REVIEW: MARTY SUPREME

4/5

Supreme Clientele 

150 Mins. Starring: Timothée Chalamet, Gwyneth Paltrow, Odessa A'zion, Kevin O'Leary, Tyler Okonma, Abel Ferrara & Fran Drescher. Screenplay: Ronald Bronstein & Josh Safdie. Director: Josh Safdie. In: Theatres.

Madness in movies has never been done quite like how the Safdie Brothers do in the anxiety attack classics 'Good Time' and 'Uncut Gems'. The New York brethren, becoming the new Cohens in the process, with their cinematic capsules for the canon. But just like the 'No Country For Old Men' and 'The Big Lebowski' directors, these brothers are taking a brief break from each other to see what they can do all on their own. Still lighting up the best studio in cinema, A24, with inspired instant classics. All for good sport and nerve-shredding entertainment in a tableau of human horrors even King couldn't conjure up. First, in-between making movies with 'Gem' Adam Sandler ('Happy Gilmore 2') and Christopher Nolan ('The Odyssey'), Benny Safdie gave us 'The Smashing Machine' with The Rock, Dwayne Johnson and Emily Blunt, whose character refused to shake his hand in 'Oppenheimer's' most outstanding moment. And now, Josh Safdie serves up the instantly iconic 'Marty Supreme'.

Ping-pong. Imagine making a movie out of all that. And that's exactly what Josh does with fellow screenwriter Ronald Bronstein ('Frownland'), who co-wrote the brother's previous pictures. Truly thrilling table tennis scenes set this game and match up, but how will this movie get paddled bums in seats, especially over the holidays? Two words for you, Timothée Chalamet. The 'Call Me By Your Name' and 'Dune' franchise face is 'Marty Supreme'. And coming in the same calendar as his Academy Award nominated 'A Complete Unknown', he truly wins as the best actor in the game. And get those envelopes ready, because this may even be better than his turn as Dylan. Timmy told us he wanted to be one of the greats. And now, from a 'Beautiful Boy', to 'Bones And All', he really is, in your best Karl-Anthony Towns voice, watching the New York Knicks from courtside at Madison Square Garden with the great Ben Stiller (and you know they're just cooking something up, like having a bite after the game in NYC's Hell's Kitchen). Supreme, supreme, like Talib Kweli and Mos Def.

Josh Safdie knows how to put Timmy Chalamet through the ringer, like fellow generational great Ari Aster does Joaquin Phoenix ('Eddington', 'Beau Is Afraid'), who Timothée recently dubbed, "the weird GOAT." All for an almost 'Avatar' like runtime of fire and ash. Set to the nostalgic tune of a stunning score from Daniel Lopatin (OPN, Chuck Person). And with 'Marty', very loosely (because a lot of crazy s### happens here) inspired by the life of American table tennis player Marty Reisman and his 1974 autobiography ('The Money Player'), A24 now have their biggest ever four-day opening for a film. Move over, Bill Murray! This 'Wonka' is the new King of Christmas. The bespectacled wonder of Chalamet dreams big this Christmas as one of the National Board of Review and American Film Institute's top ten films of the year. Just being called in to the line of 2025, with a couple of Golden Globe nods to its name. Inspired by Paul Newman in 'The Hustler' and 'The Color Of Money', Chalamet's complete performance, blood, sweat and earned tears, has drawn comparisons to Pacino in 'Dog Day Afternoon' (my favourite movie). And after being reduced to paddling around with a walrus at the halftime show for the Harlem Globetrotters, sees him trying to get to Tokyo for a revenge match against a Japanese player that spanked him in London...HARD!

All through lost dogs, affairs with Hollywood actresses and the best hustles you've seen in cinema. Gwyneth Paltrow gives her best in years, and the intimacy coordinator a hard time, as a fading starlet, the kind this amazing actress is anything but. Bringing boldness to this picture, like rising star Odessa A'zion ('I Love LA', 'Hellraiser') and fellow legend, Fran Drescher. But everyone owns their screen time here, from dog owners to orange ping-pong designing wizards. The kind you see in perfect promotion at the creative Sphere in Las Vegas. Tim standing atop, all before distributing 'Supreme' jackets, as sought after as the clothing brand of the same name, to the best of the best, like Susan Boyle. Canadian Mr. Wonderful, Kevin O'Leary is on business and provocative filmmaker Abel Ferrara ('The Driller Killer', 'King Of New York') will leave you not knowing what hit you, like a bathtub out the ceiling. But standing next to Timothée, it's Tyler Okonma, AKA top hip-hop star, Tyler, The Creator, who really taps the glass, acing his acting assignment in his own amazing year. This smashing gem really is a supreme, uncut classic. The flyest Marty yet. TIMOTHEE DAVID HARVEY.

Further Filming: 'Uncut Gems', 'The Smashing Machine', 'A Complete Unknown'

STAND-UP REVIEW: DAVE CHAPPELLE - THE UNSTOPPABLE...

3.5/5

The Closers

75 Mins. Starring: Dave Chappelle. Director: Rikki Hughes. On: Netflix.

Controversial comments, like cigarettes, come thick and fast in Chappelle shows. I remember seeing him on Broadway in New York, on the 4th of July weekend in 2019. Far from 'The Closer', but close to the edge of the time when we were coming to put in check our, and the world's own, casual cruelties. He opened with a great gag that elicited as many groans and gripes as it did cackles and cheers. He promptly told us all in attendance at NYC's Lunte-Fontnane Theatre to "man the f### up", because it was going to get much worse from then on out. He wasn't lying. He was thriving. It really did. But it was oh so good. No wonder he had our phones locked up like Styles P and Akon.

Now, unwrapping a surprise stand-up special for Netflix right in time for the holidays, he's at it again like Timbaland and the late, great Magoo. It's been some time since 'The Closer' caused uproar in the LGBT community, but he doubled-down on his last special, 2023's 'The Dreamer'. Now, like a Denzel Washington runaway train, he gives us 'The Unstoppable...', directed by Rikki Hughes, with more in its name ('The Unstoppable N##### Act'), similar to an untitled Nas album channelling the one and only Gil Scott-Heron. You can expect Dave to more than ruffle feathers as much as he rifles through his black and white photo black book of celebrity connects for his closing credit gallery. Featuring everyone from Bruce Springsteen to a Wayans brother ("there's more of them"). In this one, he defends Diddy (sort of...he's obviously kidding around, but there's something deeper to be said) and his Bill Burr like tour of taking that Saudi Arabia money. And of course, he goes by the J.K. Rowling book when he talks about a certain community.

Most, and certainly Bill Maher, won't like it, but once we get past all of that jazz, in self-defence instead of deference (the kind that ruined Ricky Gervais' last special a little, let's hope the same can't be said for the one he has primed for the New Year), we get to some real comedy gold, that's truly saying something about the society we live in at this very maddening moment. The kind of lions and lambs talk he was getting at in his Mark Twain prize acceptance speech, with his mother mouthing along what she always told him, in a bold and beautiful opening here. Sure, taking it to Trump, Musk et al, right there in the US nation's capital of DC, Dave Chappelle is not afraid in his Kaepernick jacket. Even if he is scared of his own attack and what happened to Charlie Kirk. Chappelle says he was no MLK, and makes some good points, in-between the jabs. Social media and search engines, on the other hand, will just run off the fumes of these controversial quotes without the context, or the nuance, that is king.

I, myself, should have even looked at 'The Closer' closer. But when it comes to this one, we should really sit up and take notice, as he gives us a knockout story about Jack Johnson (the boxer, not the 'Sitting, Waiting, Wishing' singer) which really hits at the racial divide in America that's sadly canvas imbedded in the history of that great countries skin, like orange is in the White House. Not only that, he links it all together with a story about Stevie Wonder's 'Happy Birthday' (because you know what that song is all about, right?) and Senator John McCain. Two great men in history and humility. And the karma of the date we got Obama. But before you get at the late McCain, like an ignorant Trump saying he doesn't like his war hero's captured, check why John McCain really remained a POW. The iconic Nipsey Hussle and legendary Aretha Franklin also get their respects, as does Chappelle's comedy muse and mentor, the late Charlie Barnett. One of his jokes he references we've actually heard before in a Chris Rock special. The jokes about transgender people and Cassie need to stop, like Diddy and blood money, but this is one act that still has some right in it. TIM DAVID HARVEY.

Further Filming: Dave Chappelle: 'The Closer', Dave Chappelle: 'Equanimty', Dave Chappelle: '8.46'.

REVIEW: AVATAR - FIRE AND ASH

3.5/5

Ashes To Ashes

197 Mins. Starring: Sam Worthington, Zoe Saldaña, Sigourney Weaver, Stephen Lang, Oona Chaplin, Jack Champion, Britain Dalton, Joel David Moore, CCH Pounder, Edie Falco, Giovanni Ribisi, Jemaine Clement, David Thewlis, Cliff Curtis & Kate Winslet. Screenplay: James Cameron, Rick Jaffa & Amanda Silver. Director: James Cameron. In: Theatres.

