or worse, it's liberating. 

Love for their fellow sister and transgender brother in the face of all this hate and disgrace, the actors here make movie history with this 'Suffragettes' struggle through the suffering. More than willing to fight, but more concerned with everybody making it out alive, you still won't be sure which way they will turn. 'Carol' star Rooney Mara, going up against co-star and 'Tar's' Cate Blanchett in friendly competition after 'Nightmare Alley' is subtly sensational here. This is her best performance since she haunted in 'A Ghost Story'. Another girl with a dragon tattoo in the 'Spider's Web' of Claire Foy is a kicking hornets nest of fury. The 'First Man' and original Netflix Queen Elizabeth gives us her crowning achievement with a character who wants to do more than just knight men with a sword. But it's 'I'm Thinking Of Ending Things' actress Jessie Buckley who strikes the deepest chord, stealing the show in this movie of twin star of the moment and veteran big-threes. The mesmerizing 'Men' star talks loudest after she gave Olivia Colman's 'Lost Daughter' backstory what Celia Rowlson-Hall did for Frankie Corio's later life in the amazing 'Aftersun' burn. 

'Devil's Advocate' and 'Flags Of Our Father's' star Judith Ivey has made even greater storytelling strides on TV (Emmy nominated for 'What The Deaf Man Heard') and the Tony Award-winning stage ('Steaming' AND 'Hurlyburly'). But now with this movie that one day may find its way on Broadway for a new generation of young women to hear influencing voices talking, she finally has her O film that matches the E and T she's got. Meanwhile, Genie and Gemini award-winning Canadian actress Sheila McCarthy, who you couldn't help but fall in love with in 'The Umbrella Academy', grounds this movie with her gravitas and the raw reality of the seriousness of this situation. If that wasn't enough star power, 'Three Billboards Outside Ebbing, Missouri' and 'Nomadland', double Best Actress Oscar MVP and Triple Crown winner Frances McDormand is also on hand. 

Underused, yet undeniable in both what she communicates in the canvas of her character's scarred face, barely saying a word. And for her executive producers credit alongside Brad Pitt's Plan B production company. But enough about that once upon a time in Hollywood (he knows how to play the background like he did in 'Thelma and Louise', no '12 Years A Slave' cameo. Let's just hope he showed up on set unlike apparently 'Minari'). This is the real story for your cinematic chapters of lights, camera and time to take action moment. Women will be talking about this for years to come. Until the moment real justice is done. The time when men stop abusing and women don't have to run, or fight for their right. Where simply as it should be, they can make the choice to stay exactly wherever they want. Safely. Isn't that the only way? TIM DAVID HARVEY. 

Further Filming: 'She Said', 'Suffragettes', 'Nomadland'.