Sunday 26 November 2017

REVIEW: THE PUNISHER Season 1

4/5

The Winter Soldier.

13 Episodes. Starring: Jon Bernthal, Ben Barnes, Amber Rose Revah, Ebon Moss-Bachrach, Jaime Ray Newman, Daniel Webber, Michael Nathanson, Jason R. Moore, Shohreh Aghdashloo, Paul Schulze & Deborah Ann Woll. Creator: Steve Lightfoot.

One batch! War Machine. The Winter Soldier. Cross Bones with the skull. Call Netflix's New York anti-hero assassin 'The Punisher' all the Marvel monkiers you want, but in this graphic comic book, noir novel ultraviolence there's a beating heart behind that bulletproof vest. As to be Frank 'The Walking Dead's' Jon Bernthal is the king of Castle. Sorry Thomas Jane and Dolph. And we didn't make it to the opening batch of credits in episode one before this leather and lead character made this our new favourite binge-watched Marvel/Netflix show. Sorry Red! And to think you gave this murderer half a series Murdock. But now the scales of criminal justice lean to the punishment of the death penalty. And Bernthal's Frank Castle with the burner executes it all sniper-precision perfectly. He's surgical with this. Just like he is in Marlon methodological acting form-no Joker, Jared Leto bullets in the mail with Deadshot Will Smith's name on it disrespectful bull####-as meticulous as his mark cleaning and reloading his pistol like he was taking care of an old dog. With some new tricks up his sleeve too, Jon is the don as Frank Castle's Punisher in perfect preperation for pain. This is the same man who every day at the crack of dawn walked across the February freezing, Brooklyn Bridge to the 'Daredevil' set with a backpack weighing him down along with passerby comments warning him to not "f### this up". The same 'Fury' of a tank war torn soldier who wasn't able to see his newborn son whilst filming David Ayer's battle bloody epic alongside Brad Pitt until his kid was eight months old...talk about the haunting yearning for family. Hey this was the only wolf of Leonardo DiCaprio's who could sell you that damn pen. Supply and demand...BOOM! And after the maverick magazine of his definitive 'Daredevil' second season debut, Bernthal's Castle's Punisher widens the scope to a range that still hits from the King Kong aint got s### on him top of the Empire State Building, all the way to the street level, Marvel Netflix smartphone age streaming show. Continuing Marvel's cinematic magic on the smallest screen that still manages to pull even more tricks and weapons out the bag of 'Jessica Jones', 'Luke Cage', 'Iron Fist' and the devil of Hells Kitchen 'Defenders'. Following the kid Tom Holland's 'Spider-Man: Homecoming' to this universe in a scorching summer that started early with those 'Guardians Of The Galaxy' a-holes marching to 'Vol. 2' and still lasted through the Autumn/Fall of a fun 'Thor-Ragnarok' that continued the formidable force of a formula even 'Wonder Woman' couldn't quite lasso...(truth!). But this all-blackout Punisher like Fox's Wild West 'Logan' and the new years 'Black Panther' is a whole new animal before the real war of 'Infinity' begins. Now tell me this Friday would you rather join Batman and Superman's 'Justice League' or stay in and binge?

Two batch! But this time this one man, raw revenge ravaged, vigilante gun-show army does not go it alone. Even if a Marvel Asia, Far East trailer tease of him arming up with 'The Defenders' turned out to be empty shell casings. But here we are so entrenched with Castle-mania we don't mind if we don't see the lawyer in little boy pajamas with horns, the smart-mouthed, hot-shot private investigator, the man with unbreakable skin and the kid with the glowing fist at all. 'Hannibal' screenwriter and this showrunner Steven Lightfoot really has his fill...and boy does he eat. And at least he brings the journalistic integrity of 'True Blood'/'Daredevil' legal aid Deborah Ann Woll back to the table on fantastic form filling in for the first Netflix show the Night Nurse of Rosario Dawson doesn't patch up. Do you honestly think the Punisher's going to let anybody stitch him up? Besides everybody needs a best friend and pretty boy with scars, 'Dorian Gray' (spot the by the book Easter Egg) actor Ben Barnes is on brush stroke hand to put the puzzle pieces together and paint a perfect portrait, aswell as drop the Anvil. Cosying up to 'From Paris With Love' great cop Amber Rose Revah giving Simone Missick's Misty Knight a run for her legal strong-arm. Partnering up with 'The Knicks' oft-comical relief Michael Nathanson, with the mothering wisdom of 'The Promise's' Shohreh Aghdashloo watching over her here. The Micro chips of 'Girls' and 'The Lake House' actor Ebon Moss-Bachrach are also down as this tech survivalist crucified to a console plays a savvy spook who is haunted by the family he taps into and looks over on a screen but can't touch. Mothered by moving 'Eastwick' actress Jaime Ray Newman who is stay at home and alone with her agony whilst the Punisher plays pigskin catch, spiral throwing pops. Amazing australian actor Daniel Webber also boldly and brilliantly brings some down and out drama from under the skin of this skull bone to these storyline cartridges that intertwine with the influence of military and lost families and souls overseas or domestic. The war torn, shell shocked battle scars that we can't see on these young men that serve for their country and clearly visible to feel here. Especially in the best thing about this show apart from Frank in vet Jason R. Moore, running a Falcon grounding like support system group project that is more than just stacked chairs in a circle. There's a lot of heroes and fallen ones in this complex character study of the ultimate anti-hero that needs a real villain and has one in the vile eye of the recognisable face of T.V veteran Paul Schulze of 'Justice', 'Law & Order', 'NYPD Blue' 'CSI', 'Boston Legal', 'The West Wing', 'Suits', 'The Sopranos' and '24' fame. But for all those shows on the resume, Netflix and it's new different type of hero are saving how shows like this are run in streams.