Endurance comes in many forms. Acting underwater. Fighting for your fortress of a family. Sitting in the middle of the back row of a packed theatre, watching an 'Avatar' movie, and needing to go to the bathroom after the first act. Perfect preparation for the window seat of my 12-hour flight tonight. These water logged sequels, a decade later, make the original 'Avatar's' three-hour runtime a thing of the past. And you can never really get that time back. A whopping 197 minutes of crossed legs and finished popcorn greets us with the great James Cameron's ('Titanic', 'Terminator 2: Judgement Day', 'The Abyss') 'Avatar: Fire And Ash'. The follow-up to 2022's wonderful 'The Way Of Water'. World building towards two more movies, released in the December's of 2029 and 2031 respectively. And you just know these movies will be just as massive and monumental. No romcom runtimes for something that should have been a series if it wasn't for that IMAX inspired big-screen dream. All this time, and it's still papyrus, Ryan Gosling.

Sure, the 'Avatar' franchise is not as iconic as say, 'Star Wars', epic as 'The Lord Of The Rings', or as classic as the 'Planet Of The Apes', but it's still a great of our generation. Even if most moviegoers will be more highly anticipating the new 'Avengers: Doomsday' trailer rumour that broke Threads. And yes, it's no A.I. He's back! Back to the titanic franchise assembling that was out grossed by 'Endgame', Cameron, with screenwriters Rick Jaffa and Amanda Silver, has given us another hair-twisting tail, that might just be the best braid yet. And that's all thanks to the live wire talent of 'Game Of Thrones' and 'Taboo' star Oona Chaplin, as a delicious new villain who snarls menace as she says "your Goddess has no dominion here" in the terrifically teasing trailer. The daughter of Geraldine Chaplin and granddaughter of Charlie, looking iconic in blue and red. Making naughty and nice with merc turned smurf Stephen Lang, who is always game. Wanting those weapons that sound like thunder.

Top of the call sheet, Sam Worthington is still the man, like he was in those early 2000s, as Jake Sully, the Avatar with human blood...and those pink palms. But it's 'Emilia Perez' Oscar winner and 'Guardians Of The Galaxy'/'Star Trek' star Zoe Saldaña whose star really shines the most. Expressively acting out of her motion capture as a mother in mourning, trying to work her bow and arrow again, all to find the heart. That's in a movie that sees Cameron reunite with both Kate Winslet and 'Aliens' star Sigourney Weaver, who's about to add even more to her sci-fi cannon with 'The Mandalorian & Grogu'. Along with the great Cliff Curtis and CCH Pounder, the behind the console scenes likes of Joel David Moore, Edie Falco, Jemaine Clement and Giovanni Ribisi all return. Whilst the legendary David Thewlis make a new mark, promising more. Yet it's the coming of age 'Boyhood' development of Jack Champion and Britain Dalton that really makes this fire of a franchise find new fans. In the ashes of brimstone battles and the vivid visuals, 'Avatar' has its humanity and heart. Cinematic art for the digital age we crave. A beautiful blue. TIM DAVID HARVEY.

Further Filming: 'Avatar', 'Avatar: The Way Of Water', 'Titanic'.

REVIEW: EDDINGTON

3.5/5

No Country For COVID

149 Mins. Starring: Joaquin Phoenix, Pedro Pascal, Luke Grimes, Deirdre O'Connell, Micheal Ward, Clifton Collins Jr., Austin Butler & Emma Stone. Screenplay: Ari Aster. Director: Ari Aster. In: Theatres. 

2020 in hindsight, like the words of the bull free-falling promotional poster in black and white, is given to us, no mask, in Ari Aster's neo-western thriller set in 'Eddington'. Written and directed by the crazy genius, and one of the directors of the moment, who has so far given us two horror classics ('Hereditary' and 'Midsommar') and two bloated blockbuster think-pieces with Oscar winning 'Joker' Joaquin Phoenix (the other being the madness of 'Beau is Afraid'). One that on the surface looks like a misfire, but has and hides more substance in its subterfuge, as we just point fingers at each other. Maybe Joaquin Phoenix is Ari Aster's new muse, like the dynamic director/actor amazing pairing of Ryan Coogler and Michael B. Jordan, or those Scorsese and De Niro or DiCaprio duos. Aster, and 'Get Out' and 'Us' director Jordan Poole, are to the human horror genre what Wes Anderson and Paul Thomas Anderson are to the weird and wonderful one of the great American movie. And this one, set in New Mexico during the COVID-19 pandemic, reaches the whole planet.

Ari sure knows how to put Phoenix through the ringer. Ashes and all. 2023's 'Beau Is Afraid' was like an anxiety attack of Adam Sandler in the Safdie Brothers' 'Uncut Gems' proportions, with 'I'm Thinking Of Ending Things', 'Tree Of Life' surrealism. And this one is no stranger to all that, not keeping to six-feet, as this stabbing satire pokes all sort of fun and games at the people we were and have become since that beginning of the 20s that roared in a completely different direction than those who thought it was the beginning of another Gatsby dance. One scene with Joaquin's solitary sheriff, all by his lonesome in a staked out cruiser, has him being told to wear a mask by a cop whose own one is barely flirting with his nose. Phoenix gets it from all comers, here. From those trying to do the right thing, to others with "I saved you", in your face virtue signalling, filming on their phones. Which these days are shoved in your face more than promotional fliers.

Equal parts funny and frustrating, this film, like the time, is all over the place. There's a sheriff in town who wants to be the new mayor, and Phoenix is perfect in his painstaking portrayal of the epic extremes of a man as villainous as the hero he wishes he was. Does that sound like something, or someone, familiar? Like 'Beau', this will be studied by film scholars years after when we do a victory lap of the formidable filmography of a fantastic actor that 'Marty Supreme' himself, Timothée Chalamet dubs, "the weird G.O.A.T.' To run this town, he must get past everyone's vote for mayor. The one and only Mr. Fantastic. Everybody's favourite, until a typical social media, this summer, Pedro Pascal. Underused, but undeniable, we wish Pascal's part touched on more. But his campaign commercials are cackle coaxing classic. Also missing in most of the action, is rising poster actor of the moment, your every own 'Elvis', Austin Butler. Playing a radical cult leader with that holier than thou look of someone who will call you "brother" (after knowing you for five minutes) just after taking your life away.

Emma Stone, who has this Phoenix pairing with fellow outstanding offbeat director of our generation, Yorgos Lanthimos, is also desperately on a milk carton here, but anything but sour when she does have time to find in this film. Instead, an inspired turn from her mother, played by legend Deirdre O'Connell, has more influence. Perfect, like when she was the mother to Colin Farrell's 'Penguin'. Elsewhere, Phoenix's partners in questionable law enforcement see fantastic flanking from 'American Sniper' and 'Yellowstone' star Luke Grimes (the football body armour will have you in more tears than gas) and 'Empire Of Light's' brilliant star Michael Ward (who might be the one true north in this perplexing picture). Even an unrecognizable Clifton Collins Jr. shows us as a symbol of this all, like he did in his brief, but brutally telling turn in one of this year's best, 'Train Dreams'. And just before you think this film is preaching too much about those it's taking to practice, a signature Aster third act showdown with a minigun, terminates all that, as the sheriff loses more than his Stetson. Ari and A24 give us another gilded gem in 'Eddington'. As divisive and as uncomfortable as the time it captures, and with a sequel on the way, nothing is as wild as this west. TIM DAVID HARVEY.

Further Filming: 'Hereditary', 'Midsommar', 'Beau Is Afraid'.

TV REVIEW: A MAN ON THE INSIDE - Season 2

4/5

Inside Man

8 Epsiodes. Starring: Ted Danson, Mary Elizabeth Ellis, Lilah Richcreek Estrada, Stephanie Beatriz & Mary Steenburgen. Created By: Michael Schur. On: Netflix.

Cheers to Ted Danson, who really is in a good place, right now. The former Boston bartender and 'Becker' doctor has been curbing our enthusiasm for years, like Larry. But now, with the second of his last two landmark shows, he might just be television's most golden star. After the heaven sent 'The Good Place', Netflix have given us 'A Man On The Inside' across the streams of the Golden Gate Pacific. This sleuthing series, which could give the grey and Gomez of 'Only Murders In The Building' a rent run for its downtown tenement, is not only the perfect prescription, reminding you to take your medicine, it's also a love investigation to the cable cars and hilly streets of the great city of San Francisco. Still wearing flowers in its hair. 

If this critically acclaimed show from Fremulon (which sounds like a retirement corporation in itself) wasn't enough to rejuvenate the bespectacled brilliance of a game Ted Danson in season two, a calendar cycle later, then this sequel's new addition will. Not only does Danson not get cancelled, like the 'Glow' of everything else on Netflix (even the 'Starting 5' of that NBA team of stars couldn't last the offseason), he also gets to act alongside the love of his life, his wife. The amazing actress and forever young Mary Steenburgen, with chemistry set. Who offers even more of that sixties San Fran feel for all you gran mamas and papas, still dreaming of California. And with daughter Mary Elizabeth Ellis, the detective work of Lilah Richcreek Estrada, and the directing of Stephanie Beatriz. It's the women that run Ted's world on the sweetest show of your streaming syndicate.

