With the release of his directed take on 'Jersey Boys', here's the biggest billboard, greatest hits for Clint Eastwood off Broadway. DIRTY HARRY: When it comes to detective's who's the best? Richard Roundtree's the man but this bad mother would kick John in the shaft and shut his mouth. You're damn right. I'm talking about 'Dirty Harry'. Can you dig it? The ultimate Eastwood picture. The Clint we all know; Frank Callahan. Cantankerous, classy, confident and in some ways contagiously charismatic and charming. Classic. The ultimate detective film. Part police officer, part Eastwood cowboy, minus the Stetson. Moody but magnificent with the force of a magnum. I know what you’re thinking, is there a cop better than him? Well look at five more police films or even six and see if any punks lucky enough to take his badge. Well, do you feel lucky…punk?
MILLION DOLLAR BABY: This is Clint’s picture that really directed towards greatness in the eyes of film fans and their view of who are the cinematic greats behind the lens. With a great performance on screen too, Clint brings the best out of Hilary Swank as together they pull all the punches and sandbag the notion, that women in boxing, or sports all together is something to be sneered at. Influential, impacting, sobering and serious, this film throws down hard, in and out the ring. Also with frequent collaborator Morgan Freeman again in his corner the two elder greats and statesman bring the best out of each other.
LETTERS FROM IWO JIMA: Alongside the classic ‘Flags Of Our Fathers’ Clint goes to war against ignorance and misplaced pride as he gives us a take on World War II from the Japanese perspective. With a stunning lead role by Ken Watanabe and arguably Clint Eastwood’s most direct, influential and important work behind the lens this revealing, thought inducing film is unconventional but should never be labelled controversial. It is character study of great depth and consideration that we should all look into, through our hearts and souls. It’s a look at the other side of the coin, someone else’s opinion, thoughts and feelings. With everything against him Clint does what any decent man should feel like it is his duty to do, and that is spare a thought for someone else and what they’re going through. There are always two sides to every story. We should all sit up and take notice.
CHANGELING: Challenging, moving, thought-provoking story of drama of the highest order. Another example of Clint’s subtle but sublime and serious direction and his work at raising awareness at crimes towards children. A subject he see’s as heinous but one that needs to be addressed. Rightfully so-like the incredible ‘Mystic River’-Clint does this with dignity and due diligence. Angelina Jolie gives an understated but magnificent performance as a grief stricken mother whose son is kidnapped. In her battle against the debt of doubt and a corrupt police force Jolie shows us just how much she deserves to be one of Hollywood’s biggest stars. Also Eastwood continues his legendary filmography with a perfect capturing of Los Angeles in the late twenties. Just like ‘J. Edgar’, despite some harsh overtones, the backdrop makes for a beautifully perfect, period piece. Compelling, cinematic and classic.
INVICTUS: Last year Matt Damon really displayed his versatility in 'True Grit' but if you thought this was the first time that Damon showed his range then you'd be wrong. Matt's portrayal of South African Springbok rugby star Francios Pienaar showed incredible dedication. The leading man bulked up and even dyed his hair a suspect Bros, blonde in a superb performance in Clint Eastwood's compelling epic. This was another great collaboration between Eastwood and Damon and Clint and another man. That man being Morgan Freeman in his long-awaited, highly anticipated, legendary, Oscar worthy performance as Nelson Mandela that defined the picture 'Invictus'. This utterly uplifting, incredibly inspiring story of how Mandela used the Rugby World Cup to help unite his people is pure poignancy and gold for the silver screen. Cinematic beauty from the struggle to the success, start to finish.
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BLOOD WORK: What on the outside looks like a T.V. movie is really another Eastwood great with this director/actor’s incredible inside knowledge. With the donated heart of a murder victim, our maverick cop goes on the trail of the killer of the woman that gave him life. If it wasn’t for Clint’s trademark stoicism this would be a thing of poetry.
UNFORGIVEN: Gene Hackman and Morgan Freeman join Clint on his last Western ride as this Outlaw leaves the saloon for the last time. Hanging up his six shooters, Eastwood gave the West one of its wildest tales. In a chilling classic, the pitter patter of rain on the roof of a saloon has never sounded so sinister or gripping.
THE BRIDGES OF MADISON COUNTY: You’re parent’s favourite movie. Clint took the worlds greatest actress Meryl Streep (before she became that...this film helped) and a cheesy novel and turned it into a cornball free classic romance. Our leading man standing in the pouring rain won’t leave a dry eye. TIM DAVID HARVEY.
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