Penny and dime! And you don't need a dozen reasons why plus a mixtape to reel to reel feel that these lucky 13 episodes available in a one shot instant breaks the recent Marvel/Netflix fatigue trend of too many episodes and too much exposition that even the eight wonder of 'The Defenders' didn't offend. Right from the black and chrome, instant classic, gun metal detail title sequence, scored by what on the matt-black surface sounds like the instrumental for a Cash and Cohen collabo. Right now this is the one to watch right away in full. Especially now you've finished watching 'Stranger Things 2', in addition to the week by week new 'Star Trek-Discovery' taking a Winter break hibernation hiatus and the falling 'House Of Cards' (with all due respect to First Lady Robin Wright's justified on screen turn) being something you shouldn't really watch justly anymore. Time for Spacey to see 'Orange Is The New Black'. Right from the Wolverine like trademark grunting and growling roar and first 'John Wick' sledgehammer to the concrete of a man with hipster hair and a lumberjack facial one working construction and just wanting to be left alone to his bricks and mortar. Following an oil drum burning of his white skull paint, bulletproof vest spraying signature past, buried like his family and their killers. The cement mixing beginning of looking out for the little guy sets in motion a behind the gun range of sub stories handily held and creative characters that exit as quickly as they enter. Focussing on news story at the moment topics like modern warfare (the 'Kandahar' catalystic episode playing out like a more serious Brad Pitt Netflix only 'War Machine' movie), domestic terroism, PTSD, military and police corruption and gun control. But if you nuts that think there's no bolts behind Castle's heavy metal Metallica just want a firefight, then just wait for the Pacino and De Niro heat that's coming towards the end of the line as the vets vest is velcro strapped back on for the last carousel ride of the night. And in this bullet train time, once Castle runs through these bad guys like moats you know it's not all water under a bridge. Bernthal, armed with not only an artillery arsenal and the Battle Van (and also a muscled up car chase chicken scene straight out the 'Bullitt homage screenplay playbook of 'Days Of Thunder' legend Tom Cruise's 'Jack Reacher') shows you the bruises behind the bullets that don't shatter the skin and in doing so he brute soulfully fleshes out this mere mortal mans character in a world full of enhanced superheroes like no other. After moonlighting as a bank robber who if you didn't see again would mean he was dead in this years best blockbuster 'Baby Driver' and in cameo form in Taylor Sheridan movies like 'Sicario' and 'Wind River' (not to mention banking in on a much more slick hitman assassin in Batman Ben Affleck's 'The Accountant'), 'The Peoples Champ' actor Jon Bernthal is back to make those accountable for their actions attainable. Raging with a real devil red anger only suppressed by silencing those with their finger on the trigger, Bern brings a sense of righteousness to his kill that could even floor Captain America and his all-American stars and stripes code. This buck is the real Winter Soldier with termination on this judgement day. Now we can only hope there is a second batch to this gunpowder plot for this war journal and it's Jon's raw and real compelling storytelling. As this one and done is a whiskey straight shooting, no blank, click-clack classic. BANG! Now reload. TIM DAVID HARVEY.

Further Filming: 'Daredevil (Season 2)', 'The Punisher: War Zone', 'Captain America-The Winter Soldier'.

No comments:

Post a Comment