Showrunner Michael Schur ('Parks and Recreation', 'Brooklyn Nine-Nine') really is on to something with his inside man, like Denzel and Spike Lee. Based on the brilliant 'The Mole Agent' documentary movie by Maite Alberdi, Danson really is the man as his retiree-turned-amateur private investigator, Charles Nieuwendyk. Even his name is as legendary as the search for a spellchecker after the first season was met with critical acclaim. And the second doesn't disappoint, either. Thanks to Steenburgen's fresh injection and some fond, familiar faces making it back, like the great Stephen McKinley Henderson, who is gold in everything he touches. After going undercover in a nursing home in the first season of this sleepy and classy comedy, Charles must now go back to college. Welcoming all sorts of professors ('Good Night and Good Luck's' David Stratharin) and presidents ('New Girl's' Max Greenfield). Not to mention, literal gold dust and the silliest scooter scene you'll ever see, with glee. Now that's enough inside information. Wake up, dead man, in this 'Knives Out' time. Time to investigate the man. TIM DAVID HARVEY.

Further Sleuthing: 'Only Murders In The Building', 'The Thursday Murder Club', 'The Good Place'.

DOCUMENTARY REVIEW: THE NEW YORKER AT 100

4/5

New York State Of Print

97 Mins. Narrated By: Julianne Moore. Director: Marshall Curry. On: Netflix.

Knickerbockers. Spike Lee. Hot Dogs on the corner. Steam rising from the grids. Yellow cabs. The same colour falling from the trees of Central Park. The Empire State Building. Firefighters. The heart of New York. The biggest of apples. Nothing is more New York than these things about the city. Oh, and The New Yorker. The bi-weekly magazine of journalism, commentary, criticism, essays, fiction, poetry, satire and those classic cartoons. Not to mention the iconic monocle of Eustace Tilley and all those classic covers that fit into frames like the artwork that they are (you should see my 'New York, New York' Pinterest board). As NYC as newsstands popping up all over the sidewalks, the most famous New Yorker may just be in print.

One-hundred years is nothing to sniff at. It actually seems like more. But in celebrating their centennial, 'The New Yorker At 100' is given a definitive documentary on Netflix. Directed by the Academy-Award winning Marshall Curry ('The Neighbors' Window', 'A Night At The Garden'), and narrated with nuance by another Oscar winner and true New Yorker, in the amazing actress Julianne Moore ('Still Alice', 'May December', 'The Room Next Door'). Backstage, like an SNL movie, this iconic institution of the Big Apple is given the shine it deserves after a century of being as commonplace as car horns and the smell of giant pretzels. Premiering at the 52nd Telluride Film Festival, after The New Yorker's own celebration exhibition that felt like a Warhol or Haring art gallery (give it to the Guggenheim).

Editor David Remnick tells it like it is. The New Yorker has never needed a photo on the cover. And you should see the beautiful one they had prepared if Kamala Harris had won. There are testimonials about the newspaper like columns, and iconic fonts from the likes of 'Mad Men's' Jon Hamm, 'Sex & The City' star Sarah Jessica Parker, Jesse Eisenberg and Ronny Chieng of 'The Daily Show', who says something profound about the magazine always being there. You only have to watch hilarious clips from 'Seinfeld', 'The Good Place', and 'Family Guy' to see how much of a cultural touchstone it is. But delving deeper and looking back at the decades upon decades of history, and you'll see how definitive it is. From dedicating a whole issue to John Hersey's landmark Hiroshima article that shocked the world and changed the way we looked at nuclear war. To James Baldwin's breakout essays on race and his place in America. Legends were born and brought here. From Molly Ringwald to Haruki Murakami. A quarter-century ago, they said magazines would be gone by now. But what do you still see piling up in the corner of your room? Happy Birthday, New Yorker! TIM DAVID HARVEY.

Further Filming: 'Pretend It's A City', 'Sunday Best', 'The Andy Warhol Diaries'.

TV REVIEW: SQUID GAME - THE CHALLENGE (Season 2)

3/5

Challengers

9 Episodes. Based On: 'Squid Game' by Hwang Dong-hyuk.  Produced By: Studio Lambert & The Garden. On: Netflix.

"Mu-gung-hwa kko-chi pi-oet-sum-ni-da!" The hibiscus flowers have bloomed once again. The South Korean phenomena that is 'Squid Game' ended this Summer with the second part of its second season...or did it?! A certain cameo, which we won't spoil, even though we saw it before we even began to stream, confirmed that there were still games to be played. And now 'Se7en's' very own David Fincher will develop a US version of the series featuring those players with deadly sins not knowing what's in the box. Maybe that DiCaprio rumour will come true after all. Now, if you think that dilutes one of the best things to come out of Korea, next to 'Parasite', 'Train To Busan' and BTS (yeah, I said it), like a 'Snowpiercer' return trip, then you might not have heard about 'Squid Game: The Challenge'.

A reality show that makes 'Who Wants To Be A Millionaire' look like an easy *COUGH* pop quiz, complete with video diaries that are more confessionals than 'Big Brother', this show is addictive as 'The Challenge' contestants are annoying. These guys can't even catch a ball! The first season was fun, and stick with the second, because there's more to come. Even if it's more of the same players, about as humble as the love children of Kanye West and Elon Musk (uh, God!). Telling each other that they love each other, after knowing each other two minutes. Albeit with a knife behind their back, as metaphorical as the squib executions done for 'Squid' ink effect. Telling us that Jesus walks with them. He's probably watching, like the rest of us. But I bet he's laughing at the hilarious slide free fall of the ups and downs of the exclusive snakes and ladders game we hope to see in 'Squid Game US'.

Still, there are sweet souls in this matrix, like Trinity. And we're not giving the game away, keeping that tuxedo tight to our chest, but we couldn't be happier with the winner. Even the villainous characters are enjoyable, to a comeuppance point. At least they're more refreshing than the middle-aged bros (holds up hand) that say things like "this is fire!" No, we're forty years old. Our back pain is fire. Plus, what one generous heart does will move you to undeniable tears. Is this thing scripted? Probably, but that's still more forgivable than the "I'VE PLAYED THESE GAMES BEFORE" English dub of the second season's opening episode. With new games from there, some of their own ones, and the classic 'Red Light, Green Light', this is pure pleasure and nostalgia for fans of the series. Sure it's oversaturated, but so is all the merch, video games, and the lovely by the Frontman fireplace you can watch for hours on Netflix. There's still ink in this squid. And Netflix is milking the game for all it's worth. Stacking up their piggy bank. Clickity-clank! TIM DAVID HARVEY.

Further Playing: 'Squid Game', 'Squid Game In Conversation', 'Squid Game Fireplace'. 

REVIEW: JAY KELLY

4/5

Leading Man

132 Mins. Starring: George Clooney, Adam Sandler, Laura Dern, Billy Crudup, Riley Keough, Grace Edwards, Stacy Keach, Patrick Wilson, Isla Fisher, Greta Gerwig, Lenny Henry, Emily Mortimer & Jim Broadbent. Screenplay: Noah Baumbach & Emily Mortimer. Director: Noah Baumbach. On: Netflix.

Ocean's suit on, no tie. Glass of scotch in hand, held over the balcony of a beautiful house with the Hollywood Hills in the background. His classic pose, looking down into his chest, just a little more forlorn. No smile. It was all there in black and white. In my 20s (that's almost 20 years ago...damn) I was coming up with script ideas, left, right and off-center. Albeit with the Bradley Cooper in 'Limitless', "not one word" output. My favourite one was called 'Leading Man' (yeah, yeah, I know, I made it the tag-line here) about an ageing Hollywood actor, much darker in tone, who was lonely and looking for love. At this point, I should probably say that my favourite film is 'Lost In Translation', the reason I now live in Japan. Perhaps some osmosis was going on. I can tell you the end of mine now, too, because it's never going to happen. The actor would drink away his pain and frequent a coffee shop on his morning's after, where he would get talking to a sweet barista. On his career comeback, and the night of his Oscars win, he would forgo the after-party to go to the coffee shop, still in his tux, and help the barista put up the chairs. And that's where it would have ended. The late, great Syd Field told us we should never do this, but I always pictured one man in the role. George Clooney. And not just because I'm a huge 'E.R.' fan.

Fast-forward to this summer and Netflix are releasing their fall film schedule and what do I see? A picture of George Clooney in a beautiful suit with that trademark looking down pose. And wait...a picture that looks like a movie poster behind him, with him in it! It can't be. Of course, it can be. It is. Now, before you think I'm complaining, or this is the first line of a different kind of suit. No! That's not where I'm going with this. I'm not making stealing accusations, like the award worthy turn from Billy Crudup (also called Tim. Come on, man!) here. I'm just a lowly review writer, the kind that loves movies so much, he wants to be in them. But at this point, talking about them is pretty nice, too. Besides, I never stood a chance. And this is 'Marriage Story' director Noah Baumbach's ('The Meyerowitz Stories', 'Greenberg', 'The Squid And The Whale') baby. I'm just glad I at least had an idea that might have been on to something. It's reignited the passion. And this may just be Baumbach, who is right there with Paul Thomas Anderson and the Wes Anderson he works with, at his best. George Clooney is perfect as 'Jay Kelly'. With the 'Punch Drunk Love' of Adam Sandler being to George what Seth Rogen was to him in 'Funny People'. There's even a reunited marriage story with the great Laura Dern, who is in Clooney's other corner. These PA's aren't devils on the shoulder. More angels in the outfield.

Baumbach co-wrote the brilliant blockbuster 'Barbie' with the great Greta Gerwig, and his wife shows up here as Adam's. The co-writing in this perfect slice of cheesecake, mind you, is done with great Brit Emily Mortimer, who also acts as one of George's team. Although the man handing him the glass, steals the show. It's a glorious day for the English, too. The legendary Jim Broadbent appears in fond flashbacks as a marvellous mentor. All before the usual Comic Relief of Lenny Henry ('The Rings Of Power') that makes the biggest impression as a sage advice giving drama school teacher. Henry, yet again, showing his range, like when he sang backing vocals on Kate Bush's 'Why Should I Love You'. Elsewhere in this epic ensemble, there are choice cameos from the likes of Patrick Wilson and Isla Fisher. But it's home, where the heart of matters is, and from his father Stacy Keach, to his two daughters (Riley Keough and Grace (that's the name I'd like if I ever have a daughter, it just keeps going) Edwards), you really feel his family. Although Dern already gave a stern warning that Kelly shouldn't touch people (it's Jay, not R). Yet a scene with strangers on the train, showcasing Clooney's charm and charisma, enters the cinematic capsule. "Cary Grant. Clark Gable. Jay Kelly." Cary Grant. Clark Gable. George Clooney. Can we go again? TIM DAVID HARVEY.

Further Filming: 'Marriage Story', 'Lost In Translation', 'My Next Guest Needs No Introduction With David Letterman: George Clooney'.

SHORT REVIEW: BEST CHRISTMAS EVER

4/5

Good Scribblings

3 Mins. Starring: John Goodman, Molly Cartwright, Emily Eaton-Plowright, Gregan Aherin, Harrison Peters & Aaron Juritz. Director: Taika Waititi. On: Disney Plus.

Disney continue their John Lewis commercial like shorts (with plenty of product and IP placement) with their 'Best Christmas Ever' holiday short on Disney Plus. Much like the beautiful 'The Boy & The Octopus' last Christmas, 'Thor' director and 'The Mandalorian' star Taika Waititi ('Hunt For The Wilderpeople', 'Jojo Rabbit', 'Next Goal Wins') gives us a sweet short that is as outstanding as it is offbeat. Starring Molly Cartwright, Emily Eaton-Plowright, Gregan Aherin, Harrison Peters, Aaron Juritz and the great John Goodman, this is three minutes of bliss that will take you away from the stress of shopping for Christmas presents, between work and after the Black Friday you didn't have time to save for.

The 'Best Christmas Ever' has young Molly writing a letter to Santa, complete with a cute doodle, using all the colours in her pencil case. This fantasy comedy, with a twist, has St. Nick seeing more with those carrots. He thinks the penned picture is actually a request (perhaps he should have checked twice). And ends up conjuring up this cool looking creature. So, there's a lot more under the tree, come Christmas morning, with these rustling presents. And you thought an octopus under the winter hat was strange. And whilst we're there, dear Disney, why did you remove that short? I was planning to show my family when I come home for Christmas. And to think, we're still "crestfallen" off of the removal of 'The World According To Jeff Goldblum'.

Perhaps, I should stop talking, because that's the problem here. Our cuddly new, unwrapped companion, may have all the trimmings, but he's missing a mouth. Let alone a moustache. So, which Disney and Pixar favourite do you think will come in to save the day and help him. Crossing off all the seasons of the calendar. From a Spring in his step, to Summer swimming, and Autumn's trick or treat of Halloween in haunted mansions. All before the winter of next Christmas looks upon a star for another wish. Waititi's wonderful joy with John Goodman may just be scribbles, but it's bound to put a smile on the face of everyone, even those sucking on humbugs. It's going to be a great Christmas, like this. And for you and yours, we hope it's the best ever. TIM DAVID HARVEY.

Further Filming: 'The Boy & The Octopus', 'An Almost Christmas Story', 'Inside Out'.

REVIEW: WEAPONS

4/5

RUN!

128 Mins. Starring: Josh Brolin, Julia Garner, Alden Ehrenreich, Austin Abrams, Cary Christopher, Justin Long, Toby Huss, Benedict Wong & Amy Madigan. Screenplay: Zach Cregger. Director: Zach Cregger. In: Theatres.

Finally watched 'Weapons' last night, and now I'll never ever be able to watch 'Naruto'. The Summer smash from the States that, like fellow scary 'Sinners', they're calling one of the best blockbusters of the calendar, finally rises with the sun in Japan, this fall. A land no stranger to being hallowed when it comes to horrors that haunt. But this truly terrifying and twisted picture is so scary it may even send that girl back into the well. Ringing up the receipts on the first of the month, where movies are discounted to half-price, mere weeks after Ethan Hawke dialled us in for the 'Black Phone 2' sequel that also supernaturally scared and scarred the s### out of us. Weaponizing our greatest fear, and a seemingly safe as suburbia, white-picket fenced America, writer and director Zach Cregger ('Barbarian') has just turned himself into the mainstream Ari Aster. All of a film inspired by Denis Villeneuve's 'Prisoners' and Paul Thomas Anderson's 'Magnolia' for this one battle after another.

There's more to this pre- and post-Halloween hit than meets the averted eye though for your jovial jump scares (I mean what genre can still truly affect us to the core, in this desensitized age, like this one?). Because this is no murder mystery, Agatha Christie. It's a horror mystery, with knives out. Redefining the genre, whilst also giving something to the 'Only Murders In The Building' tenants with this haunted house. The tense twists and cackling coils will really keep you guessing at this marvel, and it's going to take Thanos and a Silver Surfer to solve it (not to mention Wong). Originally though, it was meant to be Mr. Fantastic himself, Pedro Pascal, but filming was pushed back, due to the Hollywood labour disputes, and then schedules got conflicted (perhaps it was Aster's 'Eddington', here in Japan, later this month). At 2:17 AM, every kid, bar one, from a teacher's class woke up, got out of bed, walked downstairs, opened their front door, and ran out into the dark, arms wide, never to come back. Now, imagine trying to explain that one.

'Ozark' star Julia Garner tries to do her level best, in a film which she pilots from her first act perspective. With this, and the aforementioned 'Fantastic Four' redefining, in the same Summer, the former Netflix favourite's stock is soaring, like this gross film that's grossed $268.3 mill off of a 38 million dollar budget. She gives this crowd pleaser more nuance and depth, just like the underlying themes in the underbelly of this, and America. Whereas Brolin seems born for this position, as the 'Sicario' star is so good, his helpless father's anger could take the claws out of Hugh Jackman's in 'Prisoners'. Elsewhere, Benedict Wong is brilliant in principle, as a head trying to keep everything together and not lose his. Whilst 'Solo' and 'Ironheart's' Alden Ehrenreich cops a great character alongside Austin Abrams' ('Chemical Hearts', 'Wolfs') stoner looking like the walking dead. Yet in this epic ensemble, featuring the likes of Justin Long and Toby Huss, it's legend Amy Madigan (OH MY GOD, THAT'S HER FROM 'UNCLE BUCK'!) that will scare you senseless. And child actor Cary Christopher, who will show you his nerve. Bewitching a spell on you. 'Weapons' more than makes the grade. TIM DAVID HARVEY.

Further Filming: 'Black Phone 2', 'Prisoners', 'Barbarian'.

REVIEW: TRAIN DREAMS

4/5

The Man Who Cut Down Trees

102 Mins. Starring: Joel Edgerton, Felicity Jones, Clifton Collins Jr., Alfred Hsing, Nathaniel Arcand, Kerry Condon & William H. Macy. Narrator: Will Patton. Screenplay: Clint Bentley & Greg Kwedar. Director: Clint Bentley. On: Netflix.

What dreams may come. The darkest horse for February's Academy Awards may just be a cerebral elegy so poetic, it should be one of Netflix's fall prestige pictures, whilst everyone is binging the final season of 'Stranger Things'. Clint Bentley's brutal and beautiful 'Train Dreams', adapting Denis Johnson's ('Jesus' Son', 'Tree Of Smoke') novel with Greg Kwedar ('Sing Sing'), starring ever underrated 'Loving' actor Joel Edgerton ('Black Mass', 'Midnight Special', 'Boy Erased'), will hit you in the home of where it hurts. If only we could still see it in cinemas, where it's nature looks as compelling as 'The Revenant'. A few birthday's back, my best friend brought me the book, 'The Black Fives: The Epic Story Of Basketball's Forgotten Era', by Claude Johnson. A beautiful basketball book, but also a rich and compelling history of industry in America. Just like this story, serving as a love letter to the landscape of the Stars and Stripes of the past. To paraphrase the great Ben Harper, somewhat, "you have to live my life to get boots (nailed to the tree trunk) like these."

More, "the man who cut down trees", than Jean Giono's 'The Man Who Planted Trees' (another story that also had a profound effect on me, this year), there are some poetic and powerful things to be said here about deforestation and the circles of times that ring true in the trunks. Most, delivered by campfire, by the great William H. Macy in one of his greatest roles yet, worthy of an award. Just like the feature and adapted screenplay nominations, these dreams from Sundance got at this calendar's Gotham Awards. Yet it's the engrossing Edgerton who you will stay with all the way through this epic about the life and times of a humble heart. Whether, it's the beautiful love shared with fellow 'Star Wars' actor, the fantastic Felicity Jones ('The Brutalist, 'The Theory Of Everything') in the meadow, literally playing house, and fondly feeling like family, like 'Loving' Ruth Negga. Or what the great Kerry Condon brings ('Three Billboards Outside Ebbing, Missouri', 'The Banshees of Inisherin'). Briefly, but beautifully. Just like the great Clifton Collins Jr. From '187', to 'Nightmare Alley', who will stir you more in one scene, than the echos of your wildest dreams. Or is that nightmares?

Narrated with nuanced beauty by 'Armageddon' actor Will Patton ('Remember The Titans', 'The Postman', 'Minari'). They don't hand out awards for narration. But if they did, he'd hold the envelope. It's funny, me and my friend, who had a running story (in good heart and humour) about the space shuttle his character leaves on the stoop in 'Armageddon', just got talking again about all that, this week, ten years later, thanks to Facebook memories. And you know what, from 'Blood On Her Name', to an award-winning turn in the late, great Sam Shepard's play 'Fool For Love', Will really is something. As are the haunting stuntman and martial artist Alfred Hsing and Nathaniel Arcand's ('Sinners') kindly shopkeeper. All across the American frontier, this logger longs for meaning in the madness of his life. From what he cuts, to what the fire takes at night, before a morning of ash and dust like fresh snowfall on the grey of his winter. Breaking down his career for Vanity Fair recently, 'Blue Moon' and 'Black Phone 2' accomplished actor Ethan Hawke brought back that famous saying about real movies starting the moment you leave the theatre. And when you put your laptop lid down, these dreams will stay with your waking train of thought until the end of the line. TIM DAVID HARVEY.

Further Filming: 'Loving', 'The Power Of The Dog', 'The Revenant'.

TV REVIEW: FORTNITE X THE SIMPSONS

3/5

Doh-nite!

4 Episodes. Starring: Dan Castellaneta, Julie Kavner, Nancy Cartwright, Yeardley Smith, Hank Azaria & Harry Shearer. Created By: Matt Groening. On: Hulu & Disney+.

I'm forty, I don't know much about Fortnite (I thought it was two weeks), but I do know something about 'The Simpsons', as my old a## buys a new Evergreen Terrace family sweatshirt from Japan's convenience store, Family Mart, like the two strands on the top of my scalp aren't starting to resemble Homer hair. But I will say this, Fornite x The Simpsons (the 'X' means "and", fellow old heads) was a lot of fun. Much like the 'Funday Football' collaboration with the NFL, this time last year. And now you can replay the live event that streamed from Stockholm on Disney Plus.

I'm more Lenny and Carl (not like that), than Bart and Milhouse, that I can't come up with any good reason why I would want to watch people play video games. OK. I guess I'm more Abe Simpson here. But this is a different type of Twitching. I always wanted to be the one actually playing the game, as I never did have a console as a kid. My parents said it would have distracted me from my studies. They had a point, but I proved them wrong by failing regardless. Yet, here this sponsored contents from Epic Games at Sweden's Comic Con gave us a taste of what it would be like if both The Simpsons and Fornite's worlds immersed and merged together. Exploring this universe really is epic. Whether you're hitting the Kwik-E-Mart, like Snake. Writing lines on the board with Bart. Or sleeping on the job with Homer at the nuclear power plant. It's all accessible. Everything you see under the cloud iconic titles of the Duff Blimp. Which has a different message each time, except that Ice Cube's a pimp!

And if you thought that was it, 'Apocalypse DOH'! As a series of Fortnite related short streams of episodes have been released weekly over this month to celebrate this collaboration with more "content"...that's what the cool kids say, apparently. This merger is made real by the lever pulling back and forth between some Fortnite heroes and your favourite space slobbering aliens who are still merely exchanging protein strings. Kudos to Kang and Kodos for making us not have to concentrate with the science bit. In the first of these epic episode shorts that you should eat, Homer finds a crystal that turns The Simpsons family TV remote control into something similar that Adam Sandler had in the classic 'Click'. With all that power in his hand, Homer can turn fire hydrants into chocolate ones, a cat into an Iron Man like Easter Egg (here's to the Marvel of their Disney neighbours) and our hairlines into something stronger than Mayor Quimby's latest excuse for leaving his mayoral sash draped on the balcony of some sleazy motel.

Then the Michael Keaton like 'Multiplicity' of the next episode, that plays like a trailer for this collaboration, is raining "mmm, donuts", ay, caramba. So much remote power, that even Professor Frink has to spilt. What with the forts and the nites, and soooo maaany bananaaaas.  All adding up to an actual, epic episode. As big as the attack of the 50-foot Homer, after police Chief Wiggum got his Neo in 'The Matrix' on, taking out more Homer's than Ohtani. What a trip in the clouds for 'The Simpsons'. Are we there yet? Are we there yet? Are we there yet? All the way to the small season finale of 'The Incredible Bulk', with the yellow giant submerged like a submarine. You won't like him when he's hungry. It's enough to make that banana peel. For night time viewing, nothing is bigger than Homer and his new odyssey. Let's play. TIM DAVID HARVEY.

Further Filming: 'The Simpsons: Yellow Planet', 'The Simpsons: The Past And The Furious', 'The Simpsons: Funday Football'.

STAND-UP REVIEW: SEBASTIAN MANISCALO - IT AIN'T RIGHT

4/5

Right On Time

57 Mins. Starring: Sebastian Maniscalo. Director: Paul Dugdale. On: Hulu & Disney +.

Ain't it always the way? You wait all day for a comedian to make you laugh, and then two come along all at once. On the same day that Kevin Hart returns to Netflix for his sensational special, 'Acting My Age', the great Sebastian Maniscalo jumps ship to Hulu and Disney Plus after giving Netflix the hilarious likes of 'Is It Me', 'Stay Hungry' and 'Aren't You Embarrassed'. What?! Is the 'Green Book' actor supposed to be doing this for free? Hart opened his return to Netflix with an all woman quartet's overture in Miami. Here, Maniscalo enters a sold-out Chicago stadium on a Ducati. Screw your stereotypes. And he has something to say about the Chi-town folk residing outside. Did the wind make their faces this way?

Maniscalo's mannerisms are as spot-on and unmatched as his outstanding observations. Returning to his roots in Illinois, Kevin Hart may offend the greatest of all-time Michael Jordan, with the baggy jeans of his special, but with 'It Ain't Right', Sebastian brings the old United Center house, that the Chicago Bull called home, all the way down as he raises to the stage with a microphone in his fist, held above his head in pride. The same pride that pulls off that baseball jacket, that's anything but minor league. I'm not joining in with Kev, Mike, what you did with baseball, and why, was actually beautiful. Number 23 has a statue outside of this center, but after what Maniscalo does unanimously with United, he deserves his jersey up there in the rafters with all those banners. Or at least a retirement of that jacket.

The round stage for a comic that's sold out Madison Square Garden is perfect for a man, who, like Kevin acting his age, needs to watch his MSG. This fiftysomething fellow comedian contemporary talks about how he looks now compared to the man in the mirror, twenties, going from Dorian Gray to Frankenstein. Although, we think this silver fox has still got it. Besides, I've just turned forty, but the party left my hairline a long time ago. Mirrors? I wish I was a vampire right now. And don't talk to me about the pale skin. Or get Sebastian started on teeth. I guess we all can't be Jeff Bezos. But what Maniscalo says about Amazon is prime-time viewing. Perhaps they need to sign him up for his next streaming comedy. Because this is better, albeit absolutely hilarious, product placement than that Ice Cube 'War Of The Worlds' disaster. For all the stuff you're pausing on TV now, this is one to actually watch and tell people about. The comedian who starred in the semi-autobiographical film, 'About My Father' with Robert De Niro, is in anything but a "slow decay". Ain't that right? TIM DAVID HARVEY.

Further Filming: Sebastian Maniscalo - 'Is It Me', Sebastian Maniscalo 'Stay Hungry', Kevin Hart- 'Acting My Age'

STAND-UP REVIEW: KEVIN HART - ACTING MY AGE

4/5

Age Appropriate

66 Mins. Starring: Kevin Hart. Director: Leslie Small. On: Netflix.

Acting right, Kevin Hart gives us a blisteringly brilliant return to form with his new live special, 'Acting My Age', on Netflix. Over the 'Ride Along' years with this million's moving actor/comedian, he's rejuvenated previously cooked franchises with The Rock, almost hosted the Oscars, and been cancelled in the process. All over a doll house. But now, the biggest and smallest comedian on the planet is back. Following hilarious Netflix specials like 'What Now?', 'Irresponsible' and 'Zero F**ks Given', not to mention movies like 'Fatherhood', 'Me Time', 'Lift' and 'The Man From Toronto', or shows like 'True Story', his 'Guide To Black History', or his 'Headliners Only' compelling documentary with fellow stand-up icon, Chris Rock.

Headlining this, one week after contributing to Netflix's 'Being Eddie' documentary, Hart gives Miami some heat like Dwyane Wade and them. Flash forward to now, following his roast of Tom Brady, Kevin is back spreading his feathers with the most successful streaming service after briefly leaving for Peacock for a 'Reality Check'. All on the same day that fellow hilarious contemporary Sebastian Maniscalo does the same thing for Hulu and Disney Plus ('It Ain't Right'). Setting it all off with an outstanding overture, it's a grand return and a beautiful reception of applause for a man who can't quite believe it himself. The all-female classic quartet bringing the house down with musical beauty behind perfect pianist Chloe Flower. All before, Hart launches into a joke about holding a dinner, so a family member could reveal he was gay. They already knew. And you already know that Kevin isn't for the faint of heart.

Yet the only one whose really going to be offended is Michael Jordan and those big a## jeans of his, as Kevin Hart goes for the G.O.A.T. of comedy again. More mature, and medicinal, with age. So take those laptops out of your back pockets and watch this like Usher. Because we need to talk about how Kevin is bringing it all back. The hilarious voices, mannerisms and body movements. It'll have you telling him your government name and social security number. And "let's ride" again on a real safari where Kevin beats his chest meeting a silver back gorilla before he drops the mic. King Kong ain't got s### on him! This is 40...and it's never been so funny. Whether he's telling us the old state he doesn't want to be in, with hilarious Martin Lawrence 'Runteldat' repercussions. Or saying he just wants to speak his mind, like the late, great Quincy Jones in his final inspired interviews. This might not be appropriate for everyone. But acting right, Kevin Hart is still one of the classic comics of our age. TIM DAVID HARVEY.

Further Filming: Kevin Hart - 'Irresponsible', Sebastian Maniscalo - 'It Ain't Right', 'Headliners Only'.

REVIEW: BLACK PHONE 2

3/5

Return Call

114 Mins. Starring: Mason Thames, Madeleine McGraw, Jeremy Davies, Demián Bichir & Ethan Hawke. Screenplay: Scott Derrickson & C. Robert Cargill. Director: Scott Derrickson. In: Theatres.

Pumpkins rotting on the porch isn't really a thing here in Japan. As soon as scary season is finished, the festive feeling of Christmas comes. And even those trees and decorations end up on a milk carton, come the literal Boxing Day, for a functional and practical place. Nevertheless, after scaring screens in the states, 'Black Phone 2' finally connects with audiences in the land of the rising sun. Halloween may be over, but this sinister sequel still haunts. The first rotary 'Black Phone', in a cubicle Colin Farrell is familiar with, became a cult hit in the COVID Krueger-d 2021. As 'Dead Poets Society', 'Reality Bites' and 'First Reformed' acting great Ethan Hawke, and his iconic mask (that can change facial expression), became one of the newest and most underrated horror villains. Scaring the beejeebus out of a young Mason Thames, Madeline McGraw, and their pop, nursing grief with drink, Jeremy Davis. 'The Black Phone', from 'The Exorcism Of Emily Rose' and 'Doctor Strange' director Scott Derrickson (with a screenplay with C. Robert Cargill ('Into The Dark')), dialled up the numbers. And now here we are in the wilderness of sequel territory.

But skating on thin, 'Little Women' ice, don't hang up, 'Black Phone 2' works, even though the last time we saw Ethan Hawke's Grabber, he was fish food. But hey, if you can hear dead people from the sixth sense of a landline, then stranger things can happen. This supernatural horror film sees Thames and McGraw's Finney and Gwen heading to a winter youth camp that looks like something straight out of the 'Dog Years' of an old Maggie Rogers video. And in this frozen tundra, they suddenly become in grabbing distance again. All whilst trying to investigate, not only what happened to three boys, but what also drove their own mother to death. After Derrickson, Cargill and Hawke gave us 'Sinister' (to those who read my review, I finally faced my fear and watched Jack White in concert, this year), they knew that grainy, camcorder like footage finds fear in theatres. And after this one, you'll never watch a home video again. Let alone pick up the phone. The tone is that terrifying.

Back to black, Mason Thames is on a career tear this year. What with his big-three as the lead in the live action version of 'How To Train Your Dragon', the award worthy 'Regretting You', and now as the face of this franchise in front of the mask. He really comes in to his own here, with a commanding performance, whether wailing on some guy, or refusing to run scared from 'The Purge' star who haunted his boyhood. The great Jeremy Davies (the once who frustratingly broke your heart in 'Saving Private Ryan', unrecognizable from that here) offers even more nuance as the alcohol addled father. Whilst sequel addition Demián Bichir ('The Hateful Eight', 'Alien: Covenant') adds even more grit and gravitas with a cabin beard almost as knotted and knitted as that cable knit sweater. But in this sequel, it's Madeleine McGraw (with some "choice" words) who's the real star of the show, coming out, like an exorcism. 'Ant-Man and the Wasp's' Hope, who looks like she could be the sister of Nancy in 'Stranger Things', is another star for sure. Even next to a great like Ethan, who is having his own year with the one for them, and one for him in the Oscar worthy 'Blue Moon'. But just wait until he calls you here. Nothing is phoned in from an actor who always connects. This receiver won't fade to black. It's back! Pick up. TIM DAVID HARVEY.

Further Filming: 'Black Phone', 'Sinister', 'Blue Moon'.

REVIEW: SPRINGSTEEN - DELIVER ME FROM NOWHERE

3.5/5

Deliverance

119 Mins. Starring: Jeremy Allen White, Jeremy Strong, Paul Walter Hauser, Odessa Young, Marc Maron, Gaby Hoffmann & Stephen Graham. Screenplay: Scott Cooper. Director: Scott Cooper. In: Theatres.

The Boss and his life and times are so deep and vast, you'd need a series of movies (hint, hint), or a TV syndicate to show all that he's done. From being a runaway American dream, to writing songs for those who lost their lives to the terrorist attacks of 9/11. And it's that powerful and profound penmanship for others that steers and drives 'Springsteen: Deliver Me From Nowhere', based on the book by Warren Zanes ('Deliver Me From Nowhere') and Bruce Springsteen's own 'Born To Run' memoir. There have been many movies already made by The Boss himself (see, 'Western Stars'). And the man, who wrote Oscar winning title tracks for 'The Wrestler' and 'Streets Of Philadelphia', even took his 'Springsteen On Broadway' one-man show to Netflix. Bruce even co-signed the beautiful 'Blinded By The Light' (much in the same guitar string vein as 'Yesterday' for The Beatles) movie about an Indian teenager from the UK who has inspired so much by Springsteen, he went on a pilgrimage to America just to see him play.

Delivering us from nowhere though, this strong Scott Cooper ('Out Of The Furnace', 'Black Mass', 'Hostiles') written and directed piece, knows music and the man behind it. What more could you expect from the man who gave us Jeff Bridges and his 'Crazy Heart'? I bet you didn't expect to get a Springsteen and Bob Dylan biopic in the same calendar cycle, though. Not to mention ones starring men of the moment, Timothée Chalamet and Jeremy Allen White. What a time to be alive in this music and movie, epic entertainment industry. And just like James Mangold's 'A Complete Unknown' focuses on particular points in Dylan's life (notably, going electric), 'Deliver Me From Nowhere' (based on a line from a track ('Open All Night'), like that 'Rolling Stone' one), takes a look at the recording of one of Bruce's deepest and darkest records. The personal passion project and painstaking labour of love of 'Nebraska'. The black, white and red album, with no singles, press, promotion, or even a picture of Bruce on the record jacket, that featured the likes of 'Atlantic City', 'Mansion On The Hill' and 'Johnny 99'. 

Springsteen himself released the reissue 'Nebraska '82' (featuring some electric cuts) to accompany the movie's opening night. And purists will love this compelling feature that critics are yawning at, but Oscar shouldn't ignore. But for the crowd pleasers, there's an opening performance of 'Born To Run', with Allen White sweating like Springsteen, and a closing classic studio session, that feels like a spoiler if we speak on it, to bookend this story. Nuanced and cutting, 'Nebraska' was made in a faraway house in Colts Neck (where hits like 'Born In The U.S.A.' and 'I'm On Fire' were also conceived) by Springsteen and one recording engineer (played perfectly by 'Richard Jewell's' Paul Walter Hauser ('I, Tonya', 'Fantastic Four: First Steps')). Recording demos on a four-track, that led to a Holy Grail like cassette that didn't even have a case. But this film is all for the Jeremy's, like Pearl Jam. Emmy winning star of 'The Bear', Jeremy Allen White, is perfect as Bruce Springsteen, all the way down to the weary voice. Even if the contacts that cover his baby blues takes some of his soul. I mean, this is a man who is about to play Jabba the Hutt's son in 'The Mandalorian & Grogu'. Now, that's range.

Yet, it's 'Succession' star Jeremy Strong, who steals the show, especially in the third act, as Jon Landau, Springsteen's day one, long time, manager and record producer. Bespectacled and with thinning hair (look who's writing), but always willing to fight for Bruce, in full. Jeremy, doing for Jeremy what he did for Sebastian Stan's Donald Trump in last year's 'The Apprentice', following The Boss beefing with the President of the United States, this summer. Played perfectly by Strong and Allen White, this pair know each other like a crack in the door. Elsewhere, there's a Hollywood scripted romance in the boardwalk air, aboard a carousel, like 'We Live In Time', that feels real thanks to the outstanding Odessa Young ('Looking For Grace', 'The Daughter'). And even Marc Maron ('Glow', 'To Leslie') shows up as Chuck Plotkin as the studio plot thickens. But it's the performance from Bruce's parents that will really leave you proud. The great Gaby Hoffmann (from 'Uncle Buck' and 'Sleepless In Seattle' to 'C'mon C'mon' and 'Winning Time') and the amazing 'Adolescence' winner of our very own Stephen Graham, who adds this track to a formidable filmography of Hollywood heavy-lifting. Delivering us from evil, and his own demons of depression, when it comes to those tougher than the rest, where can you find someone stronger than Springsteen? Nowhere. TIM DAVID HARVEY.

