Thursday 28 November 2019

T.V. REVIEW: THE CROWN Season 3

4/5

The Royal Favourite.

10 Episodes. Starring: Olivia Colman, Tobias Menzies, Helena Bonham Carter, Ben Daniels, Josh O'Connor, Erin Doherty, Marion Bailey, Jason Watkins, Geraldine Chaplin, Derek Jacobi & Charles Dance. Creator: Peter Morgan.

Shimmering to the Hans Zimmer scored iconic theme, by royal appointment 'The Crown' jewel of a series is back for its third season on the throne. But atop the heavy head the now iconic names of Foy, Kirby and Matt Smith's reign have ended. It's now legendary monkiers like Colman and Carter that take the throne and takeover this game like Turner. Imagine being queen for a day. Unless your Beyoncé thats a tiara dream. But Oscar 'Favourite' Academy Award winner Olivia Colman is just that again and more. Being knighted as two Queen's in one year one would have you know. This series has always stole the show like Emmy award winning '3rd Rock From The Sun's' John Lithgow as two fingers and a cigar up, just as good as Gary Oldman's 'Darkest Hour', Oscar winning Winston Churchill. It's basically a British version of 'The Godfather' with crowns...and corgis instead of horses heads. But plenty of offers you can't refuse. Before being the Duke of Edinburgh, Prince Philip...or should we say Matt Smith had the good 'Doctor Who', but after this coronation Claire Foy starred in 'First Man' and 'The Girl In The Spider Web' and Vanessa Kirby stole the show like she did here in franchise sequels and spin-offs like 'Mission: Impossible-Fallout' and the 'Fast and Furious', 'Hobbs & Shaw' team-up movie. Being in the royal family opens a lot of doors...so does talent. Foy's regal war ended last season in Windsor with an amazing emotional evoking, without word expression (Olivia has one of her own in the fitting finale too) that went from the feeling when you prove you are right about someone being in the wrong, to the pure devastation and the want for their vindication that comes next when you are too busy feeling the need to get one over on the other that you forget how much that's actually in fact going to put you under. It's an iconic moment for an actress as such. And then there was a royal, Christmas card like speech snap by that royal photographer who talks about things so pretentious pomp and corny circumstance over the top ("OH, JUST TAKE THE BLOODY PHOTO") that he makes Alec Baldwin's 'Friends' character sound like Kawhi Leonard. A HA, haaa. And then in a flashbulb that was it. It was all over for this younger generation all too soon, like they had more to tell us in their story. And they do...we would welcome another throwback season aswell as a flashback episode as much as we missed Lithgow or King father Jared Harris. But as the coin flips it's Olivia's time now. As Foy and Kirby were so good they could only be replaced by names like Colman and Carter. Crown it.

Old bat? Never that. There's a great many changes to the settled sovereign. One just has to get on with it. Signed, licked the stamp sealed and delivered in a "you look a little different", genius meta moment of acknowledgement of character change in a T.V. show since Will Smith's fourth wall break to us when they changed who played Aunt Viv in 'The Fresh Prince Of Bel-Air'. And it doesn't take one long to settle into the bells and whistles of Her Majesty's pearls and waves either. In her pilot flight the outstanding Olivia in the epic episode opening already passive aggressively, subtley crucifies a spy inside Buckingham Palace. All whist publicly doing so in a speech were she still maintains her regal class and dignity. Served...with silver service. But then with the 'Margaretology', Helena Bonham Carter takes the centre stage like only she or Princess Margaret can in the United States of all places. As she negotiation engages in a Limerick off with President Johnson for a White House, "guess whose coming to dinner", forget your manners at the table scene that is simply dynamite. But it's the last epic episode where Bonham Carter shows unlike Netflix one is no joke. And how about Prince Philip and the Duke of Edinburgh's driving force (and if you think that license revoked gaff was bad, then just wait until you see the giant leap behind the wheel he manoeuvres after being inspired by the 'Moondust' landing of one small step for Neil Armstrong and what that first man and NASA did for mankind) in the mothering of the 'Bubbikns' episode were the vanity of a Jackie Kennedy like documentary tour turns into a force or reflection as the terrific Tobias Menzies (who left such a scar in his 'Casualty' time that you still remember that face decades later like his reflective 'Black Mirror' shimmer) shows he is more than just an incredible impression, or spitting image, but an actor of accented acclaim? The real heart of the crown lies here or in the soul of the series that takes it to Wales like a young Charles ('God's Own Country's' own outstanding Josh O'Connor. And how about the episode were he falls head over ears for Camilla?) truly becoming King as lost in translation and duty to family and the throne he learns more than the language and the lay of a land that wants their own voice and a royal reply in kind. But the episode that will stay with you like a single tear in portrait profile is the events of the Aberfan Welsh mining village disaster that rocked the nation to its very collective, coming together in song despite the sorrow core. Simply heartbreaking, yet then triumph over tragedy uplifting. Arise.