Further Filming: 'Springsteen On Broadway', 'Blinded By The Light', 'A Complete Unknown'.

REVIEW: PRINCE - SIGN "☮" THE TIMES (IMAX)

4/5

Peace

85 Mins. Starring: Prince. Director: Prince. In: IMAX Theatres.

By royal appointment, O(+> is back in theatres. Remember during Prince's 'Hit n Run' phase, before he passed, when he was on the revamped 'The Arsenio Hall Show' for the nostalgia? The legendary Arsenio asked the icon if he was on Instagram. Prince replied that he was going to have, "Princestagram" (amazing). Now, with the return of his critically-acclaimed, classic concert film 'Sign "☮" Of The Times', from 1987, in IMAX theatres. We ain't trying to botch that name ("IPrince" sounds like something from Apple, we're good), but perhaps the IMAX blue light should have turned purple for this outstanding occasion. Especially when here in Tokyo (sharing the experience with an amazing artist in their own right), Prince's  "☮" sign played in a cinema under Shinagawa's Prince Hotel...and a cherry moon. 

For a minute there, I lost myself, like Radiohead, and thought they had made Prince signs special for this presentation. Blame my inability to read Kanji. Anyway, between all the Studio Ghibli re-releases ('Princess Mononoke') and BTS concerts (J-Hope) in Japanese theatres right now, Prince hit IMAX like Christopher Nolan with his odyssey. I may have been two years old when this concert was conceived, but it's an absolute classic that still holds up to this day. Even with its inspired intro, nuanced in nostalgia, directed by the man that gave us the Lake Minnetonka purifying scenes of his own 'Purple Rain' movie. And even that classic, that came before in '84', didn't have to close this compelling concert when Prince had 'The Cross' to bear in an epic finale. 'Little Red Corvette' ('1999'), on a piano and a microphone, being the only hit from another records making it to these times. Otherwise, it was a 'Housequake' of 'Slow Love' and other timeless love songs like 'If I Was Your Girlfriend' and 'I Could Never Take The Place Of Your Man'. 'Hot Thing' and the official video for 'U Got The Look', featuring Sheena Easton at intermission. Boy versus girl, in the World Series of love.

Charlie Parker also got a cover ('Now's The Time') in a sensational set as outstanding as Prince's true, glam rock star outfits on the neon Moulin Rouge like stage in Rotterdam, Netherlands. Playing to the Paisley Park pastel and paint of this trip's theatrical poster. The band's all here too. Even some comic-foils from The Revolution era. But from the prescriptions on the keys of Doctor Fink, to the influential introduction of dancer Cat Glover, it was the great Sheila E. on the skins, who truly took your breath away. Especially with one hell of a drum solo (see Prince's Brit Awards performance for more), that she did with sticks, and even her hands (DAMN!). Between sweet segues, showing you a ring in a shop window (before the formidable 'Forever In My Life', bringing The Artist himself to tears, showcasing such skill in asking the backing singers to back up for a shadowy sound), Prince did spins and splits more times than you and your pants when you slip on a banana. They say in IMAX you can hear everything so clear, from a pin drop, to a jumbo jet soar. Yet, Prince was so much more. Playing in the sunshine, it was always going to be a beautiful night. ☮. TIM DAVID HARVEY.

 

Further Filming: 'Purple Rain', 'Under The Cherry Moon', 'Graffiti Bridge'.

DOCUMENTARY REVIEW: BEING EDDIE

4/5

Coming To The American Dream

100 Mins. Starring: Eddie Murphy. Director: Angus Wall. On: Netflix.

What has Eddie done for us lately? It turns out, everything. The 'Raw' stand-up legend, who followed in the stage steps of the late, great Richard Pryor and paved the way for everyone from Chris Rock, to Denzel Washington, has become a movie legend. From '48 Hrs.' to 'Trading Places' and 'Shrek'. Even making music, like the huge hit 'Party All The Time', dancing with Michael Jackson and chilling with Prince and Rick James for some true Hollywood stories. But lately, Eddie has returned to the studios of Saturday Night Live, where it all started. Chopping it up with the likes of Chappelle, Chris Rock, Tracy Morgan and them. All whilst calling it bygones with David Spade. Because this is no fallen star. You wish! Since then, Murphy's law has given us new films for his hit franchises 'Coming To America' and 'Beverly Hills Cop'. The latter, on Netflix, like his return movie 'Dolemite Is My Name', that should have given the man, who spoke out at the Oscars, one, like 'Dreamgirls'. Damn you, 'Norbit'!

Now Netflix gives us the documentary, 'Being Eddie', directed by two-time Oscar winner Angus Wall (for editing 'The Social Network' and 'The Girl With The Dragon Tattoo'). Continuing the trend of the streaming service giving us great docs (like a pair of boots), most recently with their second season of the NBA's 'Starting 5'. But this is more in the line of films about 'Arnold' Schwarzenegger (when's that 'Triplets' sequel coming out) and 'Sly' Stallone from N, as they build their own golden era Mount Rushmore with 'The Golden Child'. Featuring testimonials from comedian contemporaries Chris Rock, Dave Chappelle and Jamie Foxx. All with the golden handcuffs of their own Netflix deals, acting with Eddie in his 'Harlem Nights', 'The Nutty Professor' (forever fond memories of my mum laughing hysterically at their scene together) and 'Dreamgirls'. Not to mention the likes of co-stars Arsenio Hall (pay attention to what he says about pitting black stars against each other for your MJ and Prince, or King, debate), Pete Davidson (see Amazon) and the great Jerry Seinfeld who has a profound thing to say about the flattery (and venom) of fame, that we all know...doesn't last forever. Even though Eddie might get 'Delirious' with stand-up again.

Gone as quickly as 'Pluto Nash', or playing a rocket ship (I actually loved 'Meet Dave'). A falling star always comes back to earth. And that's where Murphy finds family, faith (like another underrated gem in 'Holy Man') and a new path to forge ahead. Now at home in California, with a bounty of beauty around him, the icon is in the perfect place, playing with puppets of the GOATS that came before him for the most hilarious moments of this doc. One that is so candid and compelling. Inspiring and interesting for this influential figure who broke through and showed us that black lives on screen mattered more than the racism that kept names that weren't Sidney and Harry previously in the margins. Murphy even marvels at how a member of the klan even liked his work. And just wait until you hear what one Hollywood legend wanted him to do with his wife, etc, etc. It's a story like no other, like his life. Giving it up for his mother and father, and his late brother Charlie. Reaffirming that those 'Chappelle Show' skits concerning Prince and Rick James were actually true...b####! Next up for Eddie is a biopic about George Clinton and a famous Pink Panther inspector previously played by 'Bowfinger' co-star Steve Martin. Think the man in the make-up and masks has what it takes? Why not? Eddie is used to being, and being loved by, everybody. TIM DAVID HARVEY.

Further Filming: 'Arnold', 'Sly', 'Dolemite Is My Name's.

REVIEW: ELIO

3.5/5

To Infinity...And Beyond

98 Mins. Starring: Yonas Kibreab, Zoe Saldaña, Remy Edgerly, Brandon Moon, Matthias Schweighöfer, Brad Garrett & Jameela Jamil. Screenplay: Julia Cho, Mark Hammer & Mike Jones. Director: Madeline Sharafian, Domee Shi & Adrian Molina. On: Disney +.

The only movies more concerned with family, than Disney, are ones starring Vin Diesel. And we're rooting for Pixar's Summer movie 'Elio', now it makes its Disney Plus streaming debut, one week after the 'First Steps' of Marvel's 'Fantastic Four'. Armed with a colander as a space helmet, and a blanket as his superhero cape, Elio is one kid who has been through it...and we're not talking about the eye patch, either. Losing both his parents (there Disney goes again), and now an orphan, this young boy lives with Olga, his aunt. An Air Force major who has given up her NASA dreams to take care of her nephew. But this astro boy looks to the stars too. Wishing upon them, or hoping to find a whole new world out there. Tuning into his ham radio, Elio actually wants to be abducted by aliens. Obviously, he's never seen 'Independence Day'.

In this lovely movie, directed by the Disney big-three of Madeline Sharafian ('Burrow'), Domee Shi ('Turning Red') and Adrian Molina ('Coco'), off a script from the trio of Julia Cho ('Turnign Red' again), Mark Hammer and Mike Jones ('Soul'), young Yonas Kibreab voices are intrepid explorer in a breakout role. Yet the real star, or voice, of the show is 'Emilia Perez' Oscar winner Zoe Saldaña (of the 'Guardians Of The Galaxy', 'Avatar' and 'Star Trek' franchise films) as an amazing aunt, we all know well. 'Elio' also stars Remy Edgerly, Brandon Moon, Matthias Schweighöfer, Brad Garrett and 'The Good Place' of Jameela Jamil in a fond and favourable film that will remind you of everything from 'Super 8' and the 'Flight Of The Navigator', nuance in nostalgia, to Disney's own 'Lilo & Stitch', 'WALL-E' and 'Coco' for its dedication to family gone, but still living on in the devotion of our hearts.

And the magic of science, like that Mexican music, as 'Elio', like 'Luca', goes interstellar on his voyage. One where he meets some of the cutest creatures and sentient beings that won't have you scared of creepy crawlies, or even A.I. any more. Especially when they swaddle you, or call you by their name. Going intergalactic like the Beastie Boys, this kid is one hell of a heaven sent ambassador. Especially when he negotiates around potential star wars with the cutest bargaining chip. 'Elio' may have underperformed at the box-office, but what doesn't these days (Disney' 'Tron: Ares', we're looking in your direction)? Yet now it finds a home on the earthbound Disney Plus, this film about social isolation is set to breakout like adolescent acne. This attack of the clones even gives you a thumbs up 'Terminator' reference in a film chocolate chocked full of Easter eggs that will have you crying with laughter (I promise...it's laughter). So salute this film that is pure fan and family service. Um-Earth will never be the same. Okay, bye. I love you. TIM DAVID HARVEY.

Further Filming: 'Flight Of The Navigator', 'Lilo & Stitch', 'WALL-E'

REVIEW: FRANKENSTEIN

4/5

It's Alive

150 Mins. Starring: Oscar Isaac, Jacob Elordi, Mia Goth, Felix Kammerer, Lars Mikkelsen, Burn Gorman, Ralph Ineson, David Bradley, Charles Dance & Christoph Waltz. Screenplay: Guillermo del Toro. Director: Guillermo del Toro. On: Netflix.

Desire to divine Guillermo del Toro's 'Frankenstein'. It's no secret that the 'Pan's Labyrinth' and 'The Shape Of Water', Academy-Award winning director, has long-harboured a yearn to reanimate Mary Shelley's 1818 classic novel into a passion project of his own. And now, rocking a boat (the Royal Danish Navy's Horisont) with Netflix, 'The Devil's Backbone' and 'Nightmare Alley' director can add his first film since his real and richer than Disney, 'Pinocchio' picture, to his cabinet of curiosities. Although it, and its 'Crimson Peak' tones, belong on the biggest, IMAX inspired, slice of silver (which it had, albeit in limited takes), and not those small smartphone streaming screens. All as this gothic science fiction drama, directed, written and produced by the Mexican maestro, becomes one of the greatest Frankenstein adaptations since the 1910 movie produced by the inventor of the lightbulb, Thomas Edison. Whether Hammer films, 'Van Helsing', or even 'Frankenweenie'.

Universal Pictures almost even added a Frankenstein movie to their abandoned Dark Universe, that unravelled after Tom Cruise's 'The Mummy' flop, set to star 'No Country For Old Men' and 'Dune's' Javier Bardem. And we still want to see that, like the amazing actor, himself, does. Yet, who better to take on Victor Frankenstein (James McAvoy came close) than the dark materials master of del Toro? The 'Hellboy' and 'Blade II' dynamic director, with sticks of dynamite, is faithful to Shelley's 'Frankenstein; or, The Modern Prometheus' (even at one perfect shot, looking like Ridley Scott's 'Prometheus') sacred text. The perfect companion. Really showing that this epic story is all about the loneliness stirring at the hearts of men, not just repressed rage, before people start pasting it as a poster for the 'Tortured Boys Club' epidemic. This, instead, is beautifully poetic, even profound in moments at its most brutal. Because, streaming this weekend, one week after Halloween, as part of a monster mash with the 'Predator: Badlands' sequel, there's one thing you have to know. I will call this man a monster no longer.

Or maybe two things. When trick or treaters knock at your door, and you see that famous square green mask, with a bowl cut, and bolts coming out its neck, what do you think? Frankenstein, right? Right?! Wrong! That's the Creature. Victor Frankenstein is the man who made this gentle giant. But then again, maybe this is Mary's point. Because we all know who the real monster is now, don't we? Peter Cushing and Christopher Lee. Kenneth Branagh and Robert De Niro in 'Mary Shelley's Frankenstein'. Even Sting. But now it's Oscar Isaac and Jacob Elordi's turn as the arrogant scientist and the devastating consequences. And the perfect pair make for a powerhouse and powder keg of a combustible combination. Telling their own tales for parts, after the prelude for the post finale wraparound to GDT's stitched together storytelling arcs. An inspired Isaac ('A Most Violent Year', 'Ex Machina', 'Moon Knight') is back to his 'Inside Llewyn Davis' best, like this modern day Pacino is one of the most underrated thespians around. Delivering dark and fantastic foreboding since the terrific trailer. But an unleashed Jacob Elordi ('Saltburn', Elvis in 'Priscilla') is a different, haunted beast altogether. Put bolts in that golden statue's neck.

Elsewhere, the glorious Mia Goth ('A Cure For Wellness', 'X') offers even more grace gravitas to this big, bold and beautiful picture. Far from just the "scream queen" title, she rebukes. On double-duty, playing both Frankenstein's late mother, and his brother's wife, this is far from a Freudian slip. This is a woman's love that influences everything a man, who misses his, goes through. The brother who art thou is played perfectly by 'All Quiet On The Western Front' breakout talent Felix Kammerer ('Eden', 'All The Light We Cannot See'), delivering the most devastating dialogue. 'The Witcher', 'Sherlock' and 'Ahsoka' actor Lars Mikkelsen also makes a killing as the Copenhagen captain. Guillermo del Toro's 'Pacific Rim' comic-relief Burn Gorman takes names as an executioner. And even Galactus himself, Ralph Ineson ('Nosferatu') shows up with that iconic voice to an incredible scene in the Royal College of Surgeons of Edinburgh. But for GDT, it's the big-three of 'GOT' actors David Bradley and Charles Dance, and the iconic Christoph Waltz ('Inglourious Basterds', 'Django Unchained'), fresh off having you dying laughing at 'Only Murders In The Building', that really flip the switch. The electricity is charged. A victorious Frankenstein. TIM DAVID HARVEY.

Further Filming: 'Pan's Labyrinth', 'The Shape Of Water', 'Crimson Peak'.

REVIEW: PREDATOR - BADLANDS

4/5

Caught In A Crossfire

107 Mins. Starring: Elle Fanning & Dimitrius Schuster-Koloamatangi. Screenplay: Patrick Aison. Director: Dan Trachtenberg. In: Theatres.

The hunt is back on, but like you've never been preyed on before. Director Dan Trachtenberg ('10 Cloverfield Lane', 'The Boys' pilot) is to the 'Predator' franchise, what the Russo Brothers are to Marvel. Ever since 2022's 'Prey' revived the dread locked hunter. Taking what was previously a co-'Terminator', Arnold Schwarzenegger star vehicle (a chopper?), like rival Sly Stallone had 'Rocky' and 'Rambo', and making it as worthy a cult science-fiction as the 'Planet Of The Apes', or the 'Alien' cousin its gone 'V' head-to-head with (check the Easter Eggs). Hunting down the forest of films, including 'Predator 2' (starring "too old for this s###" Danny Glover and his lethal weapon), 'Predators' (with 'The Brutalist' Oscar winner, Adrien Body) and the even more confusingly titled 'The Predator' ensemble, to be king. All these 'Fast & Furious' (the fourth film) subtle name changes to try and recharge the franchise with a new beginning. Only for a complete shift to truly bring this predator, that is now 'Prey', back to its roots.

Trachtenberg has taken us even further with two releases this calendar, like Willie Nelson, directing the amazing animated 'Predator: Killer Of Killers' that heated up this summer on Hulu and Disney Plus and furthered the franchise. Dan is the man, and he really needs to give us that World War II idea, in the trenches killing Nazis, like Tarantino, for what sounds like the most fun since the zombie bonus you unearthed in 'Call Of Duty'. But for now, he gives us 'Predator: Badlands', one week after Halloween. All for a monster mash that sees Guillermo del Toro's 'Frankenstein', starring Oscar Isaac, come alive on Netflix this weekend. Speaking of 'Badlands' for a head-on collision, smashing in your guts, if you were disappointed with the Bruce Springsteen 'Deliver Me from Nowhere' biopic starring 'The Bear' Jeremy Allen White, then this fear so real, that wants your heart and soul, is no sin. Alive with the fact that it's starting to treat the 'Predator' franchise good.

"First hunt. Last chance," the perfect poster reads for this film, scripted by Patrick Aison. In this ninth instalment and seventh solo film, the Predator is one who wants to earn his cloak, getting it in the mandibles from his father after his brother tries to show him the way. Our hunter, Dek, from the planet Yautja Prime, is the runt of the litter (I mean, look at this guy! How do you even market this movie?), who must claim his prize if he wants to show his "one ugly motherf#####" face back home. Unlucky for him, like a kid at a UFO catcher whose searching for toys his crane can't claim, the big beast in question has more lives than a comic-book character. Respawning like a video game. Dimitrius Schuster-Koloamatangi ('Jonah', 'The Panthers') brings a brutal heart and beating soul, behind the Predator mask and make-up (this is what Van Damme should have done), but he'll need all the tools at his disposal. And this is where he meets an android in the form of Elle Fanning (more 'Alien' links? Especially with that power loader mech), and 'The Neon Demon' and 'A Complete Unknown' steals the show, without so much as a pair of legs, Lieutenant Dan. Even though they do their own a## kicking, (but we shouldn't spoil what more she brings here). This is one 'Predator' that's bad a##! TIM DAVID HARVEY.

Further Filming: 'Predator', 'Prey', 'Predator: Killer Of Killers.'