Golden Globes all round to every member of 'The Crown' knighted. But like Kevin Spacey in 'House Of Cards' and stripped of his title, you can just skip the Prince Andrew bits. Yes this House of Windsor can be a house of horrors, but aside the one under royal investigation right now the remaining palace of portraits have a real humanity to them like we all do, which these characters and all their actors all share. This series based on the play 'The Audience' will always have one. It's just a real shame that just like the last two, now this next generations first series feet are wet they will change again after next season for another set of royals (Helen Mirren reprising her movie role as 'The Queen' (and Naomi Watts as Lady Diana) anyone? Creator Peter Morgan did write that movie along with the Sheen of 'Frost/Nixon', 'The Damned United' and the pre 'Ford Vs Ferrari', 'Rush' race after all). Just as we see the actors getting into their stride we wish we could see more development to their already acclaim as their muse as a whole does. Now horse and corgi hound like Hugh Grant posing as a journalist in 'Notting Hill', after starting the year as Oscar 'Favourite', Olivia Colman ends the calender with this coronation right before the Queen's speech. Taking the throne like Laker legend King James. Stamp 'The Night Manger', 'Broadchurch' and 'Fleabag' T.V. star (just the best of British on the box) portrayal portrait as iconic as the heads of a coin. With these tales we can't tell which throne she takes better. And we're talking about Carol Thatcher in 'The Iron Lady's' role as Queen Elizabeth in 'Hyde Park On The Hudson'. That's three queen's my royal subjects. And how about another Academy Award nominated Queen Elizabeth from 'The Kings Speech' in Helena Bonham Carter for this royal family that shares more than a sword on either shoulder? This CBE (someone will be having words if she gets another one) honoured national treasure who was even more brilliant than her indie meets blockbuster fabulous filmography in 2013's (that long ago...really) 'Burton and Taylor' as Elizabeth is even bed and booze ridden better here at the doomed love affair with photographer come Earl of Snowdon. As an instantly iconic recognizable Ben Daniels takes over from an equally as just Matthew Modine who really took this shows breath away. But from Prime Minsters (an amazing Jason Watkins who we could all need right now) to Queen Mother's (a magnificent Marion Bailey). Not to mention the coming of age of Charles (Josh O'Connor...and a hot Camilla. Who would of thought?) and Anne (the BBC's 'Call The Midwife' and 'Les Miserables' star Erin Doherty singing along to Bowie), that surely deserve even more royal exposure next season. It's Menzies who mesmerises and steals the crown like only Philip wishes he could have. And this is a show that even features a legendary name in Geraldine Chaplin (who was so good in her epic episode of Philip K. Dick's 'Electric Dreams'), the Royal National Theatre's Sir Derek Jacobi himself and even 'Game of Thrones' legend Charles Dance on this one for all the medals. But uptop all of these for Morgan's royal collection is 'The Crown' jewel of Colman. Corgi and best. From the Victorian age to the iron one that comes next. This is her jubilee. Take a knee and bow. Long live the Queen of Queen's. TIM DAVID HARVEY.

Further Filming: 'The Favourite', 'The West Wing', 'Victoria'